The Squid's Ear Magazine

Zorn, John

The Hermetic Organ Vol. 10 - Bozar, Brussels [CD + DVD]

Zorn, John: The Hermetic Organ Vol. 10 - Bozar, Brussels [CD + DVD] (Tzadik)

A combination CD and DVD of John Zorn's improvisation on the powerful organ at Henri LeBoeuf Hall, Bozar in Brussels in a dramatic musical reading of the epic Faust legend, performed with classical soprano vocalist Barbara Hannigan, who improvises with Zorn for the first time, the film allowing listeners to view Zorn's unusual keyboard techniques in close proximity.
 

Price: $29.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



John Zorn-organ

Barbara Hannigan-Vocals


Click an artist name above to see in-stock items for that artist.




UPC: 702397839422

Label: Tzadik
Catalog ID: CD-TZA-8394
Squidco Product Code: 32539

Format: CD
Condition: New
Released: 2022
Country: USA
Packaging: Cardboard Gatefold 3 Panels

Descriptions, Reviews, &c.

"Recorded at the powerful organ at Henri LeBoeuf Hall, Bozar in Brussels, this is one of ZornÕs most beautiful and personal solo performancesÑa dramatic musical reading of the epic Faust legend. Featuring a guest appearance by the sensational vocalist Barbara Hannigan, who is improvising with Zorn for the very first timeÑthis exciting concert is presented here in a special limited edition 2-disc set that includes both a CD and a bonus DVD hi-quality film document of the event. No one plays the organ quite like Zorn and many of his unusual techniques, usually hidden in performance, are presented in close focus. Beautifully filmed by state of the art equipment, this is a wild and colorful concert by two mavericks of new music. Essential!"-Tzadik


Artist Biographies

"John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".

Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.

Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the klezmer/free jazz-influenced quartet Masada, composed over 600 pieces as part of the Masada Songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.

Zorn's compositions cross many genres and he has stated "All the various styles are organically connected to one another. I'm an additive person-the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." For Zorn "Composing is more than just imagining music-it's knowing how to communicate it to musicians. And you don't give an improviser music that's completely written out, or ask a classical musician to improvise. I'm interested in speaking to musicians in their own languages, on their own terms, and in bringing out the best in what they do. To challenge them and excite them." "

-Wikipedia (https://en.wikipedia.org/wiki/John_Zorn)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Embodying music with an unparalleled dramatic sensibility, soprano and conductor Barbara Hannigan is an artist at the forefront of creation. Her artistic colleagues include Simon Rattle, Sasha Waltz, Kent Nagano, Vladimir Jurowski, John Zorn, Andreas Kriegenburg, Andris Nelsons, Esa Pekka Salonen, Christoph Marthaler, Antonio Pappano, Katie Mitchell, Kirill Petrenko, and Krszysztof Warlikowski. The late conductor and pianist Reinbert de Leeuw has been an extraordinary influence and inspiration on her development as a musician. 

The Canadian musician has shown a profound commitment to the music of our time and has given the world première performances of over 85 new creations. Hannigan has collaborated extensively with composers including Boulez, Zorn, Dutilleux, Ligeti, Stockhausen, Sciarrino, Barry, Dusapin, Dean, Benjamin and Abrahamsen.

The 20/21 season presented both challenges and opportunities, and true to form, Barbara continued at her own speed of light, premiering a new live video production of La Voix Humaine in which she both sings and conducts, created in collaboration with video artist Denis Guéguin as part of her residency with l'Orchestre Philharmonique de Radio France. She performed across Europe with colleagues including Sir Simon Rattle and the LSO, Danish Radio Symphony Orchestra, Gothenburg Symphony, Munich Philharmonic, festivals in Ludwigsburg and Aix en Provence, and celebrated her 50th birthday at the Concertgebouw in Amsterdam, conducting the Ludwig Orchestra in works of Haydn, Copland, Barry and two Kurt Weill songs arranged for Barbara by Bill Elliott.

The 21/22 season brings her return to La Monnaie as Lulu in the much-awaited remount of her first Lulu production with Warlikowski from 2012.

Her La Voix Humaine production will take her to London Symphony Orchestra and Munich Philharmonic, and she happily returns to Danish Radio Symphony Orchestra, Orchestre Philharmonique de Radio France, and Gothenburg Symphony Orchestra as well as to her younger colleagues of The Juilliard School.

She will sing the world premiere of a new work by Zosha di Castri with the Toronto Symphony Orchestra, and present several concerts with vocal works by John Zorn in Antwerp, Hamburg and Modena. 

Hannigan's album as both singer and conductor, Crazy Girl Crazy (2017), won the 2018 Grammy Award for Best Classical Solo Vocal album and numerous other awards including an Edison and a Juno. Other recent albums include Vienna: fin de siècle, and Satie's Socrate, both with pianist Reinbert de Leeuw. In spring 2020 she released her latest album on Alpha Classics, La Passione with works of Nono, Haydn and Grisey. Three new cd recordings for the Alpha label are on the way to release.

Barbara's commitment to the younger generation of musicians led her to create the mentoring initiative Equilibrium Young Artists in 2017, and in 2020, Barbara created Momentum: our Future Now, an initiative which encourage other leading artists and organizations to support and mentor younger professional musicians. In spring 2020 Barbara was awarded the Dresdener Musikfestspiele Glashütte Award, and May 2021 saw her awarded Denmark's prestigious Léonie Sonning Music Prize. The financial component of both awards was donated to young artists initiatives.

Originally from Nova Scotia, Barbara resides in Finistère, on the northwest coast of France."

-Barbara Hannigan Website (https://www.barbarahannigan.com/about)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. The Angel of Redemption 6:07

2. Faust 44:11

Related Categories of Interest:

Tzadik

Improvised Music
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Zorn. John
Piano & Keyboards
Duo Recordings
Unusual Vocal Forms
New in Improvised Music
Recent Releases and Best Sellers
Last Copy of Items that will not be restocked...

Search for other titles on the label:
Tzadik.


Recommended & Related Releases:
Other Recommended Releases:
Zorn, John
The Hermetic Organ Volume 11 - For Terry Riley
(Tzadik)
Performing on the 7,466 pipe Æolian-Skinner organ at Grace Cathedral in San Francisco, one of the first American classic-style organs and among the largest church organs in the West, John Zorn continues his solo organ series with this tribute to Terry Riley in two extended improvisations, part of his 70th birthday celebration as part of Fred Barnes's concert series.
Zorn, John / Bill Laswell
Memoria
(Tzadik)
A heartfelt tribute to three significant jazz innovators associated with the 1960's free jazz scene--Pharoah Sanders, Wayne Shorter, and Milford Graves--in one improvisation each from the long-running collaboration of alto saxophonist John Zorn and bassist Bill Laswell, contrasting Laswell's fx-expanded bass underpinnings with Zorn's emphatic and expressive playing.
Zorn, John / Eugene Chadbourne
John Zorn's Olympiad Vol. 3 - Pops Plays Pops - Eugene Chadbourne Plays The Book Of Heads
(Tzadik)
The third volume in John Zorn's "Olympiad" series is this solo performance in 2007 at the Kompo Cultural Center in Gyungee, Korea by Zorn associate and eccentrically eminent improviser Eugene Chadbourne, performing on electric and acoustic guitars as he interprets 15 compositions for improvisers from John Zorn's seminal 1976 series: The Book of Heads.
Zorn, John (w/ Marsella / Roeder / Smith / Lage)
Incerto
(Tzadik)
Bringing together John Zorn's trio from Suite for Piano (Brian Marsella, Jorge Roeder, Ches Smith) with guitarist Julian Lage, this new jazz quartet is a versatile and flexible unit capable of instantaneous changes in direction of genre or mood with virtuosic finesse and sensitivity, as Zorn's compositions explore concepts from Freud, Sartre, and the Uncertainty Principle.
Zorn, John
The Hermetic Organ Vol. 9 - Liber VII
(Tzadik)
John Zorn's extended solo organ improvisation at the 2022 Big Ears Festival in Knoxville, TN performing on the Goulding & Wood seventy-rank organ at St. John's Cathedral, Zorn's performance inspired by Aleister Crowley's Liber Liberi vel Lapidis Lazuli and performed in a kind of trance state, as he traversed moods and mystery in a 44 minute journey of massive sound.
Zorn, John (Marsella / Roeder / Smith)
Suite for Piano
(Tzadik)
Blurring the lines between composed and improvised music, John Zorn's ten-part composition in his "Suite for Piano" was inspired in part by the Goldberg Variations and Schoenberg's solo piano music, set in the classic piano trio format and performed by extraordinary New York musicians and improvisers, Brian Marsella on piano, Jorge Roeder on bass, and Ches Smith on drums.
Zorn / Chadbourrne / Bradfield / Baker / Hutton
John Zorn's OIympiad - Vol. 2 Fencing 1978
(Tzadik)
Two exceptional live performances of John Zorn's interactive "Fencing" concept leading free improv into unusual directions, from the early Downtown NY scene in 1978, first at Zorn's own loft in the trio of guitarists Eugene Chadbourne, Duck Baker and Randy Hutton; then at Bard College, in Kingston, NY with Zorn on multiple reeds, Chadbourne on guitar and Polly Bradfield on violin.
Zorn, John (Frisell / Riley / Lage)
Teresa de Avila
(Tzadik)
The third and final CD in composer John Zorn's trilogy inspired by historic figures of Christian mysticism, following works for Francesco d'Assisi and Julian of Norwich, these 10 pieces are conducted by Zorn and written specifically for the acoustic guitar trio of Bill Frisell, Julian Lage and Gyan Riley; an album of breathtaking character and inspired playing.



Customers Who Bought This Item Also Bought:
Monk, Thelonious Quartet
Live Five Spot 1958, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Revisiting and remastering two 1958 albums on the Riverside Label (Monk in Action and Misterioso), then remastered as At The Five Spot on Milestone in 1977, this quartet show a different take on Monk's music through the authoritative playing and interpretations of Monk's music by tenor saxophonist Johnny Griffin, intensified by drummer Roy Haynes and bassist Ahmed Abdul-Malik's solid support.
Shepp, Archie
The Way Ahead / Kwanza / The Magic Of Ju-Ju, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Three albums and three distinct groupings in this essential remaster & reissue of two late 60s and one 70s Impulse! albums from saxophonist and composer Archie Shepp, in configurations of septets and nonets with luminaries of the day performing Shepp's rhythm-centric jazz focused on the Afrocentric experience, drawing on blues and spirituals in free jazz settings.
Rossetto, Vanessa
The Actress [2 CDs]
(erstwhile)
An unusual narrative of field recordings, electronics and chamber instrumentation from composer Vanessa Rossetto, through two CDs weaving an abstracted and detailed story of recurring motifs, indescribably intertwined with spoken word, equestrian moments, environmental recordings, and melodic progressions of strings and harps; a momentous work of collaged composition.
Maroney, Denman / Scott Walton / Denis Fournier
O Kosmos Meta
(RogueArt)
A truly inventive collective trio of free improvisers from Denman Maroney on hyperpiano (a conventional piano played with one hand on the keys and other inside the piano), West Coast double bassist Scott Walton and French drummer Denis Fournier, performing within the piano trio format and then turning it on its side with unexpected approaches to their conversations.
McPhee, Joe / Michael Bisio / Fred Lonberg-Holm / Juma Sultan
The Sweet Spot
(RogueArt)
Bringing together four masterful players into the studio in NYC--Joe McPhee on saxophones, Michael Bisio on double bass, Fred Lonberg-Holm on cello and Juma Sultan on percussion--for a set of with one composition each from McPhee, Sultan and Lonberg-Holm, two collective improvisations, Charlie Haden's "Human Being" and Henry Grimes "For Django".



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC