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Wright, Frank Trio

Frank Wright Trio [VINYL]

Wright, Frank Trio: Frank Wright Trio [VINYL] (ESP-Disk)

Mississippi born, saxophonist Frank Wright followed Albert Ayler to NYC to join the free jazz scene of the mid-60s, signed to ESP on the spot after label owner Bernard Stollman heard him sit in with John Coltrane, this his first release on label in a trio with bassist Henry Grimes and drummer Tom Price as they rip through three original Wright compositions.
 

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product information:


UPC: 825481102315

Label: ESP-Disk
Catalog ID: ESPDISK 1023LP
Squidco Product Code: 32449

Format: LP
Condition: Sale (New)
Released: 2022
Country: USA
Packaging: LP
Recorded on November 11, 1965 in NYC. Originally released in 1966 as a vinyl LP on the ESP label with catalog code ESP Disk-023


Personnel:

Henry Grimes-bass

Tom Price-drums

Frank Wright-tenor saxophone

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Artist Biographies:

"As of the beginning of 2016, master jazz musician Henry Grimes (acoustic bass, violin, poetry, illustrations) had played more than 615 concerts in 31 countries (including many festivals) since 2003, when he made his astonishing return to the music world after 35 years away. He was born and raised in Philadelphia and attended the Mastbaum School (1949-52) and Juilliard (1952-54). As a youngster in the '50's and early '60's, he came up in the music playing and touring with Willis "Gator Tail" Jackson, Arnett Cobb, "Bullmoose" Jackson, "Little" Willie John, King Curtis, and a number of other great R&B / soul musicians; but drawn to jazz, he went on to play, tour, and record with many great jazz musicians of that era, including Albert Ayler, Don Cherry, Benny Goodman, Coleman Hawkins, Roy Haynes, Lee Konitz, Steve Lacy, Charles Mingus, Thelonious Monk, Gerry Mulligan, Sunny Murray, Sonny Rollins, Pharoah Sanders, Archie Shepp, Cecil Taylor, and McCoy Tyner. Sadly, a trip to the West Coast to work with Al Jarreau and Jon Hendricks went awry, leaving Henry in Los Angeles at the end of the '60's with a broken bass he couldn't pay to repair, so he sold it for a small sum and faded away from the music world. Many years passed with nothing heard from him, as he lived in his tiny rented room in an S.R.O. hotel in downtown Los Angeles, working as a manual laborer, custodian, and maintenance man, and writing many volumes of handwritten poetry. He was discovered there by a Georgia social worker in 2002 and was given a bass by William Parker, and after only a few weeks of ferocious woodshedding, Henry emerged from his room to begin playing concerts around Los Angeles and shortly afterwards made a triumphant return to New York City in May, 2003 to play in the Vision Festival. Since then, often working as a leader, he has played, toured, and / or recorded with many of this era's musical and literary heroes, such as Chris Abani, Rashied Ali, Geri Allen, Marshall Allen, Barry Altschul, Fred Anderson, Tatsu Aoki, Newman Taylor Baker, Billy Bang, Harrison Bankhead, Amiri Baraka, Joey Baron, Hamiet Bluiett, Dave Burrell, Roy Campbell Jr., Alex & Nels Cline, Cooper-Moore, Marilyn Crispell, Connie Crothers, Ted Curson, Andrew Cyrille, Thulani Davis, Toi Derricotte, Bill Dixon, Pierre Dorge, Hamid Drake, Paul Dunmall, Cornelius Eady, Kahil El'Zabar, Douglas Ewart, Bobby Few, Charles Gayle, Melvin Gibbs, Yoriyuki Harada, Craig Harris, Graham Haynes, Karma Mayet Johnson, Edward "Kidd" Jordan, Andrew Lamb, Nathaniel Mackey, Maria Mitchell, Nicole Mitchell, Roscoe Mitchell, Elaine Mitchener, Louis Moholo-Moholo, Meredith Monk [recording only], Jemeel Moondoc, Jason Moran, David Murray, Sunny Murray, Amina Claudine Myers, Zim Ngqawana, Kresten Osgood, William Parker, HPrizm (High Priest, Kyle Austin), Odean Pope, Avreeayl Ra, Tomeka Reid, Vernon Reid, Marc Ribot, Matana Roberts, Orphy Robinson, Brandon Ross, Lee Mixashawn Rozie, Mark Sanders, Rasul Siddik, Wadada Leo Smith, Warren Smith, Tyshawn Sorey, Sekou Sundiata, Tani Tabbal, Jamaaladeen Tacuma, Aldo Tambellini, Greg Tate, Cecil Taylor (reunion), Chad Taylor, John Tchicai, Pat Thomas, Henry Threadgill, Edwin Torres, Dwight Trible, Jeff "Tain" Watts, Ed Wilkerson Jr., James Zollar, John Zorn, and too many others to list here. In the past few years, Henry has also held a number of residencies and offered workshops and master classes on major campuses, including: Berklee College of Music (Boston); Buffalo Academy for Visual & Performing Arts (upstate New York); CalArts, hosted by Wadada Leo Smith (Valencia, California); the Carlucci School, with Andrew Lamb and Newman Taylor Baker (Portugal); Hamilton College of Performing Arts, with Rashied Ali (upstate New York); Humber College (Toronto); JazzInstitut Darmstadt (Germany); Mills College, hosted by Roscoe Mitchell (Oakland, California); New England Conservatory (Boston, Massachusetts); Scuole Bruscio and Scuole Poschiavo (Switzerland); the University of Gloucestershire at Cheltenham (U.K.); University of Illinois at Urbana-Champaign, Illinois; University of Michigan at Ann Arbor; and several more. Henry can be heard on about a dozen new recordings, made his professional debut on a second instrument (the violin) at the age of 70 alongside Cecil Taylor at Lincoln Center, has seen the publication of the first volume of his poetry, "Signs Along the Road," by a publisher in Cologne, and creates illustrations to accompany his new recordings and publications. He has received many honors in recent years, including four Meet the Composer grants. Mr. Grimes can be heard on 90+ recordings on various labels, including Atlantic, Ayler Records, Blue Note, Columbia, ESP-Disk, ILK Music, Impulse!, JazzNewYork Productions, Pi Recordings, Porter Records, Prestige, Riverside, and Verve. He is the subject of a new biography published in London, "Music to Silence to Music: A Biography of Henry Grimes" by Dr. Barbara Frenz, with a beautiful foreword by Sonny Rollins (http://tinyurl.com/h9f8mo4). And on July 7th, 2016, Henry received a Lifetime Achievement Award and played a full evening of concerts with groups of his own choosing in the Arts for Art / Vision Festival at Judson Memorial Church in New York City , where he had also played and recorded with Albert Ayler's group back in the '60s. Henry Grimes is now a permanent resident of New York City and welcomes students here."

-Henry Grimes Website (https://henrygrimes.com/biography/#FullLength)
1/31/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Tom Price is a jazz drummer and percussionist, known for the group Burton Greene Quartet, Frank Wright Trio, and Henry Grimes Trio.

"He was born on September 27, 1942. He is the son of the late trumpeter Barney Price and brother of bassist, Bunny Price. His uncle Billy Price, a drummer who had to stop because of ill health, first influenced him.

The Summer Street building that once housed the ElksTom Price studied privately with local drummer Joe Brindizi, Alan Dawson and George Kloss. As a teenager he formed a Calypso group with Jamaican singer Kingsley McNeal. During high school, he appeared regularly at the Elks Lodge - when it was on Summer Street in Worcester - with his brother Bunny and pianist Johnny Catalozzi.

He was a student at Berklee College of Music before receiving a BA from the University of North Carolina. Price was drafted into the military in 1960 and sent to the Naval School of Music in Washington, D.C. After his military stint, he spent time in New York City recording and gigging with the likes of Jaki Byard, Burton Green, Henry Grimes and Frank Wright.

For more than 30 years Price had been teaching the art of drumming at the New Community School of Arts in Newark, NJ. He was recently reunited with the rediscovered bassist Henry Grimes for a series of concerts in New York."

-Jazz Riffing (http://jazzriffing.blogspot.com/2014/09/the-price-of-time.html)
1/31/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Frank Wright (9 July 1935 - 17 May 1990) was an American free jazz musician from Grenada, Mississippi, Memphis, Tennessee and Cleveland, Ohio, known for his frantic style of tenor saxophone.

Wright was born in Grenada, Mississippi, but he grew up in Memphis, Tennessee. He began to play tenor sax in his late teens, when his family moved to Cleveland, Ohio as part of the Great Migration out of the South. More than 1.5 million black Americans left the South before World War II to seek opportunities in the industrial cities of the North and Midwest. Another 5.5 million left during and after the war, up to 1970.

In Cleveland, Wright met Bobby Few and Albert Ayler, both of whom became friends and musical influences. Originally a bass player, Wright played in numerous local R&B bands before taking up the saxophone. He also toured with B. B. King and Bobby "Blue" Bland. Ayler's musical influence persuaded Wright to switch to saxophone; his style is often associated with Ayler's. In addition to tenor saxophone, he also played the soprano saxophone and bass clarinet. A pioneer of experimental music, Wright is a widely acclaimed artist among his colleagues in the free jazz movement."

-Wikipedia (https://en.wikipedia.org/wiki/Frank_Wright_(jazz_musician))
1/31/2023

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


SIDE A



1. The Earth 7:45

2. Jerry 11:57

SIDE B



1. The Moon 14:34
sample the album:








descriptions, reviews, &c.

"Frank "The Reverend" Wright was one of the most powerful saxophonists to pick up on Albert Ayler's freedom and ferocious playing. Born in Mississippi and raised in Memphis, TN and then Cleveland, OH, he started in music as a bassist in blues bands but switched to tenor sax under the influence of his Cleveland friend Albert Ayler. Wright's "energy music" approach to tenor saxophone was influenced by Ayler but at the time in the '60s Wright's intensity was unmatched and utterly distinctive. He followed Ayler to New York City, arriving in 1964 and fitting into the scene right away John Coltrane offered him a spot on his album Ascension in early 1965, though Wright demurred.

ESP Disk' owner Bernard Stollman signed Wright on the spot upon hearing him sit in with Coltrane, and on November 11, 1965, Wright went into a New York studio to record his debut album, considered a free jazz classic. Wright's influence can be traced down to Charles Gayle, Sabir Mateen, and other hard-blowing tenormen, but even so, he remains unique."

Related Categories of Interest:


Vinyl Recordings
Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Trio Recordings
ESP
Jazz Reissues
New in Improvised Music
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