The Squid's Ear Magazine


Street Tentacle (Chan / Wang / Bryerton): Preserves (Balance Point Acoustics)

Assertively probing like a squid raging out of the sea, Street Tentacle is the trio of Chicago tenor saxophonist Jeff Chan, guitarist Da Wei Wang also on electronics, and drummer Jerome Bryerton on drums, cymbals, gongs, bowed metal & assorted percussion, in five assertive improvisations of an everything including the kitchen sink style; daunting and domineering!
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Jeff Chan-tenor saxophone

Da Wei Wang-guitar, electronics

Jerome Bryerton-drums, cymbals, gongs,bowed metal, percussion


Click an artist name above to see in-stock items for that artist.




UPC: 195269183653

Label: Balance Point Acoustics
Catalog ID: bpaltd17017
Squidco Product Code: 32445

Format: CD
Condition: New
Released: 2022
Country: USA
Packaging: Digipack - 3 panel
Recorded at Decorative Container on March 7th, 2020, by Jon Monteverde.

Descriptions, Reviews, &c.

"Sights and sounds move from place to place with promiscuous gesture. Ships, airplanes, and churning whirlpools appeal more to mechanical economies than street feet sharing pulse rate interiorities. The people twist on metric rails. Oxygen converters reflect swinging diatonics. Blackouts resound. Triggers blackout pots, pans, tin cans, and appropriate Lydian roots, talking tanks, and time-sliced wildlife. By 1950, modernist cultural curdling sacrificed aesthetic convenience for intuitive production and versatility. Most vision is not aggressively enforced, but mutual, after skimming off the scum. Yet, from a simple sonic frame to galvanized iron bars my fight-or-flight electroplating radically changes."-Street Tentacle



Jeff Chan

"Chicago saxophonist/composer Jeff Chan is dedicated to advancing the understanding of the Asian American experience through music. He has worked with many of the leaders of the Asian American creative music movement, including saxophonist Francis Wong and bassist Tatsu Aoki as well as some of the top figures in the Chicago music scene such as saxophonists Jimmy Ellis, Ari Brown, Mwata Bowden and Edward Wilkerson Jr., trumpeter Ameen Muhammad, drummer Avreeayl Ra and pianist/vocalist/bandleader Yoko Noge. With a discography of more than a dozen recordings as a leader, sideman and producer, Chan has performed extensively in the Chicago area, across the nation and in Europe. Critics have said that Chan is "... a voice to be reckoned with... (Brian Gilmore, JazzTimes, April 15, 2010)" and that his work is "music of uncommon majesty, spirituality and emotional depth (Howard Reich, Chicago Tribune, October 11, 2005)."

Da Wei Wang

For nearly 16 years, Da Wei has been a veteran guitar hawk of the Chicago avant-rock scene. He is best known for his guitar work in the legendary industrial punk band, Ono. His fractured, atonal guitar voicing spans a multitude of styles-from Dadaesque funk to existential doom to ambient drones. He applies unique tunings and extended techniques on his guitar to conjure dense, textured landscapes. Using unconventional tools like a hand fan, electric drill, a hand-made bow and magnets, he delicately entices his guitar to produce ethereal timbres and resonances. In March 2021, Da Wei released Liquid Metal Core-a solo guitar album of melting, fuzz-driven drones and blistering soundscapes on Asian Improv Records.

Jerome Bryerton

Jerome Bryerton has been working as a free improvising percussionist for the past eight years. In this time, he has worked with some of the most respected players in the world. In October he was once again acquainted with Berlin multi-reedist Wolfgang Fuchs and San Francisco bassist Damon Smith; presenting two concerts as well as recording on CD (balance point acoustics). In September he worked with bass saxophonist Tony Bevan; with Bevan, he performed in San Francisco with local improvisers Scott Looney and Damon Smith. Last winter Jerome toured in Paris and Monacco with Chicago improvisers Carol Genetti and Andrea Polli. These performances were aligned with the multi media festival I.S.E.A. as, well as the Monacco dance forum. Jerome´s style strikes a resemblance close to the likes of European percussionists Paul Lovens, Paul Lytton, and Le Quan Ninh. Intent on using multi ethnic percussion as well as western percussion - simultaneously furnishing them with an odd assortment of orchestral metal and Chinese cymbals/gongs. Jerome believes that it is necessary to keep intact many of the European aesthetics revolutionized in the sixties and seventies; but which is also crucial is the synthesis of wit and experience of a modern American improviser. As a side note, Jerome has also worked with the following people: trumpeter Axel Dörner, reed player John Butcher, guitarist Henry Kaiser, reedist Peter van Bergen, reedist Jack Wright, cellist Fred Lonbergholm, trombonist Jeb Bishop, and also bassist Kent Kessler.



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Chicago saxophonist/composer Jeff Chan is dedicated to advancing the understanding of the Asian American experience through music. He has worked with many of the leaders of the Asian American creative music movement, including saxophonist Francis Wong and bassist Tatsu Aoki as well as some of the top figures in the Chicago music scene such as saxophonists Jimmy Ellis, Ari Brown, Mwata Bowden and Edward Wilkerson Jr., trumpeter Ameen Muhammad, drummer Avreeayl Ra and pianist/vocalist/bandleader Yoko Noge. With a discography of more than a dozen recordings as a leader, sideman and producer, Chan has performed extensively in the Chicago area, across the nation and in Europe. Critics have said that Chan is "... a voice to be reckoned with... (Brian Gilmore, JazzTimes, April 15, 2010)" and that his work is "music of uncommon majesty, spirituality and emotional depth (Howard Reich, Chicago Tribune, October 11, 2005)."

-Elastic Arts (https://elasticarts.org/events/elastro-series-street-tentacle-lp-release-guillermo-gregoriodamon-smithjerome-bryerton-weasel-walter-solo)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Da Wei Wang is a veteran guitar hawk of the Chicago avant-rock scene. He is best known for his work in the legendary industrial-gospel-punk band, Ono. He is also an improviser in Street Tentacle. He has toured throughout the United States and internationally to disseminate the hymns of experimental guitar music.

Da Wei's fractured, atonal guitar style spans from dada funk to existential doom to ambient raga. He applies extended techniques and tools on his guitar to conjure dense, textured landscapes. His solo guitar work is like a storm cloud whose gaseous firmament is carpeted with hoary sprouts and dust geysers.

His debut solo guitar album, Liquid Metal Core, was released by the venerable Asian Improv Records in 2021. It's thick, scratchy, and dense as a gorilla's nose hairs. It features the multi-faceted, Ono classmate Ben Karas on drums. Enjoy!"

-Da Wei Wang Website (http://daweinoise.com/)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jerome Bryerton's artistic expression evolved from years of playing drums in rock, jazz and experimental groups. Performing solo or collaboratively, he's toured and recorded internationally with many notable improvisers. Jerome is also part owner of a large industrial silk screening operation in Chicago.

While some may perceive a factory to be the antithesis to the creative process, Jerome's imagination has been known to incorporate the errors of assembly line production into some of his art. Rejected test prints often made their way into many of his early canvases.

Strictly working within the medium of oil on canvas and applied with plexiglass. Jerome's dense, moody abstractions and marbleized colors have been said to evoke controlled chaos, blurred memory and decay. His influences range from Masters such as Gerhard Richter, Anselm Kiefer, Luc Tuymans and Cy Twombly. Self-taught and skilled in improvisation, Jerome believes that everything starts with curiosity: if you're curious about something and you're willing to learn more about it, everything happens by itself."

-Jerome Bryerton's Website (http://www.jeromebryerton.com/about)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Moralities Unknown 15:51

2. Towards a Mutual Understanding 3:33

3. Cracks in the Concrete 13:33

4. Descent into the Maelstrom 12:41

5. Transhuman Jazz Sax 4:51

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Chicago Jazz & Improvisation
Trio Recordings
Electronic Forms
Sound, Noise, &c.
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
Balance Point Acoustics.


Recommended & Related Releases:
Gregorio / Smith / Bryerton
The Cold Arrow
(Balance Point Acoustics)
The second trio release from clarinetist Guillermo Gregorio, double bassist Damon Smith and Jerome Bryerton on gongs, selected metal & cymbals (but no drums), in a sophisticated album of eight collective improvisations numbered as "The Planar Effect" and two Gregorio compositions, an absolutely impressive set that obscures the line between "spontaneous" and "composition".
Hartsaw / Aspelin / Smith / Bryerton
Ausfegen
(Balance Point Acoustics)
Extreme improvisation from the West Coast, using dissonance, dynamics, harmonics, conversational interaction, extended techniques and energy, new viewpoints inspired by a mix of contemporary classical and jazz.
Other Recommended Releases:
Gleaming Shard (Wang / Bryerton)
Mirrors in Light Diamonds
(Balance Point Acoustics)
Sculpted sonics through prepared guitars, electronics, synthetics, drums, gongs, metal and percussion, the Chicago duo Gleaming Shards of guitarist Da Wei Wang and drummer Jerome Bryerton, both veterans of improvisation, experimental and avant rock groups, evoke the album title and group name through shimmering and subtly shifting expanses of sound and punctuated movement.
Gregorio / Smith / Bryerton
The Cold Arrow
(Balance Point Acoustics)
The second trio release from clarinetist Guillermo Gregorio, double bassist Damon Smith and Jerome Bryerton on gongs, selected metal & cymbals (but no drums), in a sophisticated album of eight collective improvisations numbered as "The Planar Effect" and two Gregorio compositions, an absolutely impressive set that obscures the line between "spontaneous" and "composition".
Neumann / Smith / Graham / Rosenthal / Fujiwara / Ewen
Quartet:Quartet:Trio [2 CDs]
(Balance Point Acoustics)
A double album of electroacoustic improv sessions from Sommerville, MA, centered around electronic artist Andrew Neumann on the Buchla Music Easel--a complex additive analogue synth--heard in quartet and trio sessions with Forbes Graham (trumpet), Sandy Ewen (guitar & objects), Junko Fujiwara (cello), Damon Smith (double bass) and Eric Rosenthal (drums & percussion).
Hartsaw, Paul / Damon Smith / Jerome Bryerton
Precipitation of a Decision / The Ride On The 8 Of Infinity [2 CDs]
(Balance Point Acoustics)
Two distinct session, the first CD presenting free improv trio perfomances in St. Louis, MO between Paul Hartsaw on soprano & tenor saxophones, Damon Smith on double bass and Jerome Bryerton on percussion, the 2nd CD finding Hartsaw and Smith in the studio in Oakland CA for a more experimental session, Smith adding laptop & field recordings and both employing extended techniques.
Bryerton, Jerome / Damon Smith
There Must be a Reason for Generating Sounds... [CD + BOOKMARK]
(Balance Point Acoustics)
From the late 1990s to the early 2000s, drummer Jerome Bryterton & double bassist Damon Smith toured & recorded with legendary German multi-reedist Wolfgang Fuchs, who was a great influence on both musicians, here presenting a tribute to the late improviser through 11 recordings titled with quotes from Fuchs, and released with a bookmark from an improvisation workshop in Oakland.
Novak, Rebecca / Danny Kamins / Sandy Ewen / Damon Smith / Jerome Bryerton
Groundwater Recharge
(Balance Point Acoustics)
Explorative improvisation, from mysteriously quiet moments to scrabbling and determined conversation, configured as trios and quintets by Rebecca Novak on piano, cornet, radio & glassware, Danny Kamins on baritone saxophone, Sandy Ewen on guitar, Damon Smith on double bass and Jerome Bryerton on percussion, all bringing unique moments through extended techniques, objects & radio.
Ulher, Birgit / Damon Smith / Chris Cogburn
The Eternity-Cult
(Balance Point Acoustics)
A building and extended set of fully free improvisation using unusual techniques, from the trio of Birgit Ulher on trumpet, radio, speaker & objects, Damon Smith on double bass and Chris Cogburn on percussion & electronics, Ulher using the trumpet as a sound source as much as a conventional instrument, as the trio builds from near silence to intensely controlled interaction.
Ball, Hugo (Jaap Blonk / Bart van der Putten / Pieter Meurs / Damon Smith)
Six sound Poems 1989 & 2013 [2 CDs]
(Balance Point Acoustics / kontrans)
Dedicated to Dada legend Hugo Ball, founder of the Cabaret Voltaire, through modern interpretations of six sound poems written by Ball in 1916, performed at BIMHUIS in 1989 by the trio of Jaap Blonk (voice), Bart van der Putten (saxophone) and Pieter Meurs (double bass); and in 2013 at radio station KUHF by the duo of Jaap Blonk and Damon Smith on double bass.
Feichtmair, Tanja / Damon Smith / Gino Robair
The Shrilling of Frogs
(Balance Point Acoustics)
Discovered in a box of recordings in BPA's possession, this recording from 2003 restores a stimulating freely improvised studio encounter between then-West Coast frequent collaborators, double bassist Damon Smith and percussionist Gino Robair, in a trio with Austrian alto saxophonist & bass clarinetist Tanja Feichtmair, mastered to pristine quality by Weasel Walter.
Gregorio, Guillermo / Damon Smith / Jerome Bryerton
Room of the the Present
(Listen! Foundation (Fundacja Sluchaj!))
Two performances of Chicago reedist and composer Guillermo Gregorio's graphic score "Moholy 2", inspired by the artwork of László Moholy-Nagy, recorded in two conductions at the Experimental Sound Studio in Chicago in 2007 & 2008 by the trio of Gregorio on clarinets & alto sax, Damon Smith on double bass, and Jerome Bryerton on percussion, cymbals and drums.
Gratkowski, Frank / Damon Smith / Jerome Bryerton
The Voice Imitator
(Balance Point Acoustics)
German reeidst Frank Gratkowski in a trio with West Coast percussionist Jerome Bryerton and bassist Damon Smith, in an album of free music that blends the sensibilities of free improv with contemporary compositional music.
Genetti / Smith / Lonberg-Holm
Sense of Hearing
(Balance Point Acoustics)
8 duos recorded in the studio between bassist Damon Smith and free vocalist Carol Genetti, and 4 trio tracks adding Fred Lonberg-Holm on violoncello and performing live at Chicago's Empty Bottle.
Hartshaw / Aspelin / Smith / Bryerton
Ausfegen (Dedicated To Joseph Beuys)
(Balance Point Acoustics)
Unusual improvisational forms from the quartet of saxophonist Paul Hartsaw, guitarist Kristian Aspelin, bassist Damon Smith and percussionist Jerome Byrerton, recording in Oakland, CA in 2006.
Bennet / Bryerton / Butcher / De Gruttola / Kaiser / Smith
Sextessense: A Tribute to John Stevens and the SME
(Balance Point Acoustics)



Customers Who Bought This Item Also Bought:
Countryman / Bucher / Yandsen
The Malaysia Live Fact Session
(FMR)
Two 2022 live free jazz sessions from Malaysia, the first a saxophone duo between US ex-pat based in The Philippines, Rick Countryman on alto and Malaysian tenor saxophonist Yong Yandsen, appropriately recorded at The Saxophone Store in Kula Lumpur; then 5 trio improvisations recorded in concert at Live Fact in Petaling Jaya, Selangor, Malaysia on the same tour.
Bucher / Tan / Countryman
Sacred Fire Of The Free
(FMR)
The continuing collaboration from the collective free jazz trio of Philippines-based American alto saxophonist Rick Countryman, Philippines bassist Simon Tan and Swiss drummer Christian Bucher is heard in this studio session of eight lyrically inclined tracks of spontaneous interaction, a well-balanced mix of energetic grooves and contemplative group conversation.
Nevai, Nandor w/ Tim Dahl / Trevor Dunn
<< The Die Motherfucker Volume 2>>
(Psykomanteum)
Drummer and conductor Nandor Nevai's NY trio with bassist Tim Dahl and bassist Trevor Dunn in the fifth iteration of his _ ("UNDRSKOR") project, championing a novel fusion-idiom referred to as 'Neauxtheque' which may be said to invoke "Danger Classical", the Martial Pop subgenre of Industrial and the virtuosic demands of Technical Death Metal.
Schlippenbach, Alexander von
Globe Unity
(Corbett vs. Dempsey)
Wild, nearly unprecedented and an exhilarating direction in European Free Improvisation heard in the 1st recordings from 1966 of pianist Alexander von Schlippenbach's Globe Unity band, a 14-piece ensemble that included young saxophonists Peter Brötzmann, Gerd Dudek & Kris Wanders, bassist Peter Kowald, bass clarinetist Willem Breuker, trumpeter Manfred Schoof, &c.
Dunmall, Paul / Paul Rogers / Tony Orrell
That's My Life
(577 Records)
A prime example of the early Bristol, UK jazz scene and saxophonist Paul Dunmall's association with it, this trio born out of the band Spirit Level where Dunmall and drummer Tony Orrell first worked, and double bassist Paul Rogers with whom Dunmall would go on to work in Mujician, here in two live recording with Dunmall on soprano and in a burning Coltrane mode; exceptional!
Tragic Assembly
Blood Drains And Memories
(Soul City Sounds)
The Durham, NC free improvising trio of Crowmeat Bob on alto & tenor saxophones, clarinet & guitar, Phil Venable on double bass and Charles Chance on drums notch up their playing, with Crowmeat Bob performing on both reeds and electric guitar as the band explores breaking down the barrier between subconsciousness and expression through collective improv.
Nevai, Nandor w/ Tim Dahl / Trevor Dunn
<< The Die Motherfucker >>
(Psykomanteum)
A dark trio of NYC heavyweights Tim Dahl and Trevor Dunn on bass and Nandor Nevai ( _ (Underscore)) on drums and conducting, in Nevai's fifth iteration of the _ ("UNDRSKOR") project, following a fusion of forms referred to as 'Neauxtheque' invoking "Danger Classical", the Martial Pop subgenre of Industrial and the virtuosic demands of Technical Death Metal.
Anderson, Chad (Anderson / Smith / Stephenson / Amba / Ankhitek)
Mellifluous Excursions Vol. 1 - Where You Been
(Mahakala Music)
A solid album of buoyant collective improvisation led by NY drummer Chad Anderson, with vibraphonist Warren Smith adding an optimistic voice to the quintet of relative newcomer, sax and flute player Zoh Amba and bassist Barry Stephenson, the sophisticated and generally upbeat sound of the group taking a stinging tone on two tracks with the sharp observations from The Ankhitek.
Zenicola, Felipe / Jose Lencastre / Joao Valinho
MAGMA
(FMR)
Determined and ardent playing like the powerful creep of lava flow as the Brazilian & Portuguese trio of Felipe Zenicola (Chinese Cookie Poets, Paal Nilssen-Love) on bass, Jose Lencastre (Lencastre Nau Quartet) on saxophones and João Valinho (Creative Sources) on drums evolve their tumultuously articulate journey through a molten world of smoldering free jazz.
Countryman, Rick / Christian Bucher
Once
(FMR)
From the same 2017 session that was released as the album Estuary, this concert in the Philippines between American expatriate saxophonist Rick Countryman and visiting Swiss drummer Christian Bucher expands on the free playing of these two empathetic improvisers, presenting a mix of textural, conceptual, melodic and rhythmic interplay steeped in their personal histories.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC