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Fujiwara's, Tomas Triple Double: March (Firehouse 12 Records)

"March" refers to the foundation of repurposed march rhythms NY drummer Tomas Fujiwara employs for the compositions in his second release with his Triple Double sextet, actually two trumpet-guitar-drum trios brilliantly interacting, with fellow drummer Gerald Cleaver, both Mary Halvorson & Brandon Seabrook on guitar and Taylor Ho Bynum on cornet & Ralph Alessi on trumpet.
 

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product information:


UPC: 0711574924318

Label: Firehouse 12 Records
Catalog ID: FH12-04-01-035
Squidco Product Code: 31617

Format: CD
Condition: New
Released: 2022
Country: USA
Packaging: Digipack
Recorded at Firehouse 12, in New Haven, Connecticut, on December 10th and 11th, 2019, by Nick Lloyd and Greg DiCosta.


Personnel:

Tomas Fujiwara-drums, vibraphone

Gerald Cleaver-drums

Mary Halvorson-guitar

Brandon Seabrook-guitar

Ralph Alessi-trumpet

Taylor Ho Bynum-cornet

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Artist Biographies:

"Born in Boston in 1977, Brooklyn-based drummer Tomas Fujiwara emerged during the early to mid-2000s as a valued sideman before forming his own quintet, Tomas Fujiwara & the Hook Up, which gathered accolades for blending influences such as Wayne Shorter, Taleb Kweli, and Me'Shell Ndegéocello with the experimental and unpredictable spirit of the 21st century Brooklyn creative jazz scene. After studying for eight years with drummer and educator Alan Dawson in the Boston area, Fujiwara moved to New York at the age of 17. His first performing experiences included a five-year stint beginning around the turn of the millennium with the off-Broadway show Stomp, but he also began appearing as a sideman on jazz recordings (e.g., Three Souls by the Adam Rafferty Trio in 2003) and moving in exploratory, adventurous directions.

Fujiwara developed a particularly strong collaborative relationship with New Haven, Connecticut-based cornetist Taylor Ho Bynum, whose own avant-leaning ensembles have featured a number of top Brooklyn improvising musicians. Fujiwara first appeared with Bynum on two 2007 recordings, The Middle Picture by the Taylor Ho Bynum Sextet (Firehouse 12) and True Events by the Taylor Ho Bynum/Tomas Fujiwara Duo (482 Music). During the following years, the drummer appeared on the Bynum Sextet albums Asphalt Flowers Forking Paths (hatOLOGY, 2009), Apparent Distance (Firehouse 12, 2011), and Navigation (Possibility Abstracts X & XI) (Firehouse 12, 2013), and the Bynum/Fujiwara Duo album Stepwise (Nottwo, 2010). Fujiwara is also a member of Positive Catastrophe, a ten-piece outfit co-led by Bynum and percussionist Abraham Gomez-Delgado and inspired by Sun Ra and Latin jazz; the group has released two albums on Cuneiform, Garabatos Volume One (2009) and Dibrujo, Dibrujo, Dibrujo... (2012).

Another musician with whom Fujiwara has often worked, guitarist Mary Halvorson, also often travels in the same creative orbit as Taylor Ho Bynum; like Fujiwara, Halvorson is a member of the Bynum Sextet, and along with Bynum and violist Jessica Pavone, the drummer and guitarist formed the collective quartet the Thirteenth Assembly, which has recorded two albums for the Important Records label, 2009's (un)sentimental and 2011's Station Direct. Fujiwara, Halvorson, and Bynum also appeared as members of the Chicago-New York nonet Living by Lanterns, whose New Myth/Old Science album -- based on fragments of music recorded by Sun Ra in 1961 -- appeared on Cuneiform in 2012. In 2014 Cuneiform released another album featuring Fujiwara and Halvorson, the eponymous debut of Thumbscrew, a collaborative trio also including veteran bassist Michael Formanek.

Fujiwara first assembled his Hook Up quintet in 2008, later describing the bandmembers as "some of the most important musicians in my life" -- and given all of Fujiwara and Halvorson's recorded appearances together in various settings, it was no surprise that the guitarist was in the lineup. Also featuring tenor saxophonist Brian Settles, trumpeter Jonathan Finlayson, and bassist Danton Boller, Tomas Fujiwara & the Hook Up released their debut album, Actionspeak, on 482 Music in 2010. Featuring Trevor Dunn on bass in place of Boller, the group's sophomore album, The Air Is Different, arrived (also on 482 Music) in 2012.

The many other projects in which Fujiwara has played as a collaborator or sideman include the Steve Lacy tribute band Ideal Bread, the eight-piece "bhangra funk dhol 'n' brass" outfit Red Baraat, and saxophonist/clarinetist Matt Bauder's acoustic jazz quintet. "

-All Music (http://www.allmusic.com/artist/tomas-fujiwara-mn0000909926/biography)
5/18/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Gerald Cleaver (born May 4, 1963) is an African-American jazz drummer from Detroit, Michigan. Cleaver's father is drummer John Cleaver Jr., originally from Springfield, Ohio, and his mother was from Greenwood, Mississippi. Gerald had six older siblings. Cleaver joined the jazz faculty at the University of Michigan in 1995. He has performed or recorded with Joe Morris, Mat Maneri, Roscoe Mitchell, Miroslav Vitous, Michael Formanek, Tomasz Sta ko, Franck Amsallem and others.

Under the name Veil of Names, Cleaver released an album called Adjust on the Fresh Sounds New Talent label in 2001. It featured Maneri, Ben Monder, Andrew Bishop, Craig Taborn and Reid Anderson and was a Best Debut Recording Nominee by the Jazz Journalists Association. Cleaver currently leads the groups Uncle June, Black Host, Violet Hour and NiMbNl as well as working as a sideman with many different artists."

-Wikipedia (https://en.wikipedia.org/wiki/Gerald_Cleaver_(musician))
5/18/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"One of improvised music's most in-demand guitarists, Mary Halvorson has been active in New York since 2002, following jazz studies at Wesleyan University and the New School. Critics have called her "a singular talent" (Lloyd Sachs, JazzTimes), "NYC's least-predictable improviser" (Howard Mandel, City Arts), "one of the most exciting and original guitarists in jazz-or otherwise" (Steve Dollar, Wall Street Journal), and "one of today's most formidable bandleaders" (Francis Davis, Village Voice). The Philadelphia City Paper's Shaun Brady adds, "Halvorson has been steadily reshaping the sound of jazz guitar in recent years with her elastic, sometimes-fluid, sometimes-shredding, wholly unique style."

After three years of study with visionary composer and saxophonist Anthony Braxton, Ms. Halvorson became an active member of several of his bands, including his trio, septet and 12+1tet. To date, she appears on six of Mr. Braxton's recordings. Ms. Halvorson has also performed alongside iconic guitarist Marc Ribot, in his bands Sun Ship and The Young Philadelphians, and with the bassist Trevor Dunn in his Trio-Convulsant. Over the past decade she has worked with such diverse bandleaders as Tim Berne, Taylor Ho Bynum, Tomas Fujiwara, Ingrid Laubrock, Myra Melford, Jason Moran, Joe Morris, Tom Rainey and Mike Reed.

As a bandleader and composer, one of Ms. Halvorson's primary outlets is her longstanding trio, featuring bassist John Hébert and drummer Ches Smith. Since their 2008 debut album, Dragon's Head, the band has been recognized as a rising star jazz band by Downbeat Magazine for five consecutive years. Ms. Halvorson's quintet, which adds trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon to the trio, has released two critically acclaimed albums on the Firehouse 12 label: Saturn Sings and Bending Bridges. Most recently she has added two additional band members-tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik-to form a septet, featured on her 2013 release Illusionary Sea. Ms. Halvorson also co-leads a longstanding chamber-jazz duo with violist Jessica Pavone, the avant-rock band People and the collective ensembles Thumbscrew and Secret Keeper."

-Mary Halvorson Website (http://www.maryhalvorson.com/bio/)
5/18/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Described by Spin Magazine as "An apocalyptic, supersonic general of the banjo..." Brandon Seabrook has made a name for himself in the New York avant-garde music scene as an explosive guitar and banjo performer, relentlessly committed to immediacy and precision.

Seabrook honed his terror-inducing riffage skills at the New England Conservatory in Boston. He has since performed extensively in North and South America, Mexico and Europe, as a solo artist, bandleader and collaborator. He has been summoned by the likes of Anthony Braxton, Elliot Sharp and Joey Arias for his unpredictably spiked approach to improvisation and impeccable caterwauling. He has been profiled in the New York Times, Wall Street Journal, Magnet Magazine, Fretboard Journal, NPR and The Wire.

Seabrook Power Plant, the nuclear trio donned "a manic clusterfuck of merciless banjo torture" by the Village Voice, is Brandon's brainchild, blending the brutal energy of punk-rock with the intricate execution of through-composed avant jazz. The band has released two albums to much critical acclaim. Time Out New York praised the band's eponymous debut as "not only one of the most baffling experimental releases of the year... also one of the best."

Brandon is an accomplished solo artist, named Best Guitarist in New York City by the Village Voice 2012. In 2014, New Atlantis Records released his first solo album titled Sylphid Vitalizers. Noisey called the album a "dissonant guitar army...(with) mind-blowing prog-rock complexities - all at mind-numbing breakneck speed."

Brandon is currently working on two new albums with his noise-prog trio, Needle Driver and a new sextet featuring immoral, percussive compositions under the name Die Trommel Fatale. This recent work is a poly-rhythmic exploration of the dark side of the drum, layering cello, bass, electronics, voice and guitar against dichotomous drummers."

-Brandon Seabrook Website (http://www.brandonseabrook.com/bio/)
5/18/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Trumpeter/Composer Ralph Alessi was born in San Francisco,CA, the son of classical trumpeter Joe Alessi and opera singer Maria Leone. After taking degrees in jazz trumpet and bass-he studied under the legendary Charlie Haden at CalArts-he lit out for New York, where he swiftly became an ubiquitous presence on the downtown scene. He's been a frequent collaborator with such notable musicians as Steve Coleman, Jason Moran, Don Byron, Ravi Coltrane, Fred Hersch, Uri Caine and Marc Copland. Alessi has recorded nine albums of original compositions which draw on everything from post-bop to neo classical music. He currently records for the ECM record label including his 2016 release Quiver. In 2018, he will release a new This Against That record on the label. As an educator, Ralph is an Assistant Professor of Jazz Studies at University of Nevada-Reno as well as the director of the School for Improvisational Music."

-Ralph Alessi Website (http://www.ralphalessi.com/html/about.php)
5/18/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Taylor Ho Bynum (b. 1975) has spent his career navigating the intersections between structure and improvisation - through musical composition, performance and interdisciplinary collaboration, and through production, organizing, teaching, writing and advocacy. As heard on over twenty recordings as a bandleader, Bynum's expressionistic playing on cornet and his expansive vision as composer have garnered him critical attention as one of the singular musical voices of his generation. He currently leads his Sextet and 7-tette, and works with many collective ensembles including a duo with drummer Tomas Fujiwara, the improv trio Book of Three, the UK/US collaborative Convergence Quartet, the dance/music interdisciplinary ensemble Masters of Ceremony, and the trans-idiomatic little big band Positive Catastrophe.

His varied endeavors include his Acoustic Bicycle Tours (where he travels to concerts solely by bike across thousands of miles) and his stewardship of Anthony Braxton's Tri-Centric Foundation (which he serves as executive director, producing most of Braxton's recent major projects). In addition to his own bands, his ongoing collaboration with Braxton, past work with other legendary figures such as Bill Dixon and Cecil Taylor, and current collective projects with forward thinking peers, Bynum increasingly travels the globe to conduct community-based large ensembles in explorations of new creative orchestra music. He is also a published author and contributor to The New Yorker's Culture Blog, has taught at universities, festivals, and workshops worldwide, and has served as a panelist and consultant for leading funders and organizations. His work has received support from Creative Capital, the Connecticut Office of the Arts, Chamber Music America, New Music USA, USArtists International, and the Doris Duke Charitable Foundation."

-Taylor Ho Bynum website (http://taylorhobynum.com/)
5/18/2022

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track listing:


1. Pack Up, Coming for You 4:52

2. Life Only Gets More 4:36

3. Wave Shake and Angle Bounce 5:29

4. The March of the Storm Before the Quiet of the Dance 8:39

5. Docile Fury Ballad 6:51

6. Silhouettes in Smoke 5:31

7. For Alan, Pt. 2 17:30
sample the album:








descriptions, reviews, &c.

"The debut recording of Tomas Fujiwara's Triple Double was extraordinary. The two-drum (Fujiwara and Gerald Cleaver), two-guitar (Mary Halvorson and Brandon Seabrook), and two-horn (Taylor Ho Bynum on cornet and Ralph Alessi on trumpet) structure of the band is something rarely seen. Even in the bold avant-garde scene that Fujiwara frequents. After the release of Triple Double (Firehouse 12, 2017), Fujiwara continued to impress as a bandleader in 7 Poets Trio (Rouge Art, 2019) and alongside some of his Triple Double bandmates in other contexts: Ho Bynum's The Ambiguity Manifesto and Halvorson's Code Girl. Even with the addition of these stellar recordings, the sprawling sway between fierce competition and ingenious interplay still made Triple Double arguably the finest moment of his career. Albums of the caliber of Triple Double can be hard to follow, but March (Firehouse 12, 2022) is the opposite of a sophomore slump.

On March, Fujiwara returns with the same band and handles the sequel in the best way possible. The singularity that made the debut so striking remains and is put through a blender in the form of a concept that strongly distinguishes March from its predecessor: march rhythms. Stern marches could constrain a band as exploratory as Triple Double, but that never gets close to happening on this record. The sextet continues to exhibit an awe-inspiring amount of freedom.

The opening track, "Pack Up, Coming For You", makes it immediately clear that these are not your average marches. Halvorson and Fujiwara set the pace as Ho Bynum establishes a sharp theme and moves into skillfully measured improvisation. The combination of the guitar's circular phrases and the steady kick of the drums creates an interestingly contorted march. As Ho Bynum's playing becomes more abstract, Halvorson leaves her rhythmic post for loops and distortion, throwing the band into a furious tempest. All of this alone would be enough for a great song, but the beauty of Triple Double is that there are two trios. After the storm subsides, Alessi, Cleaver, and Seabrook give their take on the composition before both trios have an engrossing collision in the final stretch of the tune.

The notable difference between the trios is one of Triple Double's many strengths. Cleaver takes the drumming into heavier territory in "Pack Up, Coming For You", Seabrook has a distinctly barbed guitar style, and Alessi's trumpet tone is much smoother and brighter than Ho Bynum's cornet. Seabrook and Alessi play a key role in the opening minutes of the frenzied "Wave Shake and Angle Bounce." The guitarist and trumpeter shift between complementing and challenging each other in a bout of thrilling angular improvisation. The energetic drumming and punchy motif of "Wave Shake and Angle Bounce" make it a hectic experience. The tune briefly moves into a more metered march structure, but only to set the stage for a superb Mary Halvorson solo before the band powers towards a colossal finish.

Unlike the restless "Wave Shake and Angle Bounce", "The March of the Storm Before the Quiet of the Dance" begins sparsely. Staggered drum rolls, airy trumpet playing, and a warbly cornet create an ominous atmosphere. The pace eventually picks up when Halvorson introduces a jagged theme that Seabrook elaborates in an inventive solo that makes good use of both the rugged and icy qualities of his guitar playing. Lead guitar duties then switch to Halvorson, who puts on the rock distortion and lets loose. The guitarist shreds with a fascinating mix of top-notch jazz chops, loops, and spellbinding glitchy effects. She has a completely different role in "Life Only Gets More", a trippy ballad that shows Fujiwara's softer side. The bend of Halvorson's delay pedal is well suited to the tune's laidback melody, but even in a ballad Triple Double doesn't let up completely. The drummers play as if they've been called up for a solo as Seabrook closes out the tune with a twangy rendition of the motif.

Fujiwara and Cleaver are both excellent throughout the album, but "For Alan, Pt. 2" is something else entirely - a drum duet. Triple Double's eponymous debut had "For Alan", which was 8 minutes. "For Alan Pt. 2" is more than twice its length and is somehow even better. Throughout the song's 17 minutes, the drummers display an amazing sense of rhythm, dynamics, and communication. It's a great way to end a sensational album. March further confirms that Tomas Fujiwara is a key musician and composer in the avant-garde jazz scene. This record is not to be missed by anyone looking for a healthy dose of adventure and creativity."-Brian Kiwanuka, Post-Genre


Get additional information at Post-Genre
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