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Neumann, Calle / Ketil Gutvik / Ingebrigt Haker Flaten / Paal Nilssen-Love: New Dance (PNL)

After the 2019 retrospective box-set of the late 90s, legendary band The Quintet, and after the sad passing of bassist Bjornar Andresen, saxophonist Carl Magnus Neumann, guitarist Ketil Gutvik and drummer Paal Nilssen-Love decided to form a new quartet, adding bassist Ingebrigt Haker Flaten, commencing their organization with this outstanding 2020 live concert in Oslo.
 

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product information:


UPC: 7041881000508

Label: PNL
Catalog ID: PNL051
Squidco Product Code: 30188

Format: CD
Condition: New
Released: 2021
Country: Norway
Packaging: Cardboard Gatefold
Recorded live in concert at Victoria Nasjonal Jazzscene, in Oslo, Norway, on July 9th 2020, by Louise Lavoll.


Personnel:

Carl Magnus Neumann-alto saxophone

Ketil Gutvik-acoustic guitar, electric guitar

Ingebrigt Haker Flaten-double bass

Paal Nilssen-Love-drums, percussion

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Artist Biographies:

"Carl Magnus Neumann, also known as Calle (31 July 1944 in Oslo, Norway), is a noted saxophonist, considered as one of the best in Norway.

Neumann started playing the flute at an early age, before picking up the clarinet, playing with different swing bands in the late fifties. After taking hire as sailor for a few years, he returned to Oslo buying his first saxophone in 1963. Neumann received the audience award with the Quartet of Oddvar Paulsen at the Norwegian Championship in amateur jazz the same year, and from then on he became professional musician. He played rhythm & blues with Arild Wikstrom and Public Enemies in the mid 1960s (releasing a single album with Karin Krog / Public Enemies Sunny / We're gonna move to the outskirts of town in 1966) and was ranked No. 1 Alto saxophonist in the Norwegian magazin Jazznytt's favorite poll in 1967.

Neumann was early well recognized in the octet of Fred Nøddelund that contributed to the concert series at the Munch Museum arranged by Norsk jazzforum in 1968, and later as the leader of his own "Newman and the New Men". He played in bands led by Arild Wikstrøm and Roy Hellvin. He played in dance bands "Bent Sølves and Terje Fjærns orkester", and had festival gigs with Roy Hellvin, Karin Krog and Terje Bjørklund, in addition to releasing the album Bleak House with Terje Rypdal in 1968. He became a mighty popular soloist receiving the Buddyprisen in 1971, and released the album Multimal with Svein Finnerud Trio in 1972. Neumann led several bands at the Kongsberg Jazzfestival, including with Dizzy Gillespie. He was a key player on Club 7, and was dedicated the album Carl Magnus Rides Again (1999) by Ditlef Eckhoff. As soloist with Christian Reim Quartet he released Live at Moldejazz in 1976.

Neumann played in the bands of Espen Rud, like "Kråbøl", and toured with the traditional Norwegian folk musicians Nils Økland and Bjørnar Andresen in 1985. After 13 years of musical silence, he became the lead figure of "The Quintet", with the debut of the jazz club "Blå" in 1998, followed by festival engagements at Vossajazz and Moldejazz in 1999 and in Oslo 2000. The concert at Voss 1999 immortalized on cd, and he received Oslo City Art Award in 2000. From 2000, he has lived a quieter life in Risør, but has collaborated on the albums Lost Animals (2009) with Vidar Johansen Quartet and To someone I knew (2013) by Erik Wesseltoft."

-Wikipedia (https://en.wikipedia.org/wiki/Carl_Magnus_Neumann)
9/22/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Ketil Gutvik, jazz- guitarist/composer/improviser, born in Norway 1972. His style of playing and writing is inspired by the sixties American jazz, but also contemporary European jazz and impro-music has been a major influence to him. He is also a huge admirer of Sonny Rollins recordings from the fifties.A native of Trondheim, but moved to Oslo in 1992. During the mid nineties he formed what would become his major artistic project for many years, the quartet Presence. At this time he also joined vocalist Marvin Charles' trio with bassist Eivind Opsvik. In 1994 Ketil was introduced to the young pianist Håvard Wiik. From 95 to 98 they worked together regularly in different constellations. In 1996 Ketil formed the trio, plusthree, together with bassplayer Eivind Opsvik and drummer Paal Nilssen-Love. A private recordingsession of this trio with guests, summer 98, resulted in the sensational and critically acclaimed impro-group, The Quintet. From 97 to 99 Ketil run the weekly jazzclub concept, Drazztic Acoustic, at Oslo's hippest scene for DJs and club music, Jazid Club. Drazztic Acoustic evolved into the most important venue for free music in Norway at the time . The quartet, Walkie Talkie, with alto saxophonist Frode Nymo, was formed summer 2000. The group's repertoire has been based upon (bassist) Per Zanussi- and Gutvik-compositions, and it's activity includes several festival- and club-concerts. Together with other improvising musicians from different musical genres Ketil started the impro concert series, Fritt Fall (means: free fall), at the club Blå in the beginning of 2001. After this Ketil has performed regularly at Blå with free improvised music in many different constellations. A Fritt Fall-concert in 2001 led into the impro-ensemble, Gutvik/Vinaccia/Wallumrød/Kornstad. This group did a number of successful club- and festival-concerts in both 2001 and 2002. In 2002 Ketil met Klaus Ellerhusen Holm for the first time, and this meeting sparked their strong and lasting duo (Kongsberg Jazzfestival 2005, Oslo Jazzfestival 2005). At the beginning of 2003 Ketil also formed a duo with saxophonist Kjetil Møster. The duo toured Norway in 2003 and 2004. After avoiding the classic guitar-trio-fomat for many years Ketil formed a trio with drummer Per Oddvar Johansen and bassist Per Zanussi back in 2001. Playing trio again inspired him to write and play music in a different way and after hearing Jack deJohnette's first Special Edition album from '79 in 2003, he got new ideas to the concept of combining written and free form music within the same group. He decided to start a group with the guitar trio sound at the core, sorrounded by strong saxophone voices. Ketil Gutvik F E M did it's first concert at Ketil's summer concert series, Gutvik Ukentlig, in 2003. By 2005 this was Ketil's major project having toured Norway and Sweden, played at Oslo Jazz Festival in 2004 and Kongsberg Jazz Festival in 2005. Also to be mentioned is the Gutvik&Hana Drum-ensemble. This group, with guitarist Anders Hana and two drummers, did a number of concerts from summer 2004. Other groups and projects include the duo with Klaus Ellerhusen Holm. Duo with Kjetil Møster. Trio with Atle Nymo and Mats Monstad. Quartet with Øyvind Brække, Eivind Opsvik, and Andreas Bye. Trio with Stig Rennestraum and Bjørn Thevik. Quartet with Kjetil Møster, Niklas Korssell, Johan Berthling. Duo with Tanja Orning. Quartet with Frode Gjerstad. Duo with Niklas Korssell. In 2007, after working on and off with a big number of projects for several years, Ketil decided to focus on just a one impro-group besides a few duo-collaborations. With noise-tuba-wizard Børre Mølstad and the amazing drummer Dag Erik Knedal Andersen the trio NO, GUTVIK performed several concerts in 2007. NO, GUTVIK works in the field of improvised texture music with noise- and freejazz-elements. Other activities the latest years includes duo with Michael Francis Duch, duo with Harald Fetveit, duo with english percussionist Patrick Farmer, duo with Frode Gjerstad, duo with Espen Reinertsen, duo with Axel Dörner, duo with english guitarplayer John Russell.

Through his permanent groups and different projects Ketil works/has worked with musicians like; Paal Nilssen-Love, Nils-Olav Johansen, Knut Riisnæs, Carl Magnus Neumann, Bjørnar Andresen, Ingebrigt Håker Flaten, Vidar Johansen, Eivind Opsvik, Christian Wallumrød, Håkon Kornstad, Johan Berthling, Kjetil Møster, Paolo Vinaccia, Frode Nymo, Håvard Wiik, Per Oddvar Johansen, Petter Wettre, Mats Eilertsen to mention a few."

-Ketil Gutvik Website (http://www.gutvik.com/info.html)
9/22/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Ingebrigt Håker Flaten (b. 1971, Oppdal) - studied Jazz at the Music Consevatory in Trondheim, Norway (1992-1995) under the tutelage of bassplayer Odd Magne Gridseth.

When one listens to the great bassists in modern jazz history, a striking thing (though it may not be immediately arrived at) is that greatness is reached through open-mindedness and diversity. William Parker, Malachi Favors Maghostut, Peter Kowald, Wilbur Ware, Bertram Turetsky, Buell Neidlinger - all of these bass players have embraced a lifestyle of playing all sorts of music and the breadth of each musicians' technique is a testament to those experiences. Norwegian bassist and composer Ingebrigt Håker Flaten is also a musician whose experience is both geographical and aesthetic. While the fertile Scandinavian new jazz scene offered a vast amount of opportunities to work in different bands with musicians whose concepts are as individual as the grains in a reed, Flaten has found home and on-the-bandstand education in places as far flung as Chicago and his current residence Austin, Texas.

A muscular player whose tone and attack run the gamut from Paul Chambers to Buschi Niebergall, his sense of both openness and control serves ensembles as diverse as The Thing, Free Fall, Atomic, Scorch Trio and the Kornstad/Håker Flaten Duo. In addition to his own Chicago Sextet and Austin-centric Young Mothers, Flaten has also recorded and performed with Frode Gjerstad, Dave Rempis, Bobby Bradford, the AALY Trio, Ken Vandermark, Stephen Gauci, Tony Malaby, Daniel Levin, Dennis Gonzalez and numerous others. Flaten studied at the Conservatory in Trondheim (1992-1995), turning professional shortly afterward, yet his hunger to play in new situations with new musicians - schooled or amateur, frequently recorded or just starting out - puts him in a rare class, that of a truly broad-minded artist. That mettle has served him well, living and developing the music under his own steam and drawing from influences as diverse as Derek Bailey, George Russell, Chris McGregor, filmmakers Ingmar Bergman, contemporary pop melody and gritty punk music as well as everyday sights and sounds.

There is a calmness and self-assuredness that imbues all great artists, in that the diversity of their work comes with very little ego. Flaten's artistry is often in collective, leaderless ensembles and in fact, following a decade of professional musicianship it wasn't until 2004 that his leader-debut was released - Quintet (Jazzland, followed in 2008 by The Year of the Boar, and a Sextet recording is upcoming). This latter fact is partly due to the necessity of a copacetic situation - in an interview in 2010 with the Austinist he noted that "I use people where I'm located. It's inspiring to have your own band to write for, but you have to make sure that people feel free and not limited by the music; the compositions should lead the way to a player's open mind, and that is a challenge." Certainly not every bandleader/composer thinks this way.

In 2011, he formed another ensemble, The Young Mothers, which includes drummers Stefan Gonzalez (Dallas) and Frank Rosaly (Chicago), trumpeter/poet/rapper Jawaad Taylor (New York), saxophonist Jason Jackson (Houston), and Jonathan Horne (Austin) on guitar. It's a group of varying levels and influences and as it grows organically, will be another excellent lens through which to view Flaten's aesthetic, philosophy, and musicianship. The next few years see him in a position where established ensembles can steep and spread their influence, while experimenting with and nurturing a wide range of new relationships."

-Ingebrigt Haker Flaten Website (http://www.ingebrigtflaten.com/about-me/)
9/22/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Paal Nilssen-Love was born in Molde, Norway, Dec 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast - and Paal was nationally acknowledged at the age of 20.

The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson.

Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going". His solo album "Sticks and stones" was put out in 2001 on SOFA Rec.

Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance - as is the freedom in the music, the ability of being free within the expression.

All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet."

-Paal Nilssen-Love Website (http://www.paalnilssen-love.com/biography.php)
9/22/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. A ss et Fro 11:02

2. New Dance 30:53

3. Det er Kjaelighet 11:24

4. Dett var Dett 09:45
sample the album:








descriptions, reviews, &c.

"In 2019 PNL Records released Events 1998-1999 - a retrospective box-set of the short-lived but eventually legendary The Quintet from the late 90s. That box-set documented the meeting of two generation of Norwegian improvised free music - the older generation Calle Neumann and Bjornar Andresen engaging with the new emerging talents of the time - Paal Nilssen-Love, Ketil Gutvik and Eivind Opsvik.

Since that time Andresen had passed away, but for the release party of the box-set Neumann once again got together with Gutvik and Nilssen-Love. No longer the new blood, it was now a completely different meeting of musical minds, built on experience that didn't exist 20 years ago. But it was also clearly a reunion of kindred spirits, people that share something special catching up through music.

Of course this could not just be a one-off to promote a release, this had to become something more. And one year later the new line-up, now with Ingebrigt Haker Flaten on double bass (you don't need two bass-players with Ingebrigt in the band), making the original quintet a quartet. The self-titled debut album documents their live debut at Victoria Jazz Club in Oslo, recorded in the midst of the covid-19 pandemic in July 2020.

The band recorded before the gig with the intent of a studio album, but the gig itself was such a special event, that it became clear that the album needed to document that performance in full. Listening to the recording the identity of the musicians is clearly defined, but the music is full of surprises - going from extended full-on blasts to passages of subtle beauty, all delivered with a sense of adventure and humour that only musicians who are completely at ease with each other can deliver.

New Dance is a new band for a new decade. It's also worth noticing that this is Neumann's first new recording in more than a decade, which is cause for celebration in itself."-PNL

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Improvised Music
Jazz
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