The Squid's Ear Magazine


Devouring the Guilt (Gerrit Hatcher / Bill Harris / Eli Namay): Prison Planet (Kettle Hole Records)

The Chicago collective trio of tenor saxophonist Gerrit Hatcher, Lebanese bassist Eli Namay and drummer/percussionist Bill Harris are captured live at Chicago's The Whistler in the summer of 2019 for two extended and exploratory improvisations, showing both technical mastery and a curiosity for new modes of expression through inspired and intuitive conversation.
 

Price: $9.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 1.00 units

Sample The Album:





product information:

Personnel:



Bill Harris-drums

Gerrit Hatcher-tenor saxophone

Eli Namay-bass


Click an artist name above to see in-stock items for that artist.




Label: Kettle Hole Records
Catalog ID: KTHL004
Squidco Product Code: 30050

Format: CD
Condition: New
Released: 2020
Country: USA
Packaging: Cardboard Sleeve in Plastic Sleeve
Recorded Live At The Whistler, Chicago, IL on June 9th, 2019, by Bill Harris.

Descriptions, Reviews, &c.

The Chicago collective trio of tenor saxophonist Gerrit Hatcher, Lebanese bassist Eli Namay and drummer/percussionist Bill Harris are captured live at Chicago's The Whistler in the summer of 2019 for two extended and exploratory improvisations, showing both technical mastery and a curiosity for new modes of expression through inspired and intuitive conversation.


Artist Biographies

"Bill Harris is a percussionist, composer, improviser, and audio engineer from Pittsburgh currently based in Chicago. He also operates and produces for Amalgam, a Chicago-based collective.

(B. 1987, Pittsburgh, PA)

Bill has been active in Chicago's music communities since 2011, working at the intersection of free improvisation, jazz, noise, rock, and country. His music has been presented at Constellation, Elastic Arts, The Bop Stop, The Hungry Brain, The Hideout, Experimental Sound Studios, Spot Tavern, Beat Kitchen, Empty Bottle, and Comfort Station.

Bill is humbled to have played or recorded with Jim Baker, Dave Rempis, Kent Kessler, Brian Sandstrom, Ed Wilkerson, Carol Genetti, Angel Bat Dawid, Jeb Bishop, Peter Maunu, Josh Berman, Brandon Lopez, Keefe Jackson, and Jason Roebke, among many other experimental and improvisatory musicians and artists.

Bill is constantly inspired by and thankful to work with his frequent collaborators: Ishmael Ali, Jake Wark, Timothee Quost, PT Bell, Gerrit Hatcher, Eli Namay, Matt Piet, Brianna Tong, Wills McKenna, David Fletcher, Jess McIntosh, Aaron Smith, Jeff Kimmel, Adam Shead, Molly Jones, Jakob Heinemann, and many others...

In 2015 he started Amalgam, a 100% artist-run collective and label dedicated to showcasing works of improvised and experimental music in Chicago. Bill is also an audio engineer working in both studio and live situations, and operates an independent studio in Chicago with engineering, mixing, mastering, and production credits on labels such as Amalgam, Astral Spirits, No Index, 577 Records and Ears&Eyes."

-Bill Harris Website (http://www.billyharris.net/bio)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Gerrit Hatcher is a Chicago-based tenor saxophonist, improviser, and composer. Born in Boston and raised in Normal, Illinois, Hatcher grew up studying trombone, and switched to tenor saxophone at 20 while attending the University of Illinois. Hatcher graduated from UIUC in 2013 and received a Masters in Arts and Politics at Sciences Po the following year. He moved to Chicago in 2015, and, inspired by Chicago's rich improvising music scene, soon began to make music with Chicago musicians, forging new improvising collaborations, and leading ensembles of his own.

Hatcher's own work typically engages with free jazz both as a set of experimental practices, and as an idiom with a history unto itself. He also participates across the diverse spectrum of experimental and improvised music being made in Chicago today. Gerrit has many active projects including his duo with Anton Hatwich, as well as a duo with Julian Kirshner, a solo saxophone practice, the improvising trio Devouring the Guilt with Eli Namay and Bill Harris, a trio with Mars Williams and Lia Kohl, and his organ quartet Refunction."

-Experimental Sound Studio (https://ess.org/esscalendar/2018/3/15/option-gerrit-hatcher-and-anton-hatwich)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Eli Namay (He or They) is a Lebanese/Syrian Chicago and Pittsburgh based composer, writer, bassist, community organizer, and educator. His work focuses on affirming creativity as a fundamental human need, and illuminating the intertwined and always moving nature of human minds, musical traditions, and socioeconomic realities. This is accomplished through improvisation and experimental notation; a critical embrace of eclecticism; and writing and composition that is informed by scientific studies of acoustics, perception, political economy, and the brain.

Master classes include at DePaul University, the Art Institute of Chicago, and Southern Illinois University. Performances include at venues, and with ensembles and artists such as Northwestern University, DePaul University, Chicago Symphony Center, Constellation, Experimental Sound Studio, Fonema Consort, Mocrep, Adiaphora Orchestra, Jessica Aszodi, Yeyha Khalil, Michael Ibraham (National Arab Orchestra), Ronnie Malley, Katherine Young, John McCowen, Phil Sudderberg and more. Eli has been a part of The Bridge - a transatlantic network for creative music and Homeroom Chicago's 10x10 (2015). Eli has a BA in music from Columbia college where he studied under Dennis Luxion, Chuck Webb, and Dan Anderson. He has also studied upright bass with Anton Hatwich and Greg Sarchet (Lyric Opera of Chicago), and classical music from the Levant with Ronnie Malley. Eli regularly curates comedy and improvised music shows with Gilded Records at Cafe Mustache, works with musicians associated with Amalgam Records, and performs with the hip-hop/avant-jazz group Jə'raf and American folk group Can I Get an Amen, amongst many other periodic formations.

As a community organizer, Eli has worked with the Chicago Democratic Socialists of America contributing to the development of their Socialist Night School program, coordinating political education for the 2019 Chicago teacher and staff strike solidarity campaign, and as a full time organizer with SOUL contributing to the campaign for Medicare for All on Chicago's South Side.

As a writer, Eli has contributed to Cacophony Magazine, Midwest Socialist, various Chicago DIY publications, as well as developed pamphlets for Chicago DSA and SOUL."

-Eli Namay Website (http://www.elinamay.org/read-me)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Possess the Gate 21:48

2. Vote Accept God 15:07

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Chicago Jazz & Improvisation
Trio Recordings
Collective Free Improvsation

Search for other titles on the label:
Kettle Hole Records.


Recommended & Related Releases:
Harris, Bill
Blinking Glue
(Amalgam)
An extension of his prior solo record, ONOMAT, Chicago drummer & percussionist Bill Harris also uses a prepared floor tom and feedback in this unedited 25 minute live performance at Music Garage in Illinois, notated for six track section as he explores unique rhythmic concepts augmented with encompassing environmental sonics and unusual disruptive elements.
Near Miss (MacGill / Hatcher / Harris)
The Natural Regimen
(Kettle Hole Records)
An often raucous and always informed debut from the dual reed & drums Chicago trio Near Miss of Rob Magill on tenor & soprano sax and bass clarinet, Gerrit Hatcher on tenor sax and Bill Harris on drums, Magill and Hatcher having collaborated previously on Triplet Fawns with Patrick Shiroishi, and Whole Abandoned Star, while Hatcher & Harris are a part of Devouring the Guilt.
Hatcher, Gerrit
Solo Five
(Kettle Hole Records)
An intimate set of solo expressions from Chicago tenor saxophonist and Kettle Hole label-leader Gerrit Hatcher, seven improvisations recorded in the studio that bring together the soloist's interests in free jazz, lyrical playing and intricate technical passages on the sax, infused with a sense of whimsy alongside serious concentrative playing.
Kimmel.Ali.Harris
Vivary
(Amalgam)
A diverse set of electroacoustic improvisations, including pointillistic interplay, free explorations merging contemporary compositional cues, pieces composed around specific parameters and evolving experimental soundscapes, from the Michigan trio Kimmel.Ali.Harris of Jeff Kimmel on clarinet & electronics, Ishmael Ali on cello, guitar & electronics, and Bill Harris on drums & synth.
je'raf
Throw Neck
(Amalgam)
Reminding of Downtown NY bands in the vein of No Safety or Curlew, this Chicago/NY 7-piece blurs rock, jazz and funk forms with intelligent and often satirical lyrics, upbeat and joyful music that defies categorization through groove-based songs that playfully critique while keeping it all danceable and fun, in a wonderfully talented and enjoyable album.
Four Letter Words (Piet / Wark / Harris)
Pinch Point
(Amalgam)
The first fully improvised album from the Chicago trio of Jake Wark on tenor saxophone, Matt Piet on piano and Bill Harris on drums, recording at Experimental Sound Studios in 2018 for seven numbered and concise improvisations, running the gamut from rapidly active yet controlled interaction and investigatory conversations of confident expression and creative drive.
Hatcher, Gerrit
Good Weight [CASSETTE + DOWNLOAD]
(Amalgam)
Chicago tenor saxophonist Gerrit Hatcher, known for his duos with Anton Hatwich and with Julian Kirshner, the improvising trio Devouring the Guilt with Eli Namay & Bill Harris and a trio with Mars Williams & Lia Kohl, is heard here in three extended solo improvisations, with strong tone riffing on grooves, exuding warm melodies, and running demanding technical passages on his horn.
Other Recommended Releases:
Superposition (Todd A. Carter / Michael Hartman)
Glaciers
(Kettle Hole Records)
Members of the Chicago free improvising, collaborative band TV Pow--Todd A. Carter and Michael Hartman--as a duo are Superposition, recording improvisations and composed improvisations primarily on piano, Rhodes, organ, and synthesizers, then mixing, adding and editing them into appealing tracks that merge electronics, jazz forms and soundscape.
Magill, Rob
Blues Etudes
(Kettle Hole Records)
A series of reed and wind improvisations, including two pieces with electronics, from Southern California composer and improviser Rob Magill, each of the 9 tracks on this album focusing on a different instrument: alto saxophone, soprano saxpohone, clarinet, flute, bass clarinet, bass recorder, sheng and tenor saxophone, plus a multi-instrumental "misc".
Cordoba (Brianna Tong / Eric Novak / Cam Cunningham / Zach Bain-Selbo / Khalyle Hagood / Zach Upton-Davis)
Specter
(Amalgam)
Combining elements of neo-soul, jazz fusion and hip hop, the Cordoba genre-bending sextet from Chicago use their warm, slightly off-center grooves to present vocalist Brianna Tong's articulate lyrics that observe and reflect on the state of world, the band's arrangements extended on five songs with the Latin America-influenced Kaia String Quartet.
Harris, Bill
ONOMAT
(Amalgam)
A diverse and confident set of solo drums improvisations, acoustic or in tandem with metal and wooden objects, microphone amplification, drum feedback manipulation and close-microphone use on a detuned floor tom, in the first solo release from Chicago drummer and Amalgam label leader Bill Harris recording live at the Music Garage, in Chicago.
McKenna, Wills / Norman W. Long / Ishmael Ali / Bill Harris
Anemoi [2 CDs]
(Amalgam)
Part of cellist Ishmael Ali's Chi Away Project recording small ensembles of new collaborations between Chicago musicians of diverse backgrounds, this live recording of energetic and unique free jazz and ea-improv was captured at Marmalade in 2021, bringing together Ali, drummer Bill Harris, saxophonist & flutist Wills McKenna and sound artist Normal W. Long.
Moore, Allen / Ishmael Ali / Bill Harris
Hearsay
(Amalgam)
Unusual textures, unlikely orchestration and unconventional rhythmic directions from the Chicago electroacoustic improv trio of Allen Moore on turntables & records casted with various material, Ishmael Ali on cello, guitar & electronics and Bill Harris on drums & percussion, captured live at Marmalade in Chicago in 2021 for a diverse set of experimental and absorbing improvisations.
Harris, Bill
Blinking Glue
(Amalgam)
An extension of his prior solo record, ONOMAT, Chicago drummer & percussionist Bill Harris also uses a prepared floor tom and feedback in this unedited 25 minute live performance at Music Garage in Illinois, notated for six track section as he explores unique rhythmic concepts augmented with encompassing environmental sonics and unusual disruptive elements.
Hatcher / Maunu / Kirshner
Live at Splice Series
(Kettle Hole Records)
A trio of younger generation Chicago free improvisers from Gerrit Hatcher on tenor saxophone, Peter Maunu on guitar, violin & mandolin and Julian Kirshner on drums, performing at The Beat Kitchen as part of the Live at Splice Series, in two recordings from contemplative and darkly spacious to kinetically energetic, released in a limited edition CD.
Magill / Hatcher / Kirchen / Kirshner
Whole Abandoned Star
(Kettle Hole Records)
A live concert of collective free improvisation captured at Elastic Arts in Chicago in 2018 between Rob Magill on tenor & soprano saxophones, Gerrit Hatcher on tenor saxophone, Charlie Kirchen on bass, and Julian Kirshner on drums, an energetic and diverse concert in three conversations that allow for great discourse and extended soloing; numbered edition of 150 copies.
Hatcher, Gerrit
Knowledge About The Future
(Kettle Hole Records)
Chicago-based tenor saxophonist, improviser, and composer Gerrit Hatcher (Devouring the Guilt, duos with Anton Hatwich, duos with Julian Kirshner) in a solo album of seven succinct statements, diverse expressions from scrabbling determination to pensive reflection, all informed by masterful skills that add nuance and intrigue to each track.
Hatcher, Gerrit / Rob Magill / Patrick Shiroishi
Triplet Fawns
(Kettle Hole Records)
Chicago saxophonist and Kettle Hole label leader Gerrit Hatcher joins with West Coast saxophonists Rob Magill (Weird Cry Records, Dreamcolour) and Japanese saxophonist based in Los Angeles Patrick Shiroishi, for five collective free improvisations of informed saxophone interaction; three approaches to the horn that complement and contrast in fascinating ways.
Hatcher, Gerrit Group (Hather / Ernst / Gay / Jackson / Kirshner)
The Good Instinct of the Morning
(Kettle Hole Records)
The first album as a bandleader from Chicago tenor saxophonist Gerrit Hatcher in a full quintet of well-known Chicago improvisers -- cornetist Ben LaMar Gay, tenor saxophonist Keefe Jackson, bassist Katie Ernst, and drummer Julian Kirshner -- in an album that would fit well in the ESP/Ayler free-jazz mode, tipped off by a cover of Charles Tyler's "Man Alone".
Sfyria Trio
Rockefeller Concert [CASSETTE]
(Astral Spirits)
Since 2016 Sfyria Trio is the Chicago/NY free improvising trio of tenor saxophonist Sam Decker (Shorve, Logan Strosahl Team, Green and Grass), bassist Charlie Kirchen (The Few, Rooms, Charlie Kirchen Quartet), and drummer Matt Carroll (Ohmme, Typical Sisters, Rooms), performing their unique improv idiom incorporating elements from a wide range of musical perspectives.
Hatcher, Gerrit
Burnt Pan Rolling Boil
(Kettle Hole Records)
Chicago saxophonist Gerrit Hatcher sees his solo saxophone performances as a format that can be both charismatic and alienating in to the listener, as he uses extreme technique and powerful streams of emotional playing in a set of improvisations: "Salt Dome" parts 1-3, and "Cooking Fuel", each wrought with frailty and bluster; impressive work.
Foster, Michael / Michael Zerang / Katherine Young
Bind the Hand(s) That Feed
(Relative Pitch)
Captured at Elastic in Chicago, the free improvising trio of Katherine Young on bassoon & electronics, Michael Zerang on percussion, and Michael Foster on soprano & tenor saxophones, use contrasting timbres and techniques throug wind instruments, percussion and electronics to create unusual and captivating dialog, evolving with great composure, a sense of wonder, and mastery.
Meridian Trio (Mazzarella / Ulery / Cunningham)
Triangulum
(Clean Feed)
A lyrical outing from the Chicago working trio of Nick Mazzarella on alto saxophone, Matt Ulery on doublebass, and Jeremy Cunningham on drums, performing live at the Whistler in Chicago, Illinois in 2016, recorded for this debut album of Mazzarella compositions, flexible pieces that balance jazz traditions with avant options for the players.
Giallorenzo, Paul Trio featuring Ingebrigt Haker Flaten and Tim Daisy
Pg3 IHF & tD
(Not Two)
Chicago-based pianist Paul Giallorenzo trio with fellow Chicago drummer Tim Daisy and Norwegian bassist Ingebrigt Haker Flaten performing a set of Giallorenzo compositions that balance melodic and free moments with authoritative playing.
Stein, Jason's locksmith Isidore
Three Less Than Between
(Clean Feed)
Jason Stein 2nd Locksmith Isidore release on Clean Feed with bassist Jason Roebke and drummer Mike Pride shows his devotion to Eric Dolphy in experimental and classic jazz approaches.



Customers Who Bought This Item Also Bought:
Fujii, Satoko Tokyo Trio
Moon on the Lake
(Libra)
Pianist Satoko Fujii introduces a new trio with two younger and very active musicians on the Japanese jazz scene--bassist Takashi Sugawa and drummer Ittetsu Takemura--recording in 2020 at Pit Inn in Tokyo for their 3rd live date together, performing five lyrical Fujii original compositions, including "Aspirations" from her album with Leo Smith & Ikue Mori.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC