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RED trio and Celebration Band: Suite 10 Years Anniversary [2 CDs] (NoBusiness)

The Red Trio of pianist Rodrigo Pinheiro, bassist Hernâni Faustino and drummer Gabriel Ferrandini mark their 10th anniversary as a trio on this 2-CD set of an outstanding concert in Lisboa, PT, joining forces with the 13-member Celebration Band, whose members include John Butcher, Ernesto Rodrigues, Luis Vicente, Sei Miguel, Rodrigo Amado, Mattias Stahl, Carlos Santos, &c.
 

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Personnel:



Rodrigo Pinheiro-piano

Hernani Faustino-double bass

Gabriel Ferrandini-drums, percussion

Sei Miguel-trumpet

Luis Vicente-trumpet

Fala Mariam-trombone

John Butcher-tenor saxophone, soprano saxophone

Pedro Sousa-tenor saxophone

Rodrigo Amado-tenor saxophone

Nuno Torres-alto saxophone

Ernesto Rodrigues-viola

Ricardo Jacinto-cello

Miguel Mira-cello

Mattias Stahl-vibraphone

Carlos Santos-electronics

Miguel Abreu-voice, electric bass

David Maranha-percussion


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Label: NoBusiness
Catalog ID: NBCD 136-137
Squidco Product Code: 29853

Format: 2 CDs
Condition: New
Released: 2020
Country: Lithuania
Packaging: Jewel Case
Recording at Teatro Maria Matos, in Lisboa, Portugal, on February 10th, 2018, by Filipe Silva

Descriptions, Reviews, &c.

"This two-CD set documents a 2018 concert marking the tenth anniversary of Lisbon's Red Trio: pianist Rodrigo Pinheiro, bassist Hernâni Faustino and drummer Gabriel Ferrandini. It's a longstanding band of equals, creating a three-way music in one of the most traditional formats in jazz. Since its inception, the group has distinguished itself not only in terms of the piano trio, but also as a superb collaborative unit, including a series of quartet recordings with John Butcher, Mattias Ståhl and Nate Wooley.

This commemorative concert combines the trio with the Celebration Band, a pool of 13 musicians, and employs the title Suite to link three pieces, each trio member composing/structuring his individual ensemble and segment. The pool includes both Red Trio collaborators from previous tours ‒ Butcher (who appears twice) and Mattias Ståhl (a constant along with the trio itself) ‒ and 11 Lisboan associates from whom each trio member will choose four or five. While each piece covers a range of improvisational practices, each member creates a kind of self-portrait, but one realized by nine or ten musicians.

Rodrigo Pinheiro's work resides at the intersection of free improvisation and high modernism, with quicksilver meetings of design, impulse and chance. Along with Butcher, Ståhl and Red Trio, he draws on several musicians associated with Creative Sources Records' large ensembles: violist Ernesto Rodrigues, electronic musician Carlos Santos and alto saxophonist Nuno Torres, along with trumpeter Luis Vicente and cellist Ricardo Jacinto. "Corrente" (chain) begins at the edge of inaudibility until Ernesto Rodrigues' skittering, splintering viola and Ricardo Jacinto's plucked cello emerge against the plosives of Faustino's bass, all eventually linked by the swirl of Ståhl's abstracted vibraphone and Pinheiro's drum-like prepared piano. The work stretches to 33 minutes, momentarily thinning, becoming more spacious, then creating contrasting phases of dense activity.

Butcher brings complex multiphonics to a field in which Pinheiro, Faustino and Ferrandini are the initial links. The other winds enter against splashes of piano, and there's a sudden trio of Butcher, Torres and Vicente, spinning rapid lines knotted with flutters, bleats and choked shrieks, continuous threads formed in the rapid overlapping of compound events. A previously unheard sound occurs, between run and blip, so strange it takes relistening to yield Santos's identity. Ferrandini has become a master of rapid, complex storms, sometimes drumming so quietly it can be mistaken for precipitation and making a trio of electronics, bowed cello and drum kit seem perfectly plausible. Red Trio is so highly attuned, yet open, that visitors can move with and through it in ways that suggest membership, Ståhl and Pinheiro at times creating the illusion that they are one another's supplementary limbs. There's a collective musical wisdom at work here, from the slow-quick-near-silence of Butcher's soprano to Faustino's bass as a central pivot amidst the swirl. Vicente's point and edge stand out, as things somehow soften to a walk amidst field noise and some advanced collectivist sputter, a music containing various levels of quiet and pulse that have somehow synchronized.

Drummer Gabriel Ferrandini has spread his musical interests into several areas: free improvisation, jazz, noise rock and composition and his group make-up on the 28-minute "Mais Vale" (more value) represents those associations. Tenor saxophonist Rodrigo Amado and cellist Miguel Mira are here from Motion Trio; Other long-time associates are sometimes distant rock/noise bands: tenor saxophonist Pedro Sousa (also from the tuneful and subtle trio of Volúpias [Clean Feed] with Ferrandini and Faustino, and numerous other associations), percussionist David Maranha (from a percussion duo) and vocalist/ electric bassist Miguel Abreu (from the band Cabeira).

"Mais Vale" begins with spacious, somber piano chords hanging in air, resonance massaging time as overtones die away and new tones are added, all strongly suggestive of Morton Feldman's piano music and superbly articulated by Pinheiro. Ferrandini has demonstrated a knack for spacious, minimalist melodic composition (see Volúpias) in which reverie and menace can seem like intimates, unlikely but oddly secure. He has also ventured far into other idioms, some of which appear here. One of the principal elements is a vocal part, Abreu repeating an echoing phrase, almost a dirge, that hangs, for this listener, between hypnotic and irritating, something that may be a result of the mix or more likely the original hall acoustics. While it may compromise the ultimate effect of the piece, there's much that's brilliant here, including Amado's extended tenor solo, almost a monotone of rapid-fire tonguing, like sped-up speech operating within the narrowest spectra of inflected pitch. There's also a mercurial vibraphone solo, during which Ferrandini and Ståhl seem to pass through one another's voices.

The longest work at 42:11, Faustino's "Ditirambo" occupies the second of the two CDs. The band includes Butcher and Ståhl but its distinguishing mark is the presence of Sei Miguel, the pocket trumpeter who is almost a father figure to Lisboan free jazz, an introspective musician whose shafts of sound can be at once muffled and spiky and who appears here with his long-time partner Fala Mariam on trombone. The other musicians are Santos on electronics and Jacinto on cello, making this the hardest of these ensembles to characterize. It hardly matters. Like Sei Miguel, Faustino's roots run deep in free jazz and the music is ultimately a triumph of these extended roots.

"Ditirambo" begins with a long stretch by the trio itself, richly dramatic, gestural music in which the three display the near telepathic empathy that can develop between musicians who play together for over a decade in multiple contexts. The first additional voice to enter is Butcher's, at once machine-like and warm, elegiac and multiply-traditioned. It's a mark of good improvisors that they can find the richest common ground available, and that is what every one in this band ultimately does, reflecting but not disturbing common roots that run to blues, Ornette, bop, Mingus, and some diverse version of swing. There is a long minimalist stretch towards the end when very few musicians are playing, but the sonic detail is so subtle as to blur bass, piano, drum, saxophone, and electronics together. Gradually welling pedal points call up a wondrously Mingus/ Ellington texture (where many bassists' hearts reside). Though unexpected in the preceding terrain, it's all achieved with no small thanks to trombonist Fala Miriam, whose subtly guttural smears and wails summon up voices like Britt Woodman and Quentin Jackson. The roiling piano and vocalic brass pull up something of unthinkable drama and tradition, a measure of the musicians' and Faustino's depth of musical personality, a dream of soul and community that can never be ideally realized but which cannot be escaped.

Lisbon is a remarkable outpost for improvising orchestras, from the continuously evolving ensembles of Ernesto Rodrigues and brilliant one-offs like Luis Lopes' Lisbon Free Improvisation Unit in which many of these musicians play. Red Trio + Celebration Band is another important development."-Stuart Broomer, Point of Departure


Get additional information at Point of Departure

Artist Biographies

"Rodrigo Pinheiro was born in 1973 in Covilhã, a small town in the center of Portugal. He started learning the piano when he was five at the Conservatory of Covilhã and later at the Conservatory of Lisbon until he was eighteen. He soon got involved with the free Portuguese improvisation scene, having played with Américo Rodrigues, José Oliveira, Nuno Rebelo, Rodrigo Amado, Luís Desirat, Bruno Parrinha or Ernesto Rodrigues. Pinheiro's intuitive approach to improvisation and exploration of the piano timbres, using both classical and extensive techniques, makes his music energic, polyrhythmic and full of contrasts. Moreover, he has honed his technique at workshops of improvisa- tion and composition where he has played with virtuous names, such as Carlos Zíngaro, Peter Kowald, Gunther Muller or Patrick Brennan. He has also performed with several musicians, like Hiroshi Kobayashi, Cristin Wilboltz, Nathan Fuhr, Blaise Siwula, Per Anders Nilsson, John Zorn, Nobuyasu Furuya, Jason Stein, Nate Wooley, John Butcher, Lotte Anker, Joe McPhee, Keir Neuringer, among others. In 2010 Pinheiro formed his project RED Trio, with Hernâni Faustino (bass) and Gabriel Ferrandini (drums). The band has recorded four albums with Clean Feed and Nobusiness Records and performed live at jazz and improvised music festivals and concerts in Portugal, USA, Netherlands, Germany, Austria, Poland and Romenia. He is also a member of the Nobuyasu Furuya Quintet, which has two released albums by Chitei Records e Nobusiness Records. His most recent projects are his trio earNear, with João Camões (viola) and Miguel Mira (cello), and the Clocks and Clouds' quartet, with Luís Vicente (trumpet), Hernani Faustino (bass) and Marco Franco (drums)."-Luis Vicente Website (http://luis-vicente.wixsite.com/luisvicente)
4/17/2024

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"After establishing his name during the Eighties as an electric bass guitarist in alternative rock bands, like the now legendary K4 Quadrado Azul, Hernani Faustino turned to avant-jazz and free improvised music and chose the double bass as his self-taught instrument. Two decades later of multiple interactions with Portuguese and international musicians, he's now considered one of the most intense and solid bassists in the Portuguese scene. The association he maintains with drummer Gabriel Ferrandini (RED trio, Nobuyasu Furuya Trio & Quintet, Rodrigo Amado Wire Quartet) has been pointed as a dynamic and powerful rhythm section. His visceral playing is well showed by the contortions of his face during a performance: he goes to the limits of pleasure and pain.

Music is his life: besides being a musician, he was one of the members of the label Clean Feed, considered one of the five more important on the planet in what regards jazz, and the Trem Azul Jazz Store, located in Lisbon. He also composed for theatre, produced radio programs, and wrote about music in a couple of magazines. A good part of his activity in photography is also music oriented: Faustino is one of the most accomplished stage photographers around. This says all about his passion and commitment.

Hernani Faustino's numerous meetings and collaborations with other improvisors is astonishing: John Butcher, Lotte Anker, Nate Wooley, Carlos "Zíngaro", Agustí Fernández, Sei Miguel, Rafael Toral, Jason Stein, Nuno Rebelo, Rodrigo Pinheiro, Gabriel Ferrandini, Pedro Sousa, Rodrigo Amado, Albert Cirera, Manuel Mota, Luís Lopes, Jon Irabagon, Taylor Ho Bynum, Gerard Lebik, Piotr Damasiewicz, Harris Eisenstadt, Neil Davidson, Heddy Boubaker, Gerard Lebik, Elliott Levin, Katsura Yamauchi, Mats Gustafsson, Chris Corsano, Nikolaus Gerszewski, Rob Mazurek, Reinhold Friedl, Ernesto Rodrigues, José Oliveira, Helena Espvall, Nuno Torres, Ricardo Jacinto, Blaise Siwula, Virginia Genta, Elliott Levin, Daniel Carter, Federico Ughi, Floros Floridis, Matt Bauder, Dennis González, Vítor Rua, and many more, covering a wide range from free bop to extreme experimentation, going through electroacoustic improv, reductionism and noise."

-Hernani Faustino Website, Rui Eduardo Paes (http://www.hernanifaustino.com/bio/)
4/17/2024

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"He started playing drums at fourteen, when he took up his musical studies at the Crescendo School in São João do Estoril, near Lisbon. At nineteen, he made studies at the Hot Clube Portugal, where he stayed for a year and a half. In 2006 he entered the Academia de Amadores de Música where he studies to this day with Alexandre Frazão as his master. In 2007 he did a workshop with the drummer Paal Nilssen-Love.

Towards the end of 2007 and to date he has taken part in various concerts with multiple projects alongside artists and ensembles like: Nobuyasu Furuya Trio, Rodrigo Amado Motion Trio, Alípio C. Neto, Carlos Zíngaro, DJ Ride, Variable Geometry Orchestra, Riot Trio, Luís Lopes Duo, John Butcher, Jason Stein, Jon Irabagon, Ernesto Rodrigues Septet and the Nikolaus Gerszewski Ensemble."

-Gulbenkian Music (https://gulbenkian.pt/musica/en/biography/gabriel-ferrandini-2/)
4/17/2024

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"Plays his trumpet with complete awareness of the whole Jazz history while dealing, as a music director, with the full spectrum of sound sources in a broad range of innovative (and often strange) solutions, including frequent use of electronics. He has created his own music system, allowing him to take his open pieces to a high degree of perfection.

Director, arranger and trumpeter, Sei Miguel considers himself a simple jazzman, which, he says, isn't always easy. Born in 1961, Paris, lived in Brazil and France until settling down in Portugal during the 80's. Since 1986 he has been directing formations of variable geometry. Having performed in Portugal, Germany, Italy and Brazil, among his many regular collaborators are not only guitarists Rafael Toral and Manuel Mota, but also extraordinaire trombone player and painter Fala Mariam and virtuoso percussionist César Burago. Miguel has also written music for theater and ballet."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
4/17/2024

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"Luis first picked up a trumpet when he decided to participate in a Philarmonic Association. Later he had private classes with Tomás Pimentel.He attended the Escola de Jazz Luís Villas Boas/ Hot Club de Portugal, where he had the chance to study with João Moreira, Tomás Pimentel, Vasco Mendonça, Afonso Pais, Filipe Melo, Bruno Santos e André Fernandes. During these years, he also participated in workshop with musicians such as Evan Parker, Chris Speed, Mário Laginha, David Binney, Jesse Davis, Julian Arguelles, Ohad Talmor, André Fernandes, Pedro Madaleno e Phil Grenadier.

He already played in dozens of venues and festivals in Portugal and across Europe. He performed and recorded with Carlos Zingaro, Wilbert De Joode, Akira Sakata, Johannes Bauer, Oori Shalev, Jorrit Dijkstra, Kaido Yutaka, Jasper Stadhouders, Giovanni Di Domenico, Mary Oliver, Nuno Rebelo, Jonathan Hafner, André Fernandes, Joost Buis, Marco Franco, Steve Heather, Mette Rasmussen, John Dikeman, Roberto Negro, João Lobo, Hugo Antunes, Valentin Ceccaldi, Seppe Gebruers, José Ernesto Rodrigues, Onno Govaert, Rodrigo Amado, Tó Trips, Luís Lopes, Federico Pascucci, Théo Ceccaldi.

Currently he plays his own tunes in trio and quartet and is a member of : Vicente|Marjamaki; Clocks& Clouds; Fail Better!; Twenty One 4tet; Deux Maisons; Chamber 4; W.A.S?; Jasper Stadhouders' International Improv Esnsemble."

-Luis Vicente Website (http://luis-vicente.wixsite.com/luisvicente)
4/17/2024

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"Born in Lisbon. Some academic training did not foster in her an interest for musical creation. In 1980, during a trip to the north of India, she intuited the sacred fire of true music, that she will find again in the more initiatic jazz and the gratifying discovery of several trombonists. Sei Miguel´s "sideman" since 1983, she partakes in all his works."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
4/17/2024

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"John Butcher's work ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and extreme acoustics.Originally a physicist, he left academia in '82, and has since collaborated with hundreds of musicians - Derek Bailey, John Tilbury, John Stevens, The EX, Akio Suzuki, Gerry Hemingway, Polwechsel, Gino Robair, Rhodri Davies, Okkyung Lee, John Edwards, Toshi Nakamura, Paul Lovens, Eddie Prevost, Mark Sanders, Christian Marclay, Otomo Yoshihide, Phil Minton, and Andy Moor - to name a few.

He is well known as a solo performer who attempts to engage with the uniqueness of place. Resonant Spaces is a collection of site-specific performances collected during a tour of unusual locations in Scotland and the Orkney Islands.His first solo album, Thirteen Friendly Numbers, includes compositions for multitracked saxophones, whilst later solo CDs focus on live performance, composition, amplification and saxophone-controlled feedback.

HCMF has twice commissioned him to compose for his own large ensembles. Other commissions include for Elision (Australia), the Rova (USA) & Quasar (Canada) Saxophone Quartets, reconstructed Futurist Intonarumori (USA), "Tarab Cuts" (based on pre-WWII Arabic recordings, and shortlisted for the 2014 British Composer's Award) and "Good Liquor .." for the London Sinfonietta. In 2011 he received a Paul Hamlyn Foundation Award for Artists.

Recent groupings include The Apophonics with Robair and Edwards, Anemone with Peter Evans, Plume with Tony Buck & Magda Mayas and a trio with Okkyung Lee & Mark Sanders.Butcher values playing in occasional encounters - ranging from large groups such as Butch Morris' London Skyscraper and the EX Orkestra, to duo concerts with David Toop, Kevin Drumm, Claudia Binder, Paal Nilssen-Love, Thomas Lehn, Fred Frith, Keiji Haino, Ute Kangeisser, Matthew Shipp and Yuji Takahashi."

-John Butcher Website (http://www.johnbutcher.org.uk/Biog.html)
4/17/2024

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Pedro Sousa is a Portuguese improviser, jazz saxophonist and guitarist, known for the groups Pedro Sousa, Johan Berthling & Gabriel Ferrandini; Canzana; EITR; Falaise (2); ikb; OTO; Po; Rajada.

-Discogs (https://www.discogs.com/artist/560912-Pedro-Sousa)
4/17/2024

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"Portuguese saxophonist (alto, C melody, baritone, and tenor) Rodrigo Amado specializes in free-form, composition-in-the-moment jazz, and his various projects and trios have given him an international following. Born in Lisbon in 1964, Amado began studying the sax at the age of 17, briefly at the Hot Club Music School of Lisbon and with mentors Carlos Martins, Pedro Madaleno, and Jorge Reis, among other leading Portuguese jazz artists. With diverse musical interests, he explored how improvisation is handled in other genres, although his work with his various ensembles like the Lisbon Improvisation Players and the Motion Trio (with Miguel Mira and Gabriel Ferrandini) falls clearly under the umbrella of 21st century jazz, and he has been an in-demand studio player on numerous recorded projects. He started his own label, Clean Feed, in 2001, with brothers Pedro and Carlos Costa, before leaving the imprint in 2005 to start a second label, European Echoes. Also an accomplished professional photographer, Amado continues to be a bright light on the Portuguese and international improvisational jazz scene."

-All Music, Steve Leggett (http://www.allmusic.com/artist/rodrigo-amado-mn0000249324/biography)
4/17/2024

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"Studied alto saxophone within a jazz tradition spectrum. His continuous solo experimental research explores a wide scope of sound material through the use of the extended technics. Participates in several ensembles of improvisational music, electro acoustics and reductionism. Collaborates with musicians such as, Ernesto Rodrigues, Ricardo Jacinto, Sei Miguel, Fala Mariam, João Castro Pinto, Rafael Toral, Manuel Mota, David Stackenäs, Travassos, Paulo Raposo, Carlos Santos, Shiori Usui, C. Spencer Yeh, Cyril Bondi and d'incise, and developed projects as CACTO and PinkDraft, In the recent years has been also collaborating in several different projects at the intersection of the performative areas of dance, theatre and the visual arts (PARQUE, Les Voisins, Eye Height, Adriana Sá, Beatriz Cantinho). Participates and curates experimental and community radio initiatives."

-Creative Sources (http://creativesourcesrec.com/artists/n_torres.html)
4/17/2024

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"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
4/17/2024

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"Ricardo Jacinto / Lisbon (1975). Lives and works in Lisbon and Belfast. Working as an artist and musician mainly focusing on the relation of sound and space. Currently pursuing a PHD at the Sonic Arts Research Center / Belfast. Graduated in Architecture at the University of Lisbon-Faculty of Architecture, and Sculpture and Advanced Visual Arts at Ar.Co / Lisbon. Graduate courses at the School of Visual Arts, New York. Musical studies at the Hot Clube de Portugal and Academia de Amadores de Música / Lisbon. Since 1998 has presented his work in individual and group exhibitions, concerts and performances, in Portugal and abroad. Has collaborated extensively with other artists, musicians, architects and performers. Founder of OSSO - Cultural Association

Presented is installation work in several contemporary art venues in Portugal and across Europe: Projet Room CCB_Lisboa, Círculo de Belas Artes em Madrid, MUDAM_Luxemburgo, Centro Cultural Gulbenkian_Paris, Manifesta 08_European Bienal de Arte Contemporânea de Itália, Loraine Frac- Metz, OK CENTRE_Linz_Austria, CHIADO 8_Culturgest_Lisbon, Casa da Música / Porto e Bienal de Arquitetura de Veneza de 2006.

As a cellist has mainly worked in the field of free improvised music playing in several formations and with different musicans: Nuno Torres, Rodrigo Pinheiro, David Maranha, Hernani Faustino, Ernesto Rodrigues, Luis Lopes, Ricardo Guerreiro, C Spencer Yeh, Shiori Usui, Manuel Mota, Pedro Rebelo, Franziska Schroeder, Simon Rose, Paul Stapletton, Jean Luc-Guionnet, Gabriel Ferrandini, Orquestra de geometria variável, PinkDraft, Cacto, FOIRMFADA, among others. Has played in different venues in Portugal and abroad: Fundação de Serralves / Porto, Palais Tokyo / Paris, SARC / Belfast, Festival VERBO / São Paulo, Festival Temps d' Images_Lisbon, Festival Rescaldo_Lisbon, Festival BigBang_CCB_Lisbon, Culturgest_Porto e Lisboa, ZDB / Lisboa, Dança Base_Edimbrugh, Kabinett 0047_Oslo, Fundação Calouste Gulbenkian / Paris, among others."

-Ricardo Jacinto Website (http://www.ricardojacinto.com/about)
4/17/2024

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"Born in 1958, studying guitar at the Academy of Music Amateurs, in the 70s, with Prof. Nagy. In the late 70 studying bass at the Hot Club, in the early '80s, with Prof. Zé Eduardo.

"Intrigue and permanent and persistent unease with stringed instruments, jazz and improvisation itself. During the last forty years, in concert, in private or in the studio, I had the honor of having played and learned (chronologically) Nuno Grande, Armindo Neves, Emilio Robalo, Celso Carvalho, António Ferro, Arthur Costa, Ze Bitch John Vinegar, John Lucas, Francisco Medina, Abdul moimeme, Rashiim Ausar Sahu, Patrick Brennan, Rodrigo Amado, Scott Fields, Francisco Trindade, Ernesto Rodrigues, Harvey Sorgen and Joe Giardullo.

Today, honor me play (and perpetuate my restlessness) with Rodrigo Amado, Abdul moimeme, John Lucas, Joseph Bruno Parrinha, John Parrinha, João Pedro Viegas, Alipio Carvalho Neto, Gabriel Ferrandini, Ernesto Rodrigues, Armando Gonçalves Pereira, Hernani Faustino, Rodrigo Pinheiro, Zé Lencastre, Louis Desirat, Peter Castello Lopes, Luís Lopes, Luís Vicente, Philip Sousa, Pedro Roxo, Johannes Krieger, George Lamprey, Marcello Maggi, Paulo Curado, Diogo Leal, D' Incise, Virginia and Eduardo Chagas. With some of my friends. I share my musical day in broader bands or ensembles, with other I highlight specific musical encounters and they are my entire curriculum." "

-JACC Records (http://www.jacc-records.com/en/musicians/miguel-mira)
4/17/2024

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"Mattias is born 1971 in Oskarshamn, Sweden and lives in Stockholm. Have the latest 15 years performed at stages around Sweden and elsewhere, focusing on jazz and improvised music. Released two album of his own with his former quartet Ståhls blå ("Ståhls blå" 2001 and "Schlachtplatte" 2004), which achieved great attention from reviewers all over the world. He also composed all the music for this group. As a sideman he contributes in a lot of exciting groups, from projects with the legend Georg Riedel to collaborations with the swedish indie wonder Emil Svanängen aka Loney Dear. Also: Cecilia Persson Quintet, Martin Küchens group Angles, IPA with Magnus Broo/Atle Nymo/Håkon Mjåseth Johansen/Ingebrigt Håker Flaten, Daniel Buner Formos Formo Tre&Metall and different projects with Trondheim Jazzorkester. Other groups where he contributed during the years are Eirik Hegdals Team Hegdal, Joakim Milders Takeaway, Lennart Åberg:s big and small orchestras, Nils Berg 5 (Jazz in Sweden Award 2007), Alberto Pinton Quintet, Yttling Jazz (with Bjorn Yttling from "Peter, Bjorn and John"), Fredrik Nordström Quintet (Jazz in Sweden Award 2002), Klaus Holm Kollektif. He has been the vibist of the swingtronica-duo Koop since 2001, touring all over the world. He has also played with groups as Jet Set Sweden och Sven Berggrens Alea. He recieved the Swedish Radio Award 2002 as newcomer of the year for his album "Ståhls blå"."

-Mattias Stahl Website (http://mattiasstahl.com/)
4/17/2024

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"Studied painting with António Sena (Ar.Co, 1988 -1992), worked in advertising for a period of time, but nowadays works as graphic designer in corporate identity, packaging, web and audio-video production.

Started sound/music activities in 1989 when formed the VITRIOL project with Paulo Raposo, a laboratory for experimental sound actions, in a first stage with studio work followed in 1994 by live output, mainly live electronics, concrete music with a improvised or graphic score oriented approach. Uses the laptop with software written in MaxMsp, small resonant objects, microphones and piezo elements to produce a music that deals with space and its sound characteristics. Interests in "soundscape" and field recordings are a huge part of his work, for piece preparation or just for archival purposes, Always recording, events, spaces or music. Multi-channel acusmatic music and radio pieces.

Presents himself solo in site-specific audio-video works, or in duos with João Silva (video, sound, photography), "Inhabitaded Spaces" with Ricardo Guerreiro (computer, mics), "Venús Pistolletto" with Emídio Buchinho (elec. guitar, mics, objects) and trios with Ernesto Rodrigues (violin) and Guilherme Rodrigues (cello) or ZNGR electroacustic trio with Carlos "Zíngaro and Emídio Buchinho. Member of several formations, "(Des)Integração" laptop ensemble (2001-2003) or in more electroacoustic sets, uses live-electronics and sampling which is the case of "Suspensão" septep, VGO, variable geometry orchestra and specially a trio close related to the "near silence" aesthetics, with Ernesto Rodrigues (violin, harp) and Guilherme Rodrigues (cello) with already several CD releases, always with at least one international improviser guest. Presented his work in Portugal, Spain, France, UK and Germany. Worked with artists from several media: dance, performance and video. Music and sound design for video and animation. Video and sound editing for comercial projects. Played live or in recording projects throughout the years with a lot of musician and sound artists. His sound work is documented in several CD releases. Belongs to the Granular board of directors, a portuguese association for experimental art and does the image of Creative Sources label. Broadcasts "Boca Doce" show at Rádio Zero (web) and other special shows. Workshops and seminars in digital audio manipulation, Maxmsp programming and sound art practise."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
4/17/2024

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"David Maranha is a Portuguese musician known from the experimental/drone project Osso Exótico, which regularly releases albums since the 80s. More recently, David has released some albums under his own name (Marchs Of The New World - 2008, Antarctica - 2010, among others). His albums' reviews and his discography can be found at http://davidmaranha.blogspot.com."

-Last.FM (https://www.last.fm/music/David+Maranha/+wiki)
4/17/2024

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Track Listing:



CD1



1. Corrente (Rodrigo Pinheiro) 32:58

2. Mais Vale (Gabriel Ferrandini) 28:13

CD1



1. Ditirambo (Hernani Faustino) 42:12

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
European Improvisation, Composition and Experimental Forms
Trio Recordings
Large Ensembles
John Butcher
Staff Picks & Recommended Items


Search for other titles on the label:
NoBusiness.


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