"Dean Rosenthal is an American composer of contemporary and experimental music, field recordings, digital pastiche, sound collage, and installations; performer, writer on music, and theorist; his instrumental music has been described as "thorny" and "modernist" (The New Yorker) and "original" (The New York Times). His works are performed, broadcast, choreographed, and installed internationally, primarily in North America and Europe at venues such as Ohrenhoch der Geräuschladen, Center for Collaborative Arts and Media at Yale, Spectrum, The Wulf, Electronic Music Foundation, Incubator Arts Project, Symphony Space, at many universities and art schools, and outdoors, in situ, over 40 times, for Stones/Water/Time/Breath. His writings have been published in The Open Space Magazine, The Ear Reader, Musicworks, and other prominent contemporary publications. More recently he worked closely with Guggenheim Fellow David Parker's dance company The Bang Group, utilizing contemporary dance to express his instrumental music; this music was heard in dozens of performances from the Brooklyn Museum to hallowed dance center Jacob's Pillow to the Claquettes Club in Liege, Belgium. A recent commission from the Oral History of American Music collection at Yale was first heard in January 2020. Since 2012, he has made his home on Martha's Vineyard, where he composed his ongoing international performance piece Stones/Water/Time/Breath which in 2016 was given a 10 city, 3 country performance as part of the international Make Music Day festival, inaugurating an annual event now in its 5th year. Stones/Water/Time/Breath piece was released by Edition Wandelweiser, documenting five live performances from Newfoundland to Brooklyn to New York to Wilbraham, Massachusetts, the composer's hometown."

"Originally from Long Island, trombonist William Lang is an active performer, improviser, and teacher based in New York City. He can be found playing in all settings and style, from the avant-garde and classical to Broadway and indie chamber pop. He has given his signature unaccompanied recitals throughout the United States, played concertos in both America and Europe, and has also recorded with such artists as Philip Glass, David Bryne, St. Vincent, and Jonsi (of Sigur Ros.) Intensely passionate for chamber music, he regularly performs alongside his groundbreaking ensembles loadbang (an original and unique group of musicians interested in cutting edge music) and the Guidonian Hand (a trombone quartet dedicated to breaking boundaries within the brass community.) The New York Times has called his playing "fiercely, virtuosic" and the Boston Globe has hailed him for his "superb performance" in past solo works."

"Exploring spaces between jazz and experimental music, trumpeter and composer Stephanie Richards has become a unique voice in the NYC experimental scene, collaborating with improvisational pioneers Henry Threadgill, Butch Morris, John Zorn and Anthony Braxton along with performance artists Mike Kelly, Laurie Anderson and Yoko Ono. Celebrated as an adventurous performer, Stephanies theatrical tendencies often include multi-disciplinary collaborations of sight, sound and movement. An avid collaborator and supporter of new music, Stephanie has premiered new works throughout North America and Europe, while having her own compositions premiered at venues such as Carnegie Hall, the Blue-note and Lincoln Center. Stephanie is a founding member of the Asphalt Orchestra, created the collective Bang On a Can, where she has worked with David Byrne, St. Vincent, Susan Marshall and has also performed alongside Kronos Quartet, The Pixies, Kanye West, A-Trak and Common. Stephanie holds degrees from the Eastman School of Music, McGill University and the California Institute of the Arts and has held residency at Stanford University. A recent addition to the faculty at the University of California, San Diego (UCSD), Stephanie also encourages the performance and commissioning of jazz and new music as Vice-President of the Festival of New Trumpet (FONT). Richards is currently working towards the release of a Tricentric Foundation grant for commissioned scents and sounds."

"Sara Schoenbeck is a bassoonist who dedicates herself to expanding the sound and role of the bassoon in the worlds of classical, contemporary notated and improvised music. The Wire magazine places her in the "tiny club of bassoon pioneers" at work in contemporary music today and the New York Times has called her "riveting, mixing textural experiments with a big, confident sound."

Originally from California, Sara spent her time on the west coast freelancing in various orchestral bassoon sections such as Santa Barbara Symphony, California Symphony, Redlands, Mancini Orchestra, the Dakah Hip Hop Orchestra and touring as a member of creative music ensembles Gravitas Quartet with Wayne Horvitz, Ron Miles and Peggy Lee, Anthony Braxton's 12+1(tet) and Vinny Golia's Large Ensemble. Sara also recorded for various sound and film projects including the Matrix 2 and 3 and Spanglish.

Sara now calls Brooklyn home and performs regularly with Petr Kotek's SEM ensemble, the composers group WetInk, Wordless Music Orchestra, LPR, Anthony Braxton's Tri-Centric Orchestra, Gravitas, Harris Eisenstadt's Golden State Quartet,the Lyrica Chamber Orchestra as well as performing with many other creative and inspiring musicians in the New York scene.

She has performed at major venues and festivals throughout North America and Europe, including Carnegie Hall, Lincoln Center Out of Doors, the Kitchen, Iridium, Disney Hall, SXSW, New Orleans Jazz Festival, Berlin Jazz Festival, Free Music Festival in Antwerp Belgium, Biennale Musica in Venice Italy, Montreal Jazz Festival, Ottawa Jazz Festival, the Vancouver International Jazz Festival and the San Francisco Jazz Festival to name a few. Sara received her BFA from the San Francisco Conservatory of Music and MFA from the California Institute of the Arts."