David Peck's quartet rendering of Turbulence features Evil Clown regulars Bob Moores & Eric Dahlman on trumpets, Duane Reed and PEK on reeds and winds, all bringing electronic & electroacoustic instruments, alongside an arsenal of exotic percussion, following PEK's framework which balances moments of clarity with paroxysmal "seizures" of sound; gripping.
Format: CD Condition: New Released: 2019 Country: USA Packaging: Digipack Recorded at Evil Clown Headquarters, in Waltham, Massachusetts, on November 3rd, 2019.
Personnel:
David Peck (PEK)-clarinet, contralto clarinet, alto, tenor saxophone, bass saxophone, tarota, wood flutes, sheng, game calls, brontosaurus, tank bells, gongs, Tibetan bowls, bells, hand chimes, balafon, wood blocks, fog horn, [d]ronin. daxophone, theremin with Moogerfooger, voice, ableton mix
Bob Moores-space trumpet, flugelhorn, laptop, ipad, electronics, mallet kat with moog subsequent, brontosaurus, tank bells, gongs, balafon, hand chimes
Eric Dahlman-trumpet, overtone voice, recorder, game calls
"I formed Turbulence in 2015 as I started to assemble players for the Leap of Faith Orchestra. Turbulence, the extended horn section for the Orchestra (along with guests on other instruments), also records and performs as an independent unit. As if this writing in November of 2019, we have recorded just shy of 30 albums on Evil Clown with greatly varied ensembles. All of the smaller Evil Clown bands are really more about a general approach, rather than a specific set of musicians. A session gets credited to Turbulence when it is mostly horn players and the only musician on all of them is myself. The sessions range from an early duet with Steve Norton and Myself (Vortex Generation Mechanisms) to a 5 horn band with bass and two percussionists (Encryption Schemes) to four albums by the side project Turbulence Doom Choir which feature myself, multiple tubas, percussion, electronics and signal processing.
This Turbulence Set was intended to be the debut appearance of Bonnie Kane from western Mass. She is well connected with a scene in Holyoke that has a bunch of players unknown to us. Anyway, Yuri and I had trekked down to Maryland for a Metal Chaos Ensemble gig at the Merry Pranksters promotion of Vermin Supreme for President... A real guy, look him up... Bonnie had come down and was performing with Urban Shaman Attack - the band who had invited us to the show. We got to talking and realized that we were only an hour apart, so I set up this sessions and added some Evil Clown regulars from the horn players.
Bonnie plays tenor sax and flute and uses her own real-time electronic manipulations on those sounds. Usually for a Turbulence set at ECH, we use horns and percussion and some electronics. I decided to set up more electronics than usual and had Bob Moores bring his electronics/space trumpet kit. Anyway, Bonnie had a nasty flu and was too wiped out for the travel and the session. We are currently working on rescheduling a date for her and her drummer + Evil Clown regulars in a few months.
So we ended up with 4 horn players, all Evil Clown regulars, who each also played percussion, electronics and other auxiliary instruments from the Evil Clown Arsenal. As much as I like when new skilled guest players join us for the first time, I also like it when every player is a frequent contributor. Repeated exposure means a great deal of comfort in reading each other's cues, making for very smooth transformations across sonorities as the improvisation unfolds."-David Peck