Chicago saxophonist Ken Vandermark is fascinated with the visual arts, and was drawn in the 60s to Toronto visual artist, director of the "New York Eye And Ear" film, and most notably here, pianist, Michael Snow; in 2015 they performed together for the first time, this startlingly explosive and informed album the complete recording of that event.
Format: CD Condition: New Released: 2018 Country: USA Packaging: Cardboard Gatefold Recorded at Array Space, Toronto, Canada, on June 20th, 2015, by Ted Phillips.
"Although he is best known as a groundbreaking experimental filmmaker, one of the architects of structural cinema, and visual artist, Michael Snow has been active as a musician since the 1950s. In Greenwich Village of the 1960s, his loft was the site of concerts by Cecil Taylor and other paragons of free jazz, and Snow's film New York Eye And Ear Control featured a soundtrack by Albert Ayler's group and starred its members (ESPDISK 1016CD/LP). A brilliant keyboardist and occasional trumpeter, Snow was a key figure in Toronto's improvised music scene, performing and recording with the ensemble CCMC, and as an improvising pianist he's worked in myriad contexts with many of the world's leading free players.
Saxophonist, clarinetist, and composer Ken Vandermark first learned about Snow as a film student in Montreal, where the classic work Wavelength (1967) confounded and fascinated him. In 2015, Vandermark and Snow performed together for the first time as a duet, resulting in three astounding long-form improvisations. Snow dug in hard at the piano, with clusters and repeated figures, while Vandermark was explosive on tenor and surgical on clarinet, opting often for the latter. The entire evening's music is released here, an early painting by Snow adorning the cover, and a still from the concert's videotaped footage spanning the gatefold interior."-Corbett Vs Dempsey