A diverse set of artist interpret a random page from Cornelius Cardew's "Treatise", using the score alone with each artist unable to hear what the other participants were playing, which Spool label-leader Daniel Kernohan assembled into these 10 incredible audio tracks, each roughly 4:35 long, in a great interpretation of Cardew's (in)famous work.
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Sample The Album:
DK
Allison Cameron
Rod Dubey
Lawrence Joseph
Philippe Battikha
Sean Caighean
Paul Dutton
Caroline Kunzle
Brett Larner
Al Margolis
Gino Robair
Paul Serralheiro
Vergil Sharkya
Ben Wilson
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UPC: 191061489580
Label: Spool
Catalog ID: Spurn 2
Squidco Product Code: 24332
Format: CD
Condition: New
Released: 2017
Country: Canada
Packaging: Cardboard sleeve
No recording data listed.
"Pages from Cornelius Cardew's Treatise are randomly selected. Each musician interpreted their page(s) from the score alone, unable to hear what the other participants were playing. The tracks were then assembled with start and stop times slightly altered and mixed down by dk."-Spool
"Treatise is a musical composition by British composer Cornelius Cardew (1936-81). Treatise is a graphic musical score comprising 193 pages of lines, symbols, and various geometric or abstract shapes that eschew conventional musical notation. Implicit in the title is a reference to the philosophy of Ludwig Wittgenstein, which was of particular inspiration to Cardew in composing the work. The score neither contains nor is accompanied by any explicit instruction to the performers in how to perform the work. Cardew worked on the composition from 1963 to 1967.
Although the score allows for absolute interpretive freedom (no one interpretation will sound like another), the work is not normally played spontaneously, as Cardew had previously suggested that performers devise in advance their own rules and methods for interpreting and performing the work. There are, however, almost infinite possibilities for the interpretation of Treatise that fall within the implications of the piece and general principles of experimental music performance in the late 1960s, including presentation as visual art and map-reading (Anderson 2006).
Subsequently Cardew embraced Maoism and wholeheartedly repudiated this and other works of his avant-garde period. A savage indictment of Treatise may be seen in a speech delivered by Cardew at the 'International Symposium on the Problematic of Today's Musical Notation' held in Rome in October 1972, as transcribed in his highly polemical book Stockhausen Serves Imperialism (1974), available in PDF format at UBUweb."-Wikipedia
Artist Biographies
• Show Bio for Allison Cameron "Allison Cameron is a professional composer, performer and improvising musician in Toronto. She has been commissioned in Europe and North America by many ensembles and festivals. Since 2000, she has also been an improviser performing on electronic keyboards, ukulele, banjo, piano, mini amplifiers, radios, crackle boxes, cassette tapes, miscellaneous objects and toys. Allison has been celebrated in Musicworks Magazine, the UK's The Wire Magazine, I Care if You Listen and a variety of other online publications. Her reputation for writing compelling compositions for contemporary music ensembles is international. She is also a sought after improviser with a strong national following. She has completed two national solo tours in the past four years. In 2007 she founded the Allison Cameron Band with fellow musician/composers Eric Chenaux and Stephen Parkinson to explore uncharted territory in her compositions by integrating a variety of musical forms into her work. The result has been a critically acclaimed CD on the Rat-Drifting label of several genre-defying pieces. In 2009 she formed a trio with trumpeter Nicole Rampersaud and drummer Germaine Liu called c_RL (pronounced curl) who released the CD 'Friends' to critical acclaim. Never one to shy away from exploration, Allison went on a residency to Svalbard, Norway in 2013, where she spent time recording underwater sounds from icebergs in the fjords of Spitzbergen. She is also involved in creating sound installations based on her experiences in the High Arctic among others. Her interest in graphic/instructional notation has resulted in several scores that will soon be published together. Her experimental scores have had performances by Ensemble Supermusique (Montréal), Contact (Toronto), Suddenly Listen (Halifax) and other ad hoc groups in Toronto." ^ Hide Bio for Allison Cameron • Show Bio for Paul Dutton "Paul Dutton (born 1943) is a Canadian poet, novelist, essayist, and oral sound artist. Dutton was born in Toronto, Ontario, Canada. A member of the legendary Four Horsemen sound poetry quartet (1970-1988), along with Rafael Barreto-Rivera, Steve McCaffery, and the late bpNichol, Dutton joined his soundsinging oralities and harmonica-playing to John Oswald's alto sax and Michael Snow's piano and synthesizer in the free-improvisation band CCMC (1989 to the present). He has recently appeared in poetry festivals in Germany, France, and Venezuela, and at music festivals in Canada, the Netherlands, and Argentina. An accomplished writer, in addition to his published books, he has written dozens of published essays on music and writing. Dutton has collaborated with a wide range of musicians, including fellow oral sound artists Jaap Blonk, Koichi Makigami, Phil Minton, and David Moss in the group Five Men Singing, John Butcher, Bob Ostertag, Phil Durrant, John Russell, Lee Ranaldo, Christian Marclay, Günter Christmann, Thomas Charmetant, Xavier Charles, and Jacques Di Donato. His soundsinging has been called "fascinating, inventive, grippingly obsessive" (The Wire). "(Five Men Singing) exposes every note, tone, timbre and texture that can be vibrated by the uvula, dredged from the throat and buzzed from the cheeks and lips." More recently, he formed Quintet à Bras in company with two French poets and two French instrumentalists, and in 2009, Mr. Dutton performed at The Scream In High Park, which is an annual literary festival in Toronto." ^ Hide Bio for Paul Dutton • Show Bio for Al Margolis "Al Margolis (viola/violin/clarinet) was active in the 1980s American cassette underground through his cassette label Sound of Pig Music and is co-founder of experimental music label Pogus Productions, which he continues to run. Active under the name If, Bwana since 1984, his works swing between fairly spontaneous studio constructions and more process-oriented composition. It has been said "that Al Margolis/If, Bwana is some sort of evil genius working with raw materials which are never adapted to a genre or a context, because they create one in that very moment. Those sources are radically altered up to an utterly unrecognizable state, anarchic manifestations moving in compact determination." It's all true....." ^ Hide Bio for Al Margolis • Show Bio for Gino Robair "Gino Robair has created music for dance, theater, radio, television, silent film, and gamelan orchestra, and his works have been performed throughout North America, Europe, and Japan. He was composer in residence with the California Shakespeare Festival for five seasons and served as music director for the CBS animated series The Twisted Tales of Felix the Cat. His commercial work includes themes for the MTV and Comedy Central cable networks. Robair is also one of the "25 innovative percussionists" included in the book Percussion Profiles (SoundWorld, 2001). He has recorded with Tom Waits, Anthony Braxton, Terry Riley, Lou Harrison, John Butcher, Derek Bailey, Peter Kowald, Otomo Yoshihide, the ROVA Saxophone Quartet, and Eugene Chadbourne, among many others. In addition, Robair has performed with John Zorn, Nina Hagen, Fred Frith, Eddie Prevost, Thinking Fellers Union Local 282, Myra Melford, Wadada Leo Smith, and the Club Foot Orchestra. Robair is a founding member of the Splatter Trio and the heavy-metal band, Pink Mountain. In addition, he runs Rastascan Records, a label devoted to creative music. As a writer about music technology, Robair has contributed to Mix, Remix, Guitar Player, and Electronic Musician (EM) magazine, where he was an editor for 10 years. He is the author of two books, including The Ultimate Personal Recording Studio (Thompson; 2006)." ^ Hide Bio for Gino Robair • Show Bio for Vergil Sharkya "Vergil Sharkya'. Residence: Montréal, Québec. Composer, Performer (synthesizer) In 2010 Vergil Sharkya' finished a major research project in composition for his doctoral degree at Liverpool's John Moores University, developing a complete theory of hypercomposition, featuring as well examples of its practical application. His most recent hypercomposition - aTTAK, for piano, suspended toy piano, and digital instruments -, was commissioned for and performed at the opening of the Aufbau Haus, Berlin, in September 2011. Vergil is also a well established composer/musician in the fields of improvised music, multimedia installations, post-modernist composition, scores and soundtracks for film, theatre and dance, composition and arrangements for orchestras, soundscapes, psychedelic noise rock, drum'n'bass, dub, and even academic research. He has released several recordings on various labels like Cuneiform Records, UKsupersonict and VergilReality Recordings. Since moving to Montréal in July 2010, he has been working mainly but not exclusively in the field of improvised music with musicians such as Jean Derome, Michel F Côté, Simon Pagé, Augustus Martin, Ellwood Epps, Philippe Battikha, as well as with writers Martin Lamothe, and Serge Rivest Martimots. He currently spends his spare time cooking, doing housework for his lovely family and learning how to play jazz." ^ Hide Bio for Vergil Sharkya
12/11/2024
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12/11/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
12/11/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
12/11/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
12/11/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. p. 16 (gr) 4:36
2. p. 35 (bw) 4:35
3. p. 70 (sc) 4:35
4. p. 92 (sc) 4:35
5. p.101 (pb) 4:35
6. p.102 (am) 4:37
7. p. 109 (vs) 4:35
8. p. 165 (bl) 4:35
9. p. 172 (pd) 4:35
10. p. 192 (ck) 4:34
Compositional Forms
Avant-Garde
Large Ensembles
Improvised Music
Electro-Acoustic
Organized Sound and Sample Based Music
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