The Squid's Ear Magazine


Trio Derome Guilbeault Tanguay: Wow! (Ambiances Magnetiques)

Sax and flute player/Ambiances Magnetique label leader Jean Derome's excellent jazz trio with bassist Normand Guilbeault and drummer Pierre Tanguay, in their 4th release, with three Derome originals and 4 standards including a Dolphy number.
 

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Personnel:



Pierre Tanguay-percussion

Jean Derome-alto saxophone, baritone saxophone, flute, voice

Normand Guilbeault-contrabass


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UPC: 771028120925

Label: Ambiances Magnetiques
Catalog ID: AM_209
Squidco Product Code: 17236

Format: CD
Condition: New
Released: 2012
Country: Canada
Packaging: Cardstock gatefold foldover
Recorded by Robert Langlois on August 22nd and 23rd, 2012 at Studio 270, Mobtreal.

Descriptions, Reviews, &c.

"After their first eponymous record featuring 10 compositions of Jean Derome, The Feeling of Jazz, a journey through the whole history of jazz; the dvd-only Etymologie, a live recording of the band's appearance at Montréal's OFF Festival de Jazz; and their fourth's effort, Danse à l'Anvers, finally here's Wow!. It features three originals by Derome - "La Danse de Raphaelle", "Mes enfants: and "Palestine" - and four standards: "The Best Things in Life Are Free", a 1927 song penned by Ray Henderson; "Wow" and "Dreams", both written by be-bop pioneer Lennie Tristano; and "The Baron", a composition by modern jazz giant Eric Dolphy, originally dedicated to the great Charles Mingus.

The Trio is formed of Jean Derome on saxophones and flutes, Normand Guilbeault on doublebass and Pierre Tanguay on drums. These three musicians enjoy a strong reputation on the Montréal music scene and even though they are mostly known as new music and jazz musicians, they are often spotted accompanying our best singers-songwriters, poets, filmmakers, choreographers, etc. Already active for almost a decade, the Derome Guilbeault Tanguay Trio has presented many repertoires in the past: tributes to Billy Strayhorn and Charles Mingus; an excursion into the Swing repertoire of the '30s and '40s, with renditions of tunes by Johnny Hodges, Ben Webster, Coleman Hawkins, etc.; and more recently serious forays into the music of Eric Dolphy, Sonny Clark, Misha Mengelberg, Roland Kirk, Lee Konitz and Lennie Tristano. The Trio has also played concerts entirely devoted to Jean Derome's music (particularly as part of his April 2000 Exposition de Musique at the Théâtre La Chapelle). A growing, faithful audience follows the Trio everywhere it performs and the concerts attract an impressive number of young jazz musicians."-Ambiances Magnetiques


Artist Biographies

"Quebec City, Québec, 1956: Composer, Performer (drum set, percussion, voice)

A percussionist, composer and inveterate inventor, Pierre Tanguay is one of the most sought-after Montréal musicians on the Quebec scene. Since the beginning of the 80s, he has participated in an impressive number of ensembles, including Jean Derome and the dangereux zhoms, Évidence, Castor et compagnie, the Jean-François Groulx Trio, the ODD (a danse orchestra), Villemure Ô Carré, the Pierre Cartier Ensemble and Projet Riel. Among his collaborators are Jean Derome, Normand Guilbeault, Pierre Langevin, René Lussier, Karen Young, Fred Frith, Michel Donato, Daniel Mille, André Duchesne and Antoine Berthiaume. He is very active in the fileds of medieval and traditional music, jazz and musique actuelle. He is the co-founder of Strada, Midi Tapant, Derome/Tanguay.

He has composed works for dance (Lucie Grégoire, Andrew Harwood, Irène Stamou and Francine Gagné), as well as works for the theatre and film (Allan Booth, Imago and Roberto Ariganello). He regularly tours throughout Canada and Europe."

-SMCQ (http://www.smcq.qc.ca/smcq/en/artistes/t/tanguay_pi/)
2/26/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jean Derome. Born Montréal, Québec, 1955. esidence: Montréal, Québec. Composer, Performer (saxophones (alto, baritone, soprano), flutes (flute, bass flute, piccolo, alto flute, recorders), keyboards, small wind instruments (ocarinas, jew's harp, game calls, toys...), percussion, invented instruments, voice)

One of the most active and eclectic musicians on the Canadian creative music scene, Jean Derome has managed to earn the recognition of a larger public, a rare feat in that field. Thanks to his large-scale musique actuelle projects, his compositions, his work as an improviser, his jazz groups and his music for the screen and the stage, Derome ranks as a major creative force, in Québec and abroad. He is experienced and innovative on both saxophone and flute, and his unique writing style cannot be mistaken for anyone else's. Sensitive and powerful, his music often features a funny strike that makes its complex nature more inviting.

Ever since Nébu (one of Québec's first avant-garde jazz groups) in the early '70s, Derome has been consistently renewing and diversifying his approach of composition. He impressed audience and critics first with the flute, then with the saxophone, as a lead character in the musique actuelle underground. He took part to the various artists' collectives looking for new ways to express themselves freely, without esthetic or social constraints, including the Ensemble de musique improvisée de Montréal. Later, in the early '80s, he co-founded Ambiances Magnétiques, a collective and record label that raised his profile at home and introduced his name to the outside world. Among his numerous projects, let us mention the duos Les Granules, Nous perçons les oreilles and Plinc! Plonc!, the dynamic group Jean Derome et les Dangereux Zhoms, and the large-scale projects Confitures de gagaku, Je me souviens - Hommage à Georges Perec and Canot-camping. Most of these projects are based on a unique form of synergy between composition, structured improvisation and genuine creative madness, all this articulated with unmatched playfulness. In 1992, Derome became the second artist to be presented with the Freddie Stone Award (bassist Lisle Ellis was the first).

Besides improvising on a regular basis with Ambiances Magnétiques' members and appearing in their projects, Derome has also shared the stage with several musicians of international stature, among others Fred Frith, Lars Hollmer, Louis Sclavis and Han Bennink. He performs regularly all over Canada, in the US and in Europe. He received a Prix Opus in 2001 for his exposure abroad.

Lately, jazz circles have been praising his undisputable qualities as a jazzman, thanks to the Thelonious Monk tribute project Évidence, the Normand Guilbeault Ensemble (whose Mingus Erectus CD is devoted to Charles Mingus' music), and the much-lauded Derome Guilbeault Tanguay Trio.

Although Jean Derome writes tirelessly for his own projects, he is much in demand in the fields of film, theatre and dance. A short list of this side of his work would have to include his numerous scores for the National Film Board of Canada (NFB), especially for films by John Walker, Jacques Leduc, Fernand Bélanger and animated films by Pierre Hébert, Michèle Cournoyer and Jean Detheux; his incidental music for Théâtre UBU, Théâtre de Quat'Sous and Théâtre du Nouveau Monde; not forgetting his work with several top choreographers, including Louise Bédard, Andrew de Lotbinière Harwood, Daniel Soulières and Ginette Laurin. Other music ensembles have commissioned works from him, including Tuyo, Bradyworks, the Hard Rubber Orchestra from Vancouver and Fanfare Pourpour. Incidentally, Derome is the musical director of the latter.

Over thirty years of music and 70 record credits later, Jean Derome still has sleeves bursting with tricks."

-ActuelleCD (http://www.actuellecd.com/en/bio/derome_je/)
2/26/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"First and foremost a double-bass player, composer, jazz and musiqueactuelle performer, he is very active in the provincial and national musicscenes and is highly regarded in the field. The tone, rhythm, and style of Guilbeault explain why he has played with Montréal's most creativemusicians (Jean Derome, Robert Marcel Lepage, Pierre St-Jak, René Lussier,and others) and why he has recently teamed up with excellent singers (suchas Lou Babin and Geneviève Letarte). Out of his ambitious projects havecome accomplished and very inspired and spirited works (Hommage à Mingusand RIEL Plaidoyer Musical). Along with other musicians (Pierre St-Jak, François Marcaurelle, and Jean Vanasse) is also the prime mover, programplanner, and organizer behind the Montréal OFF Festival de Jazz, at whichhe presented the first part of his PARKEROUAC, a project wedding poetry andjazz.

Normand Guilbeault, who first became known through his work with Jean Beaudet, Yannick Rieu, Nelson Symonds, Bernard Primeau, and other jazz musicians, has gained public acclaim with the Normand Guilbeault Ensemble (winner of the Prix de Jazz duMaurier at the 1994 Festival international de Jazz de Montréal), whose 1994 album Dualismus [Red Toucan] was followed by Basso Continuo in 1995 and, with guest artist Jean Derome, Hommage à Mingus in 1996 [both on Justin Time]. The Jazz Report Magazine (Canada) voted the ensemble "Acoustic Group of the year" for 1997.

Since 1995 some of the people he has worked with have included Jean Derome (on music for film, theatre and dance, and as part of a jazz trio and a jazz quartet), René Lussier (Les Boudines, Pour un Punch Hawaiien, music for film), Robert Marcel Lepage (music for film, theatre and dance), Michel F Côté (Bruire / Les Chants Rupestres, and music for dance), and trombonist Tom Walsh with the group NOMA.

In May 1998, the 15th Festival international de musique actuelle de Victoriaville opened with his most recent project, Riel, which brought together thirteen of Montréal's most creative musicians and two talented narrators. He also presented the work at the Open Waters Festival of New and Improvised Music in Halifax, and at the Lion d'Or in Montréal on 20 and 21 February 1999. Recordings of these concerts were used to produce the double album entitled Riel Plaidoyer musical / Musical Plea, which appeared on the Ambiances Magnétiques label [AM 073] on 15 November 1999. Recently, performance of Normand Guilbeault's Riel project, in Confederation Park, was one of a the highlights of the Ottawa International Jazz Festival (July 17, 2000)."

-ElectroCD (https://electrocd.com/en/artiste/guilbeault_no/normand-guilbeault/biographie)
2/26/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. You Can Depend On Me & Wow 8:07

2. Dreams 5:53

3. La danse de Raphaelle 6:48

4. Mes enfants 4:45

5. The Baron 4:20

6. Palestine 6:33

7. The Best Things In Life Are Free 6:28

Related Categories of Interest:


Improvised Music
Jazz
Musique Actuelle
Jean Derome
Ambiances Magnetiques
Trio Recordings
Trio Recordings
Canadian Composition & Improvisation
Friends of Squid

Search for other titles on the label:
Ambiances Magnetiques.


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