"Christine Duncan began learning her craft in church. A minister's daughter, she performed with her musical family "The Duncans" in gospel shows on stages across North America from the age of five. When she was 15 she recorded her first album of her own original gospel tunes in Nashville.

Inevitably her roots led her from gospel and inspirational music to soul, singer songwriter folk music, R&B/blues, jazz and more recently, new music and improvised music. Since 1994, she has released 5 albums under her own name, and has been involved in many other recording projects, including 2 albums with the Hugh Fraser VEJI big band.

A musical chameleon with a near five octave range, Duncan uses her voice as an instrument, exploring its full tonal, timbral and textural range. She has recorded and/or collaborated with Bob Murphy, Hugh Fraser, Miles Black, Veda Hille, Paul Plimley, Danielle Palardy Roger, Jean Martin and performed with such names as Kenny Wheeler, Rufus Reid, Dave Young, P.J. Perry, Ray Charles, Linton Garner, Paul Horn, Jeff Healey, Andre Crouch, Sabeer Mateen, John Oswald, Paul Dutton, Nobuo Kabota and many others.

Recently she performed in 120 Songs for the Marquis de Sade, winner of the Alcan Performing Arts Award: Music/Opera 2002; a new opera premiere, written by Peter Hannan and Peter Hinton, which was presented in Vancouver BC, by Modern Baroque Opera and Vancouver New Music, in March, 2002.

Along with Christine's rapidly growing audience has come recognition in the form of a nomination for the Alcan and Pacific Music Industry Assn. 1997 West Coast Female Vocalist of the Year. She was also the subject of a CTV/BC Film funded documentary-portrait entitled Coming Home: Christine Duncan at Christ Church Cathedral, currently showing on BRAVO."

"Musician, producer, Jean Martin was nominated for best drummer for the 2004 National Jazz Awards and is the recipient of the 2004 Freddy Stone Award. This award from the Minden foundation is for outstanding leadership, integrity and excellence in the area of contemporary music and Jazz

His group Barnyard Drama is an improvising duo featuring vocalist Christine Duncan. They toured Canadian festivals, summer 2004, promoting a CD intitled Memories and a list of things to do. The new cd I'm a Navvy was launched at the prestigious FIMAV and features guitarists Justin Haynes and Bernard Falaise.

Other recent releases are with trio Idiolalla with singers DB Boyko and Christine Duncan and the Vancouver based group Laconnor, this electronic, musique actuel group features Francois Houle on clarinet and lap top, Jesse Zubot on violin and lap top and Jean on drums and electronics. Laconnor toured Canadian Jazz festival 2006.

Jean has appeared and collaborated with: Eugene Chadbourne, Joe Fonda, Jesse Zubot, Juno nominated DD Jackson, David Murray, Don Byron, Dominic Duval, Mark Dresser, Wilbert de Joode, John Oswald, Francois Houle, Jean Derome, Frank Gratowski, Chelsea Bridge, Kevin Turcotte, Peggy Lee, Tony Wilson, Brad Turner, Lori Freedman, Tom Walsh, Pierre Tanguay, Marilyn Lerner, The National Arts Centre Orchestra, legendary Canadian blues man Dutch Mason, Andy Stochansky, Zubot & Dawson, Bob Fenton, Roddy Ellias, Tim Postgate's Jazzstory, Christine Duncan, Hugh Fraser, George Kohler, Bob Murphy, David Mott, The Bitches Brew Band, Rob Frayne, The Jivewires, Micheal Occhipinti, Rich Underhill, Justin Haynes, Hugh Marsh, The Henry's and many others.

He has appeared on a one hour TFO and BRAVO TV jazz special entitled, "DUOS" performing improvisations with Award winning trumpeter Kevin Turcotte. Jean participated in a new project put together by Ajay Heble and the Guelph Jazz festival. A Jazz Opera with the music of DD Jackson, featuring Peggy Lee, Brad Turner, John Geggie and Dean Boman among others. This piece was performed for the 10th annual Jazz festival in Guelph and in Vancouver in September 2003.

With the Jean Martin Trio: he has recorded 2 CD's and has toured Canada on three occasions, performing at most Jazz festivals in this country. The latest recording a completely improvised work was released with a tour in November 2003. The trio features guitarist Justin Haynes and national jazz awards winner, trumpeter Kevin Turcotte.

With Chelsea Bridge: He has released 5 CD's on Unity Page Records, has done 4 Canadian tours from '92 to '97, was featured at the Blue Note in NYC , the Molda International Jazz Festival in Norway and the Washington DC Jazz Fest (Canadian Jazz Ambassador Series).

With Juno winner DD Jackson: He has released 2 CD's on Justin Time Records, has toured France (including: Maubeuge & Rouen International Jazz Festivals, Feb. '97), 2 Canadian tours in '94 & '95 and was featured at various venues in Northern USA (Montana, Seattle, Buffalo and various clubs in NYC) including a CD release gig at the Fez Jazz Club in NYC, with legendary saxophonist David Murray."

"Andrew Downing is a Toronto based double bass player, cellist, composer and educator born in London, Ontario in 1973. He plays primarily in the creative jazz scene in Canada, but also performs classical chamber music, improvised music, folk and roots music, and world music. He practices the unusual craft of tuning his bass in fifths an octave lower than a cello. His teachers include Jack Winn, Dave Young, Don Thompson, Shauna Rolston and Joel Quarrington.

His own projects span a wide variety of styles and practices. Most recently, he has begun a collaboration in İstanbul, Turkey with ud (Turkish lute) player Güç Başar Gülle that incorporates Ottoman Classical music in a collection of new compositions for ud, cello, percussion and kaval (a Turkish folk instrument). Their first album Anahtar will be released in October of 2013. He also has a collaborative multi-media project with Canadian songwriter John Southworth and visual artist Yesim Tosuner called Easterween featuring songs written by John and arranged by Andrew for his 7-piece chamber ensemble. He also leads his chamber-jazz ensemble Melodeon, which plays live scores for silent films such as The Cabinet of Dr. Caligari, Phantom of the Opera (with choir), Maciste in Hell, Impossible Voyage and The Shock.

As a composer, Andrew has written pieces for Nordic Folk group Ensemble Polaris, banjo player Jayme Stone, The Vancouver Bach Choir, Ensemble Meduse, Toca Loca and The Prince George Symphony, and has written arrangements for Patricia O'Callaghan, The Gryphon Trio, The Annex Quartet and The Art of Time Ensemble.

He has won two Juno awards, one for his own recording Blow The House Down with his former group Great Uncles of the Revolution, and one with the Vancouver-based group Zubot and Dawson. He has also won two West Coast Music Awards, a Socan Award, and the Grand Prix de Jazz from the Montreal Jazz Festival.

Andrew currently teaches double bass, composition and improvisation at the University of Toronto and has taught at Wilfred Laurier University, the Banff Centre's Jazz Workshop and the Creative Music Workshop in Halifax."

"Martin Arnold is a musician based in Toronto. His notated compositions are performed nationally and internationally. Martin is also an active member of Toronto's improvisation and experimental jazz/roots/rock communities performing on live electronics, banjo, melodica, and guitar. Martin is the Artistic Director of Arraymusic and he lectures in the Department of Cultural Studies at Trent University and the Department of Art, Culture and Media, at the University of Toronto, Scarborough."

"John Oswald (born May 30, 1953 in Kitchener, Ontario) is a Canadian composer, saxophonist, media artist and dancer. His best known project is Plunderphonics, the practice of making new music out of previously existing recordings (see sound collage and musical montage).

Oswald coined the term "plunderphonics" to describe his craft in a paper called "Plunderphonics, or Audio Piracy as a Compositional Prerogative" which he presented at the Wired Society Electro-Acoustic Conference in Toronto in 1985. Inspired by William S. Burroughs' cut-up technique, Oswald had been devising plunderphonic-style compositions since the late 1960s. In an interview with Norman Igma following the release of the Plunderphonics EP in 1988, he described the concept as follows:

A plunderphone is a recognizable sonic quote, using the actual sound of something familiar which has already been recorded. Whistling a bar of "Density 21.5" is a traditional musical quote. Taking Madonna singing "Like a Virgin" and rerecording it backwards or slower is plunderphonics, as long as you can reasonably recognize the source. The plundering has to be blatant though. There's a lot of samplepocketing, parroting, plagiarism and tune thievery going on these days which is not what we're doing.

Plunderphonics is related to but distinct from sampling used in genres such as hip-hop.

His 1975 track "Power" married frenetic Led Zeppelin guitars to the impassioned exhortations of a Southern US evangelist years before hip hop discovered the potency of the same (and related) ingredients. Similarly, his 1990 track "Vane", which pitted two different versions of the song "You're So Vain" (the Carly Simon original and a cover by Faster Pussycat) against each other, was a blueprint for the contemporary pop subgenre, 'glitch pop' or 'mashup (music)'.

In 1980, Oswald founded the Mystery Tapes Laboratory, which created unnamed, unattributed works on cassette, described on the plunderphonics website as "little boxes of sonifericity specifically formulated for the curious listener. Available in your choice of aural flavors: subliminal, blasted, excerpted, repeatpeateatattttttedly, these cinemaphonically-concocted aggregates of très different but exquisitely manifest, unprecedentedly varied festerings of audio quality fine magnetic cassette tapes are the best of whatever you've been listening for". Oswald continues to be Director of Research at Mystery Tapes.

His greatest source of controversy was the 1988 release of the Plunderphonics EP, which he distributed to the press and to radio stations. It contained four plundered tracks: "Don't" by Elvis Presley which included piano accompaniment by Bob Wiseman, "Pocket" by Count Basie, a version of Dolly Parton singing "The Great Pretender" in which "she gets to sing a duet with himself(sic)", and "Spring", a version of Igor Stravinsky's The Rite of Spring. In 1989, Oswald released an expanded version of the Plunderphonics album containing twenty-five tracks, each using material from a different artist. In 1990, notice was given to Oswald by the Canadian Recording Industry Association on behalf of several of their clients (notably Michael Jackson, whose song "Bad" had been cut up, layered, and rearranged as "Dab") that all undistributed copies of Plunderphonics be destroyed under threat of legal action. An excerpt from a press release on the plunderphonics website is repeated below:

"I wasn't selling the disc in the stores, so I let listeners tape it off the radio for free," explains Oswald, who paid for the production and manufacture of the CD out of his own pocket. He receives no royalties or financial compensation for airplay. Brian Robertson, president of CRIA says, ``What this demonstrates is the vulnerability of the recording industry to new technology...All we see is just another example of theft."

Oswald received notice from CRIA's lawyers demanding that he cease distributing Plunderphonic as of Xmas eve '89. "They insisted I quit playing Santa Claus," Oswald observes.

In 1993 Oswald released Plexure. Arguably his most ambitious composition to date, it attempted to microsample the history of CD music up to that point (1982-1992) in a 20 minute collage of bewildering complexity. The ambition of this piece would later be recalled by the British bootlegger Osymyso, whose "Intro-Inspection" emulates the pop-junkie feel of Plexure.

From 1993-1996, Oswald worked on and released Grayfolded, a 2-Disc set commissioned by the Grateful Dead consisting of pieces created from over 100 performances of the song "Dark Star". Oswald initially created and released disc 1, "Transitive Axis", which contains a 59 minute 59 second work in 9 movements. Feeling that there was more territory to explore, Oswald worked on disc 2, Mirror Ashes, which is a composition in "6*" movements. Once both discs were complete they were packaged together with extensive liner notes and a "visual time map" of the sources used in the compositions. Grayfolded was selected the #1 international recording of the decade by the Toronto Sun.

In addition to his extensive work in "plunderphonics", Oswald is also involved with acoustic music, as a composer and improviser. His compositions for orchestra often do include electronic elements, such as Concerto for Wired Conductor and Orchestra (?), but has also composed for acoustic ensembles, such as Acupuncture (1991). Oswald improvises with the saxophone, and is a member of free improvisation group CCMC. Oswald is also actively involved in dance, as a composer for dance works, as a collaborator with choreographers, and as an active Contact Improviser.

Oswald founded the record label fony, which produced the retrospective box set 69 plunderphonics 96 (a.k.a. Plunderphonics 69/96) and reissued Grayfolded. The label also rereleased Plexure and released Aparanthesi, a work which uses the single note A in an experiment with timbre, dynamics, and layering, on CD in 2003.

Since 2000 Oswald has as active in exhibiting his visual art as in continuing his musical activities.

In 2004, Oswald was one of six artists to win the annual Governor General's Awards in Visual and Media Arts, as awarded by the Canada Council for the Arts, for lifetime achievement."

"Felicity Williams (b. 1954) was born in Christchurch, New Zealand. She still lives there with her husband, Grant, and their two children, Clemency and Samuel. Felicity holds a B.Mus. (Hons) degree in composition from the University of Canterbury as well as performance diplomas in violin, piano, and voice. She also holds a Diploma in Teaching from Christchurch College of Education. In 1988 she was appointed National Composer-In-Schools, a one year residency designed to stimulate original composition for and by young people. Her list of compositions is diverse, from songs and rhythm games for early childhood through full length musicals and ballets. In 1994 she established her own school, "Mozarts", which encompasses a Performing Arts Pre School, as well as (in 1995) a Performing Arts Centre offering classes for students aged five years through adult. She is also Composer-In-Residence at Elmwood Primary School, where she writes original music for each class in the school, composing for the specific abilities of the class in question."

"Alex Samaras is recognized as one of North America's leading singers in the jazz and new music idioms. He has performed with Meredith Monk, Brent Carver, Jackie Richardson, Zac Brown Band, Martha Wainwright and a number of other notable performing artists. Alex leads his own vocal group GREX, exploring the extremes of the human voice in the context of ancient music and his own original compositions. He performs in well known Canadian groups such as The Queer Songbook Orchestra, A Sondheim Jazz Project and Twin Within. These groups have released records to critical acclaim and you can find more about them at their websites. Alex will be releasing his first solo album this year under the name TRYAL.

Alex teaches singing at The University of Toronto Jazz Department, Jazz Works Music Camp and National Music Camp. He is also the conductor of the PAL Chorale at the Performing Artists Lodge in Toronto."