The Squid's Ear Magazine


Bynum Sextet, Taylor Ho: Apparent Distance (Firehouse 12 Records)

The first recording of Ho Bynum's new sextet, with guitarist Mary Halvorson and drummer Tomas Fujiwara, augmented by bassist Ken Filiano, saxophonist Jim Hobbs, and tubist/bass trombonist Bill Lowe, in a 4-part suite.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Taylor Ho Bynum-cornet

Jim Hobbs-alto saxophone

Bill Lowe-bass trombone, tuba

Mary Halvorson-electric guitar

Ken Filiano-acoustic bass

Tomas Fujiwara-drums


Click an artist name above to see in-stock items for that artist.




UPC: 616892181767

Label: Firehouse 12 Records
Catalog ID: FH12-04-01-014
Squidco Product Code: 15264

Format: CD
Condition: New
Released: 2011
Country: USA
Packaging: Digipack
Recorded on May 16th, 2011, at Firehouse 12 Studios, New Haven, CT by Nick Lloyd.

Descriptions, Reviews, &c.

"This is the first recording documenting Taylor's new sextet. This group features his long-standing, with guitarist Mary Halvorson and drummer Tomas Fujiwara, augmented by bassist Ken Filiano, saxophonist Jim Hobbs, and tubist/bass trombonist Bill Lowe.

Apparent Distance is a four-part suite, commissioned through a 2010 New Jazz Works grant from Chamber Music America and the Doris Duke Charitable Foundation. In the liner notes, Bynum writes:

"My goal is not just to blur the lines between composition and improvisation (a long-time pursuit), but to try to upend the listeners' expectations in other ways: circular melodies without beginnings or ends, disguised unisons and non-repetitive vamps, transitions that are simultaneously jarring and organic. Most importantly, I want to spotlight the striking individuality and virtuosity of all the players, albeit in a context where the needs of the ensemble reign supreme - a concerto for sextet, if you will."

Since the composition's premiere in August 2010, the sextet has performed the work on tour and at the Saalfelden Jazz Festival (Austria), the Banlieues Bleues Festival (France), and the Crosscurrents Festival (New York).

Jim Macnie of the Village Voice writes

"Whether they're lines that swirl upward, chasing their own tail, or lines that spill downward, like a Slinky on a staircase, the elemental motifs of the cornetist/composer's pieces are full of springy kinetics. But they're more than mere nu-jazz puzzles. Bynum wrings emotion from his crew. His use of texture and trajectory has to do with his appreciation of passion."

Dan Barry reviewed a performance in the New Haven Advocate:

"Composition-wise, the piece features Gordian melodies (more math-metal than post-bop), free jazz, blazing fast swing and segments of improvisation bound by pre-defined tonal sets. It's clear that Bynum has a specific vision for every musical moment...It was radical. It was f***ing awesome."

-Firehouse 12



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Taylor Ho Bynum (b. 1975) has spent his career navigating the intersections between structure and improvisation - through musical composition, performance and interdisciplinary collaboration, and through production, organizing, teaching, writing and advocacy. As heard on over twenty recordings as a bandleader, Bynum's expressionistic playing on cornet and his expansive vision as composer have garnered him critical attention as one of the singular musical voices of his generation. He currently leads his Sextet and 7-tette, and works with many collective ensembles including a duo with drummer Tomas Fujiwara, the improv trio Book of Three, the UK/US collaborative Convergence Quartet, the dance/music interdisciplinary ensemble Masters of Ceremony, and the trans-idiomatic little big band Positive Catastrophe.

His varied endeavors include his Acoustic Bicycle Tours (where he travels to concerts solely by bike across thousands of miles) and his stewardship of Anthony Braxton's Tri-Centric Foundation (which he serves as executive director, producing most of Braxton's recent major projects). In addition to his own bands, his ongoing collaboration with Braxton, past work with other legendary figures such as Bill Dixon and Cecil Taylor, and current collective projects with forward thinking peers, Bynum increasingly travels the globe to conduct community-based large ensembles in explorations of new creative orchestra music. He is also a published author and contributor to The New Yorker's Culture Blog, has taught at universities, festivals, and workshops worldwide, and has served as a panelist and consultant for leading funders and organizations. His work has received support from Creative Capital, the Connecticut Office of the Arts, Chamber Music America, New Music USA, USArtists International, and the Doris Duke Charitable Foundation."

-Taylor Ho Bynum website (http://taylorhobynum.com/)
10/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jim Hobbs was born and raised in north-eastern Indiana at the convergence of three rivers. He is a recipient of the Doris Duke New Works Grant for composition from Chamber Music America. After a childhood of chewing hay and catching salamanders he began playing the saxophone. He received a full scholarship to Berklee College of Music where he majored in composition. It was there that he met bassist Timo Shanko and started the Fully Celebrated Orchestra (FCO), which has released 10+ recordings on various labels including Silkheart, Skycap and Innova. FCO is also the subject of a children's book. He has performed and recorded with Joe Morris, Luther Gray, Taylor Ho Bynum, Bill Lowe, The Jazz Composers Alliance, Forbes Graham, The Prodigal Suns, Mackie Burnett, Fred Hopkins, Laurence Cook, Jon Voight, Junko Simons, Nightstick, The Death's Head Quartet, Josh Roseman, Curtis Hasselbring, The Lunch Factor, Laura Andel, Brother Blue and many others."

-All About Jazz (https://musicians.allaboutjazz.com/jimhobbs)
10/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Bass trombonist and tubaist Bill Lowe has been a major force in the music world for over thirty years as a performer, composer, producer, and educator. He has worked with most of the masters of African-American creative music, across all genres and musical cliques, from musical legends like Dizzy Gillespie, Eartha Kitt, and Clark Terry, to the leaders of the avant-garde like Muhal Richard Abrams, Henry Threadgill, and Cecil Taylor, to under-heralded greats like George Russell, James Jabbo Ware and Bill Barron. He has co-led the Boston Jazz Repertory Orchestra, the Bill Lowe/Phillipe Cretian Quintet, and JUBA, co-produced Boston's annual John Coltrane Memorial Concert, and composed several major works, including his opera, Reb's Last Funeral, his ongoing interdisciplinary project Signifyin' Natives, and the music/theater piece Crossing John at the Crossroads. As an educator, Lowe has taught at several major universities, lectured throughout the world from Cuba to Paris, and mentored countless young musicians."

-All About Jazz (https://musicians.allaboutjazz.com/billlowe)
10/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"One of improvised music's most in-demand guitarists, Mary Halvorson has been active in New York since 2002, following jazz studies at Wesleyan University and the New School. Critics have called her "a singular talent" (Lloyd Sachs, JazzTimes), "NYC's least-predictable improviser" (Howard Mandel, City Arts), "one of the most exciting and original guitarists in jazz-or otherwise" (Steve Dollar, Wall Street Journal), and "one of today's most formidable bandleaders" (Francis Davis, Village Voice). The Philadelphia City Paper's Shaun Brady adds, "Halvorson has been steadily reshaping the sound of jazz guitar in recent years with her elastic, sometimes-fluid, sometimes-shredding, wholly unique style."

After three years of study with visionary composer and saxophonist Anthony Braxton, Ms. Halvorson became an active member of several of his bands, including his trio, septet and 12+1tet. To date, she appears on six of Mr. Braxton's recordings. Ms. Halvorson has also performed alongside iconic guitarist Marc Ribot, in his bands Sun Ship and The Young Philadelphians, and with the bassist Trevor Dunn in his Trio-Convulsant. Over the past decade she has worked with such diverse bandleaders as Tim Berne, Taylor Ho Bynum, Tomas Fujiwara, Ingrid Laubrock, Myra Melford, Jason Moran, Joe Morris, Tom Rainey and Mike Reed.

As a bandleader and composer, one of Ms. Halvorson's primary outlets is her longstanding trio, featuring bassist John Hébert and drummer Ches Smith. Since their 2008 debut album, Dragon's Head, the band has been recognized as a rising star jazz band by Downbeat Magazine for five consecutive years. Ms. Halvorson's quintet, which adds trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon to the trio, has released two critically acclaimed albums on the Firehouse 12 label: Saturn Sings and Bending Bridges. Most recently she has added two additional band members-tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik-to form a septet, featured on her 2013 release Illusionary Sea. Ms. Halvorson also co-leads a longstanding chamber-jazz duo with violist Jessica Pavone, the avant-rock band People and the collective ensembles Thumbscrew and Secret Keeper."

-Mary Halvorson Website (http://www.maryhalvorson.com/bio/)
10/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Ken Filiano performs throughout the world, playing and recording with leading artists in jazz, spontaneous improvisation, classical, world/ethnic, and interdisciplinary performance, fusing the rich traditions of the double bass with his own seemingly limitless inventiveness. Ken's solo bass CD, subvenire (NineWinds), received widespread critical praise. For this and numerous other recordings, Ken has been called a creative virtuoso, a master of technique ... a paradigm of that type of artist... who can play anything in any context and make it work, simply because he puts the music first and leaves peripheral considerations behind.

Ken composes for his quartet with Michael Attias, Tony Malaby, and Michael T.A. Thomspon; a collective with Attias and Tomas Ulrich; and for his decades-long collaborations with Steve Adams and Vinny Golia. His prolific output also includes performances and/or recordings with artists including Bonnie Barnett, Rob Blakeslee, Bobby Bradford, Taylor Ho Bynum, Roy Campbell, John Carter, Nels Cline, Alex Cline, Connie Crothers, Mark Dresser, Ted Dunbar, Marty Ehrlich, Giora Feidman, Bob Feldman, Eddie Gale, Georgian Chamber Orchestra, Dennis Gonzalez, Lou Grassi, Phil Haynes, Fred Hess, Jason Hwang, Joseph Jarman, Sheila Jordan (with the Aardvark Orchestra), Raul Juarena, Joe Labarbera, Joelle Leandre, Frank London, Manhattan Chamber Orchestra, Tina Marsh, Warne Marsh, Dom Minasi, Hafez Modirzadeh, Butch Morris, Barre Phillips, Don Preston, Herb Robertson, Bob Rodriguez, Roswell Rudd, ROVA Saxophone Quartet, Ursel Schlicht, Paul Smoker, Chris Sullivan, Peeter Uuskyla, Fay Victor, Biggi Vinkeloe, Kenny Wessel, Andrea Wolper, Pablo Ziegler. With Tomas Ulrich, Elliott Sharp, and Carlos Zingaro, he is a member of T.E.C.K. String Quartet.

Ken has been a guest lecturer, performer, and workshop leader at institutions in the United States and Europe. He earned a MM from Rutgers University and is currently on faculty at Mansfield University."- All About Jazz

-Pi Recordings / All About Jazz (https://pirecordings.com/artist/Ken_Filiano)
10/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in Boston in 1977, Brooklyn-based drummer Tomas Fujiwara emerged during the early to mid-2000s as a valued sideman before forming his own quintet, Tomas Fujiwara & the Hook Up, which gathered accolades for blending influences such as Wayne Shorter, Taleb Kweli, and Me'Shell Ndegéocello with the experimental and unpredictable spirit of the 21st century Brooklyn creative jazz scene. After studying for eight years with drummer and educator Alan Dawson in the Boston area, Fujiwara moved to New York at the age of 17. His first performing experiences included a five-year stint beginning around the turn of the millennium with the off-Broadway show Stomp, but he also began appearing as a sideman on jazz recordings (e.g., Three Souls by the Adam Rafferty Trio in 2003) and moving in exploratory, adventurous directions.

Fujiwara developed a particularly strong collaborative relationship with New Haven, Connecticut-based cornetist Taylor Ho Bynum, whose own avant-leaning ensembles have featured a number of top Brooklyn improvising musicians. Fujiwara first appeared with Bynum on two 2007 recordings, The Middle Picture by the Taylor Ho Bynum Sextet (Firehouse 12) and True Events by the Taylor Ho Bynum/Tomas Fujiwara Duo (482 Music). During the following years, the drummer appeared on the Bynum Sextet albums Asphalt Flowers Forking Paths (hatOLOGY, 2009), Apparent Distance (Firehouse 12, 2011), and Navigation (Possibility Abstracts X & XI) (Firehouse 12, 2013), and the Bynum/Fujiwara Duo album Stepwise (Nottwo, 2010). Fujiwara is also a member of Positive Catastrophe, a ten-piece outfit co-led by Bynum and percussionist Abraham Gomez-Delgado and inspired by Sun Ra and Latin jazz; the group has released two albums on Cuneiform, Garabatos Volume One (2009) and Dibrujo, Dibrujo, Dibrujo... (2012).

Another musician with whom Fujiwara has often worked, guitarist Mary Halvorson, also often travels in the same creative orbit as Taylor Ho Bynum; like Fujiwara, Halvorson is a member of the Bynum Sextet, and along with Bynum and violist Jessica Pavone, the drummer and guitarist formed the collective quartet the Thirteenth Assembly, which has recorded two albums for the Important Records label, 2009's (un)sentimental and 2011's Station Direct. Fujiwara, Halvorson, and Bynum also appeared as members of the Chicago-New York nonet Living by Lanterns, whose New Myth/Old Science album -- based on fragments of music recorded by Sun Ra in 1961 -- appeared on Cuneiform in 2012. In 2014 Cuneiform released another album featuring Fujiwara and Halvorson, the eponymous debut of Thumbscrew, a collaborative trio also including veteran bassist Michael Formanek.

Fujiwara first assembled his Hook Up quintet in 2008, later describing the bandmembers as "some of the most important musicians in my life" -- and given all of Fujiwara and Halvorson's recorded appearances together in various settings, it was no surprise that the guitarist was in the lineup. Also featuring tenor saxophonist Brian Settles, trumpeter Jonathan Finlayson, and bassist Danton Boller, Tomas Fujiwara & the Hook Up released their debut album, Actionspeak, on 482 Music in 2010. Featuring Trevor Dunn on bass in place of Boller, the group's sophomore album, The Air Is Different, arrived (also on 482 Music) in 2012.

The many other projects in which Fujiwara has played as a collaborator or sideman include the Steve Lacy tribute band Ideal Bread, the eight-piece "bhangra funk dhol 'n' brass" outfit Red Baraat, and saxophonist/clarinetist Matt Bauder's acoustic jazz quintet. "

-All Music (http://www.allmusic.com/artist/tomas-fujiwara-mn0000909926/biography)
10/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Shift 4:29

2. Strike 9:00

3. Source 20:46

4. Layer 8:56

Related Categories of Interest:


Improvised Music
Jazz
NY Downtown & Jazz/Improv
Staff Picks & Recommended Items
Sextet Recordings
Instant Rewards

Search for other titles on the label:
Firehouse 12 Records.


Recommended & Related Releases:
Reid / Kitamura / Bynum / Morris
Geometry of Phenomena
(Relative Pitch)
The next angle from the collective Geometry group of Tomeka Reid on cello, Taylor Ho Bynum on cornet & flugelhorn, Kyoko Kitamura on voice, and Joe Morris on guitar, exploring their "Geometry" first of "Caves", then "Distance", "Trees", and now "Phenomena", through highly attuned exploration of sonic complexities and intersecting approaches to their respective instruments.
Barrett, Brad / Taylor Ho Bynum / Joe Morris
Geologic Time
(Listen! Foundation (Fundacja Sluchaj!))
An "auditory exploration of the fragile balance between creation and destruction, echoing the forces that sculpted Earth's geological history" from the collective free improvising trio of two New York luminaries--Taylor Ho Bynum on cornet, flugelhorn & trombone and Joe Morris on guitar & effects--with Boston double bassist Brad Barrett, also on cello & effects.
Dijkstra / McBride / Rosenthal + (Bishop / Prentky / Lowe)
Porchbone
(Driff Records)
Active since 2016, The "Bone" in PorchBone is heard in the three trombonists who join the trio of bassist Nate McBride, drummer Eric Rosenthal, and saxophonist Jorrit Dijkstra, who composed 7 of the 8 pieces on this album (Duke Ellington is the 8th, and the inspiration for their sound along with Sun Ra), with trombonists Jeb Bishop, Michael Prentky & Bill Lowe.
Halvorson's, Mary Amaryllis
Cloudward
(Nonesuch)
The second release from NY guitarist Mary Halvorson's Amaryllis band of Halvorson, Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O'Farrill (trumpet), with Laurie Anderson on violin featured on one track, for eight exquisitely optimistic, diverse and genre-merging Halvorson compositions.
Fowler, Chad / Shanyse Strickland / Sana Nagano / Melanie Dyer / Ken Filiano / Anders Griffen
Birdsong
(Mahakala Music)
Highlighting the parallel to changes in birdsong in urban areas because of anthropogenic ambient noise, this diverse ensemble demonstrates the evolution of improv approaches through unique origins and backgrounds; with Chad Fowler (stritch, flute), Shanyse Strickland (French Horn), Sana Nagano (violin), Melanie Dyer (viola), Ken Filiano (bass) and Anders Griffen (drums).
Rothenberg, Ned (w / Courvoisier / Halvorson / Fujiwara)
Crossings Four
(Clean Feed)
Crossing styles, generations and approaches to improvisations, multi-reedist and composer Ned Rothenberg's quartet of Rothenberg on clarinets & alto sax, Sylvie Courvoisier on piano, Mary Halvorson on guitar & effects and Tomas Fujiwara on drums perform five Rothenberg compositions and one by Rothenberg & Courvoisier, of spectacular timbral, rhythmic and melodic intersections.
Fujiwara, Tomas (Fujiwara / Reid / Brennan)
Pith
(Out Of Your Head Records)
Drawing on the same trio heard on his RogueArt release, 7 Poets Trio, Boston-born Brooklyn-based composer and drummer Fujiwara presents a set of six sophisticated works along with one collective improvisation, utilizing the unique orchestration of vibraphonist Patricia Brennan and cellist Tomeka Reid to create a diverse set of highly rewarding recordings.
Fujiwara, Tomas
Pith [VINYL]
(Out Of Your Head Records)
Drawing on the same trio heard on his RogueArt release, 7 Poets Trio, Boston-born Brooklyn-based composer and drummer Fujiwara presents a set of six sophisticated works along with one collective improvisation, utilizing the unique orchestration of vibraphonist Patricia Brennan and cellist Tomeka Reid to create a diverse set of highly rewarding recordings.
Obomsawin, Mali
Sweet Tooth [VINYL 180g]
(Out Of Your Head Records)
Wabanaki bassist, composer and songwriter Mali Obomsawin presents a compositional suite that highlights the art and culture of her people, binding together blues, jazz, hymns and folk songs with an ensemble of exceptional NY improvisers: Savannah Harris (drums), Miriam Elhajli (guitars, voice), Allison Burik (reeds), Noah Campbell (sax) and Taylor Ho Bynum (cornet & flugelhorn).
Obomsawin, Mali
Sweet Tooth [VINYL SILVER]
(Out Of Your Head Records)
Wabanaki bassist, composer and songwriter Mali Obomsawin presents a compositional suite that highlights the art and culture of her people, binding together blues, jazz, hymns and folk songs with an ensemble of exceptional NY improvisers: Savannah Harris (drums), Miriam Elhajli (guitars, voice), Allison Burik (reeds), Noah Campbell (sax) and Taylor Ho Bynum (cornet & flugelhorn).
Obomsawin, Mali (Harris / Elhajli / Burik / Campbell / Ho Bynum)
Sweet Tooth [VINYL]
(Out Of Your Head Records)
Wabanaki bassist, composer and songwriter Mali Obomsawin presents a compositional suite that highlights the art and culture of her people, binding together blues, jazz, hymns and folk songs with an ensemble of exceptional NY improvisers: Savannah Harris (drums), Miriam Elhajli (guitars, voice), Allison Burik (reeds), Noah Campbell (sax) and Taylor Ho Bynum (cornet & flugelhorn).
Obomsawin, Mali (Harris / Elhajli / Burik / Campbell / Ho Bynum)
Sweet Tooth
(Out Of Your Head Records)
Wabanaki bassist, composer and songwriter Mali Obomsawin presents a compositional suite that highlights the art and culture of her people, binding together blues, jazz, hymns and folk songs with an ensemble of exceptional NY improvisers: Savannah Harris (drums), Miriam Elhajli (guitars, voice), Allison Burik (reeds), Noah Campbell (sax) and Taylor Ho Bynum (cornet & flugelhorn).
Soldier, Dave / William Hooker
Lewitt Etudes
(Mahakala Music)
Inspired by the graphic wall drawings of American artist and sculptor Sol Lewitt, designed as graphic scores for flexibility in improvisation, violinist Dave Soldier and drummer William Hooker assembled this impressive ensemble to present 9 etudes, performed with Rebecca Cherry, Kirk Knuffke, Ayumi Ishito, Hans Tammen, Alex Greene, Luke Stewart, and Ken Filiano.
Dunn's, Trevor Trio (w/ Halvorson / Smith) Convulsant avec Folie a Quatre
Seances
(Pyroclastic Records)
A series of powerful "séances" from the Trio-Convulsant of Trevor Dunn on bass, Mary Halvorson on guitar, and Ches Smith on drums & percussion, imagining through improv the 18th century French sect of Convulsionnaires of Saint-Médard, assisted by the Folie à Quatre of Carla Kihlstedt (volin), Oscar Noriega (clarinet), Mariel Roberts (cell) and Anna Webber (flute).
Columbia Icefield (Nate Wooley / Mary Halvorson / Ryan Sawyer)
Ancient Songs of Burlap Heroes
(Pyroclastic Records)
The second outing for trumpeter and composer Nate Wooley's Columbia Icefield band with Mary Halvorson on guitar, Susan Alcorn on pedal steel guitar, Ryan Sawyer on drums, plus violist Mat Maneri and bassist Trevor Dunn joining for one track; an album of sublime and subtly complex sondscapes in beautiful abstractions that evolve to exceptional group and solo interplay.
Robinson / Whitecage / Filiano / Grassi
Live @ VisionFest20
(Not Two)
Dedicated to the memory of reed & wind players Perry Robinson and Mark Whitecage, both of whom have passed since they took part in this tremendous 2015 live recording recorded at the 20th VisionFest in NYC, in a quartet with bassist Ken Filiano and drummer Lou Grassi for three collective free improvisations, particularly the extended first piece dedicated to late trumpeter Roy Campbell.
Akchote / Halvorson / Frisell
Loving Highsmith [2 CDs]
(Ayler Records)
The soundtrack to the documentary Loving Highsmith about thriller novelist Patricia Highsmith, with music composed by Belgium guitarist Noël Akchoté along with pieces by Cole Porter, Mancini, Johnny Mercer, Frank Sinatra, Hildegard von Bingen, Carl Fischer, &c, presented in two CDs, one each of duets between Akchoté and New York guitarists Mary Halvorson and Bill Frisell.
Fujiwara's, Tomas Triple Double
March
(Firehouse 12 Records)
"March" refers to the foundation of repurposed march rhythms NY drummer Tomas Fujiwara employs for the compositions in his second release with his Triple Double sextet, actually two trumpet-guitar-drum trios brilliantly interacting, with fellow drummer Gerald Cleaver, both Mary Halvorson & Brandon Seabrook on guitar and Taylor Ho Bynum on cornet & Ralph Alessi on trumpet.
Courvoisier / Halvorson
Searching For The Disappeared Hour
(Pyroclastic Records)
The second collaboration between pianist Sylvie Courvoisier and guitarist Mary Halvorson, six years after Crop Circles and a product of their tours together and the result of their both writing compositions specifically for their duo project, showing a level of communication that allows incredible inventiveness and moments of poignant exchange; exceptional.
Sharp's, Elliott Terraplane
Century
(zOaR Records)
An unflinching look at life in post-Reconstruction America, commemorating the anniversary of Nancy Cunard's 1934 collection of African-American writings, poems, and song lyrics titled Negro: An Anthology, from Elliott Sharp's Terraplane, with vocalists Tracie Morris, Eric Mingus, Mikel Banks, and instrumentalist including Sharp, Dave Hofstra, recordings from Hubert Sumlin, &c.
Nagano, Sana (w/ Apflebaum / Matsuno / Filiano / Herternstein)
Smashing Humans [VINYL]
(577 Records)
The debut of a new electric jazz quintet from NY violinist Sana Nagano, with Peter Appfelbaum on tenor saxophone & megaphone, Keisuke Matsuno on electric guitar, Ken Filiano on acoustic bass & effects, and Joe Hertenstein on drums, an inventive and energetic album of joyful urgency and tremendous group dynamic, fueled by Nagano's exuberant and lyrical compositions.
Lisbon Improvisation Players (Amado / Filiano / Salero / Adams)
Motion
(Clean Feed)
A precursor to his Motion Trio, this is a 2002 studio recording led by saxophonist Rodrigo Amado performing on baritone & tenor saxophones, with US West Coast saxophonist Steve Adams on soprano & tenor saxophones, Acacio Salero on drums, plus New York bassist Ken Filiano, improvising over six works that show the depth and mastery of each individually and collectively.
Nagano, Sana (w/ Apflebaum / Matsuno / Filiano / Herternstein)
Smashing Humans
(577 Records)
The debut of a new electric jazz quintet from NY violinist Sana Nagano, with Peter Appfelbaum on tenor saxophone & megaphone, Keisuke Matsuno on electric guitar, Ken Filiano on acoustic bass & effects, and Joe Hertenstein on drums, an inventive and energetic album of joyful urgency and tremendous group dynamic, fueled by Nagano's exuberant and lyrical compositions.
Alcorn, Susan Quintet
Pedernal
(Relative Pitch)
An innovator in integrating pedal steel guitar into modern improvised music, Cleveland-born, Baltimore-based pedal steel guitar player Susan Alcorn's quintet enlists a superb set of New York players--Mark Feldman on violin, Michael Formanek on double bass, Mary Halvorson on guitar, and Ryan Sawyer on drums--taking on a diverse set of Alcorn compositions.
Hwang, Jason Kao / Andrew Drury / Ken Filiano
Human Rites Trio
(True Sound Recordings)
Longtime bandmates Ken Filiano (bass) and Andrew Drury (drums) join violinist Jason Kao Hwang for 6 original compositions, each a progression of gestures, songs, movements and locations that bring the musicians into a state of discovery and compassion, completed during the COVID-19 pandemic and honoring healthcare workers and those tragically lost to the disease.
Gluck, Bob (Wolper / Azmeh / Filiano / Tabbal)
Early Morning Star
(FMR)
NY pianist & composer Bob Gluck's band with Gluck on piano, Andrea Wolper on voice, Kinan Azmeh on clarinet, Ken Filiano on bass, and Tani Tabbal on drums, blends passionate songs of social justice with captivating improvisational interplay, balancing a love of beautiful melody and sonic innovation, powerful rhythms, and exhilarating interactions between players.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC