The Squid's Ear Magazine


CHANGES TO blind + Blue Sausage Infant (Intangible Arts)

Blue Sausage Infant and CHANGES TO blind met in 1992 for these improvised studio recordings, and to perform CTb's sonic tour of a house live at Troy, NY's Last Exit.
 

Price: $12.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 5.00 units

Sample The Album:





product information:

Personnel:



Phil Zampino-electronics, samplers, synth, voice

Chester Hawkins-samples, tapes, guitar, bass, vocals

Orphy Robinson-vocals, effects processing (tracks 3 & 4)

Irvin Pierce-tenor sax (tracks 3 & 4)


Click an artist name above to see in-stock items for that artist.




Label: Intangible Arts
Catalog ID: IA011
Squidco Product Code: 12012

Format: CD
Condition: New
Released: 2009
Country: USA
Packaging: Paper foldover in a plastic sleeve
Tracks 1, 2, & 4 recorded at The Mucal Studio, Rotterdamn, NY April 1992. Track 3 recorded live at Last Exit, Troy, NY on April 25, 1992

Descriptions, Reviews, &c.

Blue Sausage Infant and CHANGES TO blind met in 1992 to perform CTb's sonic tour of a house live at Troy, NY's Last Exit, and to create these improvised studio recordings. CHANGES TO blind is Squidco's Phil Zampino, augmented live with Robin Sumrall, creating organized sound recordings that utilize improvised approaches to create dense and expeditionary works that owe a great deal to the NY Downtown and artists like David Myers (Arcane Device). Blue Sausage Infant is Chester Hawkins' long running sound project, creating brutalist noise, textured drone, pounding neo-tribalism and krautrock-flavored psychedelic sound; for the live performace BSI performed was augmented with L. Pierce on tenor sax.

"House" was a conceptual or thematic work, reflecting various and often absurd views of the various rooms and facets of a house. The piece uses a range of treated and manipulated samples, effected free vocal improv, distant sax ruminations, and BSI's twisted psychedelic drive - these soundboard recordings capture the essence of the performance. The remaining tracks were recorded during the rehearsals for "House", where Hawkins and Zampino improvised freely using similar sound sources without thematic constraint, creating a disturbing set of recordings. Those tracks are epitomized in "Esophagus Full of Marbles", a phrase heard early in that recording, an image that well captures the thick gargling sound of their collaboration.


Artist Biographies

phil zampino, born in 1961 in Westpoint, NY, is the son of clarinetist Gerald Zampino, and was raised with shards of music stimulating his ears from his initial memories. A mixture of music, mathematics, computers, and a love of collecting unusual recordings led to the ineludible formation of CHANGES TO blind. Those same foundations led him to forming this very same Squidco, the online music store and distributorship focused on improvisation and experimental sound. Having no longer a concept of right or wrong in "music", he follows his eccentric ear to wherever sounds leads him.

-Squidco (https://www.squidco.com/zampino)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Chester Hawkins (Washington DC) has performed a wide range of experimental music since 1985. His most well-known project was BLUE SAUSAGE INFANT, being an exercise in musique concrète and loop-collage, which later expanded to embrace drone, krautrock, psychedelia, noise, and sonically intense live performances. After 28 years, the BSI project was retired and new works continue under his own name, crafting dynamic adventures in sound with a more focused and wholly electronic approach.

Hawkins has released music under the imprints Alrealon Musique, Zeromoon, and his own Intangible Arts. Past collaborators include Insect Factory, Violet, Tag Cloud, Haunted Toilet, Changes to Blind, New Carrollton, Lida Husik, and Stolen Government Binder Clip."

-Chester Hawkins 10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"The tuba player and composer Robin Hayward was born in Brighton, England in 1969. He studied classical music at the University of Manchester and tuba at the Royal Northern College of Music, where he graduated in 1991. In following years he was active in the improvised and experimental music scenes in Manchester and London. Since 1998 he has been based in Berlin.

He has introduced revolutionary playing techniques to brass instruments, initially through the discovery of the 'noise-valve' in 1996, and later through the development of the first fully microtonal tuba in 2009. In 2012 he invented the Hayward Tuning Vine, partly out of a desire to visualise the harmonic space implicit within the microtonal tuba. In 2005 he founded the ensemble Zinc & Copper to explore brass chamber music from an experimental music perspective.

Robin Hayward has toured extensively both solo and in collaboration, and been featured in such festivals as Maerzmusik, Fri Resonans, Donaueschingen, TRANSIT festival, Ghent Festival of Flanders, Ostrava New Music Days, Sound Symposium, Kieler Tage für Neue Musik and Wien Modern. Collaborations include such musicians as Charles Curtis and Roberto Fabbriciani, along with composers such as Christian Wolff, Alvin Lucier and Eliane Radigue. His approach to the tuba has been documented in the solo releases Valve Division, States of Rushing, Nouveau Saxhorn Nouveau Basse and Rubble Master, along with numerous collaborative releases, such as with the microtonal tuba trio Microtub and the tuba and double bass duo Reidemeister Move. He has lectured at such institutions as Stuttgart Musikhochschule, the Sibelius Academy in Helsinki, UDK Berlin, Dartmouth College and Wesleyan University. He has also worked regularly with such orchestras as the Rundfunk-Sinfonieorchester Berlin and the Konzerthausorchester Berlin, and from 2002 to 2012 was a member of the new music ensemble KNM Berlin.

In 2012 the International Tuba and Euphonium Association (ITEA) presented him with the Clifford Bevan Award for Excellence in Research for his 2011 article on the history and development of the microtonal tuba. In 2016 he received the ITEA's Jim and Jamie Self Creative Award for his work with the microtonal tuba and Hayward Tuning Vine."

-Robin Hayward Website (http://www.robinhayward.de/eng/biography.php)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Tenor saxophonist-Irvin Pierce [...] is often compared to John Coltrane. He made his recording debut at the age of 15 on "The Drive" a CD produced by his mentor Robert Irving III for the Jazz Links Ensemble on the Jazz Institute of Chicago label. Irving says, "At that age one could hear the sound of a promising young kid. Today, in just five-years, I hear a young master soloist." Irvin recently toured in France with Rob Mazurek's Third Coast Ensemble."

-Sonic Portraits Jazz (https://www.sonicportraitsjazz.com/featured-artists/)
10/2/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Esophagus Full Of Marbles 22:00

2. Outhouse 1 5:25

3. House 21:02

4. Outhouse 2 1:53

Related Categories of Interest:


Electro-Acoustic
Electro-Acoustic Improv
Improvised Music
Sound, Noise, &c.

Search for other titles on the label:
Intangible Arts.


Recommended & Related Releases:
CHANGES TO blind
Volume Eight: Before Birth to Expiration
(Squidco Records)
The eighth album from the long-running CHANGES TO blind project of Phil Zampino, eight works drawing on compositions & improvisations, acoustic & synthetic instruments, field recordings & samples, with guests Levi Erik providing field recordings & voice and Wilmington, NC's 910 Noise Members of Carl Kruger, subterrene, John Bishop, Authorless and Ryan Lewis.
nil.
01
(Intangible Arts)
Restarting his sonic life at "nothing", Chester Hawkins' new project after work under his own name and his previous decades-long project Blue Sausage Infant is nil, recording after a two-week residency at Liebig12 in Berlin and participation in the Zero Cohesion program, this five-part work for "maximal drone" explores complex harmonics in a dynamic and powerful wall of sound.
Tenney, James (Ensemble Open Music Gera)
Acoustic Phenomena / Hymnic Sounds
(Edition Wandelweiser Records)
Recording in Altes Wannenbad Gera, in Gera, Germany, an ensemble of performers associated with Ensemble Open Music Gera and Ensemble Zeitkratzer perform James Tenney's work exploring concepts of tuning systems, sound/noise, consonance/dissonance, sound/silence, and organisation of time, in three pieces that use a climax-oriented form Tenney refers to as "swell pieces".
Hawkins, Chester
Magnetisk Nord
(Intangible Arts)
Chester Hawkins' curiosity for Denmark resulted in his renting an apartment in central Kobenhavn, bringing along his electronically modified lapsteel guitar, wind and reed instruments, tabletop noise-boxes, mobile synthesizer apps and a shortwave radio, which he joined with field recordings from the capital region, creating this magnificent loveletter to Denmark.
Hawkins, Chester
Metabolism Quartet / Nocturne For Poppy [CASSETTE]
(Zeromoon/ Intangible Arts)
Electro-psychedelic explorer Chester Hawkins presenting two live performances in Washington DC -- one recorded in isolation at Intangible Arts' studio (4th September 2018) and one in public at Rhizome community arts space (8th September 2018) -- improvised autopsies of Lutoslawski's String Quartet by means of three granular synth engines and one tape-edit/concrete emulator.
Hawkins, Chester
Natural Causes - Original Music For Pale Trees, A Film By Tim Ashby [VINYL]
(Intangible Arts)
Washington, DC based electronic experimenter Chester Hawkins (Blue Sausage Infant) was commissioned by director Tim Ashby to compose this work for the soundtrack to his feature-length film "Pale Trees", Hawkin's music illustrating the film's gradient of psychological colors from darkness, rage, and vengeance through a mix of kosmische drone in a Tangerine Dream vein.
Cheval Gris
Candor Cloak
(Bad Architect Records)
Combining the work of 18 artists chosen to interpret a series of sacred rites that took place deep within the woods by an elite shaman of an Amazon tribe, including Squidco's own Carl Kruger & phil zampino, Cheval Gris (Ryan Lewis) weaves an incredible story in sound, a virtual soundtrack of rich aural environments, concrete elements, and ritualistic sound.
CHANGES TO blind
evolvensume
(Squidco Records)
Collecting works from 2010-2017, Squidco's own Phil Zampino presents 10 tracks of electroacoustic composition sourced from studio work, live improvisation, field recordings, plunderphonics, and other indescribable approaches, a diverse set of recordings sharing a similar foreboding aesthetic and curious sonic desire.
Wilmington Sound Orchestra
Play Russolo
(Bad At Raving Foundation)
Two interpretations of Luigi Russolo's 1914 Futurist noise composition "Risveglio Di Uns Citta" ("The Awakening Of A City"), performed forwards and backwards, from a live performance at Squidco headquarters in Wilmington, NC.
Various Artists
Labor CD - Labor Sono / KuLe / Berlin [2 CDs]
(Charhizma)
Blue Sausage Infant
Scalpels for the Animal God
(Intangible Arts)
The live sound of Blue Sausage Infant, ranging from brutalist noise to textured drones, pounding neo-tribalism, krautrock-flavored psychedelia, or cut-ups of cultural artifacts.
Ecstasy Mule
Ecstasy Mule Contemplates Hunting and Drinking When the Rainbow is Enuf
(Batterrie)
Ecstasy Mule's demented improv blues in a maxi-single presenting 3 version of "Missouri Couple seeks Law Against Hunting + Drinking" from 3 NYC performances.
Other Recommended Releases:
Chefkirk / Crank Sturgeon
Nice To Err With You (2 CDs)
(Love Earth Music)
Bringing together two aberrant sound artist--Chefkirk, aka Roger Smith, based in Oregon; and Crank Sturgeon, aka Matt Anderson currently based in Massachusetts--for two CDs of rhythmic mayhem layered and punctuated with electronics and mutilated sounds from objects & voice, with beats that feign steadiness but derail in amusing and embraceable ways; weird fun! Mastered by Squidco's own Carl Kruger.
Hawkins, Chester
Cops Need Serial Numbers [USB mp3 & wav + pdf]
(Intangible Arts)
DC electronic explorer Chester Hawkins releases this limited edition album of 50 copies shaped in a metal bullet that unscrews to reveal a USB drive with more than 4 hours of extended forays into psychedelic electronics, synth and tabletop guitar, journeys of hard drone & abstract concrete elements, in mp3 & wav format with a pdf, housed in a handsome black case.
Hawkins, Chester
K516156/91044 [33 1/3 7-inch VINYL]
(Intangible Arts)
A 33 rpm 7" from Washington, DC sound artist Chester Hawkins, which "contains highly concentrated extracts" of two remixes of live recordings at Logan Fringe Arts Space and Red Onion Records, from his limited-edition USB release "Cops Need Serial Numbers"; mesmerizing and hypnotic electronics from a masterful performer and kosmiche explorer.
Hawkins, Chester
Magnetisk Nord
(Intangible Arts)
Chester Hawkins' curiosity for Denmark resulted in his renting an apartment in central Kobenhavn, bringing along his electronically modified lapsteel guitar, wind and reed instruments, tabletop noise-boxes, mobile synthesizer apps and a shortwave radio, which he joined with field recordings from the capital region, creating this magnificent loveletter to Denmark.



Customers Who Bought This Item Also Bought:
Bi-Ki?
Quelque Chose Au Milieu
(BeCoq)
The alto sax duet of Jean-Baptiste Rubin and Sakina Abdou sculpt sound material that draws on the acoustic resources of the space within which they play, captured here in various locations in Northern France by the keen ear of saxophonist/conceptualist Jean-Luc Guionnet.
Miimo
Miimo 5
(Amorfon)
The alternative dub steelpan trio of Yoshio Machida (steeldrums, voice, percussion, electronics), Tatus (bass, voice & electronics) and Norihide Saji (drums, laptop & electronics) for 10 tracks of embraceable tunes including a cover of Miles Davis "All Blues".
Ensemble Hodos
Lifework : A Unity - Ensemble Hodos plays Philip Corner (Vol. 1)
(Umlaut Records)
Saxophonist Pierre-Antoine Badaroux and double bassist Sebastien Beliah formed Ensemble Hodos in 2008 to perform the music of composers who wrote scores that include freedom and/or improvisation for the players, here performing the music of Philip Corner.
Chrysakis, Thanos / Chris Cundy
Music for Chamber Organ & Contra Bass Clarinet
(Aural Terrains)
Electroacoustic improviser Thanos Chrysakis performing on the chamber organ at the University of Gloucestershire, UK in a collaboration with Chris Cundy on contra bass clarinet, for a subtle, mysterious and uncompromising four-part improvisation.
Kawng, Goh Lee / Julien Ottavi
Pukul Berapa?
(Herbal International)
Goh Lee Kwang performing on no-input mixer meets Julien Ottavi on TamTam, bass drum and a computer running Puredata and Apodio 10 for an album of electronic improvisation recorded in Kuala Lumpur, Malaysia, and Nantes, France, balancing aggressive and meditative sound.
Barriere, Lali / Miguel A. Garcia
Espejuelo
(Nueni)
The duo of Miguel A. Garcia on electronics and Lali Barriere on objects and no-input mixer for an album of investigative, detailed improvisation that's well paced and calmly complex.
Janas, Gene / Vinnie Paternostro / Jay Reeve / Other Matter
United Slaves #2~3
(Improvising Beings)
Recorded in Brooklyn and Paris, this quintet crosses the threshold between jazz, rock and electronic sound with a somewhat dark intent, using guitar & sitar, organs, syths, pianos, drums, bass and sounds to evoke thick and extended psychedelic environments.
Beequeen
Time Waits For No One
(Herbal International)
A reissue of the 1995 album from the duo of Frans de Waard and Freek Kinkelaar, electronic sound work in a Zoviet France mode, using looping structures but also freeform improvisation to create dark and alluring audio environments with beautiful sonic elements.
Dollshot
Dollshot
(Underwolf)
An unusual and thickly strung album bridging dark rock and improvised music from saxophonist Noah Kaplan, bassist and prepared bassis Giacomo Merega, bassist and prepared painist Wes Matthews, and vocalist Rosalie Kaplan.
Lauzier, Philippe / Eric Normand
Not the Music / do
(Tour de Bras)
The Canadian duo of reedist Philippe Lauzier and bassist Eric Normand freely improvise in sound environments that are both introspective and precarious, using subtle and aberrant approaches to playing that evoke unusual aspects of their instruments in oddly refined dialog.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC