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Cote / Ceccarelli: Vulgarites (Ambiances Magnetiques)

A plethora of objects being struck and stroked from the meeting of drummers Cote (Bruire, Klaxon Gueule) and Ceccarelli, complex interactions of percussion, feedback and electronics.
 

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product information:


UPC: 771028118021

Label: Ambiances Magnetiques
Catalog ID: AM_180
Squidco Product Code: 11024

Format: CD
Condition: New
Released: 2008
Country: Canada
Packaging: Cardstock foldover
Recorded at Studio 270 in Montreal, Canada, by Robert Langlois.


Personnel:

Isaiah Ceccarelli-drums, percussions, piano, electronics, lap steel, trumpet, drumhead feedback

Michel F. Cote-drums, percussions, piano, electronics, lap steel, trumpet, drumhead feedback

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Artist Biographies:

"Isaiah Ceccarelli. Born Chetwynd, British Columbia, Canada, 1978. Residence: Montréal, Québec. Composer, Performer (drum set, percussion).

Isaiah Ceccarelli is a drummer, improviser, and composer based in Montréal. His music has been qualified as "one of the most original approaches to come through our offices in recent times" (Marc Chénard, La Scena Musicale) and he has been described as possessing "a writing style with rare personality in this musical context" (Thierry Lepin, Jazzman Magazine). He participates in numerous creative music projects with Michel F Côté, Pierre-Yves Martel, Lori Freedman, Jean Derome, Bernard Falaise, Joshua Zubot and Philippe Lauzier, amongst others. He plays with Félix Stüssi and Ray Anderson, as well as with the Acadian singer Marie-Jo Thério. Proud ambassador of a new generation of creative musicians in Québec, his collaborations have led him on tour in Europe, North America, Asia and Australia. Isaiah has composed music for two of his own albums, Bréviaire d'épuisements and Lieux-dits (both on the Ambiances Magnétiques label), and for ensembles and musicians such as Quatuor Bozzini, Ensemble Allogène, the violist Jennifer Thiessen, and Ensemble Kô. He sings with the Schola Saint-Grégoire (Gregorian chant).

A seasoned musician and composer, Isaiah Ceccarelli is, in the words of Charles Collard from La Scena Musicale, "a jewel in the crown of the Montréal scene and his presence is felt on several fronts at the same time."

-ActuelleCD (http://www.actuellecd.com/en/bio/ceccarelli_is/)
6/22/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Initially a radio character, drummer, and composer, Michel F. Côté became a member of the collective Ambiances Magnétiques in 1988. Since that time, his activities have got encompassed free of charge improvisation along with his groupings Bruire and Klaxon Gueule, sound-art collaborations with Diane Labrosse and Christof Migone, and composing for dance, movie theater, and film. Côté was raised with rock and roll, admiring drummers like Led Zeppelin's powerhouse John Bonham and Yes/Ruler Crimson's man-of-finesse Costs Bruford. But he initial got into the music globe through radio, starting to transmit programs of innovative music in the first '80s at Montreal's community place, CIBL. In 1985, he begun to are a researcher and web host for "Chants Magnétiques" and afterwards "Musique Actuelle" at Radio-Canada, Canada's nationwide francophone radio. A music buff, he sucked in a huge selection of noises and affects, developing his drumming abilities but most of all his studio appearance. In 1988, Côté became the 8th person in Ambiances Magnétiques and documented his first recording beneath the name Bruire. An clothing of unpredictable geometry centered across the drummer, Bruire reinvented itself with each recording. Côté's evolution like a musician could be witnessed through the deconstructed pop tracks of Le Barman A Tort de Sourire (1989) towards the sensitive miniatures of Les Fleurs de Léo (1992) as well as the abstract improvised compositions on L'Âme de l'Objet (1995), a focus on in his discography. In the meantime, Côté started to create incidental music for theatre, dance, and film. This facet of his function quickly became probably the most time-consuming and commercially, aswell as artistically, practical, though it intended employed in the shadows. Since 1995 he is a regular collaborator of playwright/filmmaker Robert Lepage, composing and carrying out the music for the play Les Sept Branches de la Rivière Ota, carrying out in the theatrical cabaret Zulu Period, and composing as well as Bernard Falaise the music of his film Nô. The drummer also caused the dance troupe Carbone 14, and playwrights Wajdi Mouawad and Brigitte Haentjens. The single recording Compil Zouave culls excerpts from these different ratings. In the past due '90s, Côté created a pastime in live consumer electronics and shifted his music toward freer and more-textural pastures. A cooperation with sound designer and Avatar member Christof Migone (Vex, 1998) activated an exploration of the electro-acoustic improvisation that created in Austria and Germany at the same. This fresh vision is recorded on Muets, the next recording by his trio Klaxon Gueule (with Falaise and Alexandre St-Onge)."

-MusicianBio (https://musicianbio.org/michel-f-cote/)
6/22/2022

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Surmenage Brun 3:22

2. Grace Maussade 3:47

3. Apothéose du vague 1:43

4. Nous, Les Troglodytes 2:59

5. Surmenage Caca D'Oie 2:43

6. Las du Futur 5:22

7. Sommede Nos Échecs 3:13

8. Fleurs des Idées Fixes 4:35

9. On Est Fou Ou Normal 3:49

10. Betes a Désire Retardés 2:47

11. Avantage de la Débilité 4:05

12. Esprit-amateur 2:17

13. Destruction des Choses 5:02
sample the album:








descriptions, reviews, &c.

"Bored of the future, two drummers meet and ask each other: what can we do when we're just two drummers? "We can be vulgar" was the answer. They put together a few vague ideas and obsessions. For the sake of amateurism, they added their respective failures. This meeting is the audible result of being overworked. What comes out of it is a sullen form of grace, an elegy for the destruction of things. In short, this CD features the sound of a plethora of objects being struck and stroked."-Ambiances Magnetiques



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!
Related Categories of Interest:

Ambiances Magnetiques

Improvised Music
Musique Actuelle
Electro-Acoustic
Electro-Acoustic Improv
Electronic Forms
Duo Recordings
Canadian Composition & Improvisation


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