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Hollmer, Lars Looping Home Orchestra: Live 1992-1993 (Les Disques Victo)


 

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product information:


UPC: 777405002426

Label: Les Disques Victo
Catalog ID: CD 024
Squidco Product Code: 1077

Format: CD
Condition: New
Released: 1993
Country: Canada
Packaging: Jewel Tray
Recorded live October and May, 1993 in Canada (Victoriaville), at Suede (Uppsala et Linkoping) and at Allemgane (Moers, Berlin, Hannover at Ulm)


Personnel:

Lars Hollmer-claviers, accordion, melodica, voice

Olle Sundin-claviers, percussion

Lars Krantz-bass guitar, percussion MIDI, glockenspiel

Eino Haapla-electric guitar, mandola

Jean Derome-flutes, baritone, soprano and alto saxophones

Fred Frith-electric guitar, violin, home-made instruments

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Artist Biographies:

"Lars Gustav Gabriel Hollmer (21 July 1948 - 25 December 2008) was a Swedish accordionist, keyboardist and composer, whose work drew on music ranging from Nordic folk tunes to progressive rock. He has been a member and/or founder of over half a dozen groups, most of whose work has been recorded at The Chickenhouse, his well outfitted home studio in his hometown of Uppsala. His work with the band Samla Mammas Manna, in the late 1960s and early 1970s and up to 2002, when the re-formed group played at the two-day ProgDay festival in North Carolina, was and is considered progressive rock. However, he is most centrally an empathetic and generous collaborator: whether as a member of Accordion Tribe, while working with the experimental guitarist Fred Frith, or while spending several months with Japanese jazz players, he seems to find a style that brings his partners to the fore while remaining identifiably himself. Though his work is little known in the United States, he won a Swedish Grammis award in 1999 for his record Andetag. He has also composed extensively for Swedish film, as well as for theatre and dance productions. Consistent elements of his music throughout his career included use of irregular time signatures (often changing several times within a piece), a daring sense of improvisation (particularly vocal improvisation that utilized nonsense syllables), and used complex polyrhythms.

Hollmer died in December 2008 of cancer, aged 60. He is buried in Berthåga Cemetery in Uppsala."

-Wikipedia (https://en.wikipedia.org/wiki/Lars_Hollmer)
9/22/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jean Derome. Born Montréal, Québec, 1955. esidence: Montréal, Québec. Composer, Performer (saxophones (alto, baritone, soprano), flutes (flute, bass flute, piccolo, alto flute, recorders), keyboards, small wind instruments (ocarinas, jew's harp, game calls, toys...), percussion, invented instruments, voice)

One of the most active and eclectic musicians on the Canadian creative music scene, Jean Derome has managed to earn the recognition of a larger public, a rare feat in that field. Thanks to his large-scale musique actuelle projects, his compositions, his work as an improviser, his jazz groups and his music for the screen and the stage, Derome ranks as a major creative force, in Québec and abroad. He is experienced and innovative on both saxophone and flute, and his unique writing style cannot be mistaken for anyone else's. Sensitive and powerful, his music often features a funny strike that makes its complex nature more inviting.

Ever since Nébu (one of Québec's first avant-garde jazz groups) in the early '70s, Derome has been consistently renewing and diversifying his approach of composition. He impressed audience and critics first with the flute, then with the saxophone, as a lead character in the musique actuelle underground. He took part to the various artists' collectives looking for new ways to express themselves freely, without esthetic or social constraints, including the Ensemble de musique improvisée de Montréal. Later, in the early '80s, he co-founded Ambiances Magnétiques, a collective and record label that raised his profile at home and introduced his name to the outside world. Among his numerous projects, let us mention the duos Les Granules, Nous perçons les oreilles and Plinc! Plonc!, the dynamic group Jean Derome et les Dangereux Zhoms, and the large-scale projects Confitures de gagaku, Je me souviens - Hommage à Georges Perec and Canot-camping. Most of these projects are based on a unique form of synergy between composition, structured improvisation and genuine creative madness, all this articulated with unmatched playfulness. In 1992, Derome became the second artist to be presented with the Freddie Stone Award (bassist Lisle Ellis was the first).

Besides improvising on a regular basis with Ambiances Magnétiques' members and appearing in their projects, Derome has also shared the stage with several musicians of international stature, among others Fred Frith, Lars Hollmer, Louis Sclavis and Han Bennink. He performs regularly all over Canada, in the US and in Europe. He received a Prix Opus in 2001 for his exposure abroad.

Lately, jazz circles have been praising his undisputable qualities as a jazzman, thanks to the Thelonious Monk tribute project Évidence, the Normand Guilbeault Ensemble (whose Mingus Erectus CD is devoted to Charles Mingus' music), and the much-lauded Derome Guilbeault Tanguay Trio.

Although Jean Derome writes tirelessly for his own projects, he is much in demand in the fields of film, theatre and dance. A short list of this side of his work would have to include his numerous scores for the National Film Board of Canada (NFB), especially for films by John Walker, Jacques Leduc, Fernand Bélanger and animated films by Pierre Hébert, Michèle Cournoyer and Jean Detheux; his incidental music for Théâtre UBU, Théâtre de Quat'Sous and Théâtre du Nouveau Monde; not forgetting his work with several top choreographers, including Louise Bédard, Andrew de Lotbinière Harwood, Daniel Soulières and Ginette Laurin. Other music ensembles have commissioned works from him, including Tuyo, Bradyworks, the Hard Rubber Orchestra from Vancouver and Fanfare Pourpour. Incidentally, Derome is the musical director of the latter.

Over thirty years of music and 70 record credits later, Jean Derome still has sleeves bursting with tricks."

-ActuelleCD (http://www.actuellecd.com/en/bio/derome_je/)
9/22/2021

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Karusellmusik 3:28

2. Utflykt M. Damcykel 5:13

3. Franklat 2:59

4. Quickstep 5:55

5. Moloken 2:37

6. Parallell Angostura 3:47

7. Eyeliner 2:50

8. Teatime (In Berlin) 4:35

9. Hostvisa (Autumn Song) 5:03

10. Portaletyde 3:22

11. Ett Tungt Ok 4:50

12. Zanzibar 3:02

13. Plinga 6:54

14. Finalvals 3:32

15. Timlig (Temporal You Are) 5:07
sample the album:








descriptions, reviews, &c.

"Lars Hollmer, Swedish king of all things with keys, leads his ongoing, ever-evolving orchestra -- this time starring Fred Frith on guitar -- through a tour of Canada, Sweden, and Germany over two years, no doubt delighting all audiences along the way. Hollmer's music is an amalgam of folk music styles from all over the European region, from polka to klezmer, rock, jazz, and even classical music. Tossed in to the mix is carnival music and incidental film music. Perhaps no one tune is more indicative of "Hollmermusik" than the opening track here, recorded at the Victoriaville Festival and called "Karusellmusik." Accordions, Jean Derome's saxophones, and the twin guitars of Frith and longtime collaborator Eino Haapla create the whirling give-and-take of the carnival carousel as Hollmer's accordion carries a melody worthy of a carny in a comedic horror film. Further is the notion of Hollmer's insistence that his music, no matter how out to lunch, be completely accessible for thosewho may be moved to dance by its pulsating rhythms and nostalgic melodies, even as it points directly into the future where the idea of "folk" music is quickly disappearing into the cross-cultural twilight of miscegenation. This is evident in the lovely vocal "Autumn Song," in which Hollmer's vocal sidles along Frith's shimmering guitar and Haapla's mandola with a concertina to bolster his lilting, frail voice. In its grain is the emotional toll of passage and memory, the knowledge of endings and their bittersweet reveries. This is followed by "Portaletyde," a cut-time dance tune that holds within it the polka and the waltz contained perfectly within the concertina and baritone saxophone. Three repetitive lines call themselves into being along a melodic line that flows seamlessly from the previous number and pulls the listener into a "let's dance for tomorrow we die" mode of feeling, playing it through just enough times to make it plausible before launching into the operatic andepisodic "Ett Tungt OK," a prog rock jam with crescendos that will knock you on your startled ass. Frith (on violin) and Haapla go head-to-head while Hollmer holds down the modal triads that serve as a melodic framework. There is drama, and then there is Hollmer's drama, full of pathos and dark emotion without resolution. The resolve doesn't come until the end of the record in a Fripp/Brian Eno move called "Timlig," where guitars, loops, and piano all meditate on the temporal nature of the riff, each one never quite ending as another takes its place. Its droning feedback loops the only constant in a shifting mass of airy harmonies and dulcet tones and semi-quavers. A pianistic flourish takes the edge off the guitars temporarily, but this is a bone-cruncher of a finish. It's rock, experimental and otherwise, and you can dance to it if you know how to remove your backbone entirely. When the percussion enters the tune, the entire thing is awash in emotional chaos and somber processionalgrace. The baritone saxophone creates a melody out of thin air, staunchly striding ahead of the drones and feedback. It's a breathtaking, anthemic ending to a startling program."-Thom Jurek, All Music

Related Categories of Interest:

Rock and Related
Before April-2006
Canadian Composition & Improvisation
Victo
Musique Actuelle
RIO (Rock in Opposition)
Frith, Fred
Jean Derome
Rock and Related
Before April-2006
Canadian Composition & Improvisation


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Hetu, Joane
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Derome, Jean
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Evidence: Cartier, Derome, Tanguay, Thelonius Monk
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Wow!
(Ambiances Magnetiques)
Ratchet Orchestra
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Normand 5, Eric
Sur Un Fil
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Filature
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Derome, Jean / Le Quan Ninh
Flechettes
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Recits de Neige
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Guilbeault, Normand Ensemble
Live at Upstairs 2008. Hommage a Mingus
(Ambiances Jazz)
Derome, Jean And The Dangereux Zhoms+7
Plates-Formes Et Traquenards
(Les Disques Victo)
Ensemble SuperMusique
Y'a du bruit dans ma cabane
(Ambiances Magnetiques)
Falaise, Bernard
Clic
(Ambiances Magnetiques)
Falaise, Bernard
Clic
(Ambiances Magnetiques)
Derome, Jean et les Dangereux Zhoms
To Continue
(Ambiances Magnetiques)
Labrosse, Diane
Musique Pour Objets en Voie de Disparition
(Ambiances Magnetiques)
Fabbro, Guido Del
Agregats
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Fanfare Pourpour / Hollmer, Lars
Karusell Musik
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Derome, Jean / Joane Hetu; Nous percons les oreilles
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Canot-camping:expedition 4
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Derome, Jean
Le magasin de tissu[The Fabric Shop]
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Hetu, Joane
Musique d'hiver
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Evidence: Cartier, Derome, Monk, Tanguay
Live a la Casa Music of Thelonious Monk
(Ambiances Magnetiques)
Derome, Jean
Paul Strand, Under the Dark Cloth original music for the film by John Walker
(Ambiances Magnetiques)
Hetu, Joane / Castor et compagnie;
Mets ta langue
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Roger, Danielle Palardy
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Derome, Jean et les Dangereux Zhoms; Cartier, Derome, Dostaler, Lussier, Tanguay, Walsh
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Evidence: Cartier, Derome, Monk, Tanguay
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Recommended & Related Releases:
Other Recommended Releases:
Caloia, Nicolas
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(Ambiances Magnetiques)
Joker (Joane Hetu)
Ou Est-il Donc Ce Reve?
(Ambiances Magnetiques)



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