Collecting facets of London trumpeter Charlotte Keeffe's diverse settings and interests, including three live recordings with her own quartet, three recordings with London Improvisers Orchestra including a conduction for a piece dedicated to Steve Beresford, a duo with guitarist Diego Sampieri, and two solo recordings, one interacting with live electronics.
Format: CD Condition: New Released: 2021 Country: UK Packaging: Cardboard Gatefold 3 Panels Tracks 1, 4 and 8 recorded live at The Cockpit Theatre in London, Jazz In The Round, on March 25th, 2019, by Steve Lowe.
Track 2 recorded at the Guildhall School of Music and Drama, in 2016, by Roy Cheung.
Tracks 6 and 9 recorded live in 2019.
Track 7 recorded live in 2017, by Daniel James Ross.
3. Mysterious Breath / This One's for the Bees... 5:07
4. Sweet, Corn 4:09
5. The Melody's in the Post 2:30
6. To Steve Beresford 8:37
7. Noizemaschin!! 5:04
8. A Horse Named Galaxy 3:54
9. Right Here, Right Now 8:32
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descriptions, reviews, &c.
"This first release from the dynamic trumpet player features Charlotte Keeffe in a number of configurations recorded mainly live over the last three years. The four Quartet recordings on the disk find Charlotte in her group with guitar, bass and drums - the music is melodic, soaring, incisive jazz. By contrast, the tracks with the venerable London Improvisers Orchestra find Charlotte in a conduction mode, spontaneously creating structures and textures from this very large group of players. The solo and duo tracks on the record highlight Charlotte's love of live electronic transformation of her sound. Taken as a whole this collection sets out a varied musical stall for this exciting young player / composer."-Discus
"British trumpeter Charlotte Keefe expands her work in more ways than one. Moving from solo to duo to quartet to large ensemble she retains a strong identity. Her full-bodied, broad tone and stealthy phrasing are effective regardless of the changes in instrumentation and stimulus provided by her wide range of accompanists, and first and foremost Keefe shows notable strength of character as she runs the sonic and emotional gamut. Her harmonising with the steely vibrations of guitar and discreet yet penetrating drums and bass on '1200 Photographs' makes for a very impressive overture from which Keefe builds steadily, becoming intensely lyrical on several intimate laments, and uncompromisingly adventurous on 'NoizeMaschin!', where her amalgamations of agitated breath and scrambling tone make for an enticing timbral landscape.
Yet as much as Keefe and all her accompanists thrive on compositions in which the onus is on a kind of detailed finger-painting-voice-printing of sounds they also handle well situations which call for fewer notes and more largo lines, as is the case on the mysterioso atmosphere of the title track which sees the distinctively ashen and atomising vocals of Phil Minton and Maggie Nicols come forcefully into play."-Kevin Le Gendre, JazzWise