"Born in Newark, NJ, Steve Swell has been an active member of the NYC music community since 1975. He has toured and recorded with many artists from mainstreamers such as Lionel Hampton and Buddy Rich to so called outsiders as Anthony Braxton, Bill Dixon, Cecil Taylor and William Parker. He has over 40 CDs as a leader or co-leader and is a featured artists on more than 100 other releases. He runs workshops around the world and is a teaching artist in the NYC public school system focusing on special needs children.

Swell has worked on music transcriptions of the Bosavi tribe of New Guinea for MacArthur fellow, Steve Feld in 2000. His CD, "Suite For Players, Listeners and Other Dreamers" (CIMP) ranked number 2 in the 2004 Cadence Readers Poll. He has also received grants from USArtists International in 2006, MCAF (LMCC) awards in 2008 and 2013 and has been commissioned twice on the Interpretations Series at Merkin Hall in 2006 and at Roulette in 2012.

Steve was nominated for Trombonist of the Year 2008 & 2011 by the Jazz Journalists Association, was selected Trombonist of the Year 2008-2010 , 2012 and 2014-2015 by the magazine El Intruso of Argentina and received the 2008 Jubilation Foundation Fellowship Award of the Tides Foundation. Steve has also been selected by the Downbeat Critics Poll in the Trombone category each year from 2010-2016.

Steve is presently a teaching artist through the American Composers Orchestra, Healing Arts Initiative , Mind-Builders Creative Arts Center (Bronx), the Jazz Foundation of America and Leman Manhattan Preparatory School.

Steve was also awarded the 2014 Creative Curricula grant (LMCC) for the project: "Metamorphoses: Modern Mythology in Sound and Words" which was taught in a month long residency at Baruch College Campus High School in Manhattan."

"Marty Ehrlich is celebrating thirty-five years in the nexus of creative music centered in New York City. He began his musical career in St. Louis, Missouri, while in high school, performing and recording with the Human Arts Ensemble. He graduated from the New England Conservatory of Music with honors in 1977, where his teachers included George Russell, Jaki Byard, Joseph Allard, and Gunther Schuller.

Since that time, he has made twenty-five recordings of his compositions for ensembles ranging in size from duo to jazz orchestra. These groups include his Emergency Peace Ensemble, Traveler's Tales Group, Rites Quartet, and the Marty Ehrlich Sextet. He has recorded a CD-length work for twenty-two musicians entitled The Long View, and has two acclaimed recordings in Tzadik's Radical Jewish Culture series. In 2013 he released "A Trumpet in the Morning", a large-ensemble recording of 5 long form compositions.

As a multi-instrumentalist passionate about improvisation and interpretation, he has performed with a who's who of contemporary composers including Muhal Richard Abrams, Ray Anderson, Steven Bernstein, Anthony Braxton, John Carter, Andrew Cyrille, Jack DeJohnette, Anthony Davis, Mark Dresser, Peter Erskine, Michael Formanek, Don Grolnick, Chico Hamilton, Julius Hemphill, Andrew Hill, Wayne Horvitz, Robin Holcomb, Leroy Jenkins, Myra Melford, James Newton, Bobby Previte, David Schiff, Wadada Leo Smith, and John Zorn. He appears on more than 100 recordings with these and other composers.

Ehrlich has performed with the Chicago Symphony, the BBC Symphony, the New York City Opera, Chamber Music Society of Lincoln Center, Chamber Music Northwest, and other classical ensembles. He has worked with the Jose Limón and Bill T. Jones dance companies, among others. He is currently presenting a concert program for twelve musicians entitled "Julius Hemphill: A Composer Portrait." His honors include a Guggenheim Fellowship in Composition, the Peter Ivers Visiting Artist Residency at Harvard University, composition grants from Chamber Music America, the NEA, and NYFA, "Clarinetist of the Year" from the Jazz Journalist Association, and a Distinguished Alumni award from NEC. He is currently Associate Professor of Jazz and Contemporary Music at Hampshire College."

"New York-based saxophonist and composer Sam Newsome works primarily in the medium of solo saxophone, an approach through which he gained world-wide critical acclaim with the release of his 2009 recording Blue Soliloquy: Solo Works for Soprano Saxophone, which received a five-star review in Downbeat magazine.

Many of the notes and sounds that comprise his compositions and improvisations are derived from his own personal sound palette of extended techniques: multi-phonics, flutter tonguing, percussive slap tonguing, soprano saxophone specific micro-tones, air sounds, key clicks, air hisses, acoustic sound manipulation, Tartini tones, and various forms of oral cavity manipulation. Newsome sees himself more along the lines of a visual artist who paints with notes and sounds rather than shapes and colors. "My music, " says Newsome, "is a type of improvisatory art music in which jazz functions more as a resource than a musical genre to be interpreted with stylistic specificity.

Even though Newsome's approach is unorthodox, it has proven to be very fruitful-musically and critically.

In 2017, he was nominated for the Herb Albert Award in the Arts; in 2016, he received the NYFA Artist's Fellowship for the Music/Sound category; the 2016 Jazz Journalist Association (JJA) selected him as a nominee for Soprano Saxophonist of the Year; and he placed #4 in the Soprano Saxophone category in the 64th Annual Downbeat Critics Poll--just behind Wayne Shorter and Dave Liebman.

Newsome has also released six critically acclaimed solo saxophone CDs including Sopranoville: Works for Prepared and Non-Prepared Saxophone (2017); The Straight Horn of Africa (2014); The Solo Concert: Sam Newsome Plays Monk and Ellington (2013); and The Art of the Soprano, Vol. 1 (2012). Jazz writer Ed Enright, from Downbeat Magazine, wrote that Mr. Newsome's The Straight Horn of Africa cd was "a modern masterpiece."

As a performer, Newsome is a frequent collaborator with drummer Andrew Cyrille, vocalist Fay Victor, saxophonist David Liebman, and pianist Ethan Iverson. He also plays in the bands of AfroHorn, and frequently performs solo saxophone concerts around New York and across the country.

Lastly, Newsome is an associate professor of music at the Brooklyn campus of Long Island University, where he is the music program coordinator, and teaches courses in jazz improvisation, music theory, and directs the University's jazz ensemble."

"Jim Pugliese is a drummer, percussionist and composer His performing experience is diverse. As a freelance percussionist he is in much demand and has performed with The New York Philharmonic Horizon Series (guest artist), New York City Ballet and soloist or performer on numerous new music and jazz festivals in Europe, Japan and the USA Jim grew up listening to and playing soul music and rhythm and blues. He went on to study percussion with Raymond Des Roches and by the age of eighteen he had recorded the music of Edgar Varese and Charles Wuorinen for Nonsuch Records. He continued performing and or recording new music with John Cage, Lukas Foss, Kent Nagano, Philip Glass and many more. He spent twelve years as a member of Dean Drummond's Newband and The Harry Partch Ensemble, studying and performing microtonal music. During this same period he developed an interest in Afro-Cuban music and studied drumming and rhythm with Master Drummer Pablo Landrum.

For the last twenty years, while living in the East Village of New York City, Jim has been improvising recording and touring with many of downtowns NY's most prominent composer/improvisers including John Zorn, Marc Ribot, Zeena Parkins, Bobby Previte and Anthony Coleman. He has recorded on over 100 CD's of new music, jazz, rock and movie soundtracks. His latest projects are a continuation of his vision to combine his diverse performing experiences into a single new sound with its base in rhythm. His music skirts and shifts along the edges of free improvisation, deep groove and New Music. The music reflects Jim's ongoing quest to explore the powerful, enlightening and spiritual secrets of rhythm and drumming and is inspired by his association and work with Nii Tettey Tetteh, master musician from Ghana, with Milford Graves, learning drumming and healing through the heartbeat and his continued study of the spiritual songs of the Mbira Dzavadzimu from Zimbabwe.

Jim's CD "Live @ Issue Project Room NYC" won "Best New Release of 2008" in "All About Jazz NY". His other current projects include a collaborative band "IDR" with Marco Cappelli, exploring the relationship between Southern Italian Folk Music and Italian/American roots; the percussion trio Eastside Percussion,Ensemble 50 with Eleonor Sandresky, Mary Rowell and Kevin Norton and Mbira NYC."

"Gerald Cleaver (born May 4, 1963) is an African-American jazz drummer from Detroit, Michigan. Cleaver's father is drummer John Cleaver Jr., originally from Springfield, Ohio, and his mother was from Greenwood, Mississippi. Gerald had six older siblings. Cleaver joined the jazz faculty at the University of Michigan in 1995. He has performed or recorded with Joe Morris, Mat Maneri, Roscoe Mitchell, Miroslav Vitous, Michael Formanek, Tomasz Sta ko, Franck Amsallem and others.

Under the name Veil of Names, Cleaver released an album called Adjust on the Fresh Sounds New Talent label in 2001. It featured Maneri, Ben Monder, Andrew Bishop, Craig Taborn and Reid Anderson and was a Best Debut Recording Nominee by the Jazz Journalists Association. Cleaver currently leads the groups Uncle June, Black Host, Violet Hour and NiMbNl as well as working as a sideman with many different artists."