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Mayas', Magda Filamental (w / Davies / Caddy / Theriot / Davies / Parkins / Thieke / Abdelnour): Con (Relative Pitch)

Composed by pianist Magda Mayas for an octet of superb avant improvisers including Rhodri Davies, Zeena Parkins, Michael Thieke, Angharad Davies, &c. and performed live at the 2019 Music Unlimited 33, in Wels, Austria, this extended work uses a graphic score to interpret 12 photographs taken over an hour observing the merging waters of the Rhone and the Arve rivers.
 

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product information:


UPC: 5902249003451

Label: Relative Pitch
Catalog ID: RPR1120
Squidco Product Code: 30436

Format: CD
Condition: New
Released: 2021
Country: USA
Packaging: Cardboard Gatefold
Live at Music Unlimited 33, in Wels, Austria, on November 8th, 2019, by Christoph "Fizl" Hehn.


Personnel:

Magda Mayas-piano, composition

Angharad Davies-violin

Anthea Caddy-cello

Aimee Theriot-cello

Rhodri Davies-harp

Zeena Parkins-harp

Michael Thieke-clarinet

Christine Abdelnour-saxophone

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Artist Biographies:

"Magda Mayas, born 1979, is a pianist living in Berlin. Developing a vocabulary utilizing both the inside as well as the exterior parts of the piano, using preparations and objects, she explores textural, linear and fast moving sound collage.

Alongside the piano, Mayas has recently been performing on a Clavinet/Pianet, an electric piano from the 60s with strings and metal chimes, where she engages with noise and more visceral sound material, equally extending the instrumental sound palette using extended techniques and devices.Mayas performs internationally solo and in collaboration with a large number of musicians and composers.Current projects are "Spill", a duo with drummer Tony Buck, a duo with Christine Abdelnour (sax) and "Great Waitress", a trio with Monika Brooks (acc) and Laura Altman (cl).

She is currently undertaking Phd studies at the University of Gothenburg, Sweden and investigating extended instrumental techniques, spectral music and psychoacoustics in an improvised music context.

Since 2013 she has also been producing radio pieces for ABC Australia and Deutschlandradio Kultur and has released 20 CDS to date.

Magda Mayas has performed and toured in Europe, the USA, Australia, Mexico and Lebanon and collaborated with many leading figures in improvisation and composers such as John Butcher, Andy Moor, Zeena Parkins, Joelle Leandre, Paul Lovens, Ikue Mori, Phill Niblock, Peter Evans, Andrea Neumann and Axel Dörner. She has performed at festivals and exhibitions such as Maerz Musik (2012,2015), Documenta (2012) or the Berlin Biennale ( 2014)."

-Magda Mayas Website (https://magdamayas.jimdo.com/bio-cv/)
10/13/2021

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"Angharad Davies is a violinist, one at ease in both improvising and composition, with a wide discography as part of varied range of ensembles and groups. She's a specialist in the art of 'preparing' her violin, adding objects or materials to it to extend its sound making properties. Her sensitivity to the sonic possibilities of musical situations and attentiveness to their shape and direction make her one of contemporary music's most fascinating figures. 2015 has seen her being commissioned for a new work at the Counterflows Festival, Glasgow and premiering Eliane Radigue's new solo for violin, Occam XXI at the El Nicho Festival, Mexico.

She's performed at, the Queen Elizabeth Hall, BBC Proms, Music We'd Like to Hear's concert series, is an associate artist at Cafe Oto, is a member of Apartment House, Cranc and Common Objects, been artist in residence at Q-02, and played live with Tony Conrad in the Turbine Room at the Tate Modern. Other collaborations have featured the likes of John Butcher, Daniela Cascella, Rhodri Davies, Julia Eckhardt , Kazuko Hohki, Roberta Jean, Lina Lapelyte, Dominic Lash, Tisha Mukarji, Andrea Neumann, Rie Nakajima, Tim Parkinson, J.G.Thirlwell, Stefan Thut, Paul Whitty, Manfred Werder, Birgit Ulher, Taku Unami and she's released records on Absinth Records, Another Timbre, Potlatch and Confrontrecords."

-Angharad Davies Website (http://www.angharaddavies.com/biog.html)
10/13/2021

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"Anthea Caddy (b.1981) lives and works in Berlin, Germany and Melbourne, Australia. Her practice explores the spatio-temporal aspects of sound and architecture, applying these to audio works that manipulate and distort perceptions of time, space and experience. Caddy's work focuses on the incorporation of acoustic, electro-acoustic and recorded space within performance, installation and concert presentation, often using amplified cello as her primary sound source. In her live performance she uses multi-channel configurations in low lighting or complete darkness.

Alongside her solo work Anthea has collaborated with many artists in various projects, most notably with Thembi Soddell (Cajid Media, Room40), Annette Krebs (AnotherTimbre), Philip Samartzis, Magda Mayas (Dromos), Valerio Tricoli, Michael Vorfeld, Liz Allbee (Bogan Ghost), Helena Gough (Entr'acte), Eric la Casa, Werner Dafeldecker, Christian Wolff and Tony Conrad. She is a current member of the 24 piece Splitter Orchestra, Berlin.

She has performed and exhibited in Australia, New Zealand, USA and Europe notably at, Bludenzer Tage, Austria, Liquid Architecture National Festival, Australia, Diapason Gallery, New York, Leipzig Museum of Modern Art, Reina Sofia Center of Contemporary Art, Madrid, Observatori Contemporary Arts Festival, Valencia, Issue Project Room, New York, Goethe Institut, Boston, Project Space Gallery, Melbourne, Wroclaw Museum of Contemporary Art, Poland, Internationales Musikinstitut Darmstadt, Tesla Centre of Media Arts and Radial System V, Berlin.

She has contributed to numerous works for video installation, dance, live sound design/score for theatre (with Darrin Verhagen and Franc Tetaz), film (Rogue, 2007) and video. Alongside Thembi Soddell she is discussed in Experimental Music: audio explorations in Australia edited by Gail Priest published by UNSW Press 2008."

-Anthea Caddy Website (http://www.antheacaddy.com/index.php/projects/bio/)
10/13/2021

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Aimee Theriot, cello:

"My studies on classical as well as new music have taken me on a path of research and exploration around the way in which experimental music, technology, sound art, culture and politics come together.

I have developed an ever growing interest in music on the fringes of sound-making, and this has led me to many exciting collaborations with musicians of the experimental and free improvisation world.

I have tried to make my work not only an aesthetic commitment, but also a social one, this is why I have been part of several community-oriented projects, such as the collective So(r)oridad, which aims to provide technical as well as critical thinking tools for women and girls in Mexico City interested in the exploration of new processes in music and technology.

In 2015 I was invited to participate in the Laboratory for Creative Practices in the Arts and New Technologies at the National Autonomous University of Mexico, through this laboratory I started working with new ways of making sound pieces combining live instruments, real time composition, biosensors and computer music.

I have written for several blogs and magazines in Mexico on subjects related to art, culture and new music. "

-Aimee Theriot Website (https://aimeetheriot.net/)
10/13/2021

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"Rhodri Davies was born in 1971 in Aberystwyth, Wales and now lives in Gateshead in the northeast of England.

He plays harp, electric harp, live-electronics and builds wind, water, ice and fire harp installations. He has released four solo albums: Trem, Over Shadows, Wound Response and An Air Swept Clean of All Distance.

His regular groups include: a duo with John Butcher, Common Objects, HEN OGLEDD: Dawson - Davies, a trio with David Toop and Lee Patterson, Cranc, The Sealed Knot and a trio with John Tilbury and Michael Duch.

In 2008 he collaborated with the visual artist Gustav Metzger on 'Self-cancellation', a large-scale audio-visual collaboration in London and Glasgow.

New pieces for solo harp have been composed for him by: Eliane Radigue, Phill Niblock, Christian Wolff, Ben Patterson, Alison Knowles, Mieko Shiomi and Yasunao Tone.

In 2012 he was the recipient of the Foundation for Contemporary Arts, Grants to Artists Award."

-Rhodri Davies Website (http://www.rhodridavies.com/words/)
10/13/2021

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"Multi-instrumentalist/composer/improviser, Zeena Parkins, pioneer of contemporary harp practice and performance, reimagines the instrument as a "sound machine of limitless capacity." Parkins has built three versions of her one-of-a-kind electric harp and has extended the language of the acoustic harp with the inventive use of unusual playing techniques, preparations, and layers of electronic processing.

Inspired and connected to visual arts, dance, film, and history, Zeena follows a unique path in creating her compositional works. Through blending and morphing of both real and imagined instruments, crafting, recombining, and layering mangled, sliced, massaged or possibly disengaged sounds, drawing from extra-musical sources for unusual scoring and formal constructions as well as utilizing multi-speaker environments, Zeena remains in process with sound as material and music, engaged in translations of sonic states in the concert hall, the black box theater, the dance studio, the recording studio, the classroom, the cinema, the skyscraper, the ocean and the gallery. Zeena has a particularly strong commitment to making scores for dance and continues to re-evaluate the nature and issues of the body's imprint on sound and sound/music's imprint on movement.

Parkins's compositions have been commissioned by NeXtWorks Ensemble, Merce Cunningham Dance Company, Roulette Intermedium, The Eclipse Quartet, William Winant, Bang on a Can, The Whitney Museum, The Tate Modern, Montalvo Arts Center, The Donaueschinger Musiktage and Sudwestrundfunk/SWR.

Parkins has released four solo records featuring her electric and acoustic harp playing and has released her compositions and band projects on six Tzadik recordings, with a new Tzadik CD with Ikue Mori and Phantom Orchard Orchestra, Trouble in Paradise, to be released in November 2012. As a sought-after collaborator Zeena has worked with: Fred Frith, Björk, Ikue Mori, Dame Evelyn Glennie, Maja Ratkje, Hild Sofie Tafjord, John Zorn, Butch Morris, Chris Cutler, Elliott Sharp, Nels Cline, Alex Cline, William Winant, Anthony Braxton, Pauline Oliveros, Yoko Ono, Christian Marclay, Matmos, Yasunao Tone, So Percussion, Bobby Previte, Carla Kilhstedt, Tin Hat, James Fei, Kim Gordon, Lee Renaldo and Thurston Moore.

Awards: The Foundation for Contemporary Arts Fellowship, NYFA Music Fellowship, Meet the Composer Commission, NYSCA Composer Commission, Multi-Arts Production Fund Grant, American Music Center, BAFTA award for best interactive media with visual artist Mandy McIntosh and sound artist Kaffe Matthews, Peter S. Reed Fellowship, Mary Flagler Cary Charitable Trust Commissions, Arts International, Prix Ars Electronica Honorary Mention for Phantom Orchard in the Digital Music category.

Curatorial: Guest curator for The Music Unlimited Festival in Wels, Austria, co-curator of the Movement Research Festival: Sidewinder, in NYC and curator for a month + a week of shows at The Stone in NYC

Residencies: Civitella Ranieri Foundation Fellowship, Oxford University, Harvestworks, Steim, Paf: Performing Arts Forum, Wooda Arts Residency, Montalvo Arts Center, RPI/iEAR and The Watermill Center.

Teaching: Zeena has given lectures at Oxford and Princeton Universities and has taught at the School of the Museum of Fine Arts in Boston, Bard and Mills College. Currently, Zeena is a Distinguished Visiting Professor, at Mills College Graduate Music Department."

-Zeena Parkins Website (http://www.zeenaparkins.com/about.html)
10/13/2021

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"The Berlin-based clarinetist/composer/performer Michael Thieke is equally at home across a broad range of musical environments, such as experimental song forms, collectively composing projects, improvising collectives, and music on the fringes of jazz. He is exploring the minutiae of sound, timbre and noise, with a particular interest in microtonality and related sound phenomena, and with a preference for long-term collaborations and collective work.

Some of his current Projects are: The International Nothing (with Kai Fagaschinski cl, CD on ftarri), The Magic I.D. (with Christof Kurzmann, Kai Fagaschinski, Margareth Kammerer, CD/LP on ErstPop and staubgold), The Pitch (with Boris Baltschun organ, Koen Nutters b, Morten Olsen dr, LP on gaffer), Der lange Schatten (with Håvard Wiik p, Antonio Borghini b), Voutchkova/Thieke (with Biliana Voutchkova vl), Splitter Orchester, Toulemonde/Thieke (with Olivier Toulemonde acoustic objects), Hotelgäste (with Derek Shirley b, Dave Bennett g, CD on schraum, LP on self), Michael Thieke Unununium (with Luca Venitucci acc/p, Martin Siewert g, Christian Weber b, Derek Shirley b, Steve Heather dr, Eric Schaefer dr, CD on charhizma), motif (with Atle Nymo sax, Håkon Mjåset Johansen dr, Eivind Lønning tp, Ole Morten Vågan b, Håvard Wiik p), Porta Chiusa (with paed Conca cl, Hans Koch cl), Spirit Songs (with Mike Cooper voc/g, Elio Martusciello el, Fabrizio Spera dr, Luca Venitucci acc/el.), Roman Tics (with Burkhard Beins, Luca Venitucci, CD on Cathnor), Cowards Bend The Knee (Live Music in different setups with the film Cowards Bend The Knee by Guy Maddin), Gebhard Ullmann's The Clarinet Trio (with Gebhard Ullmann bass clarinet, Jürgen Kupke clarinet) and Uli Gumpert Workshop Band."

-Michael Thieke Website (http://www.michael-thieke.de/e/biographie.htm)
10/13/2021

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"Born in 1978, Christine lives in France but is of Lebanese origin. After discovering improvised music in 1997 she began a process of self-taught study and sound experimentation using the alto saxophone.

She has developed a unique personal language, producing sounds that are close to those of electroacoustic music but on a purely acoustic instrument.

She approaches sound as a malleable material, rich in concrete textures which combine breath, silence and countless acoustic distortions. She has developed extended techniques and complex patterns of sound production, exploring the microtonal aspects of the saxophone and its high-pitched tones. She employs subtle tonguing techniques, unpitched breaths, spittle-flecked growls, biting, slicing notes and breathy echoing sounds from the bell of her horn. Far from any narrative effects, her music addresses the relation between listening and concepts of perception, time and space.

Solo Artist and involved in international tours with Andy Moor, Magda Mayas, Pascal Battus, Andrea Neumann, Bonnie Jones, Raymond Strid, Sven- Ake Johansson, Chris Corsano, Mazen Kerbaj and many more. She has released more than ten cds and has collaborated with visual art, dance, literature, poetry, as well as projects with noise, electronics, rock or free jazz."

-Christine Abdelnour Website (https://christineabdelnoursehnaoui.jimdo.com/)
10/13/2021

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track listing:


1. Confluence 49:32
sample the album:








descriptions, reviews, &c.

"Magda Mayas composed this piece for an octet comprised of a who's who of the avant-garde. The score consists of 12 photos taken over an hour or so, observing the merging waters of the Rhone and the Arve rivers, the artificial wall dividing them, the earthy, blue and green colors blending. There are as many defining differences as similarities, depending on what one pays attention to but after a while the differences become apparent. A variety of angles, hues, light, excerpts, focusing on one or the other river or on the in-between areas. The score offers the possibility to focus on tiny details, transitional areas, or to stay in one area for a long time over the course of a concert."-Relative Pitch



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!
Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Graphic Scores
European Improvisation, Composition and Experimental Forms
NY Downtown & Metropolitan Jazz/Improv
London & UK Improv & Related Scenes
Octet Recordings
Parkins, Zeena
New in Improvised Music
Recent Releases and Best Sellers
New in Improvised Music
Recent Releases and Best Sellers


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Search for other titles on the Relative Pitch label.