Discovered in a box of recordings in BPA's possession, this recording from 2003 restores a stimulating freely improvised studio encounter between then-West Coast frequent collaborators, double bassist Damon Smith and percussionist Gino Robair, in a trio with Austrian alto saxophonist & bass clarinetist Tanja Feichtmair, mastered to pristine quality by Weasel Walter.
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Sample The Album:
Tanja Feichtmair-alto saxophone, bass clarinet
Damon Smith-double bass
Gino Robair-percussion
Click an artist name above to see in-stock items for that artist.
Label: Balance Point Acoustics
Catalog ID: BPA -11
Squidco Product Code: 30259
Format: CD
Condition: New
Released: 2021
Country: USA
Packaging: Cardboard sleeve
Recorded at 1510 Studios in Oakland, California, on August 11th, 2003, by Scott R. Looney.
"This recording from 2003 literally fell out of a box. I put the CDR on as a curiosity and was impressed by the playing as well as the beautiful recording quality. Weasel Walter's mastering sharpened it even further.
We lost the great Sicialian double bassist Lelio Giannetto this year. Gino and I met him in Palermo in 1998. Gino did these two beautiful drawings in his memory that are the cover art for this album. I played my first "proper" improvised music concert with Gino, along with Marco Eneidi. For various reasons, we never got a proper album out together in a small group like this.
Tanja is a fantastic and original alto saxophonist and bass clarinetist from Ulrichsburg, Austria. We used english translations of the Austrian writer Ingeborg Bachman for the titles.
While I do have a nice archive of live recordings to work from it is rare to find a pristine studio recording like this."-Balance Point Acoustics
"Recordings are by their very nature an imperfect medium for historical measure. As fixed points in time they can only illustrate development by comparison. Connections and inferences made by these means are bound to leave out information and so conclusions must be qualified. The Shrilling of Frogs is one such connective dot, rescued and refurbished from bassist Damon Smith's tape cache in a fortuitous moment when it literally in his words, "fell out of a box."
It's evocative of time in his career when he was deeply embedded in the improvised music community of Oakland, California. Percussionist Gino Robair was a regular confrere. Austrian reedist Tanja Feichtmair was presumably visiting. The trio booked some studio time and improvised thirteen pieces of music. English translations from the work of Austrian author Ingeborg Bachman served as track titles. Weasel Walter took a crack at mastering the session and improved on the already impressive original acoustics that retain every tweak, torque and twist alongside even the quietest creak or murmur.
Much of the music embodies a three-way conversation. Smith and Robair overlap in their exploitation of bowed surfaces. Bass strings vibrate from applied bow while cymbal edges sing with application scraped and rubbed objects. Feichtmair often gets remarkably close to these sonorities by altering her embouchure and constricting exhalation of breath. Tones and drones of varying lengths layer and elide to create undulating waves of striated sound. Similarities to European Free Improvisation past and then-present are arguable, but the trio works studiously within their own cul de sac without feeling derivative or repetitive.
Smith is careful to note the age and circumstances of the recording, but doesn't attach any other firm ascriptions other than to bemusedly reflect that it's rare to find such an aurally-immaculate artifact. That summation ends up an insightful analogue to the music, which is indicative of a specific place and time, but not necessarily representative of anything beyond that specificity. Taken on those refreshingly open-ended terms, it's an hour-exactly, well spent."-Derek Taylor, Dusted Magazine
Get additional information at Dusted Magazine
Artist Biographies
• Show Bio for Tanja Feichtmair "Tanja Feichtmair - Austria Saxophone, Bassclarinet, Composition born 1972 in Wels awards: 2001-Talentförderungsprämie der Stadt Linz 2003-Kunstförderungsstipendium des Landes Oberösterreich Member of following music ensembles: MÜJAZZ PUDNIK LULL TRIO NOW! Trio: FEICHTMAIR-HARNIK-POLASCHEGG Quartett: Tanja Feichtmair/Hugh Livingston/Scott Looney/Damon Smith *** Quartett: Tanja Feichtmair/Frank Gratkowksi/Peter Herbert/Christian Lillinger Tanja Feichtmair has played / is playing with John Russell, Damon Smith, Gino Robair, Scott Looney, Hugh Livingston, Roger Turner, Peter Herbert, Irene Kepl, Mark Holub, Lukas Lauermann, Christian Lillinger, Alfred Reiter, Hannes Löschel, SPIRIT, Francesco Cusa, Weasel Walter, Gerold Mayer, Hannes Wührleitner, Michael Kreuzer,Fredi Pröll, Uli Winter, Josef Novotny, Frank Gratkowski, Edwin Stöbich, Ali Belhiba, Ben Greenberg, Kjell Nordesen, Nina Polaschegg, Elisabeth Harnik,Mia Zabelka,Steve Adams, Jorrit Deijkstra,,... and other wonderful musicians! ABOUT MY COMPOSTIONS - ABOUT THE WAY I DO IMPROVISE: ... I am practising in movement-structures. I am interested in the space, in which the moved takes its place, its room. Tone-walking-tours, the shifting of the substanc(es), to switch the substance in the imaginary room. -Like Samuel Beckett does it with word-pictures and rhythmizes in this way the ideas. Like Francis Bacon, who moves the substances of his objects, his items, and de-forms them, opens its borders to the space around .... (Tanja Feichtmair, Omnixus 2009) ... The movement of the melody and the movement of the "substance of the melody"....So that the tones and their substances begin to dance and loosen themself from the origins, detaching to go far, far away.... (Tanja Feichtmair, Omnixus 2009)" ^ Hide Bio for Tanja Feichtmair • Show Bio for Damon Smith "Damon Smith studied double bass with Lisle Ellis and has had lessons with Bertram Turezky, Joëlle Leandré, John Lindberg, Mark Dresser and others. Damon's explorations into the sonic palette of the double bass have resulted in a personal, flexible improvisational language based in the American jazz avant-garde movement and European non-idiomatic free improvisation. Visual art, film and dance heavily influence his music, as evidenced by his CAMH performance of Ben Patterson's Variations for Double Bass, collaborations with director Werner Herzog on soundtracks for Grizzly Man and Encounters at the End of the World, and an early performance with the Merce Cunningham Dance Company. Damon has collaborated with a wide range of musicians, including: Cecil Taylor, Marshall Allen (of Sun Ra's Arkestra), Henry Kaiser, Roscoe Mitchell, Michael Pisaro, Wadada Leo Smith, Marco Eneidi, Wolfgang Fuchs, Peter Brötzmann and Peter Kowald. After many years in the San Francisco Bay Area, and five great years in Houston, Texas working regularly with Alvin Fielder, Sandy Ewen, David Dove & Chris Cogburn, Damon will move to the Boston area in the fall of 2016. Damon has run Balance Point Acoustics record label since 2001, releasing music focusing on transatlantic collaborations between US and European musicians." ^ Hide Bio for Damon Smith • Show Bio for Gino Robair "Gino Robair has created music for dance, theater, radio, television, silent film, and gamelan orchestra, and his works have been performed throughout North America, Europe, and Japan. He was composer in residence with the California Shakespeare Festival for five seasons and served as music director for the CBS animated series The Twisted Tales of Felix the Cat. His commercial work includes themes for the MTV and Comedy Central cable networks. Robair is also one of the "25 innovative percussionists" included in the book Percussion Profiles (SoundWorld, 2001). He has recorded with Tom Waits, Anthony Braxton, Terry Riley, Lou Harrison, John Butcher, Derek Bailey, Peter Kowald, Otomo Yoshihide, the ROVA Saxophone Quartet, and Eugene Chadbourne, among many others. In addition, Robair has performed with John Zorn, Nina Hagen, Fred Frith, Eddie Prevost, Thinking Fellers Union Local 282, Myra Melford, Wadada Leo Smith, and the Club Foot Orchestra. Robair is a founding member of the Splatter Trio and the heavy-metal band, Pink Mountain. In addition, he runs Rastascan Records, a label devoted to creative music. As a writer about music technology, Robair has contributed to Mix, Remix, Guitar Player, and Electronic Musician (EM) magazine, where he was an editor for 10 years. He is the author of two books, including The Ultimate Personal Recording Studio (Thompson; 2006)." ^ Hide Bio for Gino Robair
6/25/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
6/25/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
6/25/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Throw off the Last Veil 4:57
2. Bitterest Joys 10:52
3. Drowned in Yellow Streets 5:39
4. Carpets on the Barren Land 6:44
5. Sank into the Gold 6:35
6. Astray in Everything 1:41
7. My Thousand Greedy Wishes 5:01
8. Nothing's Dull or Rough 5:53
9. Boil over & Blossom 8:50
10. Transfigured Ground 2:05
11. Thought is Untrue 1:49
12. A First Decision 5:27
13. Various Costumes 3:56
Improvised Music
Jazz
Free Improvisation
Trio Recordings
West Coast/Pacific US Jazz
Search for other titles on the label:
Balance Point Acoustics.
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| Keune, Stefan / Sandy Ewen / Damon Smith Two Felt-Tip Pens: Live At Moers (Balance Point Acoustics) |
| An explosive and intricately balanced trio performance dedicated to the late bassist Hans Schneider from sopranino and alto saxophonist Stefan Keune, guitarist Sandy Ewen, and bassist Damon Smith, recorded live at the Moers Festival, where jagged breathwork, meticulous micro-noise, and deep-string abstraction collide in a fiercely expressive set of free improvisation. |
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| Schindler, Udo / Sandy Ewen / Damon Smith Munich Sound Studies Vols. 4, 5 & 6 [3 CDs] (Balance Point Acoustics) |
| An expansive 3-CD document recorded live across three Munich venues in May 2023, featuring Udo Schindler (clarinets, saxophones, brass), Sandy Ewen (electric guitar), and Damon Smith (double bass), each session enhanced by collaborators Karina Erhard, Jaap Blonk, and Sebastiano Tramontana, in an inventive series of improvisations of dynamic interplay and innovative sonic experiments. |
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| Lyle, K. Curtis / Jaap Blonk / Alex Cunningham / Damon Smith / Kevin Cheli A Radio Of The Body 7 Neutrino Broadcasts Searching For 8 (Balance Point Acoustics) |
| Expanding on the insightful poetry of K. Curtis Lyle, who narrates seven evocative works alongside the freely improvising, chamber-oriented jazz trio of Alex Cunningham (violin), Damon Smith (double bass), and Kevin Cheli (drums, percussion & vibraphone), with free vocalist Jaap Blonk reinforcing and amplifying Lyle's words; a fascinating and thought-provoking exploration of sound and verse. |
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| Mitchell, Roscoe One Head Four People (Wide Hive) |
| "Following his 2024 grant from the American Academy of Arts and Letters, Chicago saxophonist, percussionist, composer, and AACM legend Roscoe Mitchell recorded this quartet with bassist Damon Smith, guitarist Sandy Ewen, and drummer Weasel Walter, delivering nine uniquely fascinatingly approaches to free improv, bringing "Ruckus," "Ripples," "Shivers," and "The Final Bell." |
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| Michalowski, Piotr / Damon Smith How To Ripen In Ice (Balance Point Acoustics) |
| Taking their titles from the avant poetry book "Tent Posts" by author Henri Michaux, this concert of collective free improv at Ziggy's Ypsilanti in Michigan between double bassist Damon Smith and reed & wind player Piotr Michalowski is an active and impressive set of dialogs, Michalowski switching between bass & contralto clarinets, sopranino & soprano saxophones, and Japanese Shinobbue flute. |
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| Lyle, K. Curtis / George R. Sams / Ra Kalam Bob Moses 29 Birds You Never Heard (Balance Point Acoustics) |
| Powerful free improvisation led by the words of poet K. Curtis Lyle, known for his work with Julius Hemphill, part of a sextet with trumpeter George R. Sams, a member of United Front, two double bassists — Adi Bu Dharma Joshua Weinstein and Damon Smith — and two percussionists — Henry Claude and Ra Kalaam Bob Moses — in a gatefold CD with a 10-page booklet of related poems from K.Curtis Lyle. |
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| Crispell, Marilyn / Jason Stein / Damon Smith / Adam Shead Spi-Raling Horn (Balance Point Acoustics) |
| A collaboration between the working trio of bass clarinetist Jason Stein, double bassist Damon Smith, and drummer Adam Shead, adding pianist Marilyn Crispell, initiated by Smith & Crispell's admiration of painter Cy Twombly, whose artwork graces this album's cover, recorded live and complete in the studio after two live concerts between the quartet; masterful collective improv! |
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| Blonk / Smith / Moses Rune Kitchen (Balance Point Acoustics) |
| Four unusual studio recordings of voice, electronics, double bass, drums & percussion from the trio of Netherland vocal improviser Jaap Blonk with bassist Damon Smith and drummer Ra Kalam Bob Moses, Moses and Blonk collaborating on the concrete poem that makes up "liner notes" for this wonderfully odd and sophisticated album of avant free improv. |
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| Bishop / Karayorgis / Smith Duals [3 CDs] (Driff Records) |
| Three albums of three duos between three frequent Boston collaborators and improvisers -- Jeb Bishop on trombone, Pandelis Karayorgis on piano and Damon Smith on double bass -- each CD respectively a combination of trombone & bass, piano & bass and piano & trombone, each recorded during the last year of Jeb Bishop's residency in Boston between 2016-2022. |
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| Smith, Damon / Louis Wall / NNN Cook / Michael William / Fred Tompkins Fire Point [CASSETTE + DOWNLOAD] (Notice Recordings) |
| A dark album of sound art from the quintet of mostly St. Louis improvisers--Damon Smith, Louis Wall, NNN Cook, Michael Williams and noted flutist Fred Tompkins on two tracks--starting through shrouded percussion and unidentifiable sources, the group's sessions are edited into a cohesive album that takes its listeners on a unique journey of electronic and acoustic interaction. |
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| Vinkeloe, Biggi / Mark Weaver / Damon Smith Desert Sweets (Balance Point Acoustics) |
| Twenty two vignettes of improvised conversations named for desert fauna between alto saxophonist & flutist Biggi Vinkeloe, tuba & trombonist Mark Weaver, and double bassist Damon Smith, using a unique tuning choice for the band suggested by Vinkeloe, and applying a quality to the studio to create a uniquely orchestrated and resonant album of masterful playing. |
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| Neumann / Smith / Graham / Rosenthal / Fujiwara / Ewen Quartet:Quartet:Trio [2 CDs] (Balance Point Acoustics) |
| A double album of electroacoustic improv sessions from Sommerville, MA, centered around electronic artist Andrew Neumann on the Buchla Music Easel--a complex additive analogue synth--heard in quartet and trio sessions with Forbes Graham (trumpet), Sandy Ewen (guitar & objects), Junko Fujiwara (cello), Damon Smith (double bass) and Eric Rosenthal (drums & percussion). |
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| Bryerton, Jerome / Damon Smith There Must be a Reason for Generating Sounds... [CD + BOOKMARK] (Balance Point Acoustics) |
| From the late 1990s to the early 2000s, drummer Jerome Bryterton & double bassist Damon Smith toured & recorded with legendary German multi-reedist Wolfgang Fuchs, who was a great influence on both musicians, here presenting a tribute to the late improviser through 11 recordings titled with quotes from Fuchs, and released with a bookmark from an improvisation workshop in Oakland. |
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| Fielder, Alvin / David Dove / Jason Jackson / Damon Smith The Very Cup of Trembling (Astral Spirits) |
| Five inventive, lively and informed collective improvisations plus one brief interlude from the quartet of Alvin Fielder on drums, David Dove on trombone, Jason Jackson on tenor & baritone saxophones and Damon Smith on double bass, recording in Texas three years after their excellent From-To-From, with titles provided courtesy of poet and scholar Fred Moten. |
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| Ulher, Birgit / Damon Smith / Chris Cogburn The Eternity-Cult (Balance Point Acoustics) |
| A building and extended set of fully free improvisation using unusual techniques, from the trio of Birgit Ulher on trumpet, radio, speaker & objects, Damon Smith on double bass and Chris Cogburn on percussion & electronics, Ulher using the trumpet as a sound source as much as a conventional instrument, as the trio builds from near silence to intensely controlled interaction. |
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| Schindler, Udo / Damon Smith / Jaap Blonk The Munich Sound Studies Vol 2 & 3 (FMR) |
| Refined and free ranging improvisation between German reedist Udo Schindler performing on bass clarinet, tenor & sopranino saxophones and also on cornet, and US double bassist Damon Smith, recorded 3 days after the first volume in this series, presenting two sets from the same day of informed and diverse dialogs between two masterful improvisers. |
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| Schindler, Udo / Damon Smith / Karina Erhard The Munich Sound Studies Vol 1 (FMR) |
| Performing at the Gottfried Duren/arToxin at Galerie ar Toxin in 2019, the trio of Udo Schindler on clarinet, bass clarinet & alto horn, Damon Smith on double bass, and Karina Erhard on C flute & alto flute present a sophisticated set of free improvisations with a chamber improv feeling, using tremendous technique and intent listening through six fascinating dialogs. |
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| Clucas, Dan / Jeb Bishop / Damon Smith / Matt Crane Universal or Directional (Balance Point Acoustics) |
| Three quartet improvisations and six duo combinations between Dan Clucas on cornet, Jeb Bishop on trombone, Damon Smith on double bass, and Matt Crane on drums, recording in the studio in Rhode Island, 2018, the various permutations of each player elucidating the full group interactions through focused and captivating investigations of instrumental combinations. |
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| Fielder, Alvin / Damon Smith Song For Chico [CASSETTE] (Balance Point Acoustics) |
| Free improvisations and a few fascinating covers of work by Cecil Taylor, Chico Hamilton, and Johnny Dyani from the duo of double bassist Damon Smith and legendary drummer Alvin Fielder, showing intense and unusual approaches in great rhythmic dialog. |
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| Smith, Damon Whatever Is Not Stone Is Light (Balance Point Acoustics) |
| Taking his title from a poem by Octavio Paz with titles from translations by Lysander Kemp of other Octavio Paz poems, this solo album from double bassist Damon Smith is his definitive statement on the instrument: 23 tracks from 46 seconds to 5 minutes 50, developed over 15 years and displaying Smith's incredible technique and creative intent; incomparable. |
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| Cramp, Dominic / Mike Khoury / Philip Greenlief / Gino Robair Compassion & Evidence (Creative Sources) |
| Recorded live at Temescal Art Center in Oakland, CA as part of their Babylon 2018 evening, the quartet of Gino Robair (electronics), Phillip Greenlief (tenor sax and clarinet), Mike Khoury (viola) and Dominic Cramp, aka Lord Tang (lyra) improvise in 2 short and 2 extended electroacoustic conversations of detailed restraint, unique pointillism and unforseen atmospheres. |
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| Glasgow Improvisers Orchestra (feat. Marilyn Crispell / Evan Parker) Parallel Moments Unbroken [2CDS] (FMR) |
| Scottland's large improvising ensemble of around 20 musicians, merging backgrounds in free improvisation, jazz, classical, folk, pop, experimental musics and performance art, in a 2-CD release of a piece commissioned by the BBC and featuring pianist Marilyn Crispell and saxophist Evan Parker, written using graphic scores, through composition, photographs and artwork. |
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| Leap Of Faith Domains (Evil Clown) |
| One of the core ensembles in Boston's Evil Clown collective led by multi-reedist David Peck is Leap of Faith, a uniquely inspired collective free improv band with unusual instruments and percussive devices, here in a live concert at Outpost 186 as quintet with Glynis Lomon on cello, Damon Smith on bass, Silvain Castellano on bass, and Yuri ZBitnov on drums & percussion. |
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| Meloche, Chris / Martin Archer / Gino Robair / Lyn Hodnett The Sincerity Of Light (Discus) |
| The quartet of Canadian electronics composer Chris Meloche and label leader Martin Archer on woodwinds and electronics orchestrated these pieces, performed with improvsations from Gino Robair on percussion and electronics and Lyn Hodnett on voice, for a 3 part work of rich interactive loops, drones and soundscape, ranging from spine-chilling to lush and lovely environments. |
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| DK & The Perfectly Ordinary CAR DEW TREAT US (Spool) |
| A diverse set of artist interpret a random page from Cornelius Cardew's "Treatise", using the score alone with each artist unable to hear what the other participants were playing, which Spool label-leader Daniel Kernohan assembled into these 10 incredible audio tracks, each roughly 4:35 long, in a great interpretation of Cardew's (in)famous work. |
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| Blonk, Jaap / Damon Smith Hugo Ball: Sechs Laut- Und Klanggedichte 1916 (Six Sound Poems, 1916) [CASSETTE] (Balance Point Acoustics) |
| Three free improvisations for voice & double bass + improvisations on Hugo Ball's Six Sound Poems from the duo of free improvising vocalist Jaap Blonk and double bassist Damon Smith. |
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