The Squid's Ear Magazine


Derome, Jean: Solo Souffles (Ambiances Magnetiques)

The remarkably creative flutist & saxophonist Jean Derome often incorporates unusual instruments into his improvisations and compositions, including bird calls, harps, kalimbas, sirens, flower plastic wrappings, bells, &c &c.... on this album Derome focuses on those unique instruments and noise makers through 23 surprising pieces illustrating his incredible collection.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Jean Derome-alto saxophone, piccolo, flute, bass flute, as well as about fifty other instruments including: Game calls: duck, seagull, super seagull, monkey, deer, boar, bear, sad turtledove, predator, wounded rabbit, wild turkey, starling, goose, thrush, partridge, Audubon whistle, trifecta, as well as... voice, asthmatic harp, kalimbas, spring box, lobster, crackling plastic, flower plastic wrapping, siren, whistle, telephone bells, rocks, bow, Styrofoam, string drum, "Smiley," jaw harps, wooden boxes, tuning forks, bells, goat hooves, doll navels, Brazilian whistles, ocarinas, toy trumpet, "Donald Duck," native rattle, 3D postcard, toy microphone


Click an artist name above to see in-stock items for that artist.




Includes 6 page b&w insert with text and images.

UPC: 771028125722

Label: Ambiances Magnetiques
Catalog ID: AM_257
Squidco Product Code: 30156

Format: CD
Condition: New
Released: 2020
Country: Canada
Packaging: Cardboard Gatefold
Recorded 2020.08.31-09-01-02, Prise de son, by Bernard Grenon at Studio Resther, montreal.

Descriptions, Reviews, &c.

"Though I've been dedicated to the flute for 50 years and the saxophone for 35, I have never sought to confine myself to a specialty. Along the way, I have used many game calls and found objects in my practice.

The outcome in sound has always been paramount to me. I am not a crusader for the flute or saxophone, demonstrating how the world of sound can be played on one instrument alone. Though I work daily to expand what I can play on my instruments, it's clear that there are sounds on a duck call that cannot be produced on a saxophone. Thus, I am an orchestrator who knows which instrument will best produce the sound he seeks. Even if I employ toys or game calls; even if they seem simply and colourfully designed in materials of variable quality, from plastic to fine metal, from rare wood to cardboard; even if some instruments suggest rarefied, high-class contexts while others belong in the recycling bin, none of this is important to me. My eyes are closed and my attention is focused on the sounds they produce.

Circus artists have approached me to integrate my sounds into their clown shows. A sound designer wanted me to contribute to his catalogue by which he represents prehistoric animals. In each of these instances, I have replied that it's not about that at all. Everyone is in search of tricks and novel devices, but magic is not to be found in tricks and novel devices. My work is absolutely not comic and it's for this reason that, occasionally, it can be truly comical.

The sounds I produce can make people uncomfortable or make them laugh. They hear cartoons, farts and other 'impolite' sounds, animal calls, children crying, conversation... each listener will hear what he or she wishes.

The sounds I hear are stable, unstable, gentle, harsh, precise, imprecise, coarse, smooth, rough, dense, diaphanous, colourful, brilliant, dull, bitter, acidic, intense, percussive, evanescent, bent, twisted, stretched, suspended, short, biting, whispered, resonant, slippery, viscous, calm, agitated...

My art consists of making air vibrate in a meaningful way. Since I generally play wind instruments, it's with my stomach that I vibrate the air in which listeners bathe. In fact, my whole body is involved: From the diaphragm toward the lungs, larynx, nasal cavities, mouth, tongue, teeth, and lips. From there, it flows to the mouthpiece - either a reed or a whistle, my interface with the instrument, the balance point between my guts and the outside world -and onward to a resonator that propels the sound in the ambient air. Listeners' ears and whole bodies are set to vibrating.

"I sculpt air in a time that we share.
It corresponds with no story, no theatrical script, no silent film -simply, sounds in and of themselves.
The music contains all of the stories and tells none of them.
I make pure music.
I make impure music.
Pure joie de vivre. Pure magic.
That's what it's about and it's not about that at all."

"-Jean Derome [English translation: Scott Thomson]


Includes 6 page b&w insert with text and images.

Artist Biographies

"Jean Derome. Born Montréal, Québec, 1955. esidence: Montréal, Québec. Composer, Performer (saxophones (alto, baritone, soprano), flutes (flute, bass flute, piccolo, alto flute, recorders), keyboards, small wind instruments (ocarinas, jew's harp, game calls, toys...), percussion, invented instruments, voice)

One of the most active and eclectic musicians on the Canadian creative music scene, Jean Derome has managed to earn the recognition of a larger public, a rare feat in that field. Thanks to his large-scale musique actuelle projects, his compositions, his work as an improviser, his jazz groups and his music for the screen and the stage, Derome ranks as a major creative force, in Québec and abroad. He is experienced and innovative on both saxophone and flute, and his unique writing style cannot be mistaken for anyone else's. Sensitive and powerful, his music often features a funny strike that makes its complex nature more inviting.

Ever since Nébu (one of Québec's first avant-garde jazz groups) in the early '70s, Derome has been consistently renewing and diversifying his approach of composition. He impressed audience and critics first with the flute, then with the saxophone, as a lead character in the musique actuelle underground. He took part to the various artists' collectives looking for new ways to express themselves freely, without esthetic or social constraints, including the Ensemble de musique improvisée de Montréal. Later, in the early '80s, he co-founded Ambiances Magnétiques, a collective and record label that raised his profile at home and introduced his name to the outside world. Among his numerous projects, let us mention the duos Les Granules, Nous perçons les oreilles and Plinc! Plonc!, the dynamic group Jean Derome et les Dangereux Zhoms, and the large-scale projects Confitures de gagaku, Je me souviens - Hommage à Georges Perec and Canot-camping. Most of these projects are based on a unique form of synergy between composition, structured improvisation and genuine creative madness, all this articulated with unmatched playfulness. In 1992, Derome became the second artist to be presented with the Freddie Stone Award (bassist Lisle Ellis was the first).

Besides improvising on a regular basis with Ambiances Magnétiques' members and appearing in their projects, Derome has also shared the stage with several musicians of international stature, among others Fred Frith, Lars Hollmer, Louis Sclavis and Han Bennink. He performs regularly all over Canada, in the US and in Europe. He received a Prix Opus in 2001 for his exposure abroad.

Lately, jazz circles have been praising his undisputable qualities as a jazzman, thanks to the Thelonious Monk tribute project Évidence, the Normand Guilbeault Ensemble (whose Mingus Erectus CD is devoted to Charles Mingus' music), and the much-lauded Derome Guilbeault Tanguay Trio.

Although Jean Derome writes tirelessly for his own projects, he is much in demand in the fields of film, theatre and dance. A short list of this side of his work would have to include his numerous scores for the National Film Board of Canada (NFB), especially for films by John Walker, Jacques Leduc, Fernand Bélanger and animated films by Pierre Hébert, Michèle Cournoyer and Jean Detheux; his incidental music for Théâtre UBU, Théâtre de Quat'Sous and Théâtre du Nouveau Monde; not forgetting his work with several top choreographers, including Louise Bédard, Andrew de Lotbinière Harwood, Daniel Soulières and Ginette Laurin. Other music ensembles have commissioned works from him, including Tuyo, Bradyworks, the Hard Rubber Orchestra from Vancouver and Fanfare Pourpour. Incidentally, Derome is the musical director of the latter.

Over thirty years of music and 70 record credits later, Jean Derome still has sleeves bursting with tricks."

-ActuelleCD (http://www.actuellecd.com/en/bio/derome_je/)
3/27/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Adieu Aux Animaux 1:38

2. Balafon Cylindrique 3:58

3. Brusqu'arrêt 1:44

4. Cabanes À Moineaux 1:18

5. Cantus Firmus 6:55

6. Carillon De Mouettes-Muezzins 1:48

7. Castelet 3:41

8. Cicatrice 2:19

9. Cloudy 4:49

10. Comment Je Sens Mes Nerfs 5:44

11. Défilé D'icebergs En Diaporama 3:00

12. Dernier Tour De Piste 3:06

13. Eskers-Zoo 3:19

14. Harpe Asthmatique 4:05

15. Homard Abrupt 1:33

16. Karaoké 1:26

17. Pensées Pour Maître Lackritz 3:58

18. Plaintes Pliantes 3:24

19. Portrait Du Poète À L'aube Avec Sirène 2:48

20. Pousser L'enveloppe 2:49

21. Prédateur Bipolaire 2:19

22. Qui-Vive 3:13

23. Tour D'horizon 6:55

Related Categories of Interest:


Ambiances Magnetiques
Jean Derome
Improvised Music
Free Improvisation
Musique Actuelle
Woodwinds
Recordings by or featuring Reed & Wind Players
Solo Artist Recordings
Canadian Composition & Improvisation
Staff Picks & Recommended Items
Friends of Squid

Search for other titles on the label:
Ambiances Magnetiques.


Recommended & Related Releases:
Ensemble SuperMusique
Le fil d'Ariane
(Ambiances Magnetiques)
Featuring works premiered at the ESM concert "Zigzague and Colore" in November 2022 in Montreal at Escape Orange - Edifice Wilder - Espace Danse, this exceptional concert of Montreal's premiere improvising Ensemble SuperMusique presents the works of three female composers--Elizabeth Millar, Laura Kavanaugh, and Danielle Palardy Roger--through a variety of graphic scores.
Chorale Joker / Ensemble SuperMusique
Demantibuleáes
(Ambiances Magnetiques)
Hetu, Joane / Ensemble SuperMusique
Monnomest
(Ambiances Jazz)
A fascinating work dedicated to improvising cellist Remy Belanger de Beauport written by Montreal composer Joane Hétu and performed by the large Ensemble SuperMusique with Jean Derome, Lori Freedman, Scott Thomson, dian Labrosse, Danielle Palardy Roger, Pierre Tanguay, &c. commissioned and perofrmed for the Ensemble's 40th anniversary and expanded for this studio edition.
Ensemble SuperMusique
Musiques Emeraude
(Ambiances Magnetiques)
Derome, Jean
La Chaleur De La Pensee
(Ambiances Magnetiques)
Concepts of community, dialog, sharing and transmission, or "recontre", are the linking ideas between these four works commissioned of Montreal composer and wind player Jean Derome, developed for four Quebec ensembles, these pieces combine contemporary and improvisational forms, the scores shaped by constraints from the combinatorial mathematics of Marin Mersenne.
Cutler, Chris
Compositions And Collaborations 1972-2022: In A Box [10 CD / DVD / BOOKLET BOX SET]
(Recommended Records)
An amazing collection and reflection on the work of percussionist, composer and connector Chris Cutler of Henry Cow fame and founder of the highly influential Recommended Records label and distribution service, through 10 CDs, 1 DVD and two books of documentation, artwork, photographs, published and unpublished texts in a sturdy box, with over five hours of unreleased materials.
Brulez les meubles (Beaudoin / Normand / Derome / Hollenbeck)
Tardif
(Tour de Bras / Circum-Disc)
The Quebec project Brulez Les Meubles (Burn the Furniture) was conceived by long-time friends and contemporary jazz fans, bassist Eric Normand and guitarist Louis Beaudoin-de la Sablonniere, each collaboration inviting other musicians to join their warm & relaxed approach to modern jazz, here with Jean Derome on saxophone & flute and John Hollenbeck on drums.
Thomson, Scott (w/ Yves Charuest / Karen Ng / Jean Derome / John Oswald)
Pal o'Alto
(Ambiances Magnetiques)
In a nod to alto saxophonist Lee Konitz, Montreal trombonist Scott Thomson brings together four exceptional Canadian alto saxophonists with whom he has worked and who motivate his improvisational drive, heard here in four duos: two with Toronto alto saxophonists John Oswald and Karen Ng, and two with Montreal alto saxophonists Jean Derome and Yves Charuest.
Brulez les meubles (Beaudoin / Normand / Derome / Hollenbeck)
Tardif [VINYL]
(Tour de Bras / Ramble)
The Quebec project Brulez Les Meubles (Burn the Furniture) was conceived by long-time friends and contemporary jazz fans, bassist Eric Normand and guitarist Louis Beaudoin-de la Sablonniere, each collaboration inviting other musicians to join their warm & relaxed approach to modern jazz, here with Jean Derome on saxophone & flute and John Hollenbeck on drums.
Brulez les meubles (Beaudoin / Normand / Derome / Hollenbeck)
Tardif
(Tour de Bras / Circum-Disc)
The Quebec project Brulez Les Meubles (Burn the Furniture) was conceived by long-time friends and contemporary jazz fans, bassist Eric Normand and guitarist Louis Beaudoin-de la Sablonniere, each collaboration inviting other musicians to join their warm & relaxed approach to modern jazz, here with Jean Derome on saxophone & flute and John Hollenbeck on drums.
Derome, Jean (Derome / Hetu / Robichaud / Servant / Jacques / Bastien / Normand / Side)
Rose Drummond
(Ambiances Magnetiques / Tour de Bras)
A tribute to controversial and outrageous Quebec sculptor and installation artist Rose Drummond, through a collection of unusual, diverse, absurdist and absolutely remarkable instrumental & vocal songs drawn from saxophonist and composer Jean Derome's musical career, performed with Musique Actuelle luminaries including Michel F Coté, Joane Hétu, and Éric Normand.
Hetu, Joane
Tags
(Ambiances Magnetiques)
Four compositions written between 2000-2019 from Joane Hétu: a duo between bassist Nicolas Caloia & bass clarinetist/vocalist Lori Freedman; a work with Hétu & Jean Derome plus the Quaturo Bozzini string and Quasar saxophone quartets; a composition for 20 electric guitars; and one movement from "Préoccupant, c'est Préoccupant performed by Ensemble Supermusique.
Ensemble SuperMusique
Commutation
(Ambiances Magnetiques)
Ensemble Supermusique, Montreal's premiere open-minded improvising ensemble, here led by saxophonist & vocalist Joane Hetu and conducted by percussionist Danielle Palardy Roger, present a live concert of graphic scores dating back to 1920, with works from Fred Frith (Stone, Brick, Glass, Wood, Wire), Luigi Russolo, Maxime Daigneault, Emilie Girard-Charest & Anestis Logothetis.
Ceccarelli, Isaiah
Toute Clarte m'est Obscure
(Ambiances Magnetiques)
A profound contemporary work integrating improvisation into composed forms from Montreal composer and percussionist Isaiah Ceccarelli and performed by an ensemble of 16 Musique Actuelle improvisers and performers, beautifully balanced between diverse instrumental passages and texts inspired by different poetical and musical forms of the past; sublime.
Ensemble SuperMusique
Sonne l'image
(Ambiances Magnetiques)
The collective ensemble Supermusique featuring key performers from Montréal's musique actuelle scene, including Jean Derome, Isaiah Ceccarelli, Joane Hetu, Danielle Palardy, &c. perform "Sounding the Image", three animated scores composed through the creation of moving images and rendered live in a remarkable concert at Amphiteatre de Gesu, in Montreal in 2019.
Hetu, Joane
Chorale JOKER: Les Lucioles
(Ambiances Magnetiques)
The Montreal-based Chorale Joker ensemble directed and conducted by Joane Hétu, Danielle Palardy, and Jean Derome, who are also participants, is one of the most unusual and fascinating improvising vocal ensembles active, heard here in a concert coordinated with Productions SuperMusique at Le Vivier, Amphiteatre du Gesu, Montreal in early 2020; indescribably fascinating!
Nous Percons Les Oreilles (Derome / Hetu)
Un ideal
(Ambiances Magnetiques)
Joane Hetu and Jean Derome formed Nous percons les oreilles 20 years ago, merging their expansive musical interests in idiosyncratic improvisation and orchestration using saxophones & wind instruments, objects, voice, melodica, and piano, here in their 4th astonishing album.
Joker (Joane Hetu)
Ou Est-il Donc Ce Reve?
(Ambiances Magnetiques)
Joker brings together 12 vocalists, many core members of the Ambiances Magnetiques/Musique Actuelle collective including Joane Hetu, Jean Derome, Diane Labrosse, Michel F Cote, Lori Freedman, &c, performing unusual works of voice and narration composed by Joane Hetu.
Hetu, Joane
La Femme Territoire ou 21 Fragments D'humus
(Ambiances Magnetiques)
An amazing journey in sound and voice from saxophonist/vocalist Joane Hetu with five singers/narrators/musicians/noise-makers and layered field recordings, a remarkable and sophisticated work about sex, loss, death, art, & politics.
Hetu, Joane
Filature
(Ambiances Magnetiques)
A musical theatre in 3 acts using texts, songs, free improvisation and compositional textures, "an evocation of the fusion between opposite forces-tight and flexible, male and female".
Ensemble SuperMusique
Jeux De Pistes
(Ambiances Magnetiques)
Ensemble SuperMusique devotes itself to Montreal's "Musique Actuelle" and free improv community in assemblages of some of their finest players, here in a live concert in 2016 at Amphitheater du Gesu in Montreal with a stunning set of performers presenting the work of 4 composer.
Ratchet Orchestra
Coco Swirl
(Ambiances Magnetiques)
Active since the early 90's, the superb Montreal super-group Ratchet Orchestra under the direction of Nicolas Caloia with 19 performers presents 10 works including the title track, with soloists including Jean Rene, Lori Freedman, Jean Derome, Ellwood Epps, Sam Shalabi, Craig Petersen, Yves Charuest, Joshua Zubot, Scott Thomson, Isaiah Ceccarelli, &c.
Ensemble SuperMusique / Symon Henry
voir dans le vent qui hurle les etoiles rire et rire
(Ambiances Magnetiques)
Montreal's true supergroup since 1998 with many of the city's essential Musique Actuelle performers and composers, directed by Danielle Palardy Roger and including Jean Derome, Joane Hetu, Scott Thomson, Lori Freedman, Alexander St. Onge, &c. &c., as they take on a piece by Quebec composer Symon Henry, performed in an exceptional concert in the Chapel in Bon-Pasteur.
Caloia, Nicolas
Les Bonnes Histoires
(Ambiances Magnetiques)
Bridging contemporary and improvised music, Montreal double bassist Nicolas Caloia wrote these pieces for textured and impossible rhythms; blending pieces by Nancarrow and Grand Master Flash; and manipulating poems by Genevieve Letarte; with supporting improv from Jean Derome & Lori Freedman.
Ensemble SuperMusique
Les porteuses d'O
(Ambiances Magnetiques)
Montreal's superb ensemble of improvisers explore the integration of composed music with improvisation, here in 3 graphic scores from from Danielle Palardy Roger, Joane Hetu, and Lisa Cay Miller, allowing individual performers extensive freedom within fixed compositional frameworks leading to extraordinary and unexpected results, captured lived at Amphitheatre du Gesu in 2017.
Caloia, Nicolas
Les Bonnes Histoires
(Ambiances Magnetiques)
Bridging contemporary and improvised music, Montreal double bassist Nicolas Caloia wrote these pieces for textured and impossible rhythms; blending pieces by Nancarrow and Grand Master Flash; and manipulating poems by Genevieve Letarte; with supporting improv from Jean Derome & Lori Freedman.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC