NY Bassist Michael Formanek composes for and leads his Elusion Quartet with saxophonist Tony Malaby, pianist Kris Davis, and drummer Ches Smith, a heavyweight set of improvisers who take on Formanek's sophisticated and elusive compositions, using unusual meters and complex yet comprehensible structures, performed with prodigious skill and passionate approaches.
Format: CD Condition: New Released: 2018 Country: Switzerland Packaging: Jewel Case Recorded at Oktaven Audio, in Mount Vernon, New York, on February 14th, 2018, Ryan Streber.
"One marker of bassist Michael Formanek's creativity and versatility is the range of distinguished musicians of several generations he's worked with. While still a teenager in the 1970s he toured with drummer Tony Williams and saxophonist Joe Henderson. Starting in the '80s he played long stints with Stan Getz, Fred Hersch and Freddie Hubbard.Formanek is also a composer and leader of various bands. His principal recording and international touring vehicle is his acclaimed quartet with Tim Berne, Craig Taborn and Gerald Cleaver. His occasional groups include the 18-piece all-star Ensemble Kolossus, roping in many New York improvisers he works with.
In putting together the Elusion Quartet, interpreting his music with these specific musicians, Michael Formanek says he sought "a more direct connection to emotions: mine, theirs and the listener's." Hank Shteamer writes in the liner notes: "As one zeroes in on the details of Time Like This, it's clear that this sort of emotional immediacy permeates the album. You hear it in Kris Davis' flowing, balletic solo on "A Fine Mess"; in Tony Malaby's ululating tenor cries on "The Soul Goodbye"; in Ches Smith's raucous grooves on "That Was Then"; or the leader's poised, sinewy lines on "Culture of None." Elusive? Certainly. But as this album proves, under the right conditions, with the right personnel, it's still out there.""-Intakt
"That music reflects the present-public events and private responses alike-is a jazz truism, and Time Like This by Michael Formanek's Elusion Quartet exemplifies the dark, existential fears now rising in so many quarters. Saxophonist Tony Malaby, pianist Kris Davis and drummer Ches Smith join the widely experienced bassist in vivid expressions of sorrow, concern, fulmination, collaboration and resistance. These feelings, just hinted at by song titles, come through clearly. We hear what this company means.
There's little conventional prettiness here, but an overarching aura of weird beauty. Malaby spills out grainy, vocal-like saxophone lines, Coltranesque in reach and grandeur, yet also starkly restrained. Davis doesn't swing, yet her ideas and execution sustain propulsion and deepen moods. On vibes, Smith matches her, sometimes with perking glints of joy; on the Hatian tanbou and traps, he strikes against conformist beats. Formanek deploys numerous strategies on his instrument, commanding flux and flow, most in the fore on "The Soul Goodbye."
Indeed, exploration is the binding principle here. Free improvisations-as in fearless, not random-are launched from or coexist with preordained structures, without hyping the difference between written and spontaneous parts. The band's organic cohesion in its debut is remarkable, all four players contributing to and taking advantage of their group's intimate and orchestral nature. Each performer remains empowered, and all together assert sympatico union. Way to be in time like this."-Howard Mandel, Downbeat Magazine