Captured at Elastic in Chicago, the free improvising trio of Katherine Young on bassoon & electronics, Michael Zerang on percussion, and Michael Foster on soprano & tenor saxophones, use contrasting timbres and techniques throug wind instruments, percussion and electronics to create unusual and captivating dialog, evolving with great composure, a sense of wonder, and mastery.
"A strong, gutsy set of six improvs from Foster (tenor and soprano saxophones, microphones), Young (bassoon, electronics) and Zerang (drums, percussion) that sits on the edge of free jazz and less idiomatic approaches. It's an interesting contrast to the above-mentioned release. Here, I have the feeling (I could be wrong) that there's a far greater plunging in, an abandoning to the moment rather than careful consideration. Both approaches, and others, are of course entirely valid and if I tend to find the latter mode more generally rewarding these days, there are still plenty of treasures to be found in this strategy. Zerang, to be sure, is an old pro at this and acquits himself quite well. Young is fairly new to me, though I guess I've heard her in other contexts such as the Dropp Ensemble--she's also worked with Braxton. She's very engaging here, encompassing, as near as I can tell given its fine way of melding with adjacent sounds, a vast range on the bassoon, from airiness and delicate rubbing to furious, guttural growls. Foster, who I was fortunate enough to catch in performance a couple months back, has a similarly wide range of attacks, making excellent use of dynamics balanced with extended techniques; Michel Doneda came to mind more than once. The trio searches for a while, almost a given with this approach, but they find wonderfully rough and irregular grooves and concentrated eruptions often enough, areas where the enthusiasm merges with a great sense of drive, to make the journey more than worthwhile. A good, tough outing."-Brian Olewnick, Just Outside