A remarkable album of electronic composition from sound experimenter and improviser Thanos Chrysakis, ten stunning compositions that explore a diverse set of tones across a broad spectrum of rich deep timbre and beautiful high frequency ringing, bell-tones at times taking the focus, at others providing a rotating basis for ethereal experiments; sophisticated and engaging!
Format: CD Condition: New Released: 2017 Country: Greece/UK Packaging: Jewel Case Recorded at Meridian Studio, between January and April, 2017, by the artist.
"Music experimenter Thanos Chrysakis likes improvisation and electro-acoustic sound abstraction. We can see this on his work, art co-operation and the dramaturgy of his Aural Terrains label. Sometimes he also makes his own solo productions, and these are perhaps the most seductive in his catalog. Under the abstract concepts in titles, the booklet contains a minimum of information on the methods and tools used, and it is hard to read them from the recordings themselves. It can only be agreed that a computer was used here to process a hardly imaginable range of sound sources, but it will definitely play a more prominent role in field recording of different environments, their sampling and processing, and the presence of synthesizers is already uncertain in the possibilities of these procedures. Chrysakis is mentioned only as an author, who has also mixed and mastered everything.
The album titled Equinox (equinox), with the last few letters degrading, contains ten abstract electronic compositions based on sonic digital processes, in which more regular rhythms indicate only some repetitive pulsating effects or sampling structures. Many songs, from the introductory Geomancy, focus on exploring the sounds of the bells. They seem to be staging here in the recording of bells of real and synthetical bells, and maybe with other sources, though, they are crouched through some pretty ringing ring modulator. Chrysakis has a sophisticated aesthetics, and in his works, he is well versed in engaging in unexpectedly long sequences, sounding like a rich synthesizer and manipulating some choral pieces.
By the way, on the physical CD there are also very well chosen pauses between songs. Full-blooded music here has the ability to long for silence, perhaps after a while, with a last delay, and then a bit of a complete void rightly sensitively sets off the distance from the past and the courage to confront most of the sharp invasion of the next track, the mood that follows, the contrast.
There will also be some original drones, as in the fourth piece of Radar Horizon, in which the final show will reveal a shed human breath and occasional voice chuck. There may even be a few noose peaks, but most often there is a rather lively, clean laboratory environment. And the experiments apparently happened there. I recommend their sound documentation to all of them."-Jan Faix, His Voice (Translated by Google and pitifully corrected by Squidco)