Squidco: Improvised, Composed & Unusual Music from around the globe
|Squidco?||New Releases||Just In||Restocked||Upcoming|
Downtown NY saxophonist John Zorn started his "Classic Guide to Strategy" in 1983, slowly releasing volumes up to this 4th, showing the depth of his conceptual underpinnings and superb playing style, technique, and truly unique approach to the saxophone.
Squidco 20th Anniversary Sale:
Out of Stock
Shipping Weight: 2.00 units
Quantity in Basket: None
Log In to use our Wish List
Catalog ID: CD-TZA-8349
Squidco Product Code: 22955
Packaging: Cardboard sleeve
Recorded live at EMPAC in Troy, New York, in 2013.
Click an artist name above to see in-stock items for that artist.
Highlight an instrument above
and click here to Search for albums with that instrument.
• Show Bio for John Zorn
"John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".
Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.
Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the klezmer/free jazz-influenced quartet Masada, composed over 600 pieces as part of the Masada Songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.
Zorn's compositions cross many genres and he has stated "All the various styles are organically connected to one another. I'm an additive person-the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." For Zorn "Composing is more than just imagining music-it's knowing how to communicate it to musicians. And you don't give an improviser music that's completely written out, or ask a classical musician to improvise. I'm interested in speaking to musicians in their own languages, on their own terms, and in bringing out the best in what they do. To challenge them and excite them." "-Wikipedia (https://en.wikipedia.org/wiki/John_Zorn)
Have a better biography or biography source? Please Contact Us so that we can update this biography.
^ Hide Bio for John Zorn
1. The Wind Book 1 11:46
2. The Wind Book 2 14:40
3. The Wind Book 3 4:47
4. The Wind Book 4 7:10
5. The Wind Book 5 7:11
sample the album:
"After over 40 years there is still no one who plays the sax quite like John Zorn. Using the instrument as sound maker, he commands a saxophone language of unmatched versatility. Collected under the enigmatic title of "The Classic Guide to Strategy," five volumes were planned-"Volume 1" (1983), "Volume 2' (1986), "Volume 3' (2003) and now the penultimate "Volume 4" is finally made available on Tzadik. Filled with wit, drama, playfulness and intensity, the composer's legendary virtuosity and powerful improvisational logic is on full display in this astonishing release recorded at EMPAC in early 2013. You have to hear it to believe it!"-Tzadik
NY Downtown & Metropolitan Jazz/Improv
Recordings by or featuring Reed & Wind Players
Solo Artist Recordings
Search for other titles on the label:
Other Recommended Releases:
Customers Who Bought This Item Also Bought: