"Jean Cook, violinist and Treasurer

Jean Cook has been playing violin since 1979. She is part of the 11tet, a New York based jazz composers workshop, and is a founding member of the PnR Salon in Washington, DC, which brings together post-punk rockers and classically trained musicians. In 2000, she appeared at the Kennedy Center's Hip-Hop Festival and the Smithsonian Folklife Festival with the Hip-Hop Philharmonic, a DC based live hip hop orchestra. Occasionally she plays around New York with the Dixieland group "Wriggle's Red-Hot Agate-Cracking Jassers". She currently records and performs with Beauty Pill, Gena Rowlands Band, Ida, Jenny Toomey, and Jon Langford/Ship and Pilot.

Jean produced and hosted "The Twentieth Century String Quartet" on WKCR-FM, New York from 1995-1996. She was the publicist for Washington Performing Arts Society for three years before moving to New York in 2000. Recently, she curated a western classical recital series for WPAS and produced the multimedia DIY opera, The Nitrate Hymnal. She currently works for a political group called Air Traffic Control that helps musicians to be more effective in the current election cycle."

"Stephanie Griffin is an innovative violist/composer based in New York City. She founded the Momenta Quartet in 2004, is a member of Ensemble Ipse and the Argento Chamber Ensemble, and has received prestigious composition fellowships from the Instituto Sacatar (Brazil), the Bronx Arts Council, the Jerome Foundation and the New York Foundation for the Arts. She holds a doctorate from The Juilliard School and teaches at Brooklyn and Hunter Colleges."

"Jessica Pavone (composer, viola, violin, el.bass) has performed in countless improvisation, avant jazz, experimental, folk, soul, and chamber ensembles since moving to NYC in 2000. She currently plays with Normal Love, in a duo with guitarist Mary Halvorson, with Anthony Braxton's ensembles and as a solo violist. As a composer, The Wire magazine praised her "ability to transform a naked tonal gesture into something special," and The New York Times described her music as "distinct and beguiling...its core is steely, and its execution clear."

Pavone's recent works for solo viola and voice stem from years of concentrated long tone practice and an interest in repetition, song form, and sympathetic vibration. She combines her long tone rituals with delay, understated melodies and sparse lyrical content while continuously experimenting with new forms. She is interested in the physicality of performing her somewhat larger-than-comfortable instrument and believes that cultivating physical bodies as a strong container for her thoughts is part of the creative process.

As an instrumentalist, she has personally worked with and interpreted new music by; Aaron Seigel, Andrew Raffo Dewar, Elliott Sharp, Glenn Branca, Henry Threadgill, Leo Smith, Jason Ajemian, Jason Cady, Jeremiah Cymerman, John King, Matana Roberts, Matthew Welch, Tristan Perich, Tyondai Braxton and William Parker; and, has played strings in bands such as Christy and Emily, Pure Horsehair, White Blue Yellow and Clouds, Joy Mega, and The Artificials.

Pavone has toured extensively throughout the U.S., Canada and Europe, performing in venues ranging from international music festivals, universities, and art galleries, to community centers and basements. Her music has premiered in venues in New York City such as, Roulette, Issue Project Room, and The Kitchen, and at the Klangbad Festival in Sheer, Germany. In 2011 she was featured in NPR's "The Mix: 100 Composers Under 40." She has received grants and commissions from the Aaron Copland Recording Fund, the American Music Center, New Music USA for her collaboration with choreographer, Anna Sperber, The Kitchen, MATA, The Jerome Foundation, The Tri-Centric Foundation, Experiments in Opera, and the chamber music collective, Till By Turning."

"Okkyung Lee, a New York-based artist and South Korea native, has created a body of work blurring genre boundaries through collaborations and compositions while pushing the limitation of contemporary cello performance techniques. Her music draws from noise and extended techniques, jazz, Western classical, and Korean traditional and popular music.

Since moving to New York in 2000, She has released more than 20 albums including the latest solo record Ghil produced by Lasse Marhaug on EditionsMego/Ideologic Organ, Noisy Love Songs (for George Dyer) on Tzadik.She has performed and recorded with numerous artists from wide ranges such as Laurie Anderson, David Behrman, Mark Fell, Douglas Gordon, Jenny Hval, Vijay Iyer, Christian Marclay, Ikue Mori, Lawrence D "Butch" Morris, Marina Rosenfeld, Jim o'Rourke, Evan Parker, Wadada Leo Smith, C Spencer Yeh and John Zorn to name just a few.

Since 2010, she has been developing a site-specific duo project with New York based dancer/choreographer Michelle Boulé. They have performed at Issue Project Room, Mount Tremper Art Center and send+receive fesival in Winnipeg, Canada and scheduled perform at The Met Breuer Building on March 12th, 2016 as a part of the inaugural program, curated by pianist/composer Vijay Iyer. She opened for a legendary experimental rock group Swans in May, 2015 in Northern Europe and UK. In early 2015, Okkyung presented new compositions commissioned by London Sinfonietta as a part of Christian Marclay's exhibit at White Cube Gallery in London.

Okkyung was rewarded with prestigious Doris Duke Performing Artist Award in 2015 and received Foundation For Contemporary Arts Grant in 2010.

She received a dual bachelor's degree in Contemporary Writing & Production and Film Scoring from Berklee College of Music in 1998 and a master's degree in Contemporary Improvisation from New England Conservatory of Music in 2000."

"Matt Lavelle (Paterson NJ 1970), began his music career with a High School Big Band tour of the Soviet Union in 1988, and then a 5 year period of study with Hildred Humphries, a Swing era veteran that played with Count Basie, Billie Holiday, and many others of the time. Lavelle played Trumpet during this time as a member of Hildred's band.

Lavelle then made his move on New York City to go through the trials of all new Jazz musicians, and played Straight-ahead Jazz until 1995. When he relocated to Kingston New York, and immersed himself in the study of the Bass-clarinet, keeping the trumpet going, creating the only known successful double of these 2 challenging instruments.

Lavelle returned to New York seeking out what is known as the Downtown community in 1999, which he has been a member of to this day (2009). Along the way Lavelle has played with William Parker, which also consisted of a tour in Sardinia Italy, Sabir Mateen, consisting of a tour of Northern Italy, and also toured in Scotland with an improvisation collective known as Eye Contact.

Lavelle began study with Jazz Legend Ornette Coleman in 2005, having huge impact and transformational impact on the Musician, also resulting in the addition of the Alto Clarinet as another voice.

Matt also was the key in the return and resurgence of Jazz legend Giuseppi Logan, playing on and producing his comeback record after a 40 year absence.

Lavelle has played and collaborated with Ornette Coleman, Giuseppi Logan, Hildred Humprhries, William Parker, Eric Mingus, Sabir Mateen, Roy Campbell, Daniel Carter, Jemeel Moondoc, Mat Maneri, Ras Moshe, Potato Valdez, and many others."

"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.

Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".

In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.

Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."

"Israeli born and raised trombonist Reut Regev has been out in the New York scene creating and exploring music for over 20 years. Reut enjoys playing with some of the most influential experimental composers, New York style bands blending styles and cultures, and traditional sounds as well. Reut's typical year includes some free improvisation, contemporary compositions, blues, klezmer, latin music, straight ahead jazz, and everything in between. She has recorded and toured with Anthony Braxton, Butch Morris, Elliott Sharp, Burton Greene, Hazmat Modine, Metropolitan Klezmer, Joe Battan, and many more.

Reut's main project as a band leader and composer, for the last decade, is the band that she co-leads with her husband, drummer Igal Foni: "Reut Regev's R*time". R*time features mostly original compositions by Reut and Igal, and encourages soulful musical explorations by the band members. The personnel includes legendary free funk guitarist Jean-Paul Bourelly, as well as master bassist Mark Peterson. Also some wonderful paR*timers including renowned Tubist Jon Sass, and internationally acclaimed bass players Robert Jukic and Andrea Castelli. Since R*time's first release in 2009, "This is R*time", the group has been touring Europe extensively. Following R*time's 2012 Enja release, "exploRing the vibe", the most recent release, "Keep Winning" was released on Enja records earlier this year.

At the same time as holding a successful and exciting musical career, Reut has been building her music education studio - Notes And Beyond LLC. Through Notes And Beyond, Igal and Reut offer music workshops for various ages and levels, as well as private lessons in NJ and beyond."

"Multi-instrumentalist and composer, Oscar lives in Brooklyn since 1992.

He has worked with Lee Konitz, Anthony Braxton, Gerry Hemingway, Dewey Redman and Paul Motion.

He is currently performing with Tim Berne's Snakeoil, Endangered Blood (Chris Speed, Jim Black, Trevor Dunn) and colead with Jacob Garchik, the Mexico-inspired Banda De Los Muertos.

He plays alto saxophone, clarinet, bass clarinet and drums."

"Tatsuya Nakatani. Acoustic Sound Artist, Master Percussionist. b. 1970, Osaka Japan

Tatsuya Nakatani is an acoustic sound artist and master percussionist originally from Osaka, Japan. He has released over eighty recordings in North America and Europe. Residing in the USA since the mid-nineties, he has performed countless solo percussion concerts and has collaborated with hundreds of artists in international music festivals, university concert halls, art museums and independent venues. Infamous for his constant touring, Nakatani criss-crosses the country every year inspiring audiences with his pioneering sound. In addition to his solo performances, he conducts the Nakatani Gong Orchestra (NGO), a mobile community engagement project which organizes local ensembles performing on multiple bowed gongs.Nakatani teaches master classes and workshops at universities, giving students an opportunity to share his unique musical approach and philosophy for creating visceral, non-linear music.

He has created his own instrumentation, effectively inventing many instruments and extended techniques. Utilizing drums, gongs, cymbals, singing bowls, wooden sticks, metal objects, and the bows and mallets he handcrafts in his Kobo; he creates an intense, intuitively primitive, expressive music that defies genre. His work references improvised-experimental music, free jazz, and noise, while still retaining the sense of space and beauty found in traditional Japanese folk music."