Using his no-input mixing board Toshimaru Nakamura, perhaps the ultimate Onkyo artist, spent two years creating this work, which is also the second release in the Erstsolo series.
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Catalog ID: ErstSolo ES002
Squidco Product Code: 11895
Recorded in Tokyo on January 2nd-4th, 2011 by Toshimaru Nakamura.
Toshimaru Nakamura-no input mixing board
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• Show Bio for Toshimaru Nakamura
"Toshimaru Nakamura is a Japanese musician, active in free improvisation and Japanese onkyo.
He began his career playing rock and roll guitar, but gradually explored other types of music, even abandoning guitar, and started working on circuit bending. He uses a mixing console as a live, interactive musical instrument: "Nakamura plays the 'no-input mixing board', connecting the input of the board to the output, then manipulating the resultant audio feedback."
Nakamura's music has been described as "sounds ranging from piercing high tones and shimmering whistles to galumphing, crackle-spattered bass patterns."
Nakamura founded the ensemble A Paragon of Beauty in 1992. He has recorded solo albums, worked as a session musician, and collaborated with artists including Sachiko M ("a kindred spirit"), Otomo Yoshihide, Keith Rowe, John Butcher, Nicholas Bussmann, Taku Sugimoto, Tetuzi Akiyama, dancer Kim Ito, and drummer Jason Kahn."-Wikipedia (https://en.wikipedia.org/wiki/Toshimaru_Nakamura)
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1. maruto 46:14
sample the album:
Using his no-input mixing board Toshimaru Nakamura, perhaps the ultimate Onkyo artist, spent two years creating this work, which is also the second release in the Erstsolo series. Nakamura constructs this 46 minute piece from recordings of his mixer, which generates a combination of hum, glitch, buzz and subliminally disruptive sound. He develops the results into gentle and non-violent textural and impressionistic music that unfolds in a meditative and absorbing manner. That Nakamura can make so much out of so little is remarkable, and the album is an engaging example of seemingly antithetical approaches to music making that tells a fully formed story. Powerfully understated sound, very much recommended.
lowercase, micro-improv, sound improv
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