Under the name "Caught on Tape", Sonic Youth guitarist Thurston Moore and John Moloney from Sunburned Hand of the Man deliver a set of heavy duos that swing through quiet dynamics and thick riffs, evoking both free/out jazz and beautiful SY-like rock moments.

Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.

2 CDs expanding work from Milanese ethnomusicographers Musci & Venosta's self-titled album, plus pieces form "Water Messages on Desert Sand" and "Urban & Tribal Portraits", plus their soundtrack for Theodore Carl Dreyer's silent movie "Vampyr" recorded with Chris Cutler.

Sean Lennon & Greg Saunier (Mystical Weapons) are joined by multi-instrumentalist extraordinaire Shahzad Ismaily for this one-sided, 19.50 minute art LP with an original illustration by Sean Lennon screen-printed on the B side.

Montreal interdisciplinary artist Alexis O'Hara releases her 1st music album with Montreal luminaries Bernard Falaise, Michel F. Cote, Alexandre St-Onge - intelligent and sophisticated vocal music.

From 1972 to 1982 OM put rock music through improvisational processes with fascinating results; almost 20 years later the band is back with these superb studio recordings.

West Coast multi-reedist and founding member of the Rova Sax Quartet Larry Ochs leads this impressive free improvising quintet patterned after the New York Contemporary Five, with the superb lineup of Nate Wooley, Harris Eisenstadt, Pascal Niggenkemper, and Ken Filiano.

Following their 2015 album "Songs for children who don't want to sleep", the quartet of Yan Pittard on guitar & oud, Mitsuru Nasuno on bass, Maki Nakano on vocals, and Tatsuya Yoshida on drums present this soundtrack album, which translates to "the creative urge".

P (Yann Pittard on oud and guitar & vocals), Y (Tatsuya Yoshida on drums & vocals) and N (Mitsuru Nasuno on bass & vocals) performing Arabian Progressive Pop Improvisation, an unusual melding and orchestration of arabic progressions and melodic prog rock.

A live recording from Warsaw and Berlin of John Zorn & Bill Laswell's Painkiller project performing with drummer Yoshida Tatsuya, an epic hour long suite surrounded by two short hardcore blasts of searing intensity.

An eclectic collection of mostly improvisational songs that use sampling and other electronic processing on raw instrumental material, that is then combined with new improvisation to reshape the material even further.

Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).

"Surreal slabs of processed sound float by each other in brilliant high fidelity, from the man behind much of the documentation of Bug Incision's live activites..."

The only recording of the short-lived and still phenomenal version of Ubu after Allen Ravestine left to be replaced by Eric Drew Feldman, with Chris Cutler on drums.

London's Remote Viewers in their 13th release, quoting W.H. Auden in an album of excellent structured improvisation with David Petts, Caroline Kraabel, Sue Lynch & Adrian Northover (saxes), John Edwards (bass & drums), and Rosa Lynch (keys and percussion).

Limited 5 CD set of The Remote Viewers in collaboration with John Edwards, Caroline Kraabel and Dave Tucker, along with artists Kato Hideki, Darren Tate and Glenn Gupta.

The 12th release from the London-based Remote Viewers led by saxophonist David Petts, with four saxophones plus electronics, acoustic bass, keys and tuned percussion, crossing improvisation and rock forms in unique and sinister ways.

UK's Remote Viewers latest blends electronics, rock, composition and improv in unusual and seductive ways, with guests John Edwards, Steve Noble, Caroline Kraabel, &c.

Dave Petts' Remote Viewers, now a septet of 4 saxophonists, marimba, bassist John Edwards and drummer Mark Sanders, in 7 pieces blending rock and improvisational aesthetics in seductive ways.

Debut recording from Marc Ribot's Ceramic Dog, a post-everything band joining Downtown NY mayhem makers Marc Ribot and Shahzad Ismaily, with West Coast drummer Ches Smith.

Odd beats, strange solos, a reggae feel here, an avant-garde jazz angularity there, from Rollerball, a goth-tinged pop band with vocalist Mae Starr leading the quintet through catchy melodies with unexpected twists and turns.

A collection of 8 synth-driven ambient cosmic voyages from Romannis Motte using Roland JX8P, Roland RS-5, Alexis QS7, Alexis Micron, Korg PE1000, Crumar DS-2, iPad running NanoStudio, Korg iMS20, 0-iPolySix, Access Virus A.

Rich electronic space explorations in the tradition of Ash Ra Tempel, Klaus Schulze, Tangerine Dream, &c.

This Canadian quartet of Guido Del Fabbro, Simon Lapointe, Antonin Provost & Nemo Venba merge rock, prog, jazz and contemporary concepts in impressive ways; reference Conventum, recommended!

The chamber rock 8 piece Saint Dirt Elementary School ensemble in their second release on Barnyard, superb sophisticated compositions reminiscent of L'Ensemble Raye or Conventum.

The second Sax Ruins album with Tatsuya Yoshida (drums) and Ono Ryoko (alto sax) with guest Ryuichi Yoshida on baritone sax, performing new arrangements of Ruins works including "Vrresto", "Refusal Fossil", &c.

New York/Ohio skronkers Scarcity of Tanks with Jim Sauter of Borbetomagus plus Kid Millions in a hard free rock free improv blast.

Montreal free improvisers in an album straddling improvisation, actuelle, and rock influences, with drummer Michel F. Cote, guitarist Sam Shalabi, and bass/electronicist Alexandre St-Onge.

The Japanese improvising rock trio of Kazuto Shimizu on keyboards, Nasyuno Mitsuru on bass, and Yoshida Tatsuya on drums performing live at Club Goodman in Akihabara, Japan, 2016 for technically superb, fast paced, turn-on-a-dime, joyful prog-oriented playing.

Sim is the 3 piece electronic/rock band of Teruyuki, Yoshio & Masahiro, here with Otomo Yoshihide on turntables and synth, and amazing album of rhythms in a This Heat "Repeat" mode.

Acnalbasac Noom was Slapp Happy's second LP, recorded in 1973, and engineered by Kurt Grauner in Faust's legendary Wumme Studio using Faust as the Slapphappy house band; it was originally rejected by Virgin Records, who made the group re-record the album with different musicians as Casablanca Moon, though through time Acnalbasac is still the definitive and preferred edition.

Hypnotic lo-fi space pop from Azalia Snail, whose 20 year career of 4-track era work is heard in this musical journey paying tribute to the power of the sun & the hope it can bring to us all.

Eccentric Japanese vocalist Makigami Koichi joins Ruins/Korekyojinn drummer Yoshida Tatsuya, Altered States guitarist Uchihashi Kazuhisa, and Shimizu Kazuto (Hikasu) for an album of impressive and slightly deranged rock.

Songwriter/singer John Southworth, supremely crafted, elegiac songs featuring Barnyard artists Justin Haynes on guitar, Jean Martin on drums and Andrew Downing on bass.

T H O M A S is the ongoing brainchild of Toronto's Thom Gill, since 2009 exploring the world of song, at home and abroad, through pieces that blur the lines between pop and avant-garde.

One of NYC's oddest rock bands, Talibam! augment and mutilate rock forms with a weird mix, helped along by Jon Irabagon, Peter Evans, Chris Forsyth, &c., great and bizarre!

Blending elements of punk, no wave and free improvisation reminding of Crass, The Ex, Gang of Four, &c., the cry of free jazz driven by strong bass lines and groove guitar riffs, this Italian band sings in English on a mix of socially conscious songs and observant themes.

Ruins drummer Yoshida Tatsuya and Tipographica guitarist Imahori Tsuneo in fiery and dense improvised power rock taken at high speed, edited and overdubbed in the studio.

Nasuno Mitsuru (Altered States, Seijaku, Korkyojin, &c) in a new band with two synthesizers, bass, and drums, rock in a Heldon/Tangerine Dream mode using modern electroacoustic principles for richly hypnotic electronic music.

First album by French rock band Ghost Rhythms's keyboardist and co-composer Camille Petit, orchestral instrumental rock with a progressive rock feel, latin rhythmic influences and strong melodic tendencies, performed by a large ensemble to create an embraceable blend of music.

David Thomas continues the Pere Ubu project with band members playing a mix of rock elements and synths, electronics and computers, adding alienation and oddity to this soundtrack to Herk Harvey's 1962 low-budget shocker "Carnival of Souls".

VRIL's 2nd incredible album of tongue-in-cheek lyrical guitar instrumentals, led by Lukas Simonis with Bob Drake and now 3rd guitarist Omer, with Chris Cutler on drums.

Germany's Fragment Factory released this compilation to celebrate their 4th anniversary, with artists Joachim Montessuis, AMK, Aaron Dilloway, Philip Marshall, Krube., Michael Barthel, GX Jupitter-Larsen, Michael Muennich, Giuseppe Ielasi, Leif Elggren and Michael and Basil Esposito.

An encompassing modern guitar compilation curated by Elliott Sharp with pieces from Henry Kaiser, Nels Cline, Scott Fields, Mary Halvorson, Janet Feder, Kazuhisa Uchihashi, Mick Barr &c. &c.!

The 3rd issue from Elliott Sharp's compiled series of guitar work in the 21st century, demonstrating new sounds, processes, techniques, melodies, riffs and gestures from a who's-who of modern improvising guitarists, a must-have release for all guitar fans and players.

An ongoing compilation organized by Elliott Sharp that is dedicated to solo guitar with 16 original tracks by various artists ranging from acoustic, electro-acoustic, electric, all the way to electronic.

Originally released in 1982, this is a collection of specially commissioned and (at the time) newly recorded pieces by the most interesting groups and individuals then in the ReR catalogue.

An incredibly informed instant-composing ensemble drawing on free jazz and post rock sensibilities with nods to Indian ragas, jazz-inflected minimalism, Zappa-esque bouts of sonic anarchy, and German rock music from the 1970s, captured live at Toronto, Guelph and Hamilton, Canada in 2012.

The Vertical Squirrels trio plays collective improvisations that draws on groove elements of funk and rock with Rob Wallace's sensitive drumming and Fischlin's adventurous ECM-tinted guitar work.

The long-distance collaborative Vlor project constructs rock and sound work from a wide array of rock influcences leveraging their dichotomy to creative a cohesive brooding music.

Wild British improvisers Volcano The Bear, borrowing from a cross-section of styles including jazz, rock, ethno-folk, organized sound, with an inexplicable and insanely passionate approach to their eccentric and excellent music.

Active since 1997, the quartet of Alexander Frangenheim (double bass), Roger Turner (percussion), Pat Thomas (piano & electronics) and Philipp Waschsmann (violin & electroncis) in a wildly creative cross of non-idiomatic improv flavored by the London scene.

Steelpan and electronics player and Amorfon label leader Yoshio Machida met the Serbian CINC band for these sophisticated and lovely post-rock pieces recorded in Belgrade, 2006.

Experimental improvising in the 3rd studio release from Andrew Weathers and his Ensemble paying homage to America's myriad cultural traditions in sound tapestry and song, completing a trilogy that began in 2011 with "We're Not Cautious".

The Japanese improvising rock quintet The World Heritage--Yamamoto Seiichi, Katsui Yuji, Kido Natsuki, Nasuno Mitsuru, and Yoshida Tatsuya--with two guitars, violin, bass and drums, in a live recording of dynamic collective improvisation at Akihabara Goodman in 2013.

CD & DVD of this supergroup of Japanese improvising and advanced rock forms with members of Ruins, Koenji Hyakkei, Korekyojinn, ROVO, Boredoms, Bondage Fruit, &c!

The World Heritage in their 5th release recorded live at Tokyo's Akihabara Goodman in 2012, amazing improvised instrumental rock from Tatsuya Yoshida (drums), Seiichi Yamamoto (guitar), Natsuki Kido (guitar), Yuji Katsui (violin) and Mitsuru Nasuno (bass).

Live recordings of drummer Yoshida Tatsuya's World Heritage band from Koenji HIGH in 2009, condensing and editing the show into one incredible hour of sophisticated rock improvisation.

British guitarist Jon Attwood's Yellow6 solo project finds him performing on guitar, bass, electronics, and drum programming for a beautiful album of shoegaze rock with elements of minimalist, electronica, and ambient sound.

Core Anode is Otomo's roaring-sound project, 3 pieces recorded live at concerts in Tokyo (2002), Copenhagen (2006), and London (2006).

UK guitarist and vocalist Richard Youngs, also on zither, suggested performing his large song work "Parallel Winter" on the first day of his Warszawa tour of Poland, a piece that changes in length based on location and environment, here in an extended and contemplative version.