The Squid's Ear Magazine

Talibam!

Boogie in the Breeze Blocks

Talibam!: Boogie in the Breeze Blocks (ESP-Disk)

One of NYC's oddest rock bands, Talibam! augment and mutilate rock forms with a weird mix, helped along by Jon Irabagon, Peter Evans, Chris Forsyth, &c., great and bizarre!
 

Price: $12.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Matthew Mottel-piano, fender rhodes, mini moog, glamor box oscillator, roland juno-1 alpha synth, banjo, organ, alesis nano synth, voice

Kevin Shea - drums, objects, roland spd-s, voice



With:



Tim Dahl-electric bass (2, 5, 6, 7, 8, 10, 11)

Moppa Elliott-upright bass (6)

Michael Evans-percussion (4)

Peter Evans-trumpet (2, 4, 6, 11), voice (2)

Chris Forsyth-guitar, voice (2)

Jon Irabagon-saxophone (2, 4, 6)

Danielle Kuhlmann-voice (1, 3, 5, 6, 7, 9, 11, 12)

Sam Kulik-trombone (2, 4, 6, 11), voice (2)

Robbie Lee-renaissance instruments (4)

Anders Nilsson-electric guitar (4, 6)

Mike Pride-vocals (4)

Jeremy Wilms-electric guitar (4, 11), fretless guitar (11)

Bird field recordings from Ornithology-Shadows by Michael Pestel & Jeroen van Westen (11)


Click an artist name above to see in-stock items for that artist.




UPC: 825481040556

Label: ESP-Disk
Catalog ID: ESPDISK 4055
Squidco Product Code: 11669

Format: CD
Condition: New
Released: 2009
Country: USA
Packaging: Digipack
Recorded and mixed by Josh Clark at The Seaside Lounge, Brooklyn. Live recordings by Jocelyn Soubiran at Zebulon Cafe Brooklyn; and Joseph Frivaldi at Club Rehab, NYC.

Descriptions, Reviews, &c.

"The Brooklyn duo Talibam!'s first ESP Disk' release, Boogie in the Breeze Rocks, is a narrative earful as warped and wonderful as spicy pasta, fresh grapes and caramel crunch. An ensemble record joining 2008's Thelonious Monk Jazz Institute winner, Jon Irabagon (tenor sax); Peter Evans of Sparks (trumpet); guitarists Chris Forsyth from Peeesseye, Anders Nilson and Chin Chin's Jeremy Wilms; along with Mostly Other People Do the Killing's Moppa Elliot on upright bass; all filtered through Talibam! To make music of one voice and cohesion. It is ensemble playing that goes beyond personal choice to capture a mood and the deep anthropology of the strange beauty of contemporary opposing and debt-maxed-out stimuli."-ESP


Artist Biographies

"Tim Dahl is a professional electric and double bass player, vocalist, keyboardist and composer living in New York City. He is best known as the bass player of the noise-rock band Child Abuse and Lydia Lunch's Retrovirus. He also writes and performs for the jazz ensemble Pulverize The Sound.

Dahl has toured extensively throughout North and South America, Europe, Australia, New Zealand and Japan. He has performed with many notable musicians, composers and performers including Yusef Lateef, Archie Shepp, Eugene Chadbourne, Tatsuya Yoshida, Von Freeman, Stanley Jordan, Mary Halvorson, Malcolm Mooney, Marc Ribot, Brian Chase, Hamid Drake, Elliott Sharp, Weasel Walter, Marni Nixon, Peter Evans, Kevin Shea, Mick Barr, Lydia Lunch, Jan Terri, The Bureau of Atomic Tourism, Ava Mendoza etc.

As a bass player he is notable for unique style and technical savviness. Clifford Allen of Tiny Mixtapes' wrote "Tim Dahl [...] approaches his well-worn axe with a battery of pedals and loops, combining determinate speed with murkier sonics to create a landscape not unlike a harsh, speed-freak variant on Hugh Hopper."

Dahl currently lives in Brooklyn and is an active member in the music scene there."

-Wikipedia (https://en.wikipedia.org/wiki/Tim_Dahl)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"A short biography from the artist:

I was born on September 13, 1978, the first son of David and Carolyn Elliott in Scranton, Pa. Incidentally, they named me Matthew Thomas Elliott, not Moppa. My parents are both college instructors and intense music lovers, so I was able to hear a lot of music growing up. After a brief introduction to the piano, I started to play the trombone in the sixth grade, and after deciding a few years later that I wanted to also play an instrument with strings, I was given an electric bass. When I was about 17, I fixed up my father's old acoustic bass in order to audition for a summer program. I then began to study the bass seriously with Pocono resident Tony Marino. In the fall of 1997, I enrolled in both Oberlin College and the Oberlin Conservatory of Music majoring in biology and Jazz bass performance in Oberlin's double-degree program. While there I was able to record my first CD, Pinpoint and to gain some experience playing in Cleveland OH for about 3 years. I was also fortunate enough to teach at the Pennsylvania Governor's School for the Arts for four summers. I finished school in the winter of 2001, and moved to New York City the following summer. Here in New York, I have been able to play and record with some great musicians and to continue teaching at St. Mary's High School."

-Moppa Elliott Website (http://www.moppaelliott.com/who.html)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Michael Evans is an improvising drummer/percussionist/ thereminist/composer whose work investigates and embraces the collision of sound and theatrics.While his primary instrument is an unconventionally altered drumset, his work with unusual sound sources includes found objects, homemade instruments, the theremin and various digital and homemade analog electronics.

As an active and versatile New York City musician, he has worked with a wide variety of artists of all sorts including Ron Anderson, Jeff Arnal, Audio Artists, Claire Barratt, Samm Bennett, Jac Berrocal, Carla Bley, Naval Cassidy, James Chance, Martha Colburn, Combustible Edison, Lol Coxhill, EasSide Percussion (ESP), Roger Ely (the Devil's Chaueffeur), Nicolas Dumit Estevez, Ken Filiano, Fast Forward (Gobo), Chris Ferris, Michael Gira (Angels of Light, Swans), Gisburg, Gilbert Godfried, God Is My Co-Pilot, David Grubbs, Alexander Hacke (Einsturzende Neubauten), Susan Hefner, Steve Horowitz's Code Ensemble, Jarboe (Swans), Pamelia Kurstin, Skip LaPlante's Music for Homemade Instruments, Zach Layton, Gen Ken Montgomery, Neil Leonard, Aimee Mann, Karen Mantler, Sean G. Meehan, Donald Miller, Eric Mingus, Gordon Monahan, Joe Morris, Michelle Nagai, Anders Nilsson, Evan Parker, Andrea Parkins, Maxime De La Rochefoucauld, William Parker, Yvette Perez's Birdbrain, Yvette Perez's Mitra Sumara, Gino Robair, Lary Seven, Elliot Sharp, Moe! Staiano, LaDonna Smith, David Simons, Jesse Stewart, the Talking Band, Toronto Dance Theatre, Stephen Vitiello, Christopher Walken, Jason Willet, Peter Zummo's Noisy Meditation Band and John Zorn.

He toured internationally with God is my Co-Pilot in the 90's, performed solo percussion at Het Apollohuis in Eindhoven, Netherlands, with Gordon Monahan in Munich, Germany, and in an impromptu series entitled "Purgatory", presented by Alexander Hacke (Einsturzende Neubauten) in Berlin, Germany. He toured Japan with percussionist Samm Bennett in 2005, went to Sweden with Anders Nilsson and "Fulminate Trio" in 2006, and performed with Fast Forward in "Music a la Mode" at Sophiensaele in Berlin in 2010.

His work with the theremin varies the quality of its sound through set-up and technique. On the theremin he has performed with dancers and in group settings playing experimental, jazz, rock, ersatz lounge and chamber music. In 2000, he was photographed playing a Moog ether wave theremin for the front of Bob Moog's Big Briar catalog. He has performed in multiple performances of the NYC Theremin Society's concerts 2005 - 2012 at Issue Project Room and at Joe's Pub.

He was selected for a composers fellowship to Music/Omi 2001, part of the International Music Colony @ the Art Omi International Arts Center, in Ghent, N.Y. During the summer of 2003, he participated in Baltimore's High Zero Festival, an ongoing, yearly improvisational festival featuring musicians from the USA and abroad. Every August since 2006, he has been happily teaching percussion workshops to children, performs as a musician and often times helps out by cooking meals at the Electric Eclectics festival (Festival Of Modern Music And Irritainment) in Meaford, Canada presented by Gordon Monahan, Laura Kikauka and Chris Worden.

He collaborates regularly with the choreographer Susan Hefner. Their sound/movement performance work has been previously produced at Roulette, The Chocolate Factory, Improvised and Otherwise, Dixon Place, Music with a View at the Flea Theater, the Birmingham Improvisation Festival, and elsewhere. The duo also presents salon performances at their home studio, MESH. In December 2013, they will perform at Experimental Intermedia.

He also continues his ongoing collaborations with: Bed of Daddle (with Gordon Beeferman and James Ilgenfritz), Fulminate Trio (with Anders Nilsson & Ken Filiano), Peter Zummo's Noisy Meditation Band, Ghosts of the Holy Ghost Spermic Brotherhood (with David Grollman and Andy Haas.)

Recorded examples of his work can be found on EasSide Percussion's "ESP" release on Avant records, "MESuperstar" on A.T.M.O.T.W. records, Karen Mantler's "Farewell" and "Pet Project" releases on XtraWatt records, "Just Drums 2 - The Project" (a compilation of 35 drummers) on Fever Pitch records, "MEJA" (Michael Evans/Jeff Arnal) on C3R records, Fulminate Trio: s/t on Generate records," Deviant Shakti: Ladonna Smith and Michael Evans" on Trans Museq records, "An Optimist Notes the Dusk" with David Grollman on Drag City Records, and "Ghosts of the Holy Ghost Spermic Brotherhood" on Resonant Records.

He has studied movement/sparring/drumming with Professor Milford Graves, drum technique with Joe Morello, tabla with Misha Masud, kanjira with Ganesh Kumar and Haitian/Afro-Cuban hand drumming with John Amira. He has studied musicianship with Helen Hobbs Jordan, composition with Richard Cameron Wolf, Blue Gene Tyranny and the theremin with Pamelia Kurstin."

-Michael Evans Website (http://www.michaelevanssounds.com/about)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Peter Evans is a trumpet player, and improvisor/composer based in New York City since 2003. Evans is part of a broad, hybridized scene of musical experimentation and his work cuts across a wide range of modern musical practices and traditions. Peter is committed to the simultaneously self-determining and collaborative nature of musical improvisation as a compositional tool, and works with an ever-expanding group of musicians and composers in the creation of new music. His primary groups as a leader are the Peter Evans Quintet and the Zebulon trio. In addition, Evans has been performing and recording solo trumpet music since 2002 and is widely recognized as a leading voice in the field, having released several recordings over the past decade. He is a member of the cooperative groups Pulverize the Sound (with Mike Pride and Tim Dahl) and Rocket Science (with Evan Parker, Craig Taborn and Sam Pluta) and is constantly experimenting and forming new configurations with like minded players. As a composer, he has been commissioned by the International Contemporary Ensemble (ICE), Yarn/Wire, the Donaueschingen Musiktage Festival, the Jerome Foundation's Emerging Artist Program, and the Doris Duke Foundation for the 2015 Newport Jazz Festival. Evans has presented and/or performed his works at major festivals worldwide and tours his own groups extensively. He has worked with some of the leading figures in new music: John Zorn, Kassa Overall, Jim Black, Weasel Walter, Levy Lorenzo, Nate Wooley, Steve Schick, Mary Halvorson, Joe McPhee, George Lewis, and performs with both ICE and the Wet Ink Ensemble. He has been releasing recordings on his own label, More is More, since 2011."

-Peter Evans Website (http://pevans.squarespace.com/about/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Guitarist Chris Forsyth's hypnotic instrumentals assimilate art-rock textures with vernacular American influences culled from a lauded career as a composer, improviser, and inveterate collaborator. Long active in the international improv/experimental underground, he's released a series of acclaimed records as a solo artist that demonstrate a resolute engagement in making corporeal/cerebral music that transcends such subterranean realms, reaching instead for a bleeding-edge physicality and lyricism that he deems "cosmic Americana." The fascinating tension manifest in Forsyth's playing between often long-form, rarefied abstraction and percolating rhythms and rock/roots structures animates notable recent works such as his 2011 LP Paranoid Cat on Family Vineyard and Early Astral, a 2012 duo LP with Koen Holtkamp (Mountains) on Blackest Rainbow.

His 2012 Kenzo Deluxe LP/CD on Northern Spy, which features "The First Ten Minutes of Cocksucker Blues," a stunning conceptual soundtrack piece for Robert Frank's banned Rolling Stones documentary film, has been described as "resonant [and] incisive... a cosmic abstraction of the American guitar tradition, reducing blues, rock, folk and improvisation into their spare, hypnotic base elements." Aptly, Forsyth credits a Keith Richards interview in a 1988 issue of Guitar World with introducing his teenage self to the banjo-derived open G tuning, which Forsyth now employs almost exclusively. The Wire has praised him as "an erudite and farsighted guitar stylist, mapping a path that's hip and scholarly in equal measure." Uncut calls him "an emergent master."

Forsyth has toured throughout Europe and the U.S., sharing stages with such like-minded travellers as fellow PoB artist Steve Gunn, Bill Orcutt, Rhys Chatham, Sic Alps, Grouper, Loren Connors, Mind Over Mirrors, PG Six, and Träd Gräs och Stenar, and, from 2002 to 2011, as a member of Peeesseye. He studied with guitarist Richard Lloyd of Television and has also collaborated with diverse artists including Meg Baird, Tetuzi Akiyama, Nate Wooley, and choreographers Miguel Gutierrez and RoseAnne Spradlin. Forsyth was awarded a 2011 Pew Fellowship in the Arts and resides in Philadelphia."

-Paradise of Bachelors (http://www.paradiseofbachelors.com/chris-forsyth/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"The winner of the 2008 Thelonious Monk Saxophone Competition, Irabagon has since topped both the Rising Star Alto Saxophone and the Rising Star Tenor Saxophone categories in the DownBeat Magazine Critics' Poll and been named one of Time Out New York's 25 New York City Jazz Icons. Jon was also named 2012 Musician of the Year in The New York City Jazz Record and is an integral member of such high-profile ensembles as the Mary Halvorson Quintet, the Dave Douglas Quintet and Barry Altschul's 3Dom Factor, as well as an established bandleader in his own right.

For Perpetual Motion, a project of Moondog arrangements, Jon (along with French saxophonist/clarinetist/composer Sylvain Rifflet) has been awarded a French-American Cultural Exchange grant from the Mid-Atlantic Arts Foundation, with generous funding from the Cultural Services of the French Embassy, Doris Duke Charitable Foundation, Florence Gould Foundation, The Andrew W. Mellon Foundation, Institut Français, Ministère de la Culture et de la Communication, and Société des Auteurs et Compositeurs de Musique ("SACEM"). In addition, Jon has received a 2012 Mabuhay Award by the National Association of Filipino-Americans and a 2014 Philippine Presidential Award.

Jon's own record label, Irabbagast Records, has currently released five of his efforts, including I Don't Hear Nothin' but the Blues Volume 2: Appalachian Haze (with Mike Pride and Mick Barr), Outright! Unhinged (with Ralph Alessi, Jacob Sacks, John Hebert and Tom Rainey) and It Takes All Kinds (featuring Mark Helias and Barry Altschul), and most recently, the dual release of Behind the Sky (featuring Tom Harrell, Luis Perdomo, Yasushi Nakamura and Rudy Royston) as well as Jon's first solo saxophone recording, Inaction is an Action."

-Jon Irabagon Website (http://www.jonirabagon.com/bio/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Hi, I'm Sam. I was born and raised in Western Massachusetts, in a small town called Worthington. I left there in 2000 to attend Oberlin College, where I met many of the musicians I still collaborate with.

I moved to New York in 2004 and settled in the Astoria, Queens neighborhood, working as a nanny as I got my musical career going. I was playing a lot of improvised music at the time (still do!), and met many like-minded players through playing in the New York Soundpainting Orchestra and volunteering and generally hanging out at the Stone. Parallel to my activity as a serious improviser of music, I hooked up with several of the extremely talented rock musicians and songwriters that live in this city, and also found myself getting involved in playing music for theater and dance. I started touring a fair amount and meeting people all over the US and Europe. Don't let people tell you that being a musician isn't awesome.

I think of myself as a trombonist, though I play an increasing number of other instruments pretty decently. The trombone is the instrument that I play every day and can usually count on to best express myself with. However, as the Frank Zappa saying goes, "you can't write a chord ugly enough to say what you want sometimes, so you have to rely on a giraffe filled with whipped cream." So sometimes I rely on the electric bass, or my voice, or the tuba, or the guitar, or the ukulele to say what I want. I've even got my sister's oboe from high school that I break out on rare occasions. I tell you, when you've been playing the trombone your whole life and dealing with the difficulty of slide technique and then you pick up an instrument like the oboe that has BUTTONS, it's liberating!

It would be silly not to list by name some of the people I've worked with in New York. These are the people who shape who I am as a player, which is very closely related to who I am as a person. You can hear some of this music elsewhere on this website, and for those of you who are able to make it to a show, I try to make it special every time. Starring, Skeletons, Nervous Cabaret, Anthony Braxton, Talibam!, Joachim Badenhorst, The Talking Band, Cynthia Hopkins, Peter Evans, Mitra Sumara, Kagel Nacht, Jim Bianco, Johnny Society, Blueberry, Capillary Action, Mary Halvorson, Kevin Shea's Lonely Goldmine of Symbiotic Subterfuge, Jeremiah Cymerman, Frantz Loriot, Moppa Elliott, Walter Thompson, TILT Brass, 5 for Marion, Levon Helm, Dubl Handi, Charlie Rauh, John Zorn, Guardian Alien, Yellowbirds, Mettawee River Theater Company, Jessy Carolina, Yasanao Tone, Langhorne Slim, Chris Ferris, Red Dive, Amanda Palmer, The National Reserve, the Dirty Water Dogs, Kabloona, Tin Pan, the Drunkard's Wife, Paranoid Larry, Yoshi Wada, Super Hi-Fi, Shahzad Ismaily, Ed Pastorini, Louise DE Jensen, James Ilgenfritz, Kamala Sankaram, Banana Bag & Bodice, Rick Burkhardt, Cesar Alvarez, Gordon Webster, David First & The Western Enisphere."

-Sam Kulik Website (https://www.samkulik.com/blog/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Robbie Lee is an American, New York-based composer and multi-instrumentalist. He specializes in improvisation, incorporating historical and early music instruments, in the intersection of experimental, classical and jazz music. Lee also releases music under the name Creature Automatic.

In the mid-2000s Lee was a member of Neil Hagerty's post Royal Trux group The Howling Hex, the Dax Riggs band and Love As Laughter. Since 2008, he has been better known as part of the New York experimental scene as a member of minimalist composer and lutenist Josef van Wissem's Heresy of the Free Spirit, the Early/Renaissance-music inspired group Seven Teares (where Lee played woodwinds and portative organ), his improvisational duo work with Che Chen, and as a session musician and collaborator. He has also recorded a duo album with avant-garde guitarist Mary Halvorson and is part of the current acoustic project of experimental dance musician Glasser.

Lee is known as an improvising saxophonist, keyboardist, guitarist, and player of several kinds of woodwinds, contemporary and historical. He has worked as a session musician and collaborated with a large number of artists across genres, including Cass McCombs, Baby Dee, Eleanor Friedberger, Cassandra Jenkins, !!!, JFDR, Lights/Cliffie Swan, August Wells, Lia Ices, Brightblack Morning Light, Fraufraulein, Chris Brokaw, Lea Bertucci (for a Pauline Oliveros project), Talibam!, Brian Chase (drummer for Yeah Yeah Yeahs and drone musician) and Citay's Ezra Feinberg.

In 2008, Lee began improvising regularly with fellow Brooklyn avant-rock improviser Che Chen, a collaboration that lasted for several years and first surfaced as the limited-release album Begin and Continue! (2008). Lee and Chen's album The Spectrum Does (2017) was originally recorded in 2011. The album credits Lee with flute, tarogato, melodica, great bass recorder, electronics, percussion and Chen with violin, harmonium, bass recorder, tape machine, electronics, percussion.

In 2010, Lee and Chen joined Dutch minimalist composer and lutenist Jozef Van Wissem in his project Heresy of the Free Spirit, playing music described by the Chicago Reader as "a sublime mixture of country blues, old-time mountain music, and minimalist drone that features Van Wissem playing his lute with a slide." The trio recorded an album in 2011, A Prayer for Light. Lee also mixed and mastered van Wissem's collaboration with film director Jim Jarmusch, Concerning the Entrance into Eternity (2012). The Incunabulum Records compilation New Music for Old Instruments, which also includes a Heresy of the Free Spirit track featuring singing by Japanese avant-garde musician Keiji Haino.

Creature Automatic is the name of Lee's song-based project. Creature Automatic released the album Dust Clouds May Exist in 2015. Record Collector described Dust Clouds May Exist as "a collection of rough diamonds that veers wildly from genre to genre."

The trio album Opalescence, with German flutist Norbert Rodenkirchen (who also plays in early-music group Sequentia) and bassist James Ilgenfritz, released in 2018. Lee plays contrabass recover, chalumeau, gemshorn, sopranino saxophone, Beaudin and medieval flutes, Kingma-system quarter-tone flute, and Kotato F flute.

His duo work with Mary Halvorson combines her vintage guitar sound with Lee's eight-key Baroque flute. Seed Triangular, Lee's album with Mary Halvorson, was released by New Amsterdam Recordings in 2018. The New York Times described Lee as "a versatile musician with a passion for exhuming old American instruments." "

-Wikipedia (https://en.wikipedia.org/wiki/Robbie_Lee_(musician))
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Swedish-born and New York-based experimental guitarist Anders Nilsson produces music that is at once bracingly direct and utterly unclassifiable." - Matt Miller, tuneOUToptIN. As an electric, acoustic and 11-string alto guitarist, he has performed at festivals and concerts throughout Europe and North America. His solo guitar music is featured on the albums "Night Guitar" 2012 and "Äventyr" 2022. "Anders Nilsson, a guitarist-composer comfortable with everything from free improvisation to avant-garde metal, celebrates a fine recent solo effort, Night Guitar, that traverses ghostly mood-setting, bluesy twang and overdriven riffage." - Time Out, New York. He leads three bands playing his music; Anders Nilsson Group with Satoshi Takeishi drums, percussion and David Ambrosio electric bass, bata, Outer Space Caravan with Stephanie Griffin viola, Michael Attias alto sax, Ken Filiano bass, Anders Nilsson's AORTA, a jazz-rock band in Malmö, Sweden. He plays on over 40 albums and has performed and/or recorded with many artists such as Mohsen Namjoo, Gordon Beeferman, Jason Kao Hwang, Kalabalik, Paquito D'Rivera, Elliott Sharp, Fay Victor, and Angelblood. Nilsson's work as a composer has produced 100+ compositions ranging from brief to epic solo works to large experimental ensemble works, many of which have been released on several acclaimed albums. He has also written music for string quartet, short films, butoh dance performances and theatre.

I extend endless thanks to the many special collaborators I've been fortunate to work with over the years including;

Drummers: Peter Nilsson, Michael Evans, Tom Bruno, Satoshi Takeishi, David Nuss, Lou Grassi, Michael T.A. Thompson, Jeff Arnal, Gerald Cleaver, George Schuller, Hamid Drake, Vinnie Sperrazza, David Gould, Tim Keiper, Michael Wimberley, Kevin Shea, Calvin Weston, Antonio Sanchez, Lukmil Perez, Martin Brandquist, Jeremy Carlstedt Bassists: Ken Filiano, David Carlsson, David Ambrosio, Joe Fonda, Sean Conly, Michael Formanek, Matt Heyner, Reid Taylor, Kermit Driscoll, Felipe Cabrera Cardenas, John Benitez, Ed Schuller, Mark Helias, Francois Grillot, Stuart Popejoy, Ratzo Harris Cellists: Tomas Ulrich, Fred Lonberg-Holm Violin: Sarah Bernstein, Charlie Burnham Keyboardists: Sebastian Schunke, Daniel Kelly, Evan Gallagher Trumpeters: Tomas Hallonsten, Matt Lavelle, Roy Campbell, El Indio, Ralph Alessi Saxophonists: Mattias Carlson, Sabir Mateen, Daniel Carter, Ras Moshe, Michael Attias, Darius Jones, Sven Andersson, Cennet Jönsson, Sam Newsome, Tony Malaby, Helge Albin, Henrik Frisk, Mats Gustafsson, Martin Kuchen Clarinetists: Paquito D'Rivera, Perry Robinson Vocalists: Fay Victor, John Sinclair, Bonnie Barnett Percussionists: Chris Tunkel, Burkhard Beins, Brahim Fribgane Guitarists: Gene Bertoncini, Raoul Björkenheim, Aaron Dugan, Elliot Sharp Banjoist: Eugene Chadbourne Tubaist: Jose Davilla The world's only Flexicordist: Herman Müntzing."

-Anders Nilsson Website (http://www.andersnilssonguitar.com/bio/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Mike Pride: Percussionist • Composer • Vocalist • Visual Artist

Born and raised in Southern Maine, but based out of New York City since 2000, Mike Pride currently performs solo, leads modern-jazz quartet From Bacteria To Boys, the 7-drummer installation-band Drummer's Corpse, and the MDC piano trio I Hate Work. He also co-leads the ensembles Pulverize The Sound (w/ Peter Evans and Tim Dahl), and Period (w/ Charlie Looker and Chuck Bettis). Pride is renowned for his ability to excel in a wide range of genres and ensembles. He has worked with everyone from improvised music icon Anthony Braxton to punk legends Millions Of Dead Cops, toured extensively on four continents, appeared on more than 100 recordings, and is currently touring the world opening for comedian Amy Schumer with Jason Stein's Locksmith Isidore.

A short list of his collaborators includes Mick Barr, Tim Berne, Boredoms, Eugene Chadbourne, Nels Cline, Andrew D'Angelo, Trevor Dunn, Dynamite Club, Peter Evans, Charles Gayle, Milford Graves, Drew Gress, Mary Halvorson, Curtis Hasselbring, Nona Hendryx, Jon Irabagon, Brad Jones, Haino Keiji, Kirk Knuffke, George Lewis, Frank Lowe, Bill McHenry, Tony Malaby, Sam Mickens, Butch Morris, Joe Morris, William Parker, Marc Ribot, Matana Roberts, Herb Robertson, Jamie Saft, Sonny Simmons, Craig Wedren, Nate Wooley, Otomo Yoshihide and John Zorn.

Pride's versatility doesn't end with his eclectic résumé as a popular sideman and leader/co-leader of many active ensembles spanning the worlds of modern-jazz, avant-rock, noise and doom metal improv. He is also a busy educator and clinician, a soundtrack composer for TV shows, video games, podcasts, independent films, and websites, and an experienced and exhibited visual artist.

Mike proudly uses Yamaha Drums & hardware, Vic Firth striking implements, and Humes & Berg Cases."

-Mike Pride Website (http://mikepride.com/about/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Predetermined to the Master Plan 4:17

2. Ghost Cloud 3:17

3. Slap Yr Boots On! Oysters Await 2:50

4. Entertaining the After Beast 5:20

5. Jim O'Rourke 6:53

6. Schroeder Meets Jagger 5:33

7. Not Just Any Kind of Fruit and Veg 1:41

8. Movement of Ta! People 0:58

9. Roosevelt Island: I Can't Do It. 1:11

10. Mao Mix 4:46

11. Nike Rim Johb 6:24

12. Herodiade 3:43

Related Categories of Interest:


Rock and Related
Improvised Rock
NY Downtown & Jazz/Improv
Electro-Acoustic
Organized Sound and Sample Based Music
Peter Evans
Objects and Home-made Instruments
ESP

Search for other titles on the label:
ESP-Disk.


Recommended & Related Releases:
Other Recommended Releases:
Hawkins, Chester
Magnetisk Nord
(Intangible Arts)
Chester Hawkins' curiosity for Denmark resulted in his renting an apartment in central Kobenhavn, bringing along his electronically modified lapsteel guitar, wind and reed instruments, tabletop noise-boxes, mobile synthesizer apps and a shortwave radio, which he joined with field recordings from the capital region, creating this magnificent loveletter to Denmark.
Pitsiokos, Chris / CP Unit
Silver Bullet In The Autumn Of Your Years
(Clean Feed)
Pushing the envelope in genre-smashing collective improvisation, Brooklyn-based sax and synth player Chris Pitsiokos and his CP Unit with 2 electric bassists--Tim Dahl and Henry Fraser--2 drummers--Jason Nazary and Connor Baker--and guitarist Sam Lisabeth, take a twisted path through improv, rock, and electronics that always shows a fierce allegiance to free jazz.
CP Unit (Pitsiokos / Seabrook / Dahl / Walter)
Before the Heat Death
(Clean Feed)
Chris Pitsiokos' Unit with electric guitarist Brandon Seabrook, electric bassist Tim Dahl, and drummer Weasel Walter turn in a fiery and demanding album of compelling free jazz, using traditional jazz structures but turning them on their head in joyfully unconventional ways.
Evans, Peter / Tim Dahl / Mike Pride
Pulverize The Sound
(Relative Pitch)
The trio of trumpeter Peter Evans, electric bassist Tim Dahl, and drummer/percussionist Mike Pride have played together since 2010, crossing the boundaries of improvisation, composition and rock in dynamic genre-defying music intended to be played loud.
Mickens, Sam
Kayfabe: Lamb of G.O.D.
(Sam Mickens)
Vocalist/multi-instrumentalist Sam Mickens (The Dead Science) leading an excellent band including drummer Mike Pride, bassist Shahzad Ismaily, vocalists Carla Bozulich, Jesse Quattro, &c, through 15 persuasive rock songs recorded in NYC.
Punkappella
Wake Up [7-inch VINYL]
(Front Rock)
A 7" 6 song release of Mike Pride's "punk" vocal troupe Punkappella, with Dusan Hedl, Bojan Tmoazic, Rick Klaus Theis, and Jessica Pavone on vocals; double sided sleeve contains lyrics for these unusual vocal vignettes.
Talibam! & Sam Kulik
Discover AtlantASS [CD & Graphic Book]
(Belly Kids)
NY's Talibam! team up with artist graphic artist Sam Kulik to tell the absurd and fantastic story of a young teen named Franklin who gets abducted by a revolutionary jazz fish into the undersea world of Atlantis.



Customers Who Bought This Item Also Bought:
Dunmall, Paul / Jon Irabagon / Mark Sanders / Jim Bashford
The Rain Sessions
(FMR)
Dedicated to Cecil Taylor and taking advantage of NY saxophonist Irabagon's UK visit, this album presents four drum duets "time two", as two tenor saxophonists--Paul Dunmall and Jon Irabagon--meet two lyrical drummers--Mark Sanders and Jim Bashford--following Dunmall long-standing interest in drum and sax duets, the results this ebullient and remarkable album.
Barno, Niklas / Joel Grip / Didier Lasserre
Can't Stop Snusing
(Ayler)
The Snus trio of Niklas Barno (trumpet), Joel Grip (bass) and Didier Lasserre (drums) return for their second album, an addictive mix of free jazz and free improv, subtle to skronking music of great beauty and power.
RED Trio + Nate Wooley
Stem
(Clean Feed)
NY trumpeter Nate Wooley and Portugal's Red Trio (Rodrigo Pinheiro, Hernani Faustino & Gabriel Ferrandini), recorded after their live performance at the 2010 Clean Feed Festival in NYC; powerful and thought-provoking modern improvisation.
Toral, Rafael / Davu Seru
Live in Minneapolis
(Clean Feed)
Rafael Toral's Space Program, post-free jazz electronic music, is made manifest in this duo between the electronicist and drummer Davu Seru, performing live in Minneapolis during Toral's 2011 tour of the US.
Kullhammar / Zetterberg / Aalberg
Basement Sessions Vol.1
(Clean Feed)
Following the traditions of the saxophone trio, tenor & baritone player Jonas Kullhammar releases this studio album of irrepressible compositions performed with bassist Tobjorn Zetterberg and drummer Espen Aalberg.
Mcphee, Joe / Ingebrigt Haker Flaten
Brooklyn DNA
(Clean Feed)
A project about the rich jazz history of Brooklyn, NY, recorded in that burrough by NY saxophonist Joe McPhee & bassist Ingebrigt Haker Flaten, referencing Putnam Central, The Blue Coronet, Sonny Rollins, and Brooklyn itself.
Gonzalez, Dennis Yells at Eels
Resurrection and Life
(Ayler)
Named for the miraculous recovery of drummer and AACM founder Alvin Fielder, who travelled to Dallas in 2010 to record with trumpeter Gonzalez and his sons bassist Aaron and vibraphonist Stefan, with Gaika James on trombone.
Bica, Carlos & Azul
Things About
(Clean Feed)
Double bassist and composer Carlos Bica's Azul with guitarist Frank Mobus and drummer Jim Black in their 5th album, bringing jazz and elements of rock together into a lyrical and alluring set of recordings.
Hauf Sextet, Boris
Next Delusion
(Clean Feed)
Berlin-based saxophonist Boris Hauf's sextet with Keefe Jackson (sax), Jason Stein (bass clarinet), Frank Rosaly (drums), Steve Hess (drums & electronics) and Michael Hartman (drums) in 4 extended pieces of boiling intensity.
Baloni (Badenhorst / Loriot / Niggenkemper)
Fremdenzimmer
(Clean Feed)
The debut album from the NY based Baloni trio, blending chamber techniques with a unique approach to improvisation, as performed by bassist Pascal Niggenkemper, violist Frantz Loriot, and multi-reedist Joachim Badenhorst.
Ames Room, The
Bird Dies
(Clean Feed)
Bringing the lineage of saxophone trios into the 21st century, saxophonist Jean-Luc Guionnet, bassist Clayton Thomas and drummer Will Guthrie performed this extended recording live in Lille, France.
Genetti / Smith / Lonberg-Holm
Sense of Hearing
(Balance Point Acoustics)
8 duos recorded in the studio between bassist Damon Smith and free vocalist Carol Genetti, and 4 trio tracks adding Fred Lonberg-Holm on violoncello and performing live at Chicago's Empty Bottle.
Ducret, Marc
Tower, vol. 2
(Ayler)
The 2nd volume of guitarist Ducret's Tower project, an incredible quartet with saxophonist Tim Berne, violinist Dominique Pifarly and drummer Tom Rainey, complex and exultant, intertwining improv.
Fields, Scott Multiple Joyce Orchestra
Moersbow Ozzo
(Clean Feed)
A live concert of Fields' Quite Large Orchestra (aka Multiple Joyce Orchestra) with Frank Gratkowski, Christina Fuchs, Thomas Lehn, Carl Hubsch, &c. &c. performing modular compositions for improvising chamber group, plus an homage to Merzbow.
Lopes, Luis
Lisbon Berlin Trio
(Clean Feed)
Genre-crossing improvisation with a jazz basis and far-reaching influences from guitarist Luis Lopez and his Berlin Trio of bassist Robert Landfermann and drummer Christian Lillinger.
Davis, Kris
Aeriol Piano
(Clean Feed)
The debut solo CD from in-demand pianist Kris Davis (Paradoxical Frog, Novela, Good Citizen, Anti-House), an absorbing and innovative album of original numbers and standards played inside and out of the piano.
Savoldelli, Boris
Biocosmopolitan
(MoonJune)
Vocalist Savoldelli in an exquisitely-crafted album of overdubbed vocal work, with help from trumpeter Paolo Fresu and bassist Jimmy Haslip; elaborite harmonies, interlocking rhythms, exultant influences.
Eisenstadt, Harris
September Trio
(Clean Feed)
Drummer Eisenstadt's September trio with pianist Angelica Sanchez and saxophonist Ellery Eskelin in a release of thoughtful, creative, meaningful and lovely music.
EMJO (European Jazz Movement Orchestra)
EMJO Live in Coimbra
(Clean Feed)
A fresh, enthusiastic and very pertinent vision of the big band model from this large orchestra with a diverse and uniquely European spirit, but globally identifiable as excellent jazz.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC