Recorded on the last night of 577's Forward Festival 2017 in Brooklyn, the quintet of Daniel Carter (reeds & trumpet), Patrick Holmes (clarinet), Matthew Putman (piano), Hilliard Greene (bass) and Federico Ughi (drums) take their audience on three remarkable journeys of almost chamber-oriented collective free jazz, adventurous and not-to-be-missed examples of modern jazz.

Raucous and determined free jazz from Chicago's power-jazz trio Tiger Hatchery of Michael Forbes on saxophones, Andrew Scott Young on basses, and Ben Billington on drums, in their fifth album blending noise-rock and intelligent aggression with traditionally unorthodox approaches, keeping their pieces short and stinging as they find order in controlled cacophony.

Reuniting bassist Dave Holland with saxophonist Evan Parker, a longtime friend from their early days in London, and joined by Craig Taborn on piano and electronics, and Ches Smith on percussion, as the group performs as a quartet and also in a variety of permutations of duo and trio configurations, in a set of rich and informed dialogs of masterful skill.

The fourth release from Chicago bass clarinetist Jason Stein's Locksmith Isidore, a trio with Jason Roebke on bass and New York drummer Mike Pride, playing modern creative jazz with a twisted melodic sense through Stein's original compositions, alongside one collective comoposition and John Coltrane's "26-2", a great example of 21st century jazz.

The 2nd volume of Sound American's "New American Songbooks" turns from the 1st volume's group approach to the singular voices of 4 masterful pianists--Kris Davis, Matt Mitchell, Aruan Ortiz, and Matthew Shipp--as they interpret the music of traditional hymns, Carla Bley, filmaker/composer Ed Bland, and bandcamp era composers Ryan Power & Christopher Weisman.

The 3rd phase of French sound artists Jean-Luc Guionnet & Thomas Tilly's art and research project, recorded at the Center for Contemporary Art at La Synagogue de Delme and joined by percussionist Will Guthrie, bagpiper Claude Grandjean, and violist Cyprien Busolini, creating a remarkably diverse installation of audio frequencies, voices, instrumental sections, rhythms and silence.

Two hallucinatory works for keyboards that envelop their listeners in deep, slowly shifting sound, from composer and electronic explorer Eliane Radigues, the first "Geelriandre" from 1972 and realized on an ARP 2500 synthesizer, with Gerard Fremy on prepared piano; "Arthesis" from 1973 was realized by Radigue on a Moog Synthesizer at the University of Iowa.

Important Records released the 12-CD box set "Reverberations: Tape & Electronic Music 1961-1970" in 2012, presenting an overview of Oliveros' experimental music along with early and unreleased music; this is the 1st volume in the vinyl Reverberations series, which will reissue those CDs on LP, here presenting two works: "Time Perspectives" and "Mnemonics".

A unique freely improvised sax and bass duo from Angles leader Martin Kuchen on alto and sopranino saxophones, and Rafal Mazur on acoustic bass guitar, recording live at BAZA Club in Krakow, Poland in 2017 they perform the two part "Baza", initiating with mastery and determination, morphing to more meditative playing, and ending with impressive assertion.

Before her Deep Listening work and other noted output as an improviser, composer Pauline Oliveros made a systematic exploration of tape and electronic music from the late 1950s through the 1960s, recording these four fascinating and inventive pieces, which are collected in this strictly limited run of 400 copies on silver vinyl LP.

Cornetist Bobby Bradford leads this quartet with soprano saxophonist Hafez Modirzadeh, also playing karna and khaen; bassist Roberto Miguel Miranda; and East Coast drummer Vijay Anderson, in a live concert at the Blue Whale in Los Angeles in 2017, a sophisticated avant jazz outing including a set of variations for Ornette Coleman, a great example of modern creative form.

The 3rd album from the trio of Larry Ochs (Rova Saxophone Quartet) on tenor & sopranino saxophones, Downtown NY mainstay and West Coast migrant Mark Dresser on bass, and Ganelin Trio alumnus Vladimir Tarasov on drums and percussion, in four superb examples of collective improvisation captured live in two concerts in Berkeley and San Diego, CA in 2016.

Recorded in the late 1970's in Canada while improvising rock, jazz, pysch, folk, country & blues guitar madman Doctor Eugene Chadbourne was living there, this is the second of four LPs documenting his work at the time, this album presenting 6 solo pieces of profound playing amidst an unusual experimental nature and a uniquely Chad sense of humor.

Reissuing the 1st CD on UK free improvising guitarist Derek Bailey's Incus label is this 1982 duo with Brazilian percussionist Cyro Baptista, a remarkable dialog that draws percussive qualities from Bailey and lyrical aspects from Baptista, as the two push each other into inventive and exotic exchanges in an exuberant album; an incredible start to the Incus CD series.

An unusual pairing between UK non-idiomatic improvising legend Derek Bailey and clarinetist Tony Coe, best known for his work with Franz Koglmann (heard on Hatology) his work with Tony Oxley, and work in avant classical settings; here they find common ground in a miniature chamber improv approach of both technical virtuosity and atonal lyricism.

An essential reissue of the only album from this Rock in Opposition supergroup, with two members of Henry Cow & The Work--bassist Mick Hobbs and Tim Hodgkinson playing "Hawaiian laptop noisy guitar" and keyboards--and Andy Wake from Unrest Work & Play, in a great set of songs with a literate and post-punk viciousness and unusual approaches to rhythm and sound.

Using historical references to rethink the present--the first 7 months of the Russian Revolution; and the accusal of Marius Plateau's murder by Germaine Berto--and working with Lucio Capece, Marcel Dickhage, Farahnaz Hatam, Moor Mother & Cathleen Schuster, Mattin performed this intense work of sound and narrative at the Digging The Global South Festival in Cologne, 2017.

The sixth album from guitarist Hedvig Mollestad Thomassen's scorching Norwegian instrumental rock trio, having built a strong following through their impressive approach to rock, schooled from both early hard/progressive band but also driving fusion bands, with a penetrating edge in authoritative soloing and intense rhythmic interplay.

A limited live album from German saxophonist Peter Brotzmann's long-running Full Blast trio with the precise and dynamic Swiss rhythm section of Marino Pliakas on electric bass and Michael Wertmuller on drums, captured at Audio Rebel, in Rio de Janeiro, Brazil in 2016 as they tear through a tumultuous set of five burning improvisations of passionate playing.

The first release on Japan's Armageddon Nova, now reissued as a limited 180gm double vinyl LP, presenting a 2012 concert at Performing Arts Center, in Japan in 2012 by the duo of free improvising alto saxophonist Aishi Oyauchi, a peer of Karou Abe in the 60s, and contrabassist Deku, a member of the 70s free improvising group New Jazz Syndicate.

New York Drummer Tom Rainey met French guitarist Hasse Poulsen to record this album of dynamic duos in the studio, building works that ebb and flow between aggressive sound and reflective harmony, an impressive display of technical, lyrical, and powerful playing.

The fourth ECM album from NY Saxophonist Tim Berne and drummer Ches Smith, here in a trio with textural guitarist David Torn in three extended compositions merging jazz, rock and ambient forms, the middle track augmented with the Scorchio String Quartet and Craig Taborn, as they ebb and flow intense energy, fascinating compositional turns, and superb playing.

Spanish sound artist and vocalist Mattin in his 6th "Songbook" album, performed with Farahnaz Hatam, Pan Daijing, Colin Hacklander, Werner Dafeldecker, and Dean Roberts, a vicious mix of essentially no-wave rock and experimental music, six songs at exactly six minutes each covering topics of the conflicts, confusion and frustrations of our modern age.

Working together in tours and recording since 2005, the NY trio of multi-reedist and wind player Daniel Carter, bassis William Parker and drummer/percussionist Federico Ughi are joined by saxophonist Watson Jennison also on flute, recorder and keyboards for this enlightened album of modern and transcendent jazz in a limited, remastered LP edition with bonus material.

"Transoceanico" signifies the global reach of Rome, Italy-born improvising drummer Federico Ughi, celebrating 20 years since his first album recorded in London while residing there, leading to his current Brooklyn launchpad for many global tours and albums, this impressive LP realized in a superb free jazz trio with bassist Adam Lane and tenor saxophonist Rachel Musson.

A split 7": on one side Sleepytime Gorilla Museum percussionist/drummer/composer Moe! Staiano's West Coast rotating ensemble Surplus 1980 in a teaser for an upcoming release with G.W. Sok, Kyle Bruckmann, members of Fred Frith Trio and Total Shutdown; on the other side King Champion Sounds featuring G.W. Sok, formerly of the Dutch band the Ex.

Rapid fire playing and a wicked humor fuels drummer Olie Steidle's album with guitarist Frank Mobus, keyboardists Kit Downes and Dan Nicholls, and bassist Phil Donkin, mashing together electro-jazz, art rock, hardcore and club music into upbeat and twisted music, building up to a narrative "Speed Junky on Funny Human Darts"; insanely embraceable and stunning.

Performing at Japan's Playhouse in the Kitakyushu Performing Arts Center in 2015, legendary Japanese underground vocalist Phew joins Oren Ambarchi on guitar and Jim O'Rourke on piano & synth for the two part "Patience Soup", Phew's extreme vocal technique and electronics a powerful foil to the rich sonic environments of frequent collaborators Ambarchi & O'Rourke.

A reissue of Robert Ashley's 1978 release "Private Parts", presenting an unvarnished exposition of the inner workings of a man's mind through narrative, read by Ashley over the piano & synth of "Blue" Gene Tyranny and tabla player Kris, as Ashley describes two lives in an abstract narrative of keen observation and inside jokes; baffling and spellbinding.

In 1977 David Behrman programmed a Kim 1 microcomputer developed at Mills College to analyze the music performed by the duo of bassoonist Arthur Stidfole, flutist Maggi Payne; and then the solo work of cellist David Gibson; for each work, the Kim 1 following Behrman's instructions, becoming a virtual musician responding to and interacting with the playing of each setting.

Acousmatic compositions--works of sound having no relationship to concrete elements--from French composer Regis Renouard Lariviere, using bold sounds structures in three major works from 2002, 2010 & 2013, each exploring sonic environments affected by tone, timbre, time and pitch in fascinating and gripping ways; profoundly interesting and otherworldy.

Two works from French composer Luc Ferrari: "Music Promenade" (1964-69) an electroacoustic work for four stand-alone tape recorders presenting a series of colliding realistic sounds and sonic images; and "Unheimlich Schon" (1971), a quiet work of Musique concrete with spoken word--"How does a young woman breathe when thinking about something else?"

An anthology of contemporary Greek experimental composers focused primarily on works since the 1980s, attempting to map the breadth of approaches while delineating different understandings of what "Greek" or "experimental" may stand for, by means of zeroing in on the numerous, often overlapping, realities and micro-scenes that are associated with the former.

The first vinyl solo release from Chicago/NY/Mexico City avant trumpeter Jacob Wick, whose work includes exploring the physical form of the trumpet itself as he uses extended techniques and circular breathing while he deconstructs the instrument during performance, creating unusual textures and timbres, here in two side-long profoudnly contemplative improvisations.

Repressed for 2019!
Daphne Oram, founder of the BBC Radiophonic Workshop, in a remarkable 44-track collection 4 LP release showcasing her important work and curious nature: 155 minutes/8 sides of vinyl in a heavyweight 300 gram gatefold sleeve with rare archival material.

Confront initiates their new Core Series with the text piece "There Is No Love" with David Sylvian on voice, vocal treatments and electronics, Rhodri Davies on harp, vibraphone and radio, and Mark Wastel on tam tam and percussion, a sophisticated spoken word piece of shadowy atmosphere and innuendo, leveraging approaches from experimental, improvised and composed music.

2019 Record Store Day release, a 7" from trumpeter Dave Douglas in two different configurations: the lead track from his album "Engage" featuring guitarist Jeff Parker and cellist Tomeka Reid along with Anna Webber, Nick Dunston & Kate Gentile; and a B-Side from 2018's "Uplift" featuring Joe Lovano and Bill Laswell alongside Mary Halvorson, Julian Lage, and Ian Chang.

Multi-disciplinary artist living in Berlin, Stefan Roigk developed "Suffering For The Promised" over a 14 year period, composing this large work of acousmatic music as an atmospherically intense yet utterly fragile piece, combining concrete sounds, field recordings and devotional vocal fragments in an eclectic and highly intimate composition of great depth and detail.

A joyously intense and hypnotic double vinyl album of instrumental improvised rock with a prog/psych orientation from the Swedish Sista Maj quartet of Jonathan Segel (Camper Van Beethoven) on guitars, violin, computer things, Mikael Tuominen on bass, Andreas Axelsson on drums, plus Mattias Olson (Anglagard) providing additional percussion and synth.

Two large hypnotic works and 2 shorter pieces from Chicago's Natural Information Society led by Joshua Abrams on gimbri in an eight-piece acoustic band with Lisa Alvarado on harmonium & gongs, Mikel Avery on tam-tam & gongs, Ben Boye on autoharp & piano, Hamid Drake on tabla & tar, Ben Lamar Gay on cornet, Nick Mazzarella on saxophone, and Jason Stein on bass clarinet.

Italian composer and bass-player Massimo Pupillo (ZU) and Australian drummer Tony Buck (The Necks) collaborate in a beautifully haunting, absorbing ambient set, taking in electronic abstraction and free improvisation, released in two distinct editions--"Time Being" on vinyl LP and "Unseen" on compact disc, each with two different improvisations.

Two lives sets at Tago Jazz Cafe in the Philippines in 2018 from the trio of master percussionist Sabu Toyozumi on drums, American ex-pat Rick Countryman on alto saxophone, and Simon Tan on acoustic bass, this their 3rd album of solid free improvisation of extended and masterful discourse, unusual percussive devices, and powerful rhythmic foundation.

The 2019 lineup of Japan's psychedelic rock band unleashes the 2nd part of their "Hallelujah Mystic Garden", revisiting the classic "Pink Lady Lemonade" in a disco-esque version that generates a universal groove of guitar riffs and synth swoops; side two adds a groove-heavy new work of kosmiche electronics, Makoto soloing, and hallucinatory vocals.

Smalltown Supersound launches a new sublabel called Actions For Free Jazz with this duo of Christian Marclay and Mats Gustafsson, recording in the studio for 7 indescribably wonderful free improvisations using turntable and every inch of Gustafsson's baritone and tenor sax, plus electronics; an exciting album of unpredictable and incredibly skilled sound art.

An album of extreme electronic improvisation using heavy underpinning of rhythm, voice and electronics, from a trio of Viennese, French, and Chinese/American performers--Lukas Konig on drums, synthesizer & voice, Julien Desprez on guitar, and Audrey Chen on voice & electronics--blurring the lines of sonic art, rock, and inexplicable ritualistic sound.

Roscoe Mitchell's 25 Piece Orchestra returns with an outstanding follow-up to his 2017 release "Discussions", recorded in concert at the Littlefield Auditorium in Mills College, reworking earlier pieces that take advantages of Mitchell's systems designed to articulate and capitalize on the tensions between composition and improvisation; an impressive achievement.

The rock legacy that is Japan's Acid Mothers Temple led by guitarist Makoto Kawabata reissues their 1st album from 1997, an ensemble of 14 musicians including guitar, synth, sax, bass, drums, didgeridoo, magic cane, and penguin; a heady brew of hypnotic flowing psychedelic, prog-quoting kosmiche, starting their legacy with a prayer and ending with AMT for All!

A reissue of their 2004 album, the 4th on Thirsty Ear for the UK group Spring Heel Jack of Ashley Wales on guitar &, electronics, Mark Sanders on drums & timpani, John Coxon on guitar & keys, and John Edwards on bass, joined by Evan Parker on sax & piano, and special guest Wadada Leo Smith on trumpet, for a subtle album of sonic complexities, dramatic power and lyrical poise.

Referencing the poem "Star-splitter" by Robert Frost, Italian improviser Gabriele Mitelli on cornet, soprano sax & alto flugelhorn, and Chicago improviser Rob Mazurek on piccolo trumpet, both using electronics, object & voice, create a spiritually rich and warm series, "gazing" at four planets through immersive, unique and authoritative performance; exceptional.

Recording live in the Namouche Studios in Lisbon in 2018, trumpeter Sei Miguel's octet performs a large work translating to "Fire Car", inspired by William Blake's "Jerusalem" (Chariot of Fire), reminding of early 70's Miles/fusion work as organist Andre Goncalves creates an atmospheric backbone over which the band introduces repetition and variation; mysterious and singular.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

NY free jazz drummer and composer Harris Eisenstadt brings his talents to the compositional world with this four movement suite performed by the Mivos Quartet of Olivia De Prato, Josh Modney, Victor Lowrie and Mariel Roberts, a creative composition blending melodic and textural approaches to the strings in a bold rendering of Eisenstandt's work.

Pianist Danny Fox's trio with bassist Chris van Voorst van Beest and drummer Max Goldman in an album showing how the tight rapport this touring band has developed on the road, performing Fox's melodic and inventive compositions with a wealth of influences and style.

Washington, DC based electronic experimenter Chester Hawkins (Blue Sausage Infant) was commissioned by director Tim Ashby to compose this work for the soundtrack to his feature-length film "Pale Trees", Hawkin's music illustrating the film's gradient of psychological colors from darkness, rage, and vengeance through a mix of kosmische drone in a Tangerine Dream vein.

Swiss improviser Jason Kahn continues his forays into vocal experimentation with this solo album, recorded in the rooms of a former Swisscom telephone relay station in Zurich, recorded in a single take, pushing himself over the edge in these unique vocal compositions that are stark examples of his creative and confrontational skills.

NYC vocalist, composer and keyboardist Judith Berkson in the debut album for her one-woman band Liederkreis (translating to "song-cycle", a reference to Schumann), taking a sharp turn from previous work through experimental synth, voice and effects in unique and often aberrant ways.

Two dark works of sound creating a mysterious chasm of drones, pulsations, electronic stretches, and mysterious percussive engines, a strange pair of recordings that definitely fit the title of this 7" record from Norwegian sound experimenter Lasse Marhaug.

Mattin takes 5 spontaneous 5-minute songs from 5 musicians, and a 25 minute concert structured by 5 instructions based on those song titles, then records vocals for the 5 songs as a singing lecture, then superimposes all 3 to create the five 5-minutes songs on this album.

A split LP with each side featuring a 20 minute solo track from both brotherly halves of the acclaimed space guitar improvising band My Cat Is An Alien.

An informed set of creative iprovisations recorded in the studio and drawing clearly from the traditional jazz idiom between German pianist Klaus Treuheit and NY drummer Lou Grassi, performing original 4-part compositions including the "Misterioso", "L'espace Sonore", and "Lament # Pb".

Percussionist Peter Conradin Zumthor presents a stunning debut solo album, capturing one of the truly independent voices in the Swiss musical landscape in a 7-part contiguous work recorded at Radio Studio 1 in Zurich with a great feeling for form, distances and dynamics, as an incredibly focused, virtuosic, creative and deeply felt story is told.

An excellent example of modern fusion as drummer G. Calvin Weston (Ornette Coleman, James Blood Ulmer), also on pocket trumpet, joins the Phoenix Orchestra, a Philadelphia-based string & electric octet, for a funk driven album of spectacular playing with melodic force and compelling rhythm, showing shades of Cobham or Mahavishnu but with its feet fully in the present.

The 3rd release from the duo of Chicago multi-reedist Ken Vandermark and NY trumpeter Nate Wooley, two long-form compositions written for the LP format and developed while touring North America during 2017; "Deeply Discounted II," is inspired by John Cage's "Cheap Imitation", while "Sequences of Snow," is dedicated to the experimental filmmaker & musician, Michael Snow.

A 33 rpm 7" from Washington, DC sound artist Chester Hawkins, which "contains highly concentrated extracts" of two remixes of live recordings at Logan Fringe Arts Space and Red Onion Records, from his limited-edition USB release "Cops Need Serial Numbers"; mesmerizing and hypnotic electronics from a masterful performer and kosmiche explorer.

The long-running duo of Norwegian saxophonist Kasper Skullerud Vaernes and drummer Andreas Wildhagen, who also work together in Nakama's KNYST! trio with bassist and Nakama founder Christian Meaas Svendsen, and the Paal Nilssen-Love Large Unit, in an album of five freely improvised dialogs of great technical skill, intent listening and exchange, and dynamic energy.

The quartet of Don Cherry on pocket trumpet, piano & vocals, Dave Holland on bass, Steve Lacy on soprano saxophone, and Masahiko Togashi on drums & percussion, recording live in 1986 at Yubin Chokin Hall, in Tokyo, brought together by Togashi and performing compositions from Lacy ("The Crus", "Quakes"), Cherry ("Mopti"), and Togashi ("I Speak to the Stars").

Trimmed back to a mere 14 musicians, the Fire! Orchestra core trio of Mats Gustafsson, Johan Berthling, and Andreas Werliin and Orchestra original singers Mariam Wallentin and Sofia Jernberg add a string quartet, expanding their palette as they release their warmest and most embraceable album to date, from original material to covers of Robbie Basho and Chic.

Producer & bassist Marc Urselli devised this first meeting between himself and Sonic Youth guitarist Lee Ranaldo, filmaker/guitarist Jim Jarmusch, and drummer Balazs Pandi's, recording in Urselli's NY studio to capture these live analog recordings of improvisations using no overdubs, a twilight set of evolving and absorbing explorations merging rock & experimental approaches.

Culled from 1975 sessions by the New Direction Unit intended for but never issued on the ESP label, this insanely intense and interactive example of Japanese Free Jazz is finally unleashed, from the late legendary guitarist Masayuki Takayanagi and his quartet with wind and reed improviser Kengi Mori, percussionist Hiroshi Yamazaki, and bassist Nobuyoshi Ino.

Compositions for percussion from Berlin drummer and accordionist Hannes Lingens (Musaeum Clausum, Antoine Beuger, Lucio Capece, &c), composed over six years, each using a restricted set of materials, instrument or instrument type, Lingens performing solo, and as a duo and quartet using overdubs, employing microphone techniques for detail and ambiance.

Israeli saxophonist Albert Beger's Quartet with Milton Michaeli on piano, Shay Hazan on bass, and Ofer Bymel on drums, the leader also on Shakuhachi, in a studio set of Beger compositions, drawing on his work with William Parker and Hamid Drake in six recordings that balance structure and freedom in soloing, a fine album of modern creative jazz.

Recorded live in 1966 around the time of trumpeter Don Cherry's "Complete Communion" and "Togetherness" albums, this exhilarating concert features Bo Stief on bass, Don Cherry on cornet, Aldo Romano on drums, Karl Berger on keyboards, and Gato Barbieri on tenor saxophone as they work through Cherry originals, plus pieces by Mongo Santamaria, Luiz Bonfa and Benny Golson.

Two implicitly lyrical players -- trumpeter Kirk Knuffke and drummer Whit Dickey -- in their second album together of well-paced, thoughtful dialog, an intimate set of recordings that show the adept skills of both as they promote their inherent melodic intentions on their instruments, neither overpowering, but conversing in a warm and rewarding give and take.

A concert in 1995 at Cafe Amores, in Hofu, Yamaguchi of the duo of Japanese percussionist Midori Takada and alto saxophone Kang Tae Hwan, both using exceptional and unusual approaches to their music, applying their backgrounds in free jazz, theater and studies in traditional African and Asian percussion to create a unique hybrid, from hypnotic to frenetic; fascinating.