One of two reissues from the collaboration of Important Records and the Pauline Oliveros Trust, this album with accordionist Guy Klucevsek was originally self-released in 1986 on cassette, each side presenting a piece for two accordions, here with Guy Klucevsek's "Tremolo No. 6" on side A and Pauline's Oliveros' "The Tuning Meditation" on Side B.

One of two reissues from the collaboration of Important Records and the Pauline Oliveros Trust, this solo accordion album from Pauline Oliveros self-released in 1987 on cassette is a rich album in the vein of her Deep Listening work, two warmly beautiful pieces using a just intonation accordion and her Expanded Instrument System in order to bend time and pitch.

Oren Ambarchi renews the focus on his unique approach to the electric guitar, joining with Downtown NY Brazilian percussionist Cyro Baptista on congas, shakers and berimbau, in a duo based on Ambarchi's explorative playing, also conjuring organ and piano tones, as each side-long piece take the listener on a journey of passionate playing of subtlety and warmth.

His first solo album in a career spanning back to 1976, Chicago percussionist Michael Zerang presents a diverse set of improvisations demonstrating the wealth of approaches he has developed over the year, including the use of vibrating drumhead surfaces, expressive friction passages, multiple timbre percussion, and straight up trap-set drumming; absolutely impressive.

A 2019 reissue of Evan Parker's 2004 album dedicated to Steve Lacy, recording in the studio in a virtual duet with bird recordings captured by Geoff Sample, Charles & Heather Myers, Jean C. Roche, Myles North & Eric Simms, alongside location field recordings by Ashley Wales, Parker performing on soprano and tenor sax in a wonderful dialog of creative skill and wit.

More explorations of outer space by the spokesman for the space age, 1965 studio recordings with Marhsall Allen, John Gilmore, Walter Miller, Ronnie Boykins, &c.

Created out of Sleepytime Gorilla Museum and drummer/percussionist Moe Staiano's Mute Socialite, this 7-piece improvising rock band turns rock on it's side in mostly instrumental, energetically complex and twisted rock pieces with acerbic social narrative, the band employing three drummers, bass & two guitars, piano and trumpet from Darren Johnston.

An excellent album of informed free improvisation in the debut of this masterful trio of legendary musicians spread across the US--Joe McPhee on soprano sax & pocket trumpet [NY], Ken Vandermark on tenor sax & clarinet [Chicago], and Susan Alcorn on pedal steel guitar [Texas], a profound album from assertive to introspective playing in seven captivating collective improvisations.

The 2nd release from the trio of Chicago cornetist Josh Berman, UK drummer/percussionist Paul Lytton and Chicago bassist Jason Roebke, featuring material recorded during the trio's April 2018 European tour, in two extended side-long improvisations from Padova, Italy and Trondheim, Norway, in sets of profound technique and creative prowess; exceptional.

Drawn from 305 traditional ballads from England and Scotland alongside their American variants, anthologised by Francis James Child during the second half of the nineteenth century, are here sung by Ed Pettersen in the fascinating intersection of traditional lyrics and experimental interpretations of melodies, performed by the 11-piece London Experimental Ensemble.

Starting with a pipe organ, adding metal tubes, PVC tubes, a wind machine, guitar strings, a bass string, a resin thread, metal and glass percussion, and a bow, Maja SK Ratjke developed this unusual instrument for a live performance in Jo Stromgren's ballet "Sult" ("Hunger"), taking the instrument to the studio for this extraordinarily interesting album of keys and song.

The second collaboration between the American avant-metal rock trio Sumac of guitarist Aaron Turner, drummer Nick Yacyshyn and bassist Brian Cook and Japanese legendary guitarist and vocalist Keiji Haino finds the quartet settling down from their first blast of an album, here slowly building their heavy feedback-drenched, ponderous and epic music.

An album of dark atmospheric electroacoustic sound with voice and introductory narrative from Zu bassist Massimo Pupillo and Gordon Sharp of Cindytalk, the first meeting between the two, performed live at Cafe Oto for four pieces of rich sonics, emotional and hypnotic playing from two creative masters with a long history of powerful and passionate music.

The third album from this international trio of powerful improvisers--Norwegian drummer/percussionist Paal Nilssen-Love, Chicago bassist Kent Kessler, and Chicago/NY saxophonist Mars William-- in four odysseys that take the listener from introspective playing to out and out blowing, using technique to serve their incredible dialog.

A rare studio album from the aggressive and influential free improv trio Borbetomagus of saxophonists Jim Sauter & Don Dietrich and guitarist Donald Miller, recorded in London in 2014, and described by Sauter himself as "unlike anything we've ever recorded before".

Massimo Pupillo (ZU, Laniakea), electronic artist Luciano Lamanna and string instrument virtuoso Roberto Zanisi combine to form Creta, creating sonic works that blend sci-fi ambient atmospheres with dark bass pulses and languid Mediterranean string instruments, an unusual yet surprisingly complementary set of approaches yielding a darkly lyrical album.

Legendary New York trumpeter Ted Daniel, whose skills were honed in the 70s Loft Scene, in his 4th Duology album with the trio of Michael Marcus on clarinets and Henry Grimes on bass and violin, the leader also performing on French hunting horn, an album of varied mood and intensity that sits firmly in the free jazz legacy of daring harmonies and melodies.

Chicago experimenter and improviser Kevin Drumm releases the sequel to his 6-CD boxset "Elapsed Time", using audio generators and various electronic devices to generate beautiful ambient environments and drones that are complemented by field recordings and short spoken sections, a rich work of subtle complexity, dark warmth, and mystery.

Remastering a singular album of joyfully disruptive free improv recorded in England in 1979 at Ikon Gallery from the quartet of Max Eastley, Steve Beresford, Paul Burwell, and David Toop, their goal: to create music from instruments and objects that would be whirled to produce sound, performed behind a net and played with masks to protect the performers and audience.

Pianist Espen Eriksen's Trio with bassist Lars Tormod Jenset and drummer Andreas Bye in their third album of melodic and inventive creative jazz, here with 8 new lyrical pieces informed by their extensive touring, and charged by the addition of legendary UK saxophonist Andy Sheppard, for whom Eriksen wrote a set of tunes tailored to his playing.

The 4th release from the trio of Mats Gustafsson (sax, shaker, sound); Dieb13 (turntables, klopfer); and Martin Siewert (guitar, ring stinger, electronics) in a fictional soundtrack of 6 remarkable tracks punctuated with unexpected twists and turns.

Six recordings from Luc Ferrari's Atelier De Liberation De La Musique, a collective he created together with Martin Davorin Jagodic (electric piano), Philippe Besombes (synthesizer), and Alain Petit (sax, clarinet & flute) in 1975 for a series of performances at the Galliera Museum in Paris to take place within an audio-visual labyrinth.

Full Blast, the long-running trio of Peter Brotzmann (reeds), Marino Pliakis (electric bass) and Michael Wertmuller (drums), recording in the studio for an album of seven masterful free improvisations of strong technical and powerfully intense playing.

Recording at Empty Gallery in Hong Kong during a week residency, the duo Jean-Luc Guionnet (Ames Room) on saxophone and Daichi Yoshikawa (Eddie Prevost) using self-developed feedback of speakers, contact microphones & found objects, create intense yet constrained improvisations of impressive control, technique and exotic soundscape.

A 7" limited vinyl picture disc made to celebrate legendary European Free Jazz bassist Barry Guy's 70th birthday, with Guy providing "acoustic sounds" along with his collaborating frogs, Wasserfrosch (Rana Esculenta) and Laubfrosch (Hyla Arborea), side A presenting Frogs & Barry Guy, and side B, Barry Guy & Frogs; quirkly and wonderful free improv.

The Turkish free improvising quartet Konstrukt of Korhan Futaci (sax and woodwinds), Berke Can Ozcan (drums), Barlas Tan Ozemek (electric bass) and Umut Caglar (electric guitar and etc.) met British pianist Alexander Hawkins at London's Cafe OTO in 2015 to record this captivating and unpredictable set of electric free improv.

Two versatile and innovative improvisers, Mats Gustafsson on saxophones and Christof Kurzmann on electronics and voice, extracted improvisations recorded in the studio to create the 7 parts of this rich, pulse-based and intensely understated work about Falling and Failing.

The 7th album from the quartet of Netherlands guitarists Andy Moor and Terrie Hessels (The Ex) with Chicago free improvising multi-reedist Ken Vandermark and Netherlands drummer/percussionist Paal Nilssen-Love in an album balancing amazing energy with profound introspective moments in thrilling edge-of-your-seat improvisation - excellent!

A wild and exciting duo between cellist Okkyung Lee and legendary turntable improviser Christian Marclay performing live at London's Cafe Oto for a single long track that runs through an astonishing dynamic of invention and atmospheres in a gripping and spellbinding set.

The long-running Chicago free-rock trio Mako Sica currently comprised of Przemyslaw Drazek (trumpet & guitar), Brent Fuscaldo (guitar) and Chaetan Newell (drums & piano) are joined by free improvising legend Hamid Drake on drum kit, tablas and frame drum for a beautiful and rich album of genre merging, spiritually warm, primarily instrumental music, inclusive and persuasive.

Nicole Mitchell explores the work of African-American writer Octavia Butler in a science fiction concept of intergalactic integration, achieved through 9 detailed pieces that balance improvisation, composition and song in unique and sophisticated ways.

Spinning an unusual story, the trio of saxophonist and pocket trumpeter Joe McPhee, guitarist and laptop artist James Keepnews, and drummer David Berger envision the first encounter between alien life and a delegation of earthlings, while giving a nod to jazz's original man from another planet, Sun Ra, with a side-long suite dedicated to him.

Recordings from Sun Studios made between 1968-1969 with Astro-Ihnfinity Arkestra including Marshall Allen, John Gilmore, Daddy Davis, Ray Thompson, Danny Davis, &c. in nine tracks, six of which have never been heard before in any form, plus remasters on 1950s classics "Sunology" and "Ancient Aiethiopia", plus an early rendition of "Why Go To The Moon".

The Thing "again" as Gustafsson on saxophones, Haker Flaten on electric and acoustic bass, and Nilssen-Love on drums & percussion present 3 extended blues-based, Ayler-inflected free jazz pieces, with Gustafsson's powerfully emotional playing over Haker-Flaten and Nilssen-Love's powerful polyrhythmic foundations; Joe McPhee joins for one track taking on a Frank Lowe piece.

Heavy free jazz in the 3rd release from the trio of Mats Gustafsson on tenor and baritone sax, Ingebrigt Haker-Flaten on bass, and Paal Nilssen-Love on drums, covering an eclectic set of punk and free jazz titles including covers of Yeah Yeah Yeahs, The Sonics, White Stripes, Norman Howard and Brotzmann; thick and sick free improvisation.

Deluxe box set edition of the 1998 Materiali Sonori CD, originally released to accompany the book release of "Sonora: John Zorn", here in its first vinyl release presenting early Downtown NY recordings between the duo of Zorn and guitarist Eugene Chadbourne, with vital players including Tom Cora, Polly Bradfield, Davey Williams, Fred Frith, Mark Kramer, &c.

Tenor saxophonist Sam Hillmer (The Diamond Terrifier) takes NYC's Zs into a new direction as a trio with guitarist Patrick Higgins and percussionist Greg Fox, presenting the two part "Grain", a massive work of reorganized sound.

Turning to one third of his more familiar Red Trio setting, percussionist/drummer Gabriel Ferrandini enlists bassist Hernani Faustino and tenor saxophonist Pedro Sousa (Sousa/Berthling/Ferrandini, PeterGabriel Duo) to perform 9 Ferrandini compositions named after streets in Lisbon leading from Ferrandini's house to his studio and then to ZDB.

Recorded during the same tour as their Aerophonic album "Strandwal", the quartet of Nate Wooley on trumpet, Dave Rempis on saxophone, Pascal Niggenkemper on bass, and Chris Corsano on drums are heard live at Het Bos in Antwerp, Belgium for 2 side-long, cutting-edge improvisations of incredible technique, creative drive, and impressive inventiveness.

A new edition of Koenjihyakkei's landmark fourth album, blending progressive rock, jazz fusion, symphonic rock and neoclassicism with the energy of hardcore punk, the volume of metal and the attitude of Rock In Opposition, from Tatsuya Yoshida on drums, Sakamoto Kengo on bass, Kanazawa Miyako on keyboards Yamamoto Kyoko on voice, and Komori Keiko on reeds.

Grown from a sextet to this 9-tette, cornetist/composer Taylor Ho Bynum's ensemble brings together some of the finest improvisers from the Boston and New York scenes for compositions that merge orchestration and allow flexibility in interpretation, as heard in these 7 lyrical pieces, the last 3 turning the first 3 on their heads in reworked, expanded versions.

Derek Bailey's Company Week between June 29th and July 3rd in 1982 brought together a superb set of free and open-minded improvisers--including Keith Tippets, Phillip Waschmann, George Lewis, Julie Tippets, Fred Frith, &c--performing "Epiphany" (sides A & B) as a continuous work for all musicians, and "Epiphanies" (sides C & D), shorter pieces of smaller groupings.

To mark the 90th anniversary of his birth, Transversales Disques is reissuing electraoustic composer and pioneer Luc Ferrari's 1989 work "Photophonie", along with "Il etait une fois" (1973), "Trans-Voices" (1992), and "Leica" (1977), in a great overview of his work as co-founder of the GRM and with French Radio's Groupe de Musique Concrete.

Merging the US band Low of Alan Sparhawk (guitar, voice), Mimi Parker (voice, drums), Zak Sally (bass) and Ed Coxon (violin, viola) with Ashley Wales of the UK band Spring Heel Jack, in an EP of lush slow moving and beautiful songs, structurally interesting pieces of beautiful abstraction; unavailable for two decades and lovingly reissued now on the Treader imprint.

This active quartet project brings together two Chicago players--drummer Tim Daisy and reedist Vandermark--with two European players--Christof Kurzmann on pooll & electronics, and Jasper Stadhouders on bass--in their 9th album, recording in the studio in Austria for an innovative album blurring the lines between fierce free jazz and inventive experimental ea-improv.

An impressive lineup of legendary players in this much-need reissue of guitarist Derek Bailey's 1976 Music Improvisation Company album 1968-1971", exploring innovative free and electroacoustic improvisation in these 1969 & 1970 recordings with Evan Parker on soprano saxophone & amplified auto harp, Hugh Davies on live electronics & organ, and Jamie Muir on percussion.

Restored and mastered from the original archived 1/4" tape that captured Evan Parker's dynamic, innovative 1978 solo performance on soprano sax at Vancouver's Western Front, the last of 29 dates during his North American tour.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight.

The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.

An extended and rich confluence of strings from R Keenan Lawler and John Krausbauer, using resonator guitar and banjo, sustained tones that intertwine in a beautiful and optimistic drone, minimalistic yet drenched in a profusion of harmonic detail; a beautiful and elusive dream mixing between an Indian raga and an alien electronic environment.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.

Using toys and handmade instruments alongside guitar, bass, synths, plundered recordings and electronics, the French Toys'R'Noise trio are a live performing group that borrows from electro-beat rock forms with overtones of IDM/ambient forms, building extended sections and then amusing with quick-witted sections that bridge a clear love of the music.

A very odd album of experimental rock and mutilated folk forms that they refer to as "A sort of traditional music from a later country in a less faraway time", from French percussionist Bertrand Fraysse with vocalist Miha, using repetition and simple forms that build to strangely dense electronic environments, with a clear DIY and peculiar attitude; great fun!

A split vinyl release between Urge (Caen) and Tokyo's Sete Star Sept, with one track from the French free jazz trio Urge of Antoine Ulmann on sax, Bubu Pagier on gutiar, and Yann Fontbonne on drums, playing in a Borbetomagus mode; and the Japanese gridcore duo of drummer Ryosuke Kiyasu and bassist/vocalist Kae Takahashi providing a thick extended rock grindcore piece; a blistering combo.

Featuring an incredible lineup of masterful players from 1970's London creative jazz scene--Harry Miller & Johnny Dyani (bass), Keith Tippett (piano), Evan Parker (sax), Nick Evans & Radu Malfatti (trombone), and Kenny Wheeler (trumpet)--South African drummer Louis Moholo's debut album brings both joy and spirituality to freedom and lyricism, a joyful achievement.

A fly-on-the-wall hang out with virtual drinking buddies--saxophonist and pocket trumpeter Joe McPhee and his brother Charlie, and sound artist Graham Lambkin, who brought along his son Oliver--hanging at Charlie's in Poughkeepsie, NY, captured by an open mic as they tip back a few, play records, instruments, discussing life and music, and end in a singalong.

The NY electronics duo exclusiveOr (Sam Pluta and Jeff Synder) join forces with the International Contemporary Ensemble and Architeuthis Walks on Land (Katherine Young and Amy Cimini) for this tour-de-force ensemble work, combining composed forms, electro-acoustic improvisation, noise, and lush harmonies, in a fascinatingly detailed album of creative musicianship.

The first of many projected volumes from the Chicago trio of Quin Kirchner on drums, percussion, sampler & electronics, Daniel Van Duerm on electric piano, organ, mellotron & electronics, and Matthew Lux on bass & electronics, with guest Jaimie Branch on trumpet, presenting three extended improvisations that maintain peaceful contemplation in captivating grooves.

Recorded during Thollem's 2017 residency at Brooklyn's multi-discipline center Pioneer Works, the trio of Nels Cline on electric guitar and Michael Wimberly on drums apply treatments, alterations and processes to acoustic-electro improv, their unusual approach often inviting the listener to discover organization under a wonderful commotion of sound.

Derek Bailey's impressive guests for his July 1982 "Company" concert at London's Institute of Contemporary Arts were pianist Ursula Oppens, singer Julie Tippetts and pianist Keith Tippett, violinist/electronics wizard Philipp Wachsmann, guitarist Fred Frith, trombonist George Lewis, harpist Anne LeBaron, bassist Motoharu Yoshizawa and sound artist Akio Suzuki.

The 2nd of 2 albums from Derek Bailey's July 1982 "Company" concert at London's Institute of Contemporary Arts with pianist Ursula Oppens, singer Julie Tippetts and pianist Keith Tippett, violinist/electronics wizard Philipp Wachsmann, guitarist Fred Frith, trombonist George Lewis, harpist Anne LeBaron, bassist Motoharu Yoshizawa and sound artist Akio Suzuki.

Two recordings of the Ahmed quartet of Pat Thomas (piano), Antonin Gerbal (drums), Joel Grip (bass) and Seymour Wright (sax), performing at The Empty Gallery, in Hong Kong, China and at Cafe Oto, In London, for two concerts of gut-wrenching jazz as they take on the East/West music of late composer, bassist, oud player and former Randy Weston/Art Blakey sideman, Ahmed Abdul-Malik

Originally released in Japan on the Arcangelo label, this 2014 album from Daniel Denis' Univers Zero finds the chamber rock band in a tightly dynamic configuration of reeds, keys, guitar, bass, drums and percussion, as they present intricately dark, complex musical schemes that reference avante classical forms through powerfully expressive rock forms.

Amsterdam-based bass clarinetist Ziv Taubenfeld leads the Bones trio, performing Taubenfeld's compositions, with double bassist Shay Hazan and drummer Nir Sabag, three friends since their youth, as their improvisation emphasizes lower tones through slowly slinking, saurian improvisation that bridges tonal work and energetic scrabbling.

The 2nd in NoBusiness' archive series of the Norwegian Detail collective, here with Frode Gjerstad on alto sax, Bobby Bradford on cornet, Kent Carter on bass, and John Stevens on drums, captured live in London in 1991 during a UK record, in a 3-part work of informed free-jazz and free playing, exciting music with complex, swinging subtlety.

Downtown NY cornerstone pianist Anthony Coleman is heard in a solo album of Coleman originals including a piece dedicated to Roscoe Mitchell, plus one piece each by Billy Strayhorn, John Klenner, and Ellington/George/Hodges/James, all beautifully captured at Boston's Jordan Hall as Coleman reveals his unique logic and inventive approach to solo performance.

Working together often over decades, free improvising drummer Sabu Toyozumi and composer/improvising pianist Masahiko Satoh are heard here in a 1997 duo concert at C S Aka-Renga, in Yamaguchi City, Japan, for an engaging concert of energetic interaction, emphasizing Satoh's percussive approach to the keys and Sabu's inherent melodicism in his approach to drumming.

50 years after saxophonist Peter Brotzmann's Octet recorded the legendary "Machine Gun" album, the trio of Berlin pianist, composer Alexander von Schlippenbach and Dutch percussionist Han Bennink commemorated the album at Lila Eule in Bremen, the concert heard here so successful that the trio decided to release the album and continue on as a working trio.

A new chapter for Acid Mothers Temple and The Melting Paraiso U.F.O. as original members Kawabata Makoto (guitar, speed guru) and Higashi Hiroshi (synthesizer, noodle god) welcome Jyonson Tsu (vocal, midnight whistler), Satoshima Nani (drums, another dimension), and Wolf (bass, space and time) in a sophisticated spacer that references Gong, Grateful Dead, and even Bobby Vinton.

Nine improvisers--Joelle Leandre, J.D.Parran, Ernst Reyseger, Hugh Davies, Jamie Muir, Peter Brotzmann, Evan Parker, Vinko Globokar, & John Corbett--joined Derek Bailey for this 1983 Company week, recording at the I.C.A. in London over 4 days in 1983, mostly performing in trio configurations, with one duo between Bailey & Reijseger, and a final ensemble with all 9 players.

Bassist Ingebrigt Haker-Flaten (The Thing) and Stale Storlokken (Elephant9, Supersilent, Terje Rypdal) join the Nordic Krokofant trio of Axel Skalstad on drums, vibraphone, Tom Hasslan on guitar, and Jorgen Mathisen on saxophone, presenting the band's 3rd album, performing the 4-part work "Q", an intense and sophisticated album of complex and passionate instrumental rock.