Korean free saxophonist Kang Tae Hwan recorded this album of sincere and satisfying solo improvisations in 1995 at Cafe Amores, in Hofu, Yamaguchi, Japan, two decades after forming his first free jazz trio of experimental improvisations, demonstrating powerful technical skills and a unique voice on the sax; a long-overdue distillation of his music.

Two bass players--European free improv legend Barre Phillips and Japanese master Motoharu Yoshizawa--met at Cafe Amores in Yamaguchi, Japan in 1994, with Phillips on an amplified acoustic upright and Yoshizawa using an electric vertical 5-string bass of his own design, as the two weave and merge their unique sounds and approaches in a brilliant concert.

An impressive vinyl reissue of guitarist Derek Bailey, one of the most unique and influential free improvisers, in his 1974 solo recording on the Incus label, with Bailey playing on two amps and two volume pedals, a veritable duo split in the stereo field with occasional banter and observations, as he blends abstract and lyrical approaches on guitar in amazing ways.

A proper reissue of the 1976 Incus album from guitarist Derek Bailey and cellist Tristan Honsinger, primarily from a live concert at at Verity's Place in London on February 7, 1976, with two unusual studio recordings punctuating the album, an early example of their long history of collaboration and a great example of their intense, joyful, and truly free improvisation together.

The Norwegian Elephant9 trio of Stale Storlokken on organs and keyboard, Nikolai Haengsle on bass, and Torstein Lofthus on drums, are complemented by Pekka Pohjola of Wigwam fame, for their fifth studio album, a powerful blend of prog-era instrumental rock that's informed by impressive improvisational skill and fueled by the original enthusiasm of complex rock forms.

Eugene Chadbourne has been obsessed with "horror" for years, so when Bisou asked him to make an album for children he suggested theming it on horror movies and monsters, taking keyboardist Steve Beresford and multi-reedist Alex Ward into a London studio to record these 9 tracks, with references to classic horror and to Chad's own Shockabilly project.

A much-needed reissue of Australian guitarist and sound artist Oren Ambarchi's 2004 album, an achievement and turning point for Ambarchi in the scope of his work, expanding his instrumental palette to incorporate more lyrical aspects into his sound, complementing his previous bass-heavy drone work, the album remastered for this essential gatefold release.

Recorded during the Jazz Middelheim Festival in 2014, the quartet of Belgium drummer and label-leader Teun Verbrougeh and pianist Jozef Dumoulin are joined with Norwegian bassist living in the US Ingebrigt Haker Flaten, and New York trumpeter Nate Wooley, to record this set of formidable free jazz, released in a vinyl LP with 3 12x12 prints, one for each piece.

Two electroacoustic orchestral compositions with machine analogies from composer, percussionist and electronic artist Matt Weston, mastered by Jason Lescalleet at Glistening Labs; unusual works that use abstract components against melodic snippets, electronic washes, glitch, altered voices, abrupt shifts and genre-defying resolutions; curious and unorthodox music.

Known more as a drummer than a composer, Australian-born and Tokyo-relocated Joe Talia composed and organized this two-part, album-length electroacoustic composition using his skills as a percussionist. performing on modular synths and tape machines, and using his vast studio skills as an engineer and producer to create these impressive electronic works.

An excellent blend of electronics and acoustics as saxophonist, flutist and trumpeter Daniel Carter meets sound artist Tobias Wilner from world-renowned electronic pop band Blue Foundation, with Wu-Tang Clan bass player Djibril Toure and drum wiz Federico Ughi rounding out this forward-thinking album of hazy and rhythmic electroacoustic environments.

First conceived during the 2016 Forward Festival when noise guitarist Gene Moore and NYC experimental bassist Gene Janas invited noted avant-garde drummer Federico Ughi for the second part of their set, the results being so impressive that they asked saxophonist Paul Flaherty to join them to record this album and to perform at the Forward Festival 2017.

The DNMF collaboration of Netherland's sonic experimenter Machinefabriek (Rutger Zuydervelt) and the Dead Neanderthals duo of saxophonist Otto Kokke and drummer Rene Aquarius, in their second album of heavy, droning style, reveling in a resonant, high-volume, long-form work of hypnotic sound merging metal, drone and dark ambience.

Always open to new approaches, NY guitarist Mary Halvorson takes her trio with drummer Tomas Fujiwara and bassist Michael Formanek, adds trumpeter Ambrose Akinmusire and, in a twist of the thumbscrew, vocalist Amirtha Kidambi, for a mix of song and instrumental pieces that balance jazz and rock sensibilities with lyricism, intricate lines, and creative spirit.

The Toronto-based duo of Colin Fisher on woodwinds and percussion and Carl Didur on keyboards and bass bridge acoustic and electronic improv with science fiction sensibilities in their two part "Exegesis", a critical exposition of un-genred music that borrows from global sources in service to their unusual and exotic tale; a wonderfully perplexing album.

Washington, DC based electronic experimenter Chester Hawkins (Blue Sausage Infant) was commissioned by director Tim Ashby to compose this work for the soundtrack to his feature-length film "Pale Trees", Hawkin's music illustrating the film's gradient of psychological colors from darkness, rage, and vengeance through a mix of kosmische drone in a Tangerine Dream vein.

In the Downtown NY tradition of blurring rock and improvisation, the trio of Marc Ribot on guitar and voice, Shahzad Ismaily on bass, Moog, percussion and voice, and Ches Smith on drums, percussion and electronics, answer their own question 'why are you still here' through 11 genre-crossing songs of turmoil and inquisitiveness, perfect for the polarities of the time.

Rutger Zuydervelt, aka Machinefabriek, in a 7" release of two tracks developed for a piece commissioned by Marta Alstadsaeter and Kim-Jomi Fischer for their dance piece "as much as it is worth" in 2017, the first an edited version of the final music used for the piece, a complex yet upbeat and bouncy work, the second side expanding and darkening the music.

After several years of Brass Unbound, Getatchew Mekuria, festivals and countless side projects, The Ex return to The Ex, a 4-piece led by the trio of guitars from Andy Moor, Terrie Hessels and Arnold de Boer driven by drummer Katherina Bornefeld, de Boer acerbic and insightful on this seriously great rock record; plus a 36-page photo book from Andy Moor.

An inventive and lyrical set of duos between Chicago tenor saxophonist and bass clarinetist Keefe Jackson and vibraphonist Jason Adasiewicz, nine concise pieces that blend free improvisation with compositions seamlessly in a really delightful duo.

The 2nd release from the trio of Oren Ambarchi, Kassel Jaeger, and James Rushford in two side-long pieces, simmering stews of electronic smears, pitched-down animal moans, and mysteriously emotive microtonal organ chords, crossed with elements twisted from dub and techno alongside unusually treated percussive elements; chilling and disturbed music.

Long out of print on both the Incus label where it was released in 1975, and on Evan Parker's psi imprint, this is a much needed reissue of the original configuration of this legendary album of UK free improvising guitarist Derek Bailey in concert with saxophonist Evan Parker on tenor and soprano, performing live at Wigmore Hall in London on 14 February 1975; essential.

Unreleased pieces from David Behrman focused on his '70s work with microcomputers: "Interspecies Smalltalk" commissioned by John Cage and Merce Cunningham, performed with Takehisa Kosugi (violin) & David Behrman (electronics); an early version of "Leapday Night", here performed with Werner Durand on saxophone; plus "All Thumbs" for 2 electrified mbiras.

The hard-working duo Ghost Trees of saxophonist Brent Bagwell and drummer Seth Nanaa, extended their group to a 10-piece band of interesting orchestration--piano, vibraphones, sax, pedal steels guitar, bass, cellos and violas--taking over the Charlotte, NC Goodyear building to present their unique compositions blending conceptual composition and improvisation.

Recording in Asheville, NC, the Ghost Trees Duo of Seth Nanaa on drums and Brent Bagwell on tenor sax release their 3rd album as a clear vinyl LP, 11 inventive dialogs of expressive and energetic jazz born from fifteen years working together, from the trio The Eastern Seaboard to their own hard-working duo and recent Ghost Tree Big Band project.

A reissue of the 1981 Incus LP of guitarist Derek Bailey with one-time King Crimson percussionist Jamie Muir ("Larks Tongues in Aspic"), also a member of Bailey's Music Improvisation Company, an album of hovering harmonics from Bailey's feedback amidst Muir's kitchen-sink collection of items that creates a unique and riveting complement to Bailey's playing.

One of the exemplary albums of European free jazz originally issued on Peter Brotzmann's on BRO label in 1968, aggressive but astute music from now-legendary players Brotzmann, Evan Parker & Gerd Dudek on tenor sax (Brotzmann doubles on baritone sax), Peter Kowald on bass, Fred Van Hove on piano, Buschi Niebergall on bass, and two drummers - Han Bennink and Sven-Ake Johansson.

The Norwegian quartet formerly known as "Damp" with baritone guitarist Asbjorn Lerheim, tenor saxophonist Atle Nymo, drummer Torstein Lofthus, and double bassist Roger Arntzen, blend expressive forms of jazz with blues and rock in an expansive and rich set of tunes that both pay homage and look to new and inclusive formations of emotional and effusive music.

Cinematic aesthetics and themes from the Norwegian Holy Mountain duo, performing on the uncommon pairing of two instruments--accordion played by Andreas Angell, and drums with acoustic and electronic parts and vintage synthesizer played by Aleksander Tidemann--in their 3rd release inspired by the dystopian sci-fi visions of John Carpenter, Philip Glass and Daft Punk.

Ahmed Abdul-Malik was a jazz bassist and oud player, a member of bands led by Art Blakey, Earl Hines, Randy Weston, and Thelonious Monk and whose own albums fused aspects of Arabic and East African musics; the band Ahmed of Pat Thomas, Joel Grip, Antonin Gerbal, and Seymour Wright revisit and rethink his compositions and influence, as heard in this massive and elucidating recording.

Ohio garage and free rock mainstay Lamont Thomas, AKA Obnox, was approached by Astral Spirits to make a free jazz record, the unexpected results sounding more like a rock record in a wild ride of noise, funk, electro, voice, and percussion, a savage album with the protest and pointed sensibilities of the early 60s; pressed on translucent red vinyl.

Debut album from this Oslo collective quartet of free improvisers led by drummer Andreas Wildhagen (Nilssen-Love Large Unit) with Erik Kimestad Pedersen on trumpet, Kjetil Jerve on piano, and Erlend Olderskog Albertsen on double bass, a thoroughly modern band that balances more experimental playing with improv in the European tradition; a strong start.

Three "nonsensical" musical conversations between Malaysian experimental musician and Herbal International label founder Goh Lee Kwang, and Norwegian bass player and Nakama label leader Christian Meeas Svendsen; a first encounter between two different mindsets, nationalities and generations, packaged with a pencil to let you draw your own cover.

Freely improvised and unusual collective improv from the quintet of Christian Meaas Svendsen (double bass), Andreas Wildhagen (drums), Ayumi Nataka (piano), Adrian Loseth Waade (violin) and Agness Hvizdalek (voice), an abstract yet energetic album with Hvizdalek's voice adding an exotic edge to extended techniques based in free jazz strategies.

Three tracks from Yoshio Machida's works for the SYNTHI AKS, the 1971 portable modular synthesizer developed by Electronic Music Studios using a generative music machine with a matrix patch panel allowing great flexibility in modulation, reverb, effect like delay, and glitch, in a 7.5" lathe cut vinyl release, numbered in a silk-screened antistatic package.

With a decade of experience, the Flandres, Netherlands free jazz quartet of Adrien Douliez on alto saxophone, Jean Baptiste Rubin on tenor saxophone, Maxime Petit on bass, and Frederic L'Homme on drums blend ethnic and world music with assertive playing, from groove oriented to more aggressive forms, a unique voice in free playing.

Many years after Pere Ubu and his work as a pilot, one of the world's most unique synth players, Allen Ravenstine, releases an album of composed works, 18 discrete hybrid miniature sound worlds that blend acoustic, real-world and synthetic sounds in unorthodox ways that elusively twist conventional approaches with unexpected elements and narrative twists.

With 15 years of duo recordings to their credit, Jeph Jerman and Tim Barnes present an album of experimental sound and improvisations, using metal, bamboo temple blocks, springboard, wood, feathers and electronics, and are joined by Ko Ishikawa on Sho, with an additional intervention by performers Alex Bruck, Ramon Del Buey, and Misha Marks.

Japanese free improvising saxophonist and vocalist Akira Sakata's ode to folksongs of the sea, a cathartic and emotional set of songs made heavy by the bass and synth work of Bill Laswell and drummer Hamid Drake, with guitarist Pete Cosey adding an undulating funk layer to their compelling mix, modern and ancient at the same time, recorded in 2000 but here in its first vinyl release.

A remarkable work of chamber rock in the 1981 third album from Belgian band Univers Zero led by drummer/percussionist Daniel Denis, who also provides the complex and darkly brooding compositions for the ensemble, inspired and guided by the writing of H. P. Lovecraft, here in a much-needed vinyl reissue.

Double bassist Shay Hazan, a member of the Albert Beger Quartet, provides the compositions for this 10" album recorded in Tel-Aviv,, a sextet that's essentially a double trio, with two tenor saxophonists (Albert Beger and Eyal Netzer), two drummers (Haim E. Peskoff and Ofer Bymel) and a secondary string from Nadav Masel playing a hamsa, a 5-stringed custom cello.

Legendary free jazz pianist Alexander von Schlippenbach, founder of Globe Unity Orchestra and Berlin Contemporary Jazz Orchestra, met masterful Japanese pianist Aki Takase in 1995 for a live concert at Cafe Amores, in Hofu, Yamaguchi, Japan, for a concert of intricate interplay and uniquely creative approaches, taking on work by Mingus, Monk, and even Frank Zappa.

NoBusiness continues their essential 70's reissue series of renowned Japanese free improvisers, here in an LP and extended CD edition of the live duo of percussionist Sabu Toyozumi and saxophonist Kaoru Abe on alto, soprano & sopranino saxophones, the LP presenting their 1978 concert at Gaja, Hatsudai in Tokyo, the CD extended with a live set at Minor, Kichijoji the same year.

A 1995 live concert at Romanisches Cafe in Tokyo from the South Korean and Japanese free improvising quartet of Choi Sun Bae on trumpet, Junji Hirose on tenor & soprano saxophones, Motoharu Yoshizawa on electric vertical five strings bass, and Kim Dae Hwan on percussion, in five collective improvisations including an homage to Charlie Parker.

A live performance at Forward Festival 2016, in Brooklyn, NY, merging chamber music, free improvisation, free and avant jazz and other forms in a an ensemble with Daniel Carter (sax & trumpet), Claire de Brunner (bassoon), Patrick Holmes (clarinet), Nick Lyons (sax), Jeff Snyder (electronics), Stelios Mihas (guitar), Jonah Rosenberg (piano), Zach Swanson (bass), and Federico Ughi (drums).

Drummer Donald Sturge Anthony McKenzie II trades off duos with a set of masterful musicians in the second volume of his "Silenced" project, here with guitarist Elliott Sharp for a complex and inspired dialog; with bassist Bill Laswell for a rich and moody soundscape; and with guitarist Vernon Reid in a piece for McKenzie's daughter; plus one solo drum piece.

Blurring the lines between Sun Ra's avant jazz and Merzbow's approach to noise, these pieces are based on rare and unreleased tracks authorized by the Sun Ra archive, worked into compositions that morph and micro-inspect each track into something unique and outer-worldly.

Kuzu is a hard-charging but patient trio that came together in the fall of 2017, after saxophonist Dave Rempis, a stalwart of the Chicago improvised music scene, worked with both Tashi Dorji (guitar) and Tyler Damon (drums) individually as part of a lengthy solo tour of the U.S.; this new trio is captured at Elastic Arts, in Chicago in an intense and dynamic live set.

Powerful electric jazz roots from the Norwegian quartet of Lauritz Lyster Skeidsvoll on saxophone, Havard Nordberg Funderud on guitar, Karl Erik E. Horndalsveen on double bass, and Martin Mellem on drums, shredding inspirations from 60s electric Miles and Ornette, with a rock influenced rhythm section and electric guitar work driving great soloing.

Inspired by European improvisation, 60's NY-loft-avant-garde and Ethiopian jazz, Heaven, the Norwegian collaborative project of Danish saxophonist Henrik Pultz Melbye and Norwegian drummer Ole Mofjell, merge rhythmic and melodic realms, adding stretches of noise and non-idiomatic sounds, in fast-paced, highly-energetic, and highly-informed performances.

Two guitarists with unique approaches to their instruments -- Paris-based Julen Depsrez and Lisbon-based Luis Lopes -- in an experimental album of evolving sound through extreme modification of guitar sound and sustain, mysteriously building their interactions from whispering sonics to growling harmonics, tightly controlled but bristling with complex energy.

Leveraging influences in improvisation and contemporary compositional music, Belgian/Oslo pianist Jonas Cambien, a member of Simiskina and Platform, extends his own trio of saxophonist Andre Rolighete and drummer Andreas Wildhagen with trumpeter Torstein Lavik Larsen on 2 tracks, as they balance jazz, avant, free improv and other hybrid forms in a compellingly creative album.

Vinyl edition with a unique 4-part, 4th "Pillar": Tyshawn Sorey in an amazing and ambitious work "Pillars", assembling an ensemble of virtuosic NY performers (Joe Morris, Todd Neufeld, Ben Gerstein, Stephen Hayes, Zach Rowden, Carl Test, Mark Helias) as he references Tibetan rituals, Stockhausen, and Anthony Braxton, and much more.

Fitting squarely in the Rock In Opposition mold, Stop Motion Orchestra is an Austin, Texas-based instrumental chamber rock band orchestrated with sax, violin, guitar, synth-bass, drums, here in their second album bringing a bright and melodic force that reminds of Hamster Theatre, Debile Menthol or L'Ensemble Raye; sophisticated, charming and knowledgeable music.

Two long sides of "blissed-out, super tight Acid Mothers Temple jams that somehow stretch into the future while staying strongly rooted in the group's celebrated psychedelic history" performed with AMT core members Cotton Casino (voice), Kawabata Makoto (guitar), Higashi Hiroshi (keys), Mitsuru Tabata (guitar), Staoshima Nani (drums), and S/T Wolf (bass).

The first release from Ken Vandermark's Audiographic label, and his new band Audio One, a 10-piece ensemble inclduing Jason Adasiewicz (vibes), Jeb Bishop (trombone), Josh Berman (cornet), Tim Daisy (drums), Nick Mazzarella, Mars Williams, Dave Rempis & Ken Vandermark on reeds.

Albert Ayler's 1965 ESP album originally released as a 1-sided clear vinyl LP, the single "Bells" song actually an amalgamation of his piece "Holy Ghost" which transitions into "Bells", here augmented with "Vibrations aka (tune Q)2", performed with brother Donald on trumpet, Charles Tyler on alto sax, Lewis Worrell on bass, and Sunny Murray on drums.

Cornetist Taylor Ho Bynum draws on a variety of techniques from improvised conduction to big band orchestration to deconstructed fanfares, with a large 15 member ensemble of impressive improvisers embodying a diversity of generations, backgrounds, ethnicities, and gender, presenting three large scale compositions that are ambitious and wonderfully accomplished.

A thick and sick album of heavy electro-improvisation when the French quartet Chaos Echoes of brothers Ilmar Uibo on drums & percussion and Kalevi Uibo on guitar and effects, Fabien W. Furter on guitar and effects, and Stefan Thanneur on bass and effects meets with baritone saxophone Mats Gustafsson for two intense and dark tracks cut to transparent blue vinyl.

One part Sonic Youth, one part early Residents, Deluxx is the anomalous output of NY/Boston transplant Mark Peretta, a one-man band of crazy riffs and warped song-spieling.

After working together on the theater production Das Fliegende Kind (The Flying Child), the trio of Mats Gustafsson, David Sandstrom (Refused), and Andreas Werliin (Fire!) recorded this 18 minute improvisation, a work of percussive force and rolling sax tone that builds to an explosive fury of sound, released on a stunning 1-sided picture disc.

Solo work from Portuguese guitarist Luis Lopes, showing a different side to his work with Humanization 4tet or his Noise Solo project, instead presenting a gentler and more romantic music marked by seductive playing with an unexpectedly tender appeal.

Superb 1st erstwhile 'pop' release as only an erstwhile artist could define the term: abstract lower case and perceptive songs with dual clarinets and guitar.

A beautiful set of minimalist compositional drone from New York composer Phill Niblock, commissioned by the performers Natalia Pschenitschnikowa on bass flute and Erik Drescher on glissando flute, recorded at PIETHOPRAXIS, in Cologne, Germany by Marcus Schmickler, and in Berlin, Germany, by Thomas Ankersmit.

An amazing collection of concepts described in John Steven's manual "Search and Reflect" and recorded in workshops and concerts primarily in the 70s, with participants including Trevor Watts, Evan Parker, Paul Rutherfod, Ian Brighton, Nigel Coombes, John Russell, Lindsay Cooper, &c.

Guitarist Stephen O'Malley meets UK free improvising drummer Steve Noble in Philadelphia PA to record this mammoth duo of sound and drone guitar with active, deep drumming, a mesmerizing album of intense sound and rhythm.

US Composer Sarah Hennies wrote these pieces for vibraphone for Lenka Novosedlíková to be performed at the church in Kyjatice, Slovokia, a medieval building the two discovered while traveling, and that they challenged each to bring life to the building while respecting it's contemplative character and using the psychoacoustic dimensions of space.

The second album from the duo of pianist Chris Abrahams (The Necks) and clarinetist Kai Fagaschinski (The Magic I.D., Interational Nothing) has the duo decelerating for an intimate examination of tone and harmonics through perfectly placed notes and subtly extreme technique, creating sublime sonic environments that hover and dissolve; beautiful.

Zorn's take on Christmas with his Dreamers (Marc Ribot, Kenny Wollesen, Joey Baron, Jamie Saft, Trevor Dunn, Cyro Baptista, with guest vocalist Mike Patton) performing 7 of Zorn's favorite Christmas songs along with 2 originals.

Reedist Peter Brotzmann and guitarist Heather Lee has been one of Brotzmann's most current active collaborations, performing together for several years, here recorded beautifully in the studio for a 6-track LP and 10-track CD of sympathetic, emotional and articulate dialog from two musicians with an innate sense of timing and give and take borne from mutual experience.

Accompanied by Japanese master tabla player U-zhaan, the 3rd album from Australian guitarist and experimenter Oren Ambarchi and Chicago/NY/Japan musician Jim O'Rourke uses U-zhaan's warmly active rhythms as a platform for shifting sounds and resonant repetition, hypnotic and psychedelic as it draws the listener into wonderful swirls of sound.

Super heavy free jazz with a rock sensibility that also quotes and references the greats, including a track dedicated to Charles Mingus, from the Moscow trio of Dmitry Lapshin on double bass, Anton Ponomarev on saxophone, and Yaroslav Kurilo on drums, founded in 2008 but only now gaining global acknowledgement of their informed and ferocious brand of improv.

Naples tenor saxophonist Antonio Raia's album of solo saxophone improvisations employs a mix of traditional and unusual techniques in 12 concise pieces that fragment "scraps" of melody into a diverse ruminating streams, recorded at the city's Filangeri Asylum by sound artist Renato Fiorito, using ten microphones to capture the unique qualities of the space.

Two unconventional and experimenting improvisers--French-Japanese violist Frantz Loriot and Swiss percussionist Christian Wolfarth--in a deceptive album of acoustic improvisation that elusively takes on electric qualities in the hands of these two innovators, seducing the listener through unusual twists and turns of perfectly paced interactions.

Using material from solo live performances in San Francisco, Berlin, Zurich and London between 2010 and 2015, composer and sound artist Antoine Chessex developed the two compositions of this album, extracting his electroacoustic altered saxophone work and developing them into larger works that bridge extreme and psychoacoustics approaches with great sonic depth.