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Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

Maria da Rocha's name may not be familiar to jazz and improvised music lovers in Portugal, and this is because this violinist and viol...

A member of the French ONJ (Orchestre National de Jazz), saxophonist Metzger also works with a variety of real-time transformation music software; this is an excellent review of his compositions and his unique voice in modern improvisation.

An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.

Essentially written by Philadelphia multi-instrumentalist D. Liedel, who handles most of the parts on this unusual blend of rock, electronics, jazz, pop punk and a number of unlikely genres, presenting strange songs that take sharp turns into twisted realms, neatly layering each piece into a heady brew that's hard to pin down, but a great deal of fun trying.

Orfeo 5 are Shaun Blezard on electronics, Keith Jafrate on saxophone, Matt Bourne on keyboards & cello, Tamlin Cook on guitar, Mary Oliver presenting spoken word, and Simon Prince on saxophone & flutes, blending jazz, improv, folk, dub, sound art and electronica to create evolving, improvised narrative music that create a sense of place and journey.

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Drawing on genres blurring avant jazz, compositional forms, experimental rock and their uniquely twisted sense of humor, the Portuguese trio of guitarist Andre Silva, bassist Filipe Louro, and drummer Pedro Alves (also credited for screams!) present their sophomore album, a strange and compelling set of delirious improvisations in three Parts organized across 13 tracks.

Composer/percussionist Danielle Palardy Roger's musical satire about capitalism, performed with some of Montreal's finest improvisers using conventional & unconventional instruments and voice, captured live at the Gesu Amphitheater, in Montreal in 2018: Michel F Cote, Andre Duchesne, Joane Hetu, Elizabeth Lima, Isaiah Ceccarelli, Alexander St-Onge, and Ida Toniato.

Recording in Kobe, Japan in 2014, the duo of Jin Sangtae, organizer of Seoul's long-running dotolim concert series and who gainfully employs cast-off computer hard drives as sound sources, and Tim Olive, who uses electro-magnetic pickups to give voice to consumer/post-consumer objects, for three tracks of recycled and unorthodox sound.

Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

Review Copy, not new but in mint condition. May have a strike, the word "Promo" or a drill hole. Inquire on condition if you are concern...

The project of Southern Italy's Giovanni Todisco (percussion) and Giuseppe Candiano (synthesizer), since 2015 touring Japan and Europe to perform in festivals and venues, this album presents their experimental improvisation combining classic afrikaans and symphonic percussion with modular synthesis, merging ancient rhythms with modern electronic excitement.

The duo of Carlos Santos and Jorge Valente developed this project around the metallics of a cymbal, recording it and digitally manipulating and transforming it into a musical structure using the maxmsp programming; this recording was captured live at the Hertzoscopio Festival in Fabrica da Polvora, Barcarena, Portugal in 2004.

The third volume of this excellent German sound magazine and audio CD, 9 artists working in sound art, electroacoustic composition; a "listenable exhibition" of modern compositional approach.

An exceptional quartet of electroacoustic improvisers captured in concert at MUG Einstein Kultur in Munich, organized by the non-profit Offene Haken e.V. - Freunde der improvisierten Musik (Friends of improvised music), from Markus Eichenberger on clarinet, Carl Ludwig Hubsch on tuba, Philip Zoubek on synthesizer and Etienne Nillesen on extended snare drum.

A split LP from two electroacoustic composers: from France, Eve Aboulkheir presents a work inspired by an experience of perceptive disorientation, using modified, mutated and layered field recordings; and Norwegian sound composer Lasse Marhaug presents a work for modified tabletop guitar, field recordings, electronics & objects evoking a path through a forest avoiding large anthills.

A split LP from two sound and electroacoustic artists: Paris bassoonist Dafne Vicente-Sandoval deconstructs the instrument itself using an electro-acoustic device that generates feedback, developing compositions from those explorations; and Norwegian Lars Petter Hagen revisits Richard Strauss's Metamorfosen through decay and fragmentation of its musical lines.

Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of CARL with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.

Percussionist and electronic artist Matt Weston describes these four tracks as "songs", each demonstrating aspects of his compositional methods — multidimensional graphic scores, implied and aural notation, site-specific structures and frameworks, physical and otherwise — creating immersive and dramatic sonic environments revealing his increasing sophistication as a composer.

Two western-US, like-minded sound artists and improviser who started their musical lives as drummer/percussionists, Jeph Jerman and Ted Byrnes present nine relatively succinct tracks of unusual and unidentifiable sources, typically formed around a rhythmic center and always actively engaging, finding logic in curious or even chaotic interaction.

The Summer 2023 issue of Canada's finest music magazine covering contemporary improvised, composed and experimental music, with Simone Schmidt's Audible Songs of Defiant Meaning on the cover, plus features on Nicole Mitchell and Coco Elysses, Levy Lorenzo, Wayne Lavallee, along with recorded & live reviews, and a 10-track CD with pieces from the artist within.

Rutger Zuydervelt, aka Machinefabriek, returns to rhythmic electronic solo work with his fourth mini-CD release after Hinkelstap (2022), Tuimelval (2022) and Haast (2023), in this seven-part work Kadans (translating to "Cadence"), each track using a unique rhythmic foundation under warm electronics, plus a violin sample from collaborator Anne Bakker.

After working with clarinetist Monika Bugajny on his + album, composer & electronic artist Rutger Zuydervelt, aka Machinefabriek, joined again with Bugajny for a set of eight reconstructions of classical works from Debussy, Messiaen, Brahms, Stravinsky, &c., each reinterpreted work cleverly composed from Bugajny's recording of the original composition.

A New York trio of musical friends from Chris Pitsiokos on alto saxophone, Luke Stewart on electric & acoustic basses and Jason Nazary on drums, an elegantly impactful album of organic free jazz expanded through electronic textures from all three members as they enthusiastically explore new approaches to energetic, creative, contemporary improvisation; extraordinary!

A ritualistic narrative work from multidisciplinary artist Dorian Wood and percussionist Thor Harris (Swans), with Carla Bozulich and Jarboe contributing their voices in an ensemble of contemporary and experimental arrangement, alongside guests David Coulter, Heather Trost, Jeremy Barnes, Michael Corwin, Ignacio Carvajal, Andrea Calderon, Elizabeth Warren and Patrick Shiroishi.

Once roommates in Rhode Island, guitarist Jeffrey Alexander of The Heavy Lidders, now living in Philadelphia, and guitarist/vocalist Ashley Paul, now living in London, come together again for a 3-song 7" release of idiosyncratic and informed free-form songs and instrumentals performed with a saxophone, clarinet, prepared guitar, prepared percussion, moog & electric piano.

The premiere of late composer Julius Eastman's work for an eclectically orchestrated chamber ensemble, presented in 1974 at Composers Forum in Albany, NY, a uniquely joyful and absorbing work rendered in this original inspired performance that continues to bring interest to Eastman's work, now remastered by Jim O'Rourke and released in a deluxe double LP gatefold edition.

Ten exceptional solo improvisations performed live without overdubbing on electric & acoustic guitars, using effects to expand the expressive capabilities of each guitar, as Henry Kaiser endeavors to sound like more than a single musician, inspired by improvisers like Evan Parker, Cecil Taylor or Derek Bailey, each improv providing a dedication or influence.

The soundtrack to the 2022 German documentary film This Stolen Country of Mine directed by German filmmaker Marc Wiese about Ecuadorian resistance fighters and journalists opposed to the sale of the country's resources to Chinese investors, in 19 subtle, elegantly passionate electronic works from sound artist Carsten Nicolai, aka Alva Noto.

Promo copy with line thru bar code. An unusual set of electroacoustic improvisations recorded at Firehouse 12 from a New York trio led by trumpeter Forbes Graham, also on laptop and drum machine, Cecelia Lopez on analog synth, and bassist Brandon Lopez, Graham mutating his trumpet through sound processing, complemented by Cecelia Lopez's synthetic punctuations, all grounded by Brandon Lopez' solid bass work.

Unique approaches to the piano trio format, alerted to the listener by merging synthetics and samples into the opening, bubbling carnival-esque "Rapture", then settling into more recognizable yet innovative approaches to creative, modern jazz through Hawkin's fascinating compositions, electronics drifting in and out at times but generally adhering to great, modern jazz.

Energetic, authoritative and unpredictable, this 2020 concert at Hyde Park Book club, in Leeds, UK from the collective free improv trio of Pat Thomas on keyboards, Chris Sharkey on electric guitar and Luke Reddin on Williams on drums, burns through an extended and far-ranging set of sonic environments and seriously exhilarating straight-on playing.

Energetic, authoritative and unpredictable, this 2020 concert at Hyde Park Book club, in Leeds, UK from the collective free improv trio of Pat Thomas on keyboards, Chris Sharkey on electric guitar and Luke Reddin on Williams on drums, burns through an extended and far-ranging set of sonic environments and seriously exhilarating straight-on playing.

Formed as a collective in 2016, Baraque à Free brings together young free improvisers from Toulouse, France, who leverage influences from jazz, contemporary and rock forms, creating passages that include harmonious tranquillity, noisy spaces, rhythmic rage, math rock, and hints of orchestral chamber music; a positive album of musical statement and emotional release.

Active in both contemporary music and as an improviser, Portuguese accordionist João Barradas is heard live at the 2022 Festival d'Aix-en-Provence in France, performing solo on a chromatic accordion, MIDI chromatic accordion and voice for an expansive, un-interrupted six-part improvisation that showcases both his technical skills and his emotional passion.

Commissioned by Cineteatro Louletano to respond creatively to the musical legacy of Ludwig van Beethoven, double bassist Carlos Bica developed ten compositions that draw on Beethoven's original works, performing them with saxophonist Daniel Erdmann, accordionist João Barradas and DJ Illvibe on turntables, a truly unique take on some of the renowned composer's most famous works.

Recorded two decades apart, first in 1998 as a combination of recordings in the studio and live @ The Knitting Factory, and then in 2019 in the studio, the trio of Miya Masaoka on Koto, dan bau & electronics, Reggie Workman on bass, percussion, musical saw & digeridoo and Gerry Hemingway on drums & electronics, show both their consistency and evolution as masterful, creative improvisers.

Two sound works from multimedia artist John Collins McCormick (Sky Thing) recorded using a multi-channel, portable sound system that employs up to 8 subwoofers in drum stands, amplifying low frequencies and rattling odds and ends he collected over the years, creating a rolling and controlled cacophony of quick rhythms and unusual asides from objects placed on the subwoofers.

San Francisco East Bay sonic artist and Public Eyesore/Eh? label-leader Bryan Day meets Omaha bass player and sound artist Dereck Higgins for four enveloping works of sound, sonically rich and epic journeys through terrains of identifiable musical elements and acousmatic curiosity, all with an ear to story-telling as the duo weave passages of fantastic elements.

A minimalist work in the tradition of Tony Conrad and Henry Flynt, John Cale or La Monte Young, West Coast-based composer and multi-instrumentalist John Krausbauer performing on an amplified violin and Portuguese experimental/drone artist David Maranha (Osso Exótico) performing on electric organ present two emphatic and rich compositions of interacting tone and texture.

The third album from the genre-merging quintet The End of of Sofia Jernberg (vocals), Kjetil Moster (clarinet and tenor saxophone), Mats Gustafsson (flutes, baritone saxophone and electronics), Anders Hana (baritone and bass guitar) and Borge Fjordheim (drums), an experimental song-based project influenced by avant rock, jazz and soundscape in seven nuanced pieces.

The third album from the genre-merging quintet The End of of Sofia Jernberg (vocals), Kjetil Moster (clarinet and tenor saxophone), Mats Gustafsson (flutes, baritone saxophone and electronics), Anders Hana (baritone and bass guitar) and Borge Fjordheim (drums), an experimental song-based project influenced by avant rock, jazz and soundscape in seven nuanced pieces.

A six part improvisational inquiry from three experienced London investigators--John Butcher on saxophones, Terry Day on drums and Max Eastley performing on his self-developed electroacoustic monochord, along with percussion and a bird call--all three performing with unusual and extended techniques to create a uniqe sonic palette applied to extremely focused conversations.

Fusing many styles into a strange jazz-like environment fueled by exotica, electronica, orchestral forms and unusual transitions, Dutch multi-instrumentalist & composer Jeroen Kimman, along with ten Amsterdam musicians including John Dikeman, Koen Nutters, Michael Moore and Mark Morse, present Kimman's unusual and often rubbery musical vision while continually fascinating his listeners.

Extending their collaborations with this project that blurs rock, experimental and improvised forms in a very Downtown NY way, Elliott Sharp performing on guitars, analog synth & drums machines joins with Eric Mingus on bass and primary vocals, with Doug McKenzie providing drums samples and loops, for a set of insightful, incisive, extraordinary songs.

A collection of original songs recorded in NY & Paris from vocalist Hélène Breschand, also performing on acoustic and electric harp, in a duo with Elliott Sharp, who creates grooves and instrumental environments on guitar, analog synth, bass, toy piano and drum programming; unusually structured and richly detailed, from idiosyncratic to sensuous.

Referencing their influences as The Pop Group, This Heat, Naked City, and Eric Dolphy, this collective trio from Vicenza, Italy features Tiziano Pellizzari on reeds & electronics, Geoffrey Copplestone on noise & vocals and Giampaolo Mattiello on percussion, in an insightful and sometimes socially charged, sometimes simply quirky mix of free jazz, noise and narrative vocals.

Using members of the violin family augmented with effects, NY violinist Sana Nagano and violist Leonor Falcon pay homage to Prokofiev's Sonata for Two Violins and Bela Bartok's Etudes 1 & 2, reinterpreted for modern contemporary approaches, alongside new compositions from both Nagano & Falcon that show their virtuosic talents and playful attitude to performance.

The French duo of bassoonist Sophie Bernado and sound artist Céline Grangey expand on the rich timbre of Bernado's bassoon, starting solo in beautiful etude improvisations only to have Grangey's sound designs expand around her playing, developing rich environments through electronics, field recording & voice, a beautiful intersection of experimental, composed and improvised music.

Berlin studio recordings from the free improvising quartet of Beat Keller on feedbacker electric guitar, Ernesto Rodrigues on violin, Rieko Okuda on piano and Guilherme Rodrigues on cello; four string players invoking the reptilian Mesozoic age through unusual approaches to their instruments, extending the palette of each while creating unexpected percussive elements.

The Suspensao octet are heard in this live performance at SMUP, in Parede, Portugal in 2023, blending primarily acoustic instruments with electric guitar and analog synth, using a reductionist approach to highly concentrative and suspenseful free improvisation, their long-running collective history allowing an impressive level of articulation and control through the integration of diverse voices.

A fascinating conceptual work on CD and printed score that attempts to sonically represent celestial events through guided improvisations, providing the performers an abstract of the main musical ideas and options on how to execute them, exploring microtonal sounds, harmonic interactions and sound as moments within physical boundaries, here in a studio realization in Zurich.

A powerful set of succint compositions, themes and sea shanties for the soundtrack for Danielle Krudy and Bridget Savage Cole's film Blow the Man Down , scored through the collaboration of composers Jordan Dykstra, who also performs on viola, piano, prepared piano, vibraphone & percussion, and Brian Mcomber, who also performs on keyboards and percussion.

The original score composed by Brooklyn violist and multi-instrumental Jordan Dykstra for the documentary movie Globes directed by Nina de Vroome, exploring the relationship between bees and humans through their history and affect on the global economy and our cultures, realized in a diverse set of contemporary musical forms from orchestral to electronica.

Six songs from Michael Pisaro's "Tombstones" project--experimental songs developed from recontextualized fragments of popular songs--heard in this 2012 Brooklyn recording directed by guitarist Jason Brogan, with Julia Holter (voice), Tucker Dulin (trombone), Andrew Lafkas (bass), Katie Porter (clarinet), Sam Sfirri (piano and melodica), and Ron Wiltrout (keyboard & percussion).

Recorded in Brooklyn by Jordan Dykstra performing on viola, electronics, percussion & programming, this is the second release in his subharmonic series "Seeing the Forest in a Tree", exploring one conceptual idea with four radically different realizations through arrangements contrasting the acoustic sources of viola & bells with prepared speakers and sine-tones.

The third release in Editions Verde's series "Seeing the Forest in a Tree" are three iterations of interpretations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer, who were invited to interact with Morgan Evans-Weiler's score intended to be interpreted as both sound and sculpture, presented in three unique sets of recordings.

Works for piano, percussion, and one including magnetic bands, from Luc Ferrari, composed between 1956-1988, here performed by pianist Satoko Inoue and percussionist Toshiyuki Matsukua.

Sealed copy. A large Lisboa ensemble presenting a collective improvisation titled after a painting by Yves Klein, with performers including Ernesto Rodrigues (baritone violin), Miguel Mira (bass), Nuno Torres (sax), Carlos Santos (electronics), Rodrigo Pinheiro (piano), &c. &c.

IKB, a ten-piece reductionist electroacoustic ensemble of strings, reeds, guitar, computer, percussion, piano, drums & objects, continues their exploration of exotic animal species with this 2020 live performance at O'Culto da Ajuda in Lisbon, Portugal, detailing the long-billed shore bird Limosa through intricate, restrained and remarkable expression.

Xenography is the ability to write in a language which the individual has not learned, an apt description of the rich dialects sculpted from feedback sources and expertly routed through circular circuits of sound processors by New York sound artist David Lee Myers, AKA Arcane Device, captured and layered into these astounding electronic compositions.

Argentinian sound artist Alexis Perepelycia explores his influences in an extended sonic work, drawing on his roots in the sounds of garage, punk, metal, industrial music into his work in academia, using abstract references of assertive and acousmatic sound with powerful electronic emphasis as he seeks his ghosts amidst references like Russolo, Stockhausen, &c.

A modern soundscape in three acts from Italian improvisers, drummer Walter Forestier (Death Roars, Angelo Mastronardi Trio) and guitarist Vito Pesce (Minus Tree, Pastel, Squieti), their 2nd album a dialog shifting between pensive introspection and aggressive evocation, a full range of expression that builds and releases suspense as the two unfold their narrative.

Emulating a solar eclipse and a lunar eclipse in two evolving improvised chamber works that take the quartet of Guilherme Rodrigues on cello, Mariana Carvalho on piano, Joao Valinho on percussion and Ernesto Rodrigues (switching from viola to harp & deploying electronics) through mysterious soundwork that move from darkness to light in detailed and subtle ways.

The music to composer Craig Shepards performance work that presents listeners with text drawn from court testimony in the sex abuse scandal in the Catholic Church, here concentrating on the quiet long tones generated by wind instruments and ebow strings, where pure tones pass between the musicians to build a pulsating chord that then drops away tone by tone.

Stockhausen's late 60s composition "Mantra" was a return to his intricately systematised approach to musical construction, expanding the possibilities and potentialities of the serial principle to allow for more melodic and embraceable compositions.

An extension of his prior solo record, ONOMAT, Chicago drummer & percussionist Bill Harris also uses a prepared floor tom and feedback in this unedited 25 minute live performance at Music Garage in Illinois, notated for six track section as he explores unique rhythmic concepts augmented with encompassing environmental sonics and unusual disruptive elements.

Stripping down their performance matter to its most minimal expression, their work developed since 2011 as they've toured the European alternative scene, the Hippie Diktat trio of Richard Comte on electric baritone guitar, Julien Chamla on drums and Antoine Viard on amplified baritone saxophone work an energetic and heavy set of Steve Reich-ian grooves.

A diverse set of works from Australian composer Cat Hope, employing acoustic instrumentation--strings, keys, flutes, reeds & percussion--along with electronics and field recordings, in chamber configurations from duos to quintets, performed by the Western Australia Decibel new music ensemble for which Hope is both director and a performer.

A truly fascinating and seamless hybrid of improvised and composed music, alongside an exploration of feedback and "its acoustic double, a harmonic noise", from the merging of two projects--LAMIEE and Dròlo Ensemble--plus Italian poli-instrumentalists Nicholas Remondino and Andrea Giordano (OTONN), yielding wonderfully complex and enveloping sound worlds.

Intended to be played continuously without a break, composer and violinist Andrew McIntosh's long-form composition features field recordings of pine woods in his home state of California in performance with violin, viola, piano, wine glasses, slate and electronics, an ethereal work combining improvisation, open tunings, just intonation and sympathetic resonance.

Beautiful long-form drones and harmonic interactions develop and are then shaken up with sonic deformations and collisions, returning to beautiful environments and then reversed once again, from the duo of sonic explorers Bob Bellerue and Christian Ronn, recording in Copenhagen using organs, electronics, winds, and feedback to create these wonderfully alien domains.

Performing on both piano and bass drum, Italian improviser & composer Luca Sguera presents six works based around the physical sounds of the piano, traditional acoustic piano progressions and rhythmic arrangements fitting the development of each piece's sound, as much sound art as piano composition through sophisticated hybrids of acoustic and sonic environments.