Four configurations of far-reaching free improv at Notice Recordings's 2021 event in Accord, NY: a solo performance by Charmain Lee on voice & electronics; a duo between Lee and Weston Olnecki on synths & trombone; a trio from Gabby Fluke-Mogul on violin, Fred Lonberg-Holm on cello and Joanna Mattrey on viola; a duo between Lonberg-Holm and Olencki.

Narrated by text-to-speech vocalization, Korean-American pianist and composer Lucy Liyou collaborates with Bulgarian-born guitarist Ivana Kafedjiyska (YSKA) in an album of languorously floating and understatedly abrasive music complemented by subtle field recordings, two works of curiously philosophical, baffling and observational verse; unique and compelling.

Bringing to ears a 2003 encounter in Chicago, IL between legendary violin improviser, conceptualist and writer Malcolm Goldstein and exploratory cello improviser Fred Lonberg-Holm, through two extended dialogs weaving their strings around each other and finding unusual intersections and unions, from rapid action to introspective beauty; unsettling and inspired.

Taking the title from Brandon Sanderson's book series The Stormlight Archive, where a soulcaster is an instrument that transforms one object or life form into another; Joanna Mattrey transforms her viola and a tromba marina, aka a nuns' fiddle, with preparations, objects and unusual approaches through technique, creating a remarkable set of 11 unique and inventive improvisations.

Releasing their first studio work in 2020, this album presents the first two live concerts in Brooklyn and Saugerties for the ea-improv trio MAW of Frank Meadows on upright bass, Jessica Ackerley on electric guitar and Eli Wallace on prepared piano & synth, in two 2-part improvisations: the darkly heavy "Mise-en-Place" and the brighter experiments of "Opus 40".

A unique document of Don Brown and Dan Reynolds' unconventional compositional practice, recorded live to tape in 2008 with an 8-piece ensemble performing four decades-spanning works at Multnomah Grange #71, this unauthorized cassette release captures a pivotal moment in Portland's experimental scene, offering singular music with deep references and no clear precedent.

The duo of Katie Porter on bass clarinet and Bob Bellerue on electronics, zither, and feedback create rich, multidimensional drones through live performance, blending harmonic wind tones with resonant feedback and overtone manipulation in two expansive recordings from Berlin and NYC that explore the porous boundary between intention and indeterminacy.

A textural and quietly immersive collaboration between Italian percussionist Francesco Covarino and Greek trio Eventless Plot, combining modular synth, field recordings, percussion, and tapes in an intricate 2024 live studio session that continues the exploratory cassette ethos of Covarino's TSSS label through Innovo Editions' equally intimate and tactile aesthetic.

An intimate, restrained electroacoustic collaboration between Eventless Plot and Haarvöl, unfolding in two extended, meditative movements that explore a nuanced dialogue between piano, field recordings, tapes, and electronic expression, gradually revealing layered sonic detail and immersive depth through spacious, dramatic momentum.

A rich electroacoustic dialogue recorded in Greece, Entanglements teams the hybrid percussion/modular-objects trio Eventless Plot with Berlin sound sculptor Yorgos Dimitriadis, layering responsive drum gestures, electronics, tape, samplers, and modular synth in a live performance that blurs composition and improvisation into immersive, intricate sonic interplay.

Bassist & composer Nick Dunston's Berlin band Skultura creates a uniquely experimental and fascinatingly sculpted approach to free jazz through layers of sound and serious playing punctuated by voice and concrete elements, each piece keeping the listener in anticipation of what might happen next, eased into serious jazz grooves, then whisked away in new directions; not to be missed!

Taking the viola da gamba and the daxophone into uncharted (dark) territories, composer Daniel Fishkin (who studied with daxophone inventor Hans Racheil) presents four works leveraging interference & frequency patterns, performed with an exceptional set of specialists on each instrument, and Fishkin's own 20-foot long instrument, The Lady's Harp, creating long, sustained tones.

Straddling quirky folk song and experimental sound collage, the long-running Western Massachusettes duo of fiddler, banjo player & singer Mia Friedman and clarinetist, wind player & sound artist Andy Allen (Guerilla Toss) present an album of observational songs with unusual perspectives and an anything goes approach to the music that surrounds each song; delightful.

On the last day of the 2021 Spontaneous Music Festival at the Dragon Club in Poznań, Poland, the trio of Berlin trombonist Matthias Muller was joined by younger generation Polish guitarist Pawel Doskocz on prepared electric guitar and fellow Berlin drummer and electroacoustic improviser Emilio Gordoa for these two extended sonic adventures recorded in near-darkness.

Recording to 4 track cassette, this unusual and experimental Boston-area trio of active sound artists--Stella Silbert, Arkm Foam and Neil 'Cloaca' Young--improvise over abstract territory using turntables, a no-input mixer, objects, an open reel tape machine, contact mics, and cassette players, emerging with equally tongue-in-cheek and serious aural interactions.