The 2nd LP from Polish multi-wind & reedist Mat Walerian, his 2nd with NY pianist Matthew Shipp, and the 2nd recorded within the live Okuden Concert Series, adding drummer Hamid Drake for an excellent album of free improvisation that flows beautifully from track to track.

Two string players who have developed distinctive improvisation styles--cellist Okkyung Lee and guitarist Bil Orcutt--meet for their first encounter at London's Cafe Oto, for an exultant and sophisticated duo showing intense skill and strong conversational powers.

A moody album of minimal improv, using space, innuendo, breath and a wonderful sense of darkness from the trio of Radu Malfatti (trombone), Kevin Drum (electronics) and Lucio Capece (bass clarinet & preparations), performing live at Q-O2 in Brussel, Belgium.

Friction, one of the most important and longest running underground bands in Japan, is currently the trio of Reck (bass, guitar & vocals), Iami Akinobu (guitar) and Sato Minoru (drums), in a hard-edged album of original songs and remixes; demanding and powerful modern rock.

The 28th release in John Zorn's Book of Angels series, performing the Masada song books in distinct groupings, brings together the all-star NY group of Cyro Baptista, Joey Baron, Trevor Dunn, John Medeski, and Kenny Wollesen for a blend of jazz, Afro-Cuban bop, Exotica, and more.

Three impressive works of electroacoustic improv from the trio of Serge Baghdassarians (mixer, delays, electric guitar), Boris Baltschun (computer, sampler) and Burkhard Beins (percussion and zither), brooding and concentrative sound that unfolds slowly in detail and color.

An extended group improvisation and compositions by Lely, Sarah Hughes, and Jurg Frey, subtle and beautiful performances by Angharad Davies (violin), Rhodri Davies (electric harp), Michael Duch (bass), Lina Lapelyte (violin), John Lely (objects & electronics) & John Tilbury (piano).

Live recordings from the Dom Cultural Center in Moscow by the trio of Norbert Moslang on cracked everyday-electronics, Ilia Belorukov on sax, electronics & laptop, and Kurt Liedwart on analog synthesizer, electronics, ppooll, superb ea-improv balancing reserve and cracked power.

New York bassist Michael Bisio pays tribute to his teacher William O. Smith in this tremendous duo with cornetist Kirk Knuffke, in a beautiful mix of lyrical playing and heavy technical skills made to sound remarkably simply; a joyful and profound jazz album.

Drawing on several years and many shared projects, the duo of Ingrid Laubrock (sax) and Tom Rainey (drums) recorded this excellent album of sophisticated improvisation at the end of a 17-date tour, performing for a studio audience at Audio for the Arts in Madison, Wisconsin.

Belgian pianist based in Oslo, Jonas Cambien's Trio with Andre Roligheten on reeds and Andreas Wildhagen on drums, in an album of unique compositions using simple ideas yielding complex improvisation & dialog, named for the Dougal Dixons book "After Man: A Zoology of the Future".

A remarkable album of free improvisation from the Scandinavian quartet of Isak Hedtjarn on clarinet, Lisa Ullen on piano, Elsa Bergman on double bass, and Erik Carlsson on drums, captivating the listener with active and detailed interplay of strong intention and technical skill.

NY Saxophonist Tony Malaby's Paloma Recio with Ben Monder on guitar, Eivind Opsvik on double bass, and Nasheet Waits on drums in a studio album performing Malaby's 4-part "Incantation Suite", lyrically free improvisation with a shimmering essence invoking dreamlike states.

A collection of "stories untold" with varying line-ups, from a duo with Fala Mariam to a sextet with Mariam, Nuno Torres, Rodrigo Amado, Jose Bruno Parrinha & Paulo Curado, including the participation of other musicians like Carlos Santos, Hernani Faustino, Luis Desirat & Moz Carrapa.

Guitarist Nick Millevoi leads an ensemble that includes Jamie Saft on Hammond Organ, Ches Smith on drums, Johnny Deblase on bass, Dan Blacksberg on trombone and June Bender on violin, for an album equally embracing and subverting a wealth of rock and jazz forms.

With 2 clarinetists--Joris Ruhl and Joachim Badenhorst--and 2 prepared pianists--Eve Risser and Philip Zoubek--plus flutist Julian Elvira, leader/bassist Pascal Niggenkemper explores his "different twins" concept in 9 uniquely orchestrated and impressive improvisations.

A dark and gritty album of experimental improvisation from the Portuguese trio of Jose Bruno Parrinha on reeds, Luis Lopes on electric guitar, and Ricard Jacinto on cello and electronics, dense yet restrained playing that occasionally emerges to moments of beauty.

The second collaboration between the Portugese Red Trio of Rodrigo Pinheiro (piano), Hernani Faustino (double bass) and Gabriel Ferrandini (drums) with UK saxophonist John Butcher, performing live at Jazz em Agosto Festival in 2015, revealing new aspects to their project.

Scandinavian and American musicians join together to form this quartet, with Kristoffer Berre Alberts on saxes, Jamie Saft on organ and keys, Ingebrigt Haker-Flaten on electric bass, and Gard Nilssen on drums & electronics, for an album of spacey and groove oriented jazz.

Reissuing and re-mixing New York saxophonist Steve Lehman's 2004 album with his previous Camouflage Trio of Mark Dress on double bass and Pheeroan Aklaff on drums, perfoming a stupendous set of original compositions live at Teatro Academica Gil Vicente in Coimbra, Portugal.

Italian saxophonist Stefano Ferrian in a duo with pianist Simone Quatrana, Ferrian bounding terse phrases against Quatrana's concise but tenacious dissections of pattern and rhythm, using angularity, counterpoint and expansive harmonics in a rewarding dialog.

The Ich Bin Nintendo trio of Christian Skar Winther (guitar & voice), Magnus Skavhaug Nergaard (bass) and Joakim Heibo Johansen (drums) take their improvised noise music into the post-punk world with demanding and energetic music that voices it's power and exultation.

Referencing sci-fi, C.S. Lewis, and alien worlds, the compositions of Marek Poliks each have a central metaphor like alien environment and warmth, spaceship and cradling, performed by ensembles using traditional and electronic instruments and objects.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

Solo work from Portuguese guitarist Luis Lopes, showing a different side to his work with Humanization 4tet or his Noise Solo project, instead presenting a gentler and more romantic music marked by seductive playing with an unexpectedly tender appeal.

The Ich Bin Nintendo trio of Christian Skar Winther (guitar & voice), Magnus Skavhaug Nergaard (bass) and Joakim Heibo Johansen (drums) take their improvised noise music into the post-punk world with demanding and energetic music that voices it's power and exultation.

Moscow sound experimenter Phil Raymond, recording with computers and percussions, is resampled live by Moscow musician Kurt Liedwart on lloopp, electronics & percussion, to create these 5 darkly ambient tracks merging organized and improvised approaches.

A concept record from Gaudenz Badrutt (electronics & synth) and Christian Muller (electronics & contrabass clarinet), starting with an improvised piece which is then resampled live into 6 new pieces, changing the character with each pass, and presented in reverse order.

An inventive and lyrical set of duos between Chicago tenor saxophonist and bass clarinetist Keefe Jackson and vibraphonist Jason Adasiewicz, nine concise pieces that blend free improvisation with compositions seamlessly in a really delightful duo.

An inventive and lyrical set of duos between Chicago tenor saxophonist and bass clarinetist Keefe Jackson and vibraphonist Jason Adasiewicz, nine concise pieces that blend free improvisation with compositions seamlessly in a really delightful duo.

Four recent pieces by Berlin-based instrumentalist, composer and improviser, Lucio Capece, all focusing on the process of listening, one performed by Konzert Minimal, the other solo performances including a work for hanging speakers and helium balloons.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.

Three impressive works of electroacoustic improv from the trio of Serge Baghdassarians (mixer, delays, electric guitar), Boris Baltschun (computer, sampler) and Burkhard Beins (percussion and zither), brooding and concentrative sound that unfolds slowly in detail and color.