The trio of Thanos Chrysakis on synth, radio, gongs & laptop; Wade Matthews on synth & field recordings; and Javier Pedreira on guitar, in studio recordings of edgy electroacoustic improvisation using a wide sound palette of indescribable sources.

Percussionist Scott Davidson, whose music is informed by jazz, classical Indian and Middle Eastern music, teamed up with pianist Matthew Shipp, bassist Michael Bisio, drummer Whit Dickey and reedist Lloyd Shorter for this album of world encompassing and rhythmic jazz.

Spring 2014 issue of Canada's best new music magazine, with articles on Margaret Noble, Nate Wooley, Victor Gama, plus articles, reviews, and a 13 track CD with tracks including Noble, Wooley, Gama, &c.

The third collaboration from the duo of Israeli saxophonist Assif Tsahar and Japanese percussionist Tatsuya Nakatani, an amazing journey in tone and rhythm from two kindred spirits through 20 short, inventive, and stunning improvisations.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

New York/Ohio skronkers Scarcity of Tanks with Jim Sauter of Borbetomagus plus Kid Millions in a hard free rock free improv blast.

A superb instrumental exploration of the American musical language - jazz, folk, gospel, rock, bluegrass, orchestral, electronic, minimalism and post-modernism, with improvised parts played by Jean Derome, Jacques Seguin, Guillaume Bourque and Yanik Cloutier.

Quartetski Does Stravinsky with drummer Isaiah Ceccarelli, guitarist Bernard Falaise, reedist Phillipe Lauzier, viole de gamaba player Pierre-Yves Martel and violinist Joshua Zubot reinterpret Stravinsky's Rite of Spring in honor of its 100th anniversary.

Wire's annual survey of the past 12 months, including their Top 50 Releases, Top 50 Archive Releases, and commentary from Simon Reynolds, Clive Bell, Agata Pyzik, &c. &c.

New York/Ohio skronkers Scarcity of Tanks with Jim Sauter of Borbetomagus plus Kid Millions in a hard free rock free improv blast.

Sean Lennon & Greg Saunier (Mystical Weapons) are joined by multi-instrumentalist extraordinaire Shahzad Ismaily for this one-sided, 19.50 minute art LP with an original illustration by Sean Lennon screen-printed on the B side.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Titled for the Amazonas Indians, Brazilian sound sculptor Marco Scarassatti performs on his self-made instrument the Kraiser in a quartet with Creative Sources regulars Ernesto Rodrigues, Guilherme Rodrigues, and Nuno Torres for a dream-like set of improvisations named with indigenous expressions, blending neoprimitivism with creative acoustic improvisation.

Written in 1998, Danielle Palardy Roger's game piece composition was performed at the first Ensemble SuperMusique concert, here in 7 versions recorded at various locations in bands including Joelle Leandre, Joane Hetu, Guido Del Fabbro, Jean Derome, &c. &c.

Re-issue of one of the earliest Confront releases, the trio of trumpeter Matt Davis, violinist Phil Durrant and cellist Mark Wastell performing subtle and sophisticated free improvisation at St. Michael's and All Angels church, Chiswick, London in 2000.

A rich work for clarinets, bass and drums orchestrated for six musicians including Actuelle core players Lori Freedman, Pierre Tanguay, and Lepage himself, through 14 works that may have something to do with a swamp.

"Like what happened in Rios Encausurados (Seminal Records, 2015), in the compositions / improvisations of Marco Scarassatti, the recorded sounds of the sound landscape are again of special relevance. In this case, are the own recordings...

Written in 1998, Danielle Palardy Roger's game piece composition was performed at the first Ensemble SuperMusique concert, here in 7 versions recorded at various locations in bands including Joelle Leandre, Joane Hetu, Guido Del Fabbro, Jean Derome, &c. &c.

Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of CARL with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

An extended and rich confluence of strings from R Keenan Lawler and John Krausbauer, using resonator guitar and banjo, sustained tones that intertwine in a beautiful and optimistic drone, minimalistic yet drenched in a profusion of harmonic detail; a beautiful and elusive dream mixing between an Indian raga and an alien electronic environment.

An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.

Written in 1998, Danielle Palardy Roger's game piece composition was performed at the first Ensemble SuperMusique concert, here in 7 versions recorded at various locations in bands including Joelle Leandre, Joane Hetu, Guido Del Fabbro, Jean Derome, &c. &c.

A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.

German saxophonist Ingrid Laubrock and Vancouver pianist Kris Davis, both living and working in NY, and having worked together in a variety of groups including Laubrock's Anti-House, a trio with drummer Tyshawn Sorey, Tom Rainey's Obligatto, &c. &c., concentrate their sophisticated playing with this duo album of 7 original compositions and 2 free improvisations.

Trumpeter Dennis Gonzalez merges his Yells at Eel project with bassist Aaron Gonzalez and drummer/percussionist Stefan Gonzalez, with Texas-based experimental rock band Pinkish Black--Daron Beck on keyboards and Jon Teague on drums & synthesizers--for a gripping and masterful hybrid of improvisation, dark synthetic rock and heavy moods; a riveting journey.

Exploring the lineage of the Dukes of Bedford, the Russell lineage in Bedford, England, in groupings of acoustic & electric guitarists John Russell, Ray Russell, and Henry Kaiser along with double bassist Ollie Brice, from duos to quartets, eight Duke "Russells" from 1680 to 2003 are explored through intricate and joyfully creative and technically amazing string improvisations.

Taking his title from a poem by Octavio Paz with titles from translations by Lysander Kemp of other Octavio Paz poems, this solo album from double bassist Damon Smith is his definitive statement on the instrument: 23 tracks from 46 seconds to 5 minutes 50, developed over 15 years and displaying Smith's incredible technique and creative intent; incomparable.

Using hard bop as his jumping off point, Swiss saxophonist Omri Ziegele Tomorrow Trio with Christian Weber on bass and Han Bennink on drums--musicians who have toured and performed together over years--went into the studio hot off of a 13 day tour to record these 6 Ziegele original compositions, lyrically balanced with room for exemplary soloing and group interplay.

The trio of saxophonist Assif Tsahar, drummer Chad Taylor and multi-instrumentalist Cooper-Moore in the 3rd Digital Primitives release, rhythmic and soulful improvisation with an inventive New York attitude.