A surprisingly lyrical yet sparse session from the NY trio of Tetuzi Akiyama on guitar, Tim Barnes on percussion, and Masafumi Ezaki on trumpet, using their instruments in unusual and extended ways.

In his release titled "The Fabric Shop", Jean Derome sews together 69 short improvised pieces into a solo album of random organization.

Composer Philippe Lauzier (sax, clarinet) plays with Miles Perkin (double bass, voice) and Robbie Kuster (percussion) in this debut album that blends improvisation with original compositions.

Joelle Leandre on double bass and vocals with Danielle P. Roger on drums and percussion in this improvisational meeting of two loud sound-worlds.

A solo session of Pierre-Yves Martel on prepared double bass with no over-dubs or post-processing.

The trio of bassist Gary Peacock, pianist Paul Bley, and trumpeter Franz Koglmann interpret and improvise on the music of avant song-writer Annette Peacock.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

Re-issuing UK improvising saxophonist Evan Parker's stunning 2003 solo release on soprano sax, recorded in 1986 in St. Paul's Church, Oxford by the late Michael Gerzon--"a giant in the field of audio"--using the natural resonance of the space to augment Parker's incredible technique.

Vocalists DB Boyko and Christine Duncan turn gibberish into improvised poetry while accompanied by drummer Jean Martin who uses multi-timbered objects to create beautiful and absurd music.

Mysterious and intense works for electric guitar, signal processing, field recordings and voice from experimenter, improviser and audio researcher Gunnar Geisse.

Trio 3 - Oliver Lake (sax), Reggie Workman (bass) & Andrew Cyrille (drums) - in their 5th release, adding guest pianist Jason Moran, who acts as a catalyst to push the group into far-reaching modern territory, including a rhythmic narrative work from Oliver Lake.

The 7th release from this exceptional Los Angeles experimental community rock band, featuring dual drums, dual guitars, and Fender Rhodes, instrumental music with unconventional rock structures of intricate and weaving lines and surprising twists and turns.

The 7th release from this exceptional Los Angeles experimental community rock band, featuring dual drums, dual guitars, and Fender Rhodes, instrumental music with unconventional rock structures of intricate and weaving lines and surprising twists and turns.

Part of a trio of releases including "Reasons for Viola and Cello" and "Viola Cello Room", this album finds violist Paolo Valladoid and cellist Gary Rouzer in a large tunnel in Alexandria, Virginia, their music mixed with joggers, birds, traffic, flowing water, insects, &c. &c.

Complex, twisted, technically interesting and eminantly enjoyable, eclectic and humorous rock mining a vast set of styles with ease; recorded and mixed by Bob Drake.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

For a decade, Brigitte Poulin has been commissioning and premiering works by composers who, she thought, could help better define our own piano culture.

A trans-national collaboration of superb improvisers working in minimally rugged, pointillist terrain, creating engrossing aural environments fueled by masterful technique and creative drive.

The trio of Chris Caldwell on reeds, Susie Hodder Williams on flute, and Trevor Taylor on percussion and electronics in a set combining free improvisation with written pieces using stochastic & graphic processes, plus a work by Stockhausen, "Aus Den Seien Tagen" and one dedicated to John Mayer.

A vigorous performance by Charles Gayle (saxophone, clarinet, voice), Michael Bisio (bass) and Michael Wimberly (drums) that was recorded live in 1994 and features lively gospel music.

An unusual and thickly strung album bridging dark rock and improvised music from saxophonist Noah Kaplan, bassist and prepared bassis Giacomo Merega, bassist and prepared painist Wes Matthews, and vocalist Rosalie Kaplan.

Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of CARL with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.

An extended and rich confluence of strings from R Keenan Lawler and John Krausbauer, using resonator guitar and banjo, sustained tones that intertwine in a beautiful and optimistic drone, minimalistic yet drenched in a profusion of harmonic detail; a beautiful and elusive dream mixing between an Indian raga and an alien electronic environment.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.