"Nicolas Field is born in London in 1975. He studied drums and percussion at the Amsterdam Conservatorium (1996-2002), sonology at The Hague Conservatorium (1997-2002) and "Art and media" at HEAD in Geneva (2007-2009). He has received multiple awards and was artist in residence at the Swiss Institute in Rome (2010-11), AirAntwerpen (2011), Belluard Bollwerk international (2013&2014) and Johannesburg South-Africa (2015).

Early 2000, he starts travelling through Europe as a drummer with different bands (improvised music, contemporary music and jazz). Over time and tours, that also take him to the US, Japan, Corea and Australia, Nicolas Field collaborates with musicians such as Tetuzi Akyama (guitar), Akira Sakata (saxophone), Otomo Yoshihide (guitar), Keiji Haino (guitar), the band Cactus Truck, Didi Bruckmayr (vocals), Jacques Demierre (piano), Gilles Aubry (electronics) or Fritz Welch (drums/vocals).

In parallel, in 2008, Nicolas Field starts building his first visual art works, taking the shape of sound installation. His works has been shown in particular at the Maison d'Ailleurs in Yverdon (2008 - Think Thrice), at Lift Geneva (2010- Think Thrice), at the Design biennale in St-Etienne (2010 - Think Thrice), at Crisalide Festival in Forli (2011 - Shimmering Beast), at Burgtheater in Vienna (2012 - Shimmering Beast), at the "Corpo 6" gallery in Berlin (2012 - Making a mess for the masses) and at Netwerk-center for contemporary art in Aalst (2014 - Shimmering Beast and All Tones).

Since 2006, Nicolas Field has been working for dance and theater. In 2012, he composes music for "Caligula" directed by Jan Lauwers (Needcompany) at the Burgtheater in Vienna. In 2014, he is also part of Marie-Caroline Hominal's project "Ballet" at the Bâtie Festival. He is presently working on a new production with Needcompany and Maison DahlBonnema "Rhythm conference feat. InnerSplits"."

Thomas Florin: Pianist, trumpeter, arranger and composer.

"Thomas explores the free spaces of improvisation and groove through a wide range of jazz and improvised music.

He tours regularly with his trio Dig dug dug with double bassist Bänz Oester and drummer Samuel Dühsler (first album released in 2022), as well as playing solo piano (2 albums). His musical research has led him to collaborate with improvised music and free jazz artists, notably in a trio with drummer Nicolas Field and saxophonist John Dikeman, and with the electroacoustic trio Re-Ghoster (with Nicolas Field and Valerio Tricoli), and in an extended version with Nate Wooley and Fritz Welch.)

Active in Japan since 2018, Thomas regularly collaborates with many Japanese artists. Thomas has spent 6 months in Japan in 2023, during which time he presented around fifty concerts throughout the country.

Thomas Florin has performed with artists such as Nate Wooley, Fritz Welch, Hans Koch, Jerome Noetinger, Akira Sakata, Yasuhiro Yoshigaki, Shinpei Ruike, Valerio Tricoli, Nicolas Field, Jasper Stadhouders, Keigo Iwami, Bjørnar Habbestad, Matthieu Michel, Philippe Sellam, Shems Bendali, Leon Phal. Since 2020, Thomas Florin has been a member of Geneva's Fanfareduloup collective as pianist, trumpet player and arranger, for a whole series of creations, and is artistic director of the "Let's Play" video game show at the Alhambra in Geneva in January 2022."

"Born April 1966, in Marseille, Jérôme Noetinger discovered experimental music under the influence of the Déficit Des Années Antérieures in Caen. Composer/improviser/sound artist working with electroacoustic devices. Composing sometimes musique concrete in the studio, and performing improvised music using electroacoustic devices such as: the reel to reel tape recorder Revox A77 and magnetic tape, analogue synthesisers, mixing desks, speakers, microphones, various electronic household objects and home-made electronica. Performing both solo and in ensembles, and collaborating often, and touring extensively internationally. Director of Metamkine, non-profit organisation dedicated to the distribution of improvised and electroacoustic music, which operates with an on-line mail order catalogue. Member of editorial committee of quarterly journal of contemporary sound, poetry and performance, Revue & Corrigée since 1987 Studied electronic music under the direction of Xavier Garcia from 1986 -1988 at COREAM in Fontaine. Organises studio workshops and conferences around such subjects as: musique concrete, improvisation, audiovisual experiments, questions of distribution and production. Active in the international music network since 1984 working with music, dance, films and painting Member of 102 rue d'Alembert, programming coordinator of exhibitions, concerts and experimental cinema from 1989 -1998 [bio continues...]"

"Fritz Welch is a drummer, percussionist and vocalist determined to stretch the escalator of possibilities into the bloodshot eye of results. He currently plays in Lambs Gamble (with Eric Boros and George Cremaschi), FvRTvR (with Guido Henneböhl) and in various ensembles with guitarist Neil Davidson. He is a primary member of Asparagus Piss Raindrop and makes performance works with the choreographer Louise Ahl. He has played with Blood Stereo, Evan Parker, Crank Sturgeon, Jazzfinger,Tamio Shiraishi, Joke Lanz, Stephen O'Malley, Maya Dunietz, Michael Vorfeld, Tony Conrad, Usurper and Iancu Dumitrescu and Ana-Maria Avram among many others. A longtime Brooklynite of Texas origins, he is now based in Glasgow, Scotland."

"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.

Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".

In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.

Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."