


An unusual and deeply personal work from trombonist Sam Kulik, blending field recordings, voice, and layered acoustic and pre-recorded elements in a quirky, eccentric, and heartfelt conversation across time, presenting an imaginative and intimate meditation on life, death, and transformation through a uniquely expressive trombone-centered soundscape.
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Sam Kulik-trombone, field recordings, voice
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UPC: 5904224873592
Label: Relative Pitch
Catalog ID: RPRSS037
Squidco Product Code: 36476
Format: CD
Condition: New
Released: 2025
Country: USA
Packaging: Cardboard Gatefold
Indoor recordings made in Queens, New York.
Indoor recordings made in Worthington, Massachusetts.
"In late 2022 I became a father and lost my own father in quick succession. This music represents a conversation between my selves who met at that nexus of birth and death, sharing what they felt about the past, the present, and the future. The pieces are very intentionally set in different seasons and sonic environments so as to welcome the listener to this metaphysical meeting point for musical ideas and emotions."-Sam Kulik
"In late 2022 I became a father and lost my own father in quick succession. This music represents a conversation between my selves who met at that nexus of birth and death, sharing what they felt about the past, the present, and the future. The pieces are very intentionally set in different seasons and sonic environments so as to welcome the listener to this metaphysical meeting point for musical ideas and emotions."-Sam KulikPutting a Hand on the World is a profoundly introspective and sonically adventurous album from trombonist and composer Sam Kulik, created during a period marked by intense personal transition-the birth of his child and the death of his father. The album becomes a metaphorical dialogue between versions of the self, navigating memory, grief, hope, and change.
Rather than relying on traditional compositional frameworks, Kulik crafts a collage-like narrative using trombone, voice, and pre-recorded materials, intertwined with evocative field recordings from both urban and rural environments. The music is idiosyncratic, at times whimsical and rough-edged, at times solemn and tender, maintaining a sincerity that grounds even its strangest moments.
Percussive rumbles, scattered motifs, ambient textures, and an almost theatrical delivery give the impression of an internal play unfolding in real time. The trombone-often used as a background or ensemble voice-is here foregrounded in expressive, unconventional ways, becoming a vessel for storytelling beyond melody and harmony.
An exploration of emotional complexity and sonic space, Putting a Hand on the World invites the listener into a vulnerable and oddly magical sonic diary, offering a rare glimpse of transformation through sound.

Artist Biographies
• Show Bio for Sam Kulik "Hi, I'm Sam. I was born and raised in Western Massachusetts, in a small town called Worthington. I left there in 2000 to attend Oberlin College, where I met many of the musicians I still collaborate with. I moved to New York in 2004 and settled in the Astoria, Queens neighborhood, working as a nanny as I got my musical career going. I was playing a lot of improvised music at the time (still do!), and met many like-minded players through playing in the New York Soundpainting Orchestra and volunteering and generally hanging out at the Stone. Parallel to my activity as a serious improviser of music, I hooked up with several of the extremely talented rock musicians and songwriters that live in this city, and also found myself getting involved in playing music for theater and dance. I started touring a fair amount and meeting people all over the US and Europe. Don't let people tell you that being a musician isn't awesome. I think of myself as a trombonist, though I play an increasing number of other instruments pretty decently. The trombone is the instrument that I play every day and can usually count on to best express myself with. However, as the Frank Zappa saying goes, "you can't write a chord ugly enough to say what you want sometimes, so you have to rely on a giraffe filled with whipped cream." So sometimes I rely on the electric bass, or my voice, or the tuba, or the guitar, or the ukulele to say what I want. I've even got my sister's oboe from high school that I break out on rare occasions. I tell you, when you've been playing the trombone your whole life and dealing with the difficulty of slide technique and then you pick up an instrument like the oboe that has BUTTONS, it's liberating! It would be silly not to list by name some of the people I've worked with in New York. These are the people who shape who I am as a player, which is very closely related to who I am as a person. You can hear some of this music elsewhere on this website, and for those of you who are able to make it to a show, I try to make it special every time. Starring, Skeletons, Nervous Cabaret, Anthony Braxton, Talibam!, Joachim Badenhorst, The Talking Band, Cynthia Hopkins, Peter Evans, Mitra Sumara, Kagel Nacht, Jim Bianco, Johnny Society, Blueberry, Capillary Action, Mary Halvorson, Kevin Shea's Lonely Goldmine of Symbiotic Subterfuge, Jeremiah Cymerman, Frantz Loriot, Moppa Elliott, Walter Thompson, TILT Brass, 5 for Marion, Levon Helm, Dubl Handi, Charlie Rauh, John Zorn, Guardian Alien, Yellowbirds, Mettawee River Theater Company, Jessy Carolina, Yasanao Tone, Langhorne Slim, Chris Ferris, Red Dive, Amanda Palmer, The National Reserve, the Dirty Water Dogs, Kabloona, Tin Pan, the Drunkard's Wife, Paranoid Larry, Yoshi Wada, Super Hi-Fi, Shahzad Ismaily, Ed Pastorini, Louise DE Jensen, James Ilgenfritz, Kamala Sankaram, Banana Bag & Bodice, Rick Burkhardt, Cesar Alvarez, Gordon Webster, David First & The Western Enisphere." ^ Hide Bio for Sam Kulik
8/4/2025
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Track Listing:
1. Meditation by Decay 10:56
2. Whooper 10:19
3. Bogging the Melee 03:38
4. They Lie in Uninterrupted Sheets 06:53
5. Star Quarry 17:34
6. Honks Emitted in Counterpoint 03:37

Improvised Music
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Electro-Acoustic
Field Recordings
Recordings featuring brass instruments - trumpets, trombones, tubas, other horns
Unusual Vocal Forms
Solo Artist Recordings
New in Improvised Music
New in Experimental & Electronic Music
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