"Michel Banabila, born 1961, is a sound artist, composer, and producer. Banabila releases music since 1983 and has produced musical scores for numerous films, documentaries, theatre plays and choreographies. He worked / performed in The Netherlands, Poland, Lebanon, UK, South Africa, Russia, Japan, Spain, China, USA and Belgium. Banabila is especially keen on mixing disciplines and music styles, using elements and influences from jazz, electronic music, classical and world music. Therefore there is no particular genre to categorize Banabila's music. In addition to acoustic instrumentation, Banabila uses electronics, field recordings, and snippets from radio, tv and internet. He collaborated with different types of artists like Anton Goudsmit, Erkan Oğur, Hanyo van Oosterom, Holger Czukay, Joshua Samson, Machinefabriek, Mete Erker, Oene van Geel, Radboud Mens, Salar Asid, Sandhya Sanjana, Scanner, Yaşar Saka , Eric Vloeimans, and Zenial, among others.

Besides making albums and musical scores, Banabila works with theatre, dance and visual art on more conceptual artistic projects. He builds a database with samples; uses the city environment as a recording studio, collects fragments of spoken texts, which he composes into soundscapes, audio/visual installations and performances. Using recordings of speech in several languages Banabila experiments with the tonality of words and the "sound system" of languages. Banabila worked on various projects with video artists Geert Mul, Olga Mink, and photographer Gerco de Ruijter. With Geert Mul he has an audiovisual set, Big Data Poetry, which they performed live in venues like The Barbican (London) during the Logan Symposium 2014, Yukunkun (Beirut) during the Global Week For Syria 2014, and TENT (Rotterdam) during Sound Spectrums 2012. With Olga Mink he performed at the LUX Festival (Sevilla), the VAD Festival (Girona) and the State Of The Image Festival (Arnhem) in 2006. For Gerco de Ruijter he did sound design for several stop-frame animations, like the critically acclaimed Crops, shown in the Hirhshorn Museum (2013 / Washington DC) and Ringdijk at Panorama Mesdag (2016 / The Hague)"

"Alex Haas (1963) was born in New York City but grew up in France and Switzerland. After studying computer music at MIT and guitar/composition at the Berklee College of Music in Boston, he moved back to New York in 1982 to work at the famed Power Station recording studio and to start building a career in music engineering/production. Such seminal artists as U2, Eric Clapton, Kronos Quartet and Pat Metheny credit Haas on dozens of award winning albums. A talented musician in his own right, Haas co-founded Cypher 7, a band at the forefront of the electronic ambient music scene of the 1990's. Since 2001 he has been creating and exhibiting his visual works that apply theoretical concepts used in his recordings. Haas lives in Paris and New York."

"Over the course of some three decades, visionary bassist-producer Bill Laswell has been one of the most prolific and restlessly creative forces in contemporary music. A sound conceptualist who has always been a step ahead of the curve, he has put his inimitable stamp on nearly 3,000 recording projects by such artists as Mick Jagger, Yoko Ono, Iggy Pop, Laurie Anderson, Brian Eno, Bootsy Collins, Nine Inch Nails, Motorhead, Peter Gabriel, Blur, The Ramones, George Clinton, Pharaoh Sanders, The Dalai Lama, Matisyahu, Angelique Kidjo, DJ Krush, RAMM:ΣLL:ZΣΣ, Sting, The Last Poets, Afrika Bambaataa, Julian Schnabel, Whitney Houston, Manu Dibango, Fela Kuti and most notably Herbie Hancock, who collaborated with Laswell for the pivotal 1983 smash-hit single "Rock-It" which introduced scratching to the mainstream, inspired a generation of turntablists and gave the great jazz pianist instant street credibility among the burgeoning hip-hop cognoscenti.

Laswell's sense of creative daring as a producer was further demonstrated on several recordings that have kept him on the cutting edge, including Afrika Bambaataa's collaboration with John Lydon (aka Johnny Rotten of Sex Pistols fame) on World Destruction and PiL's Album (which brought together an unlikely pairing of drumming greats Ginger Baker and Tony Williams, synth-pop pioneer Ryuichi Sakamoto of Yellow Magic Orchestra fame and rising guitar star Steve Vai). His spoken word collaborations with William S. Burroughs and expatriate writer-composer Paul Bowles have gone against the grain of music industry trends while his radical remixes (or re-constructions) of landmark recordings by Miles Davis (Panthalassa), Carlos Santana (Divine Light), Bob Marley (Dreams of Freedom) and a vast scan of dub-related and atmospheric ambient projects have gone on to further defined Laswell's presence as a revolutionary ikonoklast.

Bill Laswell has helped in generating several innovative recording labels such as Celluloid, Subharmonic, Black Arc, and Innerhythmic. Along with Chris Blackwell, founder of Island Records (Bob Marley and U2), he established the AXIOM label in 1989. M.O.D. Technologies, his most recent imprint is releasing projects by Method Of Defiance, Lee "Scratch" Perry, PRAXIS, Garrison Hawk with Sly & Robbie, Bernie Worrell, The Process (with Red Hot Chili Peppers' drummer Chad Smith and pianist Jon Baptiste) and progressive/futuristic music from Ethiopia (CDs/DVDs).

As a player, Laswell's bass lines resound with rare authority on groundbreaking projects by Tabla Beat Science (with Zakir Hussain and Ustad Sultan Khan), his avant-funk band Material, the apocalyptic assault of Last Exit (with Sonny Sharrock), his progressive dub effected Method of Defiance and the throbbingly intense power trios, Massacre (with Fred Frith and Charles Hayward), Painkiller (with John Zorn and Mick Harris), Praxis (with Buckethead and Brain), Blixt (with Raoul Bjorkenheim and Morgan Agren) and the latest (2014) Bladerunner (with John Zorna and Slayer drummer Dave Lombardo).

Laswell's artistic reach has consistently extended to the continent of Africa, creating ground-breaking, evolutionary snd controversial recording projects in Morocco, Senegal, Mali, Gambia and most recently, Ethiopia where he has established a base for developing new as well as legendary artists, just as he did in the South Bronx some 30 years ago.

A veteran of 300 plus journeys to Japan, where he has worked with everyone from The Gagaku Orchestra (Japan's ancient music, only played for emperors for 1500 years), to avant-jazz, rock, hip-hop and DJ culture. An eternal musical renegade, Bill Laswell has always played by his own rules."

"Cengiz Arslanpay is a multi-instrumentalist and a composer who's work is characterized with smooth transitions between contemporary and authentic musical spheres. His main instruments are the Nay and modular synthesizers, although he is also familiar with the practice of all kinds of instruments with non-western backgrounds. This makes him a musical bridge between authentic and contemporary music."

"Jeff Greinke is a musician, composer, performer, sound sculptor, and visual artist who is known worldwide for his unique sound. Through a highly developed process of layering, Jeff composes and performs music rich in texture, depth, mood, and subtle detail. Using various acoustic and electronic instruments, found sounds, and extended studio techniques, Jeff sculpts sound worlds that conjure a strong sense of place, hovering somewhere between the exotic and the familiar.

Jeff Greinke began composing and performing music in 1980 while studying meteorology at Pennsylvania State University. After moving to Seattle in 1982, Jeff formed the production company and recording label INTREPID with composer R. Angus, through which he produced his first LP, Cities in Fog. He has since released twenty-five other recordings on various U.S. and European labels. His most recent work is Other Weather, released February 2021 on Spotted Peccary. Jeff's music can also be heard on numerous compilation recordings. He has composed music for film, video, dance, theatre, radio, and art installations. Jeff has toured extensively throughout the United States and Europe and has performed in China, Canada, and Mexico. He has also been a member of numerous ensembles and is founder of the group LAND, featuring Lesli Dalaba (trumpet), Dennis Rea (guitar), Bill Rieflin (drums), and Fred Chalenor (bass). LAND toured China in 1996, which included playing the prestigious Beijing International Jazz Festival. They have released three albums. Jeff also had a project with Sky Cries Mary vocalist Anisa Romero called Hana. They have released two CD's on FWD, an independent label Jeff runs with three other musicians. Jeff currently resides in Tucson Arizona."

"Salar Asid (born 14 November in Erbil, Iraq), is a professional Kurds violinist and composer who specializes in middle eastern and western classical music. Salar is best known for his musical contributions in over 60 albums, both as a soloist and composer for various artists and orchestras. He has performed live for famous singers, such as Kadim Al Sahir, Assi El Hallani, Majid Al Mohandis, ivan Perwer, and more. He joined the band Oxford Maqam in 2017, and together worked on Walt Disney's Aladdin (2019 film) movie soundtrack and featured in the palace scene of the movie as the musical band in the background. He has also contributed musically to the movies, Son of Babylon and Kavoka Spi.

Asid started playing the violin at an early age. He completed his Bachelor's degree in Music at Fonty's Academy of Music and Performance Arts in the Netherlands where he resided in the past. Salar completed his Master's at the Salahaddin University (Fine arts) in Erbil. He currently resides in London, United Kingdom."

"Trombonist, composer, and sound installation artist, Robert Jarvis is based in the South East of England and enjoys being involved in a wide range of music making, both as creator and performer.

For the first seven years of his career he worked alongside fellow Kent-based musician Peter Cook on a series of music-based community projects before concentrating on his own education projects, collaborating along the way with many different artists, and eventually receiving The Performing Right Society's Composer-In-Education Award.

From the mid-nineties he began to concentrate more on composition, often making use of found-sounds and integrating these into his score; however, it was not until 2003 that he had the idea of a more installation-type approach to his music making. These pieces were quite successful and led to two separate British Composer Awards as well as an invitation by The British Council to create a new work for the then new Chongqing Planning Exhibition Gallery, in China.

In 2007 he was awarded a residency at The Hannah Peschar Sculpture Garden, in Surrey, and this in turn led to a series of other pieces designed for site-specific outdoor spaces, as well as a new body of work drawing from scientific data collected from natural processes, leading to recognition through The PRS New Music Award.

Today, Robert continues to explore new methods for musical creation, attempting to build on his reputation for compositions that entice new appreciations of the sonic landscape and encourage a rethinking of our relationship with our surroundings. His most recent accomplishment is his astronomically inspired aroundNorth sound installation, which is now permanently installed in the grounds of Armagh Observatory.

When not creating or installing, Robert can be regularly heard playing with many different musicians, across different genres, including folk, improv, contemporary, and popular music, as well performing occasionally as a soloist."

"Maarten Vos is a Dutch cellist, composer and producer based in Utrecht, The Netherlands. He transforms traditional instrumentation into newfangled sounds and wields technology like something intricately human. Known as much for his outlier, exploratory approach to the cello as his work with modular synthesizers, he's part of an exciting movement of artists. Collaborated with Alex Smoke, Julianna Barwick, Greg Haines, Stimming, Joep Beving, Colin Benders, Asko Schönberg Ensemble and others. He composed music for various art disciplines, collaborated with visual artists Maotik and Nick Verstand, wrote music for contemporary dance companies like Conny Janssen Danst and scored music for film. Vos currently works from his studio in Kytopia, Utrecht."

"Gareth Davis studied with Antony Pay and Roger Heaton in London and then with Dutch Bass Clarinet virtuoso, Harry Sparnaay in Amsterdam. He was invited by the French cellist Alain Meunier, to attend the prestigious Accademia Chigiana di Siena on a Scholarship and study chamber music with Yuri Bashmit, Katia Labeque, Tchaikovsky Prize winner Mario Brunello and the Italian composer, Luciano Berio.

Since his debut, at the age of 18, at London's Wigmore Hall, Gareth has gone on to play throughout Europe, North America and Asia. He has played under conductors including Riccardo Chailly, Sir Simon Rattle, Diego Masson, Gregory Rose and Roger Norington with orchestras and ensembles including the Philarmonia, Sinfonietta, ECO, Asko, Netherlands Radio Orchestra and Sinfonia 21. He also performed with the Neue Vocalsolisten, Sinfonietta and JACK Quartet, cellist Frances-Marie Uitti, guitarist Elliot Sharp, experimental noise band Nadja and electronic artists Scanner and Machinefabriek.

Gareth has been strongly involved in New Music having had pieces written for him by many composers such as, Salvatore Sciarrino, Jonathan Harvey, Toshio Hosokawa, Gavin Bryars, Peter Eotvos and Misato Mochizuki. He has worked extensively with the Hilliard Ensemble's countertenor David James, soprano Sarah Leonard, harpsichord virtuoso Jane Chapman, Heinz Holliger, Sine Nomine, Kreutzer Quartet the Rossetti Quartet and Xenakis Prize winning contra bassist, Corrado Canonnici.

Gareth has performed at many prestigious festivals including the Bienalle di Venezia, Prague Spring, Amsterdam, Ars, Vienna, Stockholm, Santa Fe, World Music Days and Salzburg. He has performed both contemporary and traditional repertoire on modern and period instruments and on folk instruments including the Romanian Taragota and Turkish Sol. In 2001 Gareth formed the duo 'muta' with accordian. In only a year nearly 40 works have been commissioned by composers including Magnus Lindburg, Rebecca Saunderds and Jo Kondo.

Gareth is currently exploring the potential of interactive visual media to expand the interpretation of existing twentieth century repertoire and open new theatrical possibilities for the performance of twenty-first century music."