Bringing together an octet of long-associated improvisers led by violist Ernesto Rodrigues, this single extended work unfolds as a fluid, introspective collective statement of shifting timbres and spectral harmonies with moments of tension and release, forging a deeply personal and evolving free improv narrative shaped by continuity, interaction and shared intuition.
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Sample The Album:
Ernesto Rodrigues-viola
Hernani Faustino-double bass
Flak-electric guitar
Andre Hencleeday-piano
Nuno Torres-alto saxophone
Tiago Varela-melodica
Carlos Santos-electronics
Monsieur Trinite-percussion
Click an artist name above to see in-stock items for that artist.
UPC: 5609063408829
Label: Creative Sources
Catalog ID: cs882
Squidco Product Code: 37335
Format: CD
Condition: New
Released: 2025
Country: Portugal
Packaging: Cardboard Gatefold
Recorded live during CreativeFest XIX, in Cossoul, Lisbon, on December 13th, 2025, by Carlos Santos.
"Then to close the year here — a difficult year for many creative musicians, I think it's fair to observe... — I want to take up another new album from Ernesto Rodrigues: The latest (with changes in personnel over the years) from an ensemble that first recorded Suspensao in 2010 (as it happens, a few months before I began this project...), Something ancient listens within us. The light has forgotten its name but will remain. was recorded earlier this month at CreativeFest XIX, its single track also carrying a two-part title, The Age of Inner Turmoil. Fragments of Being.
And although I've generally eschewed solos and duos in this space for (more "social") trios and quartets, I've also often avoided the larger groups as well, meaning I haven't necessarily noted every Suspensao album, but I do want to note now what seems to be a particularly personal response from Rodrigues in this latest volume. So after double album Suspensao, I did note at the time the second album here, Jadis la pluie etait bleue (from 2015), and then e.g. Physis (in August 2018, describing its "eerie desire to interrogate the basic contours of reality, especially the equivocation of foreground and background"), followed by Rayon Blanc and Sfumato in 2019 and 2020, most recently noting Impromptu (in June 2023), but not yet what had been the ensemble's newest recordings, Teufelmuzik and Frottage (both recorded May 2023).
And the latter two do include Nuno Torres, Carlos Santos and Flak from this latest release — the fourteenth Suspensao issue on Ernesto Rodrigues' Bandcamp, although early releases also numbered multiple tracks individually and cumulatively (while the latest continues the more recent norm of a single track release) — the first two involved already from the first release (also an octet, but numbers have varied over the years from six to twelve...) — with Monsieur Trinite e.g. participating as well on Caesium from Isotope Ensemble, the most recent large ensemble release from Rodrigues (there a 16-tet, from last year's CreativeFest).
Hernani Faustino and Andre Hencleeday have also appeared on previous Suspensao albums, although (rounding out the current octet) Tiago Varela seems to be new to the formation — while having first appeared here (also with Rodrigues) for Genius Loci (reviewed in April), indeed all seven of the members having recorded already with Rodrigues this past year (and been referenced in this space for it!). So this is a relatively close group of associates, although one could certainly name others who've recorded more albums with Rodrigues....
But this impression of closeness, of a particularly personal response, is also illustrated in an accompanying photo with the musicians performing while clustered closely. Then there's a briefly tentative musical opening, some feelings of welcome, the forging of an interactive space... and into more ominous inputs, including quasi-industrial or naturalistic-chirping, an almost carnivalesque changing of tone and timbre across a sometimes gloomy landscape.
There's also a sense of continuity, of narrativity per se (perhaps per the previous entry...), an articulation of collective (and personal) feeling, continuity per se being in some real sense continuing to live, continuing to find a path, ultimately continuing to interact. A sense of transition (recalling e.g. Anthony Braxton's ZIM?) thus dominates Something ancient listens within us... but within a perspective of continuity, i.e. of human choice and expression....
So while I've previously associated Suspensao more with naturalistic depictions, per especially Porto Covo (noted here in March 2017), and naturistic evocations do recur frequently across Rodrigues' work, I cannot now help but hear this typically-octet expression as more "personal" per se. And (spectral) harmonies and their transitions are indeed handled with sophistication and (often tight) familiarity, maintaining always some kinds of connection (of suspended voicings, one might say...), not so much around background equivocation here, but as a less noticed line now ready to offer another choice....
And some passages do come off more assertively, but there're certainly no final answers, as in life, so we go on.... So does the album title offer continuity, following the track title offering fragmentation? There's perhaps a continuity of spirit specifically implied here as well, a continuity across humanity (and beyond, well beyond...), continuity now also turning against itself in sickness.
And I do believe that we're all seeing now that this sickness is not only in our "environment," but also in ourselves, for we are permeable creatures."-Todd McComb's Jazz Thoughts
Artist Biographies
• Show Bio for Ernesto Rodrigues "He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio. His main interest shifted towards contemporary improvised and composed music. The relationship with his instruments is focused in sonic and textural elements. Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning. Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups. Music for Dance, Cinema, Video and Performance. Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music." ^ Hide Bio for Ernesto Rodrigues • Show Bio for Hernani Faustino "After establishing his name during the Eighties as an electric bass guitarist in alternative rock bands, like the now legendary K4 Quadrado Azul, Hernani Faustino turned to avant-jazz and free improvised music and chose the double bass as his self-taught instrument. Two decades later of multiple interactions with Portuguese and international musicians, he's now considered one of the most intense and solid bassists in the Portuguese scene. The association he maintains with drummer Gabriel Ferrandini (RED trio, Nobuyasu Furuya Trio & Quintet, Rodrigo Amado Wire Quartet) has been pointed as a dynamic and powerful rhythm section. His visceral playing is well showed by the contortions of his face during a performance: he goes to the limits of pleasure and pain. Music is his life: besides being a musician, he was one of the members of the label Clean Feed, considered one of the five more important on the planet in what regards jazz, and the Trem Azul Jazz Store, located in Lisbon. He also composed for theatre, produced radio programs, and wrote about music in a couple of magazines. A good part of his activity in photography is also music oriented: Faustino is one of the most accomplished stage photographers around. This says all about his passion and commitment. Hernani Faustino's numerous meetings and collaborations with other improvisors is astonishing: John Butcher, Lotte Anker, Nate Wooley, Carlos "Zíngaro", Agustí Fernández, Sei Miguel, Rafael Toral, Jason Stein, Nuno Rebelo, Rodrigo Pinheiro, Gabriel Ferrandini, Pedro Sousa, Rodrigo Amado, Albert Cirera, Manuel Mota, Luís Lopes, Jon Irabagon, Taylor Ho Bynum, Gerard Lebik, Piotr Damasiewicz, Harris Eisenstadt, Neil Davidson, Heddy Boubaker, Gerard Lebik, Elliott Levin, Katsura Yamauchi, Mats Gustafsson, Chris Corsano, Nikolaus Gerszewski, Rob Mazurek, Reinhold Friedl, Ernesto Rodrigues, José Oliveira, Helena Espvall, Nuno Torres, Ricardo Jacinto, Blaise Siwula, Virginia Genta, Elliott Levin, Daniel Carter, Federico Ughi, Floros Floridis, Matt Bauder, Dennis González, Vítor Rua, and many more, covering a wide range from free bop to extreme experimentation, going through electroacoustic improv, reductionism and noise." ^ Hide Bio for Hernani Faustino • Show Bio for Flak Flak is an improvising and rock guitarist, best known for the Portuguese rock band Rádio Macau.-Squidco 4/15/2026 ^ Hide Bio for Flak • Show Bio for Andre Hencleeday "Andre Hencleeday is interested in detail and simplicity using improvisation, field recording, acousmatic and intuitive composition as main sonic languages. He is a member of Variable Geometry Orchestra, OWWK, &c." ^ Hide Bio for Andre Hencleeday • Show Bio for Nuno Torres "Studied alto saxophone within a jazz tradition spectrum. His continuous solo experimental research explores a wide scope of sound material through the use of the extended technics. Participates in several ensembles of improvisational music, electro acoustics and reductionism. Collaborates with musicians such as, Ernesto Rodrigues, Ricardo Jacinto, Sei Miguel, Fala Mariam, João Castro Pinto, Rafael Toral, Manuel Mota, David Stackenäs, Travassos, Paulo Raposo, Carlos Santos, Shiori Usui, C. Spencer Yeh, Cyril Bondi and d'incise, and developed projects as CACTO and PinkDraft, In the recent years has been also collaborating in several different projects at the intersection of the performative areas of dance, theatre and the visual arts (PARQUE, Les Voisins, Eye Height, Adriana Sá, Beatriz Cantinho). Participates and curates experimental and community radio initiatives." ^ Hide Bio for Nuno Torres • Show Bio for Tiago Varela Tiago Varela is a Portuguese musician who plays melodica, and is a member of Equinox Quartet, Isotope Ensemble, Variable Geometry Orchestra. ^ Hide Bio for Tiago Varela • Show Bio for Carlos Santos "Studied painting with António Sena (Ar.Co, 1988 -1992), worked in advertising for a period of time, but nowadays works as graphic designer in corporate identity, packaging, web and audio-video production. Started sound/music activities in 1989 when formed the VITRIOL project with Paulo Raposo, a laboratory for experimental sound actions, in a first stage with studio work followed in 1994 by live output, mainly live electronics, concrete music with a improvised or graphic score oriented approach. Uses the laptop with software written in MaxMsp, small resonant objects, microphones and piezo elements to produce a music that deals with space and its sound characteristics. Interests in "soundscape" and field recordings are a huge part of his work, for piece preparation or just for archival purposes, Always recording, events, spaces or music. Multi-channel acusmatic music and radio pieces. Presents himself solo in site-specific audio-video works, or in duos with João Silva (video, sound, photography), "Inhabitaded Spaces" with Ricardo Guerreiro (computer, mics), "Venús Pistolletto" with Emídio Buchinho (elec. guitar, mics, objects) and trios with Ernesto Rodrigues (violin) and Guilherme Rodrigues (cello) or ZNGR electroacustic trio with Carlos "Zíngaro and Emídio Buchinho. Member of several formations, "(Des)Integração" laptop ensemble (2001-2003) or in more electroacoustic sets, uses live-electronics and sampling which is the case of "Suspensão" septep, VGO, variable geometry orchestra and specially a trio close related to the "near silence" aesthetics, with Ernesto Rodrigues (violin, harp) and Guilherme Rodrigues (cello) with already several CD releases, always with at least one international improviser guest. Presented his work in Portugal, Spain, France, UK and Germany. Worked with artists from several media: dance, performance and video. Music and sound design for video and animation. Video and sound editing for comercial projects. Played live or in recording projects throughout the years with a lot of musician and sound artists. His sound work is documented in several CD releases. Belongs to the Granular board of directors, a portuguese association for experimental art and does the image of Creative Sources label. Broadcasts "Boca Doce" show at Rádio Zero (web) and other special shows. Workshops and seminars in digital audio manipulation, Maxmsp programming and sound art practise." ^ Hide Bio for Carlos Santos • Show Bio for Monsieur Trinite Monsieur Trinité is based in Lisboa, Portugal, and is a member of Equinox Quartet, IKB, Potlatch, and Variable Geometry Orchestra. ^ Hide Bio for Monsieur Trinite
4/15/2026
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4/15/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Have a better biography or biography source? Please Contact Us so that we can update this biography.
4/15/2026
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4/15/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Have a better biography or biography source? Please Contact Us so that we can update this biography.
4/15/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
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Track Listing:
1. The Age Of Inner Turmoil. Fragments Of Being. 36:40
April 2026
Creative Sources
Improvised Music
Free Improvisation
European Improvisation, Composition and Experimental Forms
Large Ensembles
Collective & Free Improvsation
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