"Joe McPhee, born November 3,1939 in Miami, Florida, USA, is a multi-instrumentalist, composer, improviser, conceptualist and theoretician. He began playing the trumpet at age eight, taught by his father, himself a trumpet player. He continued on that instrument through his formative school years and later in a U.S. Army band stationed in Germany, at which time he was introduced to performing traditional jazz. Clifford Thornton's Freedom and Unity, released in 1969 on the Third World label, is the first recording on which he appears as a side man. In 1968, inspired by the music of Albert Ayler, he took up the saxophone and began an active involvement in both acoustic and electronic music.

His first recordings as leader appeared on the CJ Records label, founded in 1969 by painter Craig Johnson. These include Underground Railroad by the Joe McPhee Quartet (1969), Nation Time (1970), Trinity (1971) and Pieces of Light (1974). In 1975, Swiss entrepreneur Werner X. Uehlinger release Black Magic Man by McPhee, on what was to become Hat Hut Records.

In 1981, he met composer, accordionist, performer, and educator Pauline Oliveros, whose theories of "deep listening" strengthened his interests in extended instrumental and electronic techniques. he also discovered Edward de Bono's book Lateral Thinking: A Textbook of Creativity, which presents concepts for solving problems by "disrupting an apparent sequence and arriving at the solution from another angle." de Bono's theories inspired McPhee to apply this "sideways thinking" to his own work in creative improvisation, resulting in the concept of "Po Music." McPhee describes "Po Music" as a "process of provocation" (Po is a language indicator to show that provocation is being used) to "move from one fixed set of ideas in an attempt to discover new ones." He concludes, "It is a Positive, Possible, Poetic Hypothesis." The results of this application of Po principles to creative improvisation can be heard on several Hat Art recordings, including Topology, Linear B, and Oleo & a Future Retrospective.

In 1997, McPhee discovered two like-minded improvisers in bassist Dominic Duval and drummer Jay Rosen. The trio premiered at the Vision Jazz Festival in 1998 but the concert went unnoticed by the press. McPhee, Duval, and Rosen therefore decided that an apt title for the group would be Trio X. In 2004 he created Survival Unit III with Fred Lonberg-Holm and Michael Zerang to expand his musical horizons and with a career spanning nearly 50 years and over 100 recordings, he continues to tour internationally, forge new connections while reaching for music's outer limits."

"Born in Newark, NJ, Steve Swell has been an active member of the NYC music community since 1975. He has toured and recorded with many artists from mainstreamers such as Lionel Hampton and Buddy Rich to so called outsiders as Anthony Braxton, Bill Dixon, Cecil Taylor and William Parker. He has over 40 CDs as a leader or co-leader and is a featured artists on more than 100 other releases. He runs workshops around the world and is a teaching artist in the NYC public school system focusing on special needs children.

Swell has worked on music transcriptions of the Bosavi tribe of New Guinea for MacArthur fellow, Steve Feld in 2000. His CD, "Suite For Players, Listeners and Other Dreamers" (CIMP) ranked number 2 in the 2004 Cadence Readers Poll. He has also received grants from USArtists International in 2006, MCAF (LMCC) awards in 2008 and 2013 and has been commissioned twice on the Interpretations Series at Merkin Hall in 2006 and at Roulette in 2012.

Steve was nominated for Trombonist of the Year 2008 & 2011 by the Jazz Journalists Association, was selected Trombonist of the Year 2008-2010 , 2012 and 2014-2015 by the magazine El Intruso of Argentina and received the 2008 Jubilation Foundation Fellowship Award of the Tides Foundation. Steve has also been selected by the Downbeat Critics Poll in the Trombone category each year from 2010-2016.

Steve is presently a teaching artist through the American Composers Orchestra, Healing Arts Initiative , Mind-Builders Creative Arts Center (Bronx), the Jazz Foundation of America and Leman Manhattan Preparatory School.

Steve was also awarded the 2014 Creative Curricula grant (LMCC) for the project: "Metamorphoses: Modern Mythology in Sound and Words" which was taught in a month long residency at Baruch College Campus High School in Manhattan."

"Mark Tokar originally studied classical guitar at S. Lyudkevych Music College. During this time he began to play double bass, which became his main instrument.

During 2002-2004 he repeatedly participated in the Krakow Jazz Workshop, directed by M. Parkinson (USA). In 2006, via the "Gaude Polonia" scholarship program, Mark studied at K. Szymanowski Jazz Academy under the direction of Professor Jacek Niedzela. The program was granted by the Minister of Culture in Poland. Since 2006 he has given private lessons at various jazz schools. During 2005-2006 Mark worked as art director of the Ukrainian-Polish Jazz Bez festival. He organized a series of Metro Jazz Philharmonic musical performances in Lviv.

Mark has performed with various bands at numerous festivals in Germany, Poland, Lithuania, USA, Austria, France, Ukraine, Russia, Italy, Hungary, Georgia, Luxembourg, and the Czech Republic. He participates in Ken Vandermark's international project "Resonance". He also plays in the groups Undivided, Five Spot, Four, Varpaj, and Yatoku. Additionally, he is the leader of the international projects Leo'm'art, Mark Tokar's Quintet and Avtokar. Mark Tokar has performed with Ken Vandermark, Bobby Few, Perry Robinson, Steve Swell, Michael Zerang, Tim Daisy, Dave Rempis, Roberta Piket, Fred Frith (USA), Klaus Kugel, Arkadij Shylkloper (Germany), Petras Vishniauskas (Lithuania), Mirchea Tiberian (Romania), Mazzol, Mikolaj Trzaska, Waclaw Zimpel, Piotr Baron, Kazimierz Jonkisz (Poland), Jurij Jaremczuk (Ukraine), Magnus Broo, Per-Ake Holmlander (Sweden), and Mark Sanders (England)."

"Klaus Kugel studied at the School of Jazz in Munich. Since 1989 he attracted attention worldwide through projects with Petras Vysniauskas, Karl Berger, Tomasz Stanko, Charlie Mariano, Kent Carter, Michel Pilz, Theo Jorgensmann, Kenny Wheeler, Vyacheslav Ganelin, Bobo Stenson, Glen Moore, Steve Swell, Sabir Mateen, Robert Dick, Peter Evans, Perry Robinson, Hilliard Greene, John Lindberg, Gerd Dudek, William Parker, Bobby Few, Roy Campbell, Jemeel Moondoc, Waclaw Zimpel, Mars Williams, Charles Gayle, Conny Bauer, Ken Vandermark, Joe McPhee, John Edwards a.m.o..

Over the past 30 years, he gave numerous concerts and appeared at festivals throughout Europe, the Baltic States, Canada, USA, Syria, Japan, Mexico, Russia, China, Ukraine, Azerbaijan and Israel."