Live from Padua, Magliocchi (drums/percussion), Northover (soprano sax) and Saccente (prepared accordion) forge an improvisational terrain of lean material and sharp focus, their sparse instrumentation allowing micro-gestures, discreet textures and sudden tonal shifts to articulate an open-ended search for sound, essence and interaction in the spirit of discovery.

Recorded in Verona, Italy, pianists Francesca Gemmo and Magda Mayas engage in an intricate dialogue between piano and prepared piano, blending Gemmo's contemplative lyricism and impressionist echoes with Mayas's inventive explorations of touch, timbre, and texture, creating a vivid and unpredictable sonic landscape of tension, nuance, and resonance.

Composed from four pools of material inspired by Johnny Mandel's A Time for Love, Magnus Granberg's 2024 work for his Swedish ensemble Skogen unfolds in ten slow cycles where delicate fragments, melodic shadings, and restrained improvisation interlace across strings, harp, guitar, percussion, and prepared piano, creating a quietly luminous meditation on fragility and motion.

In a live set at Amsterdam's club & workspace Splendor, Argentinian tenor/sopranino explorer Ada Rave and Polish pianist Marta Warelis shape an intimate but volatile dialogue, fusing air, resonance, clusters, and melody into patient arcs that bloom from microscopic detail to surging release, a great example of the city's improvising community at their most attentive and fearless.

An immersive meeting of Berlin pianist Magda Mayas and Australian flutist Jim Denley, ffollowing up on their 2017 Relative Pitch release, Tempe Jetz, as they weave flutes, piano, and percussive objects into a delicately balanced exchange where subtle gestures and resonant detail create a patient yet gripping exploration of texture, breath, and sonic space.

Releasing their first studio work in 2020, this album presents the first two live concerts in Brooklyn and Saugerties for the ea-improv trio MAW of Frank Meadows on upright bass, Jessica Ackerley on electric guitar and Eli Wallace on prepared piano & synth, in two 2-part improvisations: the darkly heavy "Mise-en-Place" and the brighter experiments of "Opus 40".

Taking the title from Brandon Sanderson's book series The Stormlight Archive, where a soulcaster is an instrument that transforms one object or life form into another; Joanna Mattrey transforms her viola and a tromba marina, aka a nuns' fiddle, with preparations, objects and unusual approaches through technique, creating a remarkable set of 11 unique and inventive improvisations.

A uniquely configured electroacoustic trio recording live in the studio in Lisbon in 2018 between Mexican flutist and founding member of the improv collective Generación Espontánea, Wilfrido Terrazas, and Portuguese improvisers Mariana Carvalho on prepared piano and Abdul Moimeme using two electric guitars and objects, balancing introspective moments with periods of uninhibited excitement.

The debut from the international Lava Quartet — Almut Kühne (voice), Jordina Milla (piano), Gonçalo Almeida (bass), and Wieland Möller (percussion) — capturing the ensemble's dynamic interplay and fearless improvisation across two European venues, blending extended techniques, expressive freedom, and unconventional sonic textures in a deeply creative and spontaneous journey.

On the last day of the 2021 Spontaneous Music Festival at the Dragon Club in Poznań, Poland, the trio of Berlin trombonist Matthias Muller was joined by younger generation Polish guitarist Pawel Doskocz on prepared electric guitar and fellow Berlin drummer and electroacoustic improviser Emilio Gordoa for these two extended sonic adventures recorded in near-darkness.

Recorded live at Cafe OTO, the formidable trio of pianist Sophie Agnel, bassist John Edwards, and drummer Steve Noble delivers an explosive set of collective free improvisation, deconstructing their instruments into raw sound materials through playful intensity, percussive collisions, and a fearless, physical approach that dissolves the line between instrument and expression.

Recorded live at Instants Chavires in France, pianist Sophie Agnel's third solo album transforms the prepared piano with Cage influenced techniques and preparations, crafting seven poetic and dramatic movements that challenge preconceptions of the instrument, weaving abstract, lyrical, and sensual sonic textures into a vivid and captivating hyper-pianistic masterpiece.

The fourth solo piano album from British improviser Pat Thomas on Otoroku, recorded at London's Fish Factory and drawing from his Sufi faith and the legacy of Arabic scientific innovation, as Thomas explores cosmic motion and spiritual resonance through dynamic inside-piano techniques, harmonic clusters, and deeply personal, rhythmically charged improvisations.

An imaginative and genre-defying return from Hélène Sage in an eclectic blend of songs, jazz-inflected fanfares, and humorous yet critical texts performed in multiple languages, featuring a striking ensemble of avant-garde musicians whose voices, instruments, and unconventional approaches craft a surreal and adventurous sonic world; of interest to RIO fans.

Interpreting Cornelius Cardew's elaborate 193-page Treatise and Earle Brown's minimalist Cheap Imitation, Fred Loisel (gong, electronics), Philippe Lenglet (prepared guitar), and Christian Vasseur (prepared ten-string Weissenborn) assign specific musical parameters to each graphic symbol, creating open compositions that balance individual expression with collective coherence.

A delicate and introspective collaboration for violin, prepared piano, celesta, and electronics, Morgan Evans-Weiler and J.P.A. Falzone explore melodic cells and harmonic resonances through an open-ended, improvisatory approach, creating a drifting, structureless environment where sounds intertwine, constellate, and dissolve, capturing fleeting moments of sonic possibility.

Extraordinary and masterful performers Sophie Agnel (piano) and John Butcher (soprano & tenor saxophones) present a live recording from the 40th International Festival of Current Music in Victoriaville, Canada, featuring five improvised pieces that highlight their exceptional interplay and collective discovery of new musical forms while exploring the boundaries of free improvisation.

Versed in jazz and contemporary composed music, Belgian alto saxophonist Audrey Lauro embarks on a solo journey with seven saxophone improvisations, using 'everyday objects' to prepare her instrument and close-microphone placement to create an intimate sound space, exploring 'the area where voice and instrument converge'.

Honoring Agustí Fernández's 70th birthday, this 7-CD box set captures his innovative artistry through live and studio collaborations with performers including Barry Guy, John Butcher, Lucía Martínez, &c., recorded across global venues, showcasing his mastery of the piano, free improvisation, and profound creative dialogue with fellow improvisers.

Recording live in the studio in Washington D.C., this is a fully improvised journey of sub-bass drones, fiery free jazz, and melancholic sonic tales, weaving trombone-driven explorations of real and imagined sonic landscapes; with poetic fictionalizations from Alex Smith and artwork by James Dillenbeck, this album is a fascinating look at an unexpected and imaginative range on the trombone.

Paul Jarret, Karin Johansson, and Donovan Von Martens explore the dynamic interplay of prepared strings through experimental techniques and preparations, blending nature-inspired improvisation with echoes of Feldman, Bailey, and Debussy, creating a sharp, imaginative, and evolving soundscape that bridges improvisation, composition, and sound painting

Recorded live in Kassel and Cologne, Germany, in May 2023, turntablist Ignaz Schick, prepared pianist Anaïs Tuerlinckx, and bass clarinetist/soprano saxophonist Joachim Zoepf deliver two wild and extended electroacoustic improvisations, blending tactile textures, dynamic interplay, and outside approaches to redefine the sonic possibilities of their respective instruments.

French classically trained pianist Sophie Agnel and percussionist Michael Zerang explore unconventional techniques in nine captivating improvisations recorded at Chicago's Experimental Sound Studio, blending Agnel's prepared and extended piano methods with Zerang's nuanced percussion to create a strikingly compatible and dynamic sonic dialogue.

Consisting of 28 short works, Hélène Sage collaborates with composer and performer Benoît Lavoisier, computer artist Marc Demereau, percussionist Pascal Portejoie, sampler Alex Piques, and vocalist and writer Nathalie Desmarest to craft an avant album blending Dadaist humor with experimental soundscapes, intertwining musical and literary elements to create a distinctive auditory experience.

An imaginative and genre-defying return from Hélène Sage in an eclectic blend of songs, jazz-inflected fanfares, and humorous yet critical texts performed in multiple languages, featuring a striking ensemble of avant-garde musicians whose voices, instruments, and unconventional approaches craft a surreal and adventurous sonic world; of interest to RIO fans.

The second volume from extraordinary New York drummer Francisco Mela and Taiwan-born pianist Shinya Lin, now based in NY, presents Parts 3 & 4 of their extended collective improvisations, showcasing joyful interplay and complex interweaving of keys and drums, enhanced by Lin's percussive preparations and Mela's vocal exclamations, delivering an upbeat and intricately exuberant encounter.

Recording live in the studio in Washington D.C., this is a fully improvised journey of sub-bass drones, fiery free jazz, and melancholic sonic tales, weaving trombone-driven explorations of real and imagined sonic landscapes; with poetic fictionalizations from Alex Smith and artwork by James Dillenbeck, this album is a fascinating look at an unexpected and imaginative range on the trombone.

A formidable sonic duo of guitar, bass, electronics, prepared bass, and drums, featuring Downtown NY pioneer Dougie Bowne and Brooklyn-based experimental rock bassist Matt Nelson (tUnE-yArDs, Weasel Walter Large Ensemble), delivering twelve intense and startlingly inventive improvisations, using every inch of their instruments to create a heavy, captivating set of soundscapes.

St. Louis violinist Alex Cunningham and Brooklyn pianist Eli Wallace debut as a duo with five extended improvisations, engaging in dynamic conversations that explore rapid melodic passages, complemented by textural piano preparations, creating diverse soundscapes ranging from intense energy to moments of thoughtful, unhurried interaction.

A tribute to six extraordinary female pianists — Geri Allen, Carla Bley, Marilyn Crispell, Angelica Sanchez, Sylvie Courvoisier & Renne Rosnes — through compositions from New York pianist Kris Davis and one by drummer Johnathan Blake, melodically rich and intricately challenging pieces as Davis stands shoulder to shoulder with those who inspired her.

Versed in jazz and contemporary composed music, Belgian alto saxophonist Audrey Lauro embarks on a solo journey with seven saxophone improvisations, using 'everyday objects' to prepare her instrument and close-microphone placement to create an intimate sound space, exploring 'the area where voice and instrument converge'.

A 4-part series of collaborative improvisations between US guitarist Barry Chabala and Canadian-born, Sweden-based electroacoustic improviser Lee Noyes, Chabala performing on acoustic & electric guitars and objects, Noyes on piano & percussion, and both on prepared piano, for elegantly diaphanous interactions that employ a score influenced by The I Ching and Albert Camus.

A collection of sonic poems & images that are inspired by her search for a 'real world' — more tangible and less virtual — presented by Argentinian saxophonist based in Amsterdam, Ada Rave, performing on tenor, soprano & sopranino saxophones with differing preparations for each improvisation, while also being influenced by the native music of the Mapuche people and Argentinian folk music.

Seven years into their collaboration, the creative and innovative piano trio initiated by bassist Stephan Crump with pianist Kris Davis and drummer Eric McPherson explore spontaneous free playing on a double CD of lyrically inclined, inventive interplay, borrowing from jazz, contemporary forms and sometimes funky grooves with a patiently rewarding approach to conversation.

A contemplative and building collection of electroacoustic improvisations from French alto & soprano saxophonist Violaine Gestalder, augmenting her horn with effect pedals, and pianist Loris Binot, using preparations, magnetic bows and electronics to create sustained and percussive elements, recording in the CIM auditorium in Bal-Le-Duc, France for five rich and fascinating dialogs.

A deeply personal and spiritual solo journey that unfolds from near-silence to powerful, ritualistic expression, from Chicago trumpeter and improviser Rob Mazurek, recording for Radio Popolare in Milan, Italy while performing on trumpet, piccolo trumpet, piano, prepared piano, sampler, magic yellow bucket, bells, shakers, flutes, voice, and various percussion.

Inspired by August Strindberg's short story about a fortepiano being dropped into deep waters off an archipelago island, Stora grusharpan, and using composer Rosanna Gunnarson's underwater recordings including a piano being lowered into water, Swedish pianist Karin Johansson performs Gunnarson's graphic score and compositions on a prepared grand piano.

Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

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Cornetist Josh Berman, drummer Bill Harris, and cellist Ishmael Ali meet with NY pianist Eli Wallace in Chicago, recording live in the studio for a session that focuses on acoustic interplay using unusual techniques, inside piano playing, textural percussion with scrapes & drags and melodic & harmonic fragments, Fitting quite well in a set of interesting moods and motion.

The concluding opus of a trilogy that began with "Through This Looking Glass" and followed with "In Praise Of Disorder", Portuguese pianist Joana Sa merges acoustic piano with well-balanced electronics and resonance, using preparations and fragments of previous recordings to create a uniquely expressive solo performance: forceful, fragile, and captivatingly fascinating.

Two improvisations by saxophonist Jean-Luc Guionnet & violinist Dan Warburton recorded in Paris & Melbourne parking garages 14 years apart, registering the behavior and characteristics of environmental and instrumental sound within these unique spaces, edited by Eric La Casa and Philip Samartzis as a 4-channel master by synchronizing two sets of independent stereo recordings.

Strange monsters indeed, two creative improvising vocalists--Mascha Corman from Germany and Thea Soti from Serbia--join with Czech prepared saxophonist Salim Javaid, each using their instrument both as a voice and an unusual sound source, presenting 16 short works that explore harmonic and unexpected outcomes from their unique conversations.

While still a member of Henry Cow, guitarist Fred Frith released his first solo album simply titled Guitar Solos in 1974, a remarkable album of expression through preparations, treatments and effects; 50 years later Frith expands on that album with new compositions using a similar setup as the original, paired in this 2-LP release with the remastered original album.

Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

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Merging contemporary and traditional instruments, including the spilapipa (a fipple flute), hardanger fiddle, the Bilgoraj suka (a vertical fiddle), alongside prepared piano, organ, trumpet, tuba, baritone sax & voice, Mats Gustafsson's ensemble merges folk, experimental forms, improv & free jazz in a conduction shaped by the participants; absolutely unique & fascinating.

An expressive piano trio from Steve Beresford on piano, Italian-born, UK-based drummer/percussionist Valentina Magaletti, and Italian Bassist Pierpaolo Martino, Beresford using piano preparations, electronics & toys to expand the palette of their instrumentation, all three bringing a wealth of experience in jazz, free improv and experimental sound to their solid conversations.

Double bassist Jonas Gerigk invited two Berlin-based musicians--pianist Anaïs Tuerlinckx and percussionist Burkhard Beins--for a week of musical experiments and exploration at the venue Saxstall in Pohrsdorf/Tharandt, Germany, culminating in a well-recieved live performance; these two recordings are the result of their week of sonic investigation and improvisations.

Italian percussionist, sound artist, improviser and composer Nicholas Remondino expresses the sentiment of the 18 recordings on this solo album of prepared drum improvisations through a single sentence, each piece flowing into the next through unusual punctuation, gestures and intersections, as the listener is carried along curious landscapes of extraordinary technique.

A gorgeous album of acoustic improvisation from Anthony Pateras performing on a prepared piano and Stephen O'Malley on steel string acoustic guitar, recorded live with no overdubs during O'Malley's residency at La Becque on Lake Geneva in the summer of 2021, slowly interacting through resonant harmonics and percussive tones that glide and fill the air with contemplative sound.

An exquisite work for violin, cello, harp and prepared piano composed by Magnus Granberg, who also performs on piano, at the invitation of fellow Swedish contemporary performers Leo Svensson Sander (cello), Stina Hellberg Agback (harp) and Eva Lindal (violin), a complement to the version released on Another Timbre in 2022 and performed by Granberg's Skogen ensemble.

Two nights at the famed Village Vanguard from pianist Kris Davis' quintet with Terri Lyne Carrington on drums, Val Jeanty on turntables & electronics, Julian Lage on electric guitar and Trevor Dunn on basses; a thoroughly modern electric jazz group performing Davis originals, with references to Eric Dolphy, Conlon Nancarrow, Olivier Messiaen, Paul Bley, Sun Ra and Karlheinz Stockhausen.

A powerful set of succint compositions, themes and sea shanties for the soundtrack for Danielle Krudy and Bridget Savage Cole's film Blow the Man Down , scored through the collaboration of composers Jordan Dykstra, who also performs on viola, piano, prepared piano, vibraphone & percussion, and Brian Mcomber, who also performs on keyboards and percussion.

Promo copy with line thru bar code. Working inside and out of the piano and sometime evoking wild sounds that seem to have no relationship to the instrument, Polish-born and Amsterdam-based pianist Marta Warelis explores the concepts of realities beyond our perception, and a thought that we are a part of a big organism where everything goes endlessly bigger and smaller in scale of size, time and speed.

Promo copy with line thru bar code.

Sporadic sonic exchanges exploring guidelines, graphic scores, or completely improvised, with an expansive instrumentorium from the sextet of Magali Babin, Andrea-Jane Cornell, Martine H Crispo, Anne-Francoise Jacques, Emilie Mouchous, and Erin Sexton.

Delicately caustic interactions of reeds, piano and percussion using the natural resonance of the Borlunda Church in Eslöv, Sweden, from the freely improvising duo of Martin Küchen and Sophie Agnel, Küchen adding electronics and Agnel performing inside and out of the piano while supplementing her palette with objects, both using space and patience as their allies.

On the last day of the 2021 Spontaneous Music Festival at the Dragon Club in Poznań, Poland, the trio of Berlin trombonist Matthias Muller was joined by younger generation Polish guitarist Pawel Doskocz on prepared electric guitar and fellow Berlin drummer and electroacoustic improviser Emilio Gordoa for these two extended sonic adventures recorded in near-darkness.

The working duo of Slovenian violinist Ana Kravanja and Austrian pianist Elisabeth Harnik present nine dialogs of freely improvised playing that draws on contemporary composition, using their primary instruments along with preparations, objects, frame drums, voice and ringing stones, a mood of tense mystery and wonder pervading their excellent and unusual discourse.

Stepping away from the Australian trio The Necks, drummer/percussionist Tony Buck meets pianist Alister Spence in the studio for seven distinct dialogs of "submerged rhythm, oblique extended forms, entwined interplay, and sound for its own sake", Spence at times using preparations on his strings, as both listen and respond deeply through a congenial approach to playing.

Four distinct compositions from French electroacoustic composer Philippe Petit, each using analog synthesizers including Buchla Easel K & Buchla 200 synthesizers, EMS Synthi and a Landscape Stereofield analog synthesizer, interestingly layered and captivatingly paced against processed voices, percussion, insider piano work, broken glass, samplers and turntables.

French vocalist Claudia Solal provides the lyrics--sung-spoken narratives, prose and poetic forms--performed with pianist Benoit Delbecq, who uses internal preparations and a variety of creative approaches to keys, both intricate and melodic, setting the fascinating and insightful stories that Solal spiels; a wonderful union of instrument and word.

Clarinetist Lori Freedman brought together 3 distinct trios over the course of 3 consecutive nights with a total of 6 other Montreal musicians for live encounters of improvisation.

Recorded in Britain's longest tunnel--the Standedge Canal Tunnel--during the Marsden Jazz Festival 2017, Norwegian cellist and composer Maja Bugge's solo album uses the natural resonance of the tunnel as an accompaniment to her expressive playing, recorded at a concert that blended composed work with improvisations that respond to the tunnel's unique resonant properties.

Performing on double bass, amp and a volume pedal, Gonçalo Almeida (LAMA, Albatre, The Attic) explores new sonic environments and possiblities for the large strings, using feedback that modifies based on the physical location between the amp and the resonator of the double bass, Almeida improvises with bowing strokes, pizzicato and unusual string preparations.

After working with the Trondheim Jazz Orchestra, pianist Corey Smythe assmebled this incredible ensemble that includes Peter Evans (trumpet), Ingrid Laubrock (sax), Stephan Crump (bass), Tomeka Reid (cello), &c., performing works influenced by the Kern/Harbach standard "Smoke Gets in Your Eyes", which Smythe then interprets abstractly in 7 solo renderings.

A uniquely configured electroacoustic trio recording live in the studio in Lisbon in 2018 between Mexican flutist and founding member of the improv collective Generación Espontánea, Wilfrido Terrazas, and Portuguese improvisers Mariana Carvalho on prepared piano and Abdul Moimeme using two electric guitars and objects, balancing introspective moments with periods of uninhibited excitement.

The MMM Trio of Carlo Mascolo on prepared trombone, Miguel Mira on cello and Marcello Magliocchi on drums & percussion recorded this album during a concert series in Puglia, Italy, placing each musician in a separate room with headphones, promoting the close listening and concentrated interaction each brings to their unusual approach to free improvisation.

The first solo record for NY violist Joanna Mattrey, performing also on the Stroh violin, in a deep exploration of the sound possibilities for both instruments, using preparations to alter the resonance of the viola, masking its overtly singing and beautiful nature and allowing for unexpected and unusual textures which weave around melodic lines; unique and fascinating.

Using an imaginative set of piano preparations, Auckland, New Zealand pianist Hermione Johnson draws unusual timbral and tonal qualities from the prepared piano, deftly improvising with dexterous technical skills to create unusual rhythmic and timbral environments, each a marvelous, miniature universe of unexpected voicings, evoking gongs, guitars, kotos, &c.

Futari (meaning "two people") is the stunningly beautiful debut album of pianist Satoko Fujii and vibraphonist Taiko Saito, recorded in 2019 after a concert tour in Japan, the confluence of these similar instruments and the performer's technical mastery blending in introspective and active modes, adding rich sonic dimensions through preparations and extraordinary technique.

An electroacoustic composition of environment & sound punctuated with subtle percussion and electronic interventions, developed from field recordings, performances on Roosevelt Island, and studio recordings in Brooklyn by the duo of Tucker Dulin on bells, bowl, can, cymbal, lentils, mallet & whistle and Ben Owen on paper mic, speaker boxes, op amps & cassette.

Gorgeously subtle improvisation of a primarily acoustic nature through unfolding soundscapes of intricate restraint and deep listening, from the trio of Berlin pianist Magda Mayas and Sydney improvisers Monica Brooks on accordion and Laura Altman on clarinet & feedback, in their 4th release, recorded live in the reverberant church hall of the Annandale Creative Arts Centre.

Extended and captivating improvisations using complex and extended techniques from the duo of prepared pianist Annie Lewandowski (London Improvisers Orchestra, Powerdove, Xiu Xiu) and guitarist Fred Frith (Henry Cow, Skeleton Crew, &c &c) in a thoroughly modern improvised conversation, here reissued with 11 minutes of previously unreleased material.

Inspired by and recorded at the basilica of a former monastery overlooking a valley in southern Spain, the duo of Wade MatthInspired by and recorded at the basilica of a former monastery overlooking a valley in southern Spain, the duo of Wade Matthews on digital synthesis & field recordings and Carmen Morales on prepared piano, present improvisations with a unique palette of timbres, contrasting spacious moments against rapid interaction as they "Plunge and Tumble" through five captivating dialogs.ews on digital synthesis & field recordings and Carmen Morales on prepared piano, present improvisations with a unique palette of timbres, contrasting spacious moments with rapid interaction as they "Plunge and Tumble" through five captivating dialogs.

Finnish/Norwegian guitarist Juhani Silvola describes the music on this fascinating solo album, performed on acoustic and prepared acoustic guitars (using objects below and above the strings) and augmenting his playing with electronics & amplifiers, as "speculative sonic archaeology" or "ritual music made by a civilisation that could have stepped off the pages of a Jorge Luis Borges story.

Two collaborations in a split LP, and the continuation of a series of duo pieces for piano and other instruments that pianist and keyboardist Eric Wubbels has been pursuing since 2006: first an intensive 3-part "Field Of Action" with vocalist and noise artist Charmaine Lee; then "Contraposition" with trombonist Weston Olencki in a duo with Wubbels on prepared piano.

Working inside and out of the piano and sometime evoking wild sounds that seem to have no relationship to the instrument, Polish-born and Amsterdam-based pianist Marta Warelis explores the concepts of realities beyond our perception, and a thought that we are a part of a big organism where everything goes endlessly bigger and smaller in scale of size, time and speed.

Composer, pianist and multi-instrumentals Joana Sa gives voice to texts by Goncalo M. Tavares as read by Rosinda Costa, where the text organizes the thoughts that filter the multiple, disorderly, eccentric, voluble mind described in Tavares' work.

A unique take on the piano, with both participants--Ernesto Rodrigues and Carlos Santos--approaching the physical aspects of the instrument, somewhat beyond prepared piano, as the two record not just the strings but the wood, metal and most likely wheels of the instrument, creating a cantankerous display of sound that unfolds slowly; idiosyncratic and noteworthy.

An eruption of sound from the long-standing collaboration of violist Ernesto Rodrigues and Abdul Moimeme, here on prepared electric guitar, in a trio with unique percussionist Antez, whose intimate relationship with the percussive objects he uses creates a tectonic aural range of explosive flows and deeply churning cymbal vibration, caught live at Lisboa Incomum, in Lisbon.

"Siete Colores presents a trio of Rodrigues' viola and the dual electric guitars of Moimeme and Argentinean Fernando Perales (perhaps best known for the group Reynols with Anla Courtis). As "23 44'00"S 65 29'00" O" opens what's immediat...

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Strange monsters indeed, two creative improvising vocalists--Mascha Corman from Germany and Thea Soti from Serbia--join with Czech prepared saxophonist Salim Javaid, each using their instrument both as a voice and an unusual sound source, presenting 16 short works that explore harmonic and unexpected outcomes from their unique conversations.