The Squid's Ear Magazine


Merega, Giacomo / Joe Morris: Opus Dichotomous (Infrequent Seams Records)

Building on their collaborations in the Noah Kaplan Quartet albums on Hat Hut/ezz-thetics — Descendants, Cluster Swerve, and Out of the Hole — bass guitarist Giacomo Merega (also of Dollshot) and guitarist Joe Morris (with pedals) explore intricate and dichotomous interplay, weaving parallel and divergent lines into richly complex interactions, suffused with a deep and resonant sonic richness.
 

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product information:

Personnel:



Giacomo Merega-bass guitar

Joe Morris-guitar, pedals


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UPC: 650076547888

Label: Infrequent Seams Records
Catalog ID: CD-IS-1066
Squidco Product Code: 35302

Format: CD
Condition: New
Released: 2024
Country: USA
Packaging: Cardboard Gatefold
Recorded in Guilford, Connecticut, in January, 2023, by Joe Morris.

Descriptions, Reviews, &c.

"Studies in dichotomy. Bass guitarist Giacomo Merega and guitarist Joe Morris have released three recordings on the iconic Swiss label Hat Hut/ezz-thetics (Descendants, Cluster Swerve and Out Of The Hole) since 2011 and performed extensively as members (alongside drummer Jason Nazary) of saxophonist Noah Kaplan's quartet. Now, they present this duo of improvisation.

The recording consists of music intensely devoted to the exploration of dichotomy as a type of musical interaction, where even a unison can be dichotomous. Dichotomy as an incomplete responsorium, or a bipolar monologue. This music is often dense, fearlessly virtuosic, it has a vocation to be rough but can't help being meticulously articulate at the same time. It can't be devoid of a mood, of course, but it has no interest in being more than just one thing. The first and the last tracks are different, they transport the listener in and out of a place: the other tracks are that place. "Between the conception and the creation, between the emotion and the response falls the shadow" (T.S. Eliot)"-Infrequent Seams



"The title adopted by Giacomo Merega and Joe Morris' duo release Opus Dichotomous might be a false flag. This recording is anything but an exercise in contrasts. Merega's electric bass and Morris' guitar travel congruously throughout the nine tracks to deliver these improvised gems. Perhaps the dichotomy the title refers to is that of botany where a plant's dichotomous branching emanates from a common stem.

Merega and Morris can be heard, along with drummer Jason Nazary, in the quartet led by saxophonist Noah K (Kaplan). Their music is documented in Out Of The Hole (ezz-thetics, 2020), Cluster Swerve (hatOLOGY, 2017), and Descendants (hatOLOGY, 2011). Where those sessions present composed music, here we are treated to an all-improvised session.

Fans of Morris are accustomed to these all-improvised outings in groups and combinations of artists too numerous to mention here. The guitarist has also released stellar solo sessions on acoustic guitar Solos Bimhuis (Relative Pitch, 2015) and banjo Atmosphere (KMB Jazz, 2008), plus he can be often heard on bass. Hearing Morris in a duo setting might be the best way to focus one's attention on his unique methodology, which is elevated by-and elevates-his playing partners. Past examples are performances with Nate Wooley Tooth And Nail (Clean Feed, 2008), Barre Phillips Elm City Duets (Clean Feed, 2008), Mary Halvorson Traversing Orbits (RogueArt, 2018), Agusti Fernandez Ambrosia (Riti, 2011) and Wadada Leo Smith Earth's Frequencies (Fundacja Słuchaj!, 2023).

The same can said for Morris' duo with Merega. The pair open and close the recording utilizing volume pedals. "Real And The Not Real, Something Like An Opera" and "Stabat Mater (Dedicated To E.M.)" both trade in a dreamlike, let's call it a gossamery tangle of interdependent architecture. Their relationship is indeed chimerical throughout. They weave a crazy quilt of sound in "Quasicandenze" and work in quieting microtones in "The Uninhabited Song." What showcases Morris' guitar explorations is Merega's bass mantel. He doesn't keep time so much as he constructs an architecture of sound for Morris and himself to build upon."-Mark Corroto, All About Jazz


Get additional information at All About Jazz

Artist Biographies

Giacomo Merega is an Italian electric bassist known for the groups Dollshot, Noah Kaplan Quartet, Trio (Mit) Marlene.

-Discogs (https://www.discogs.com/artist/2538935-Giacomo-Merega)
2/5/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joe Morris was born in New Haven, Connecticut on September 13, 1955. At the age of 12 he took lessons on the trumpet for one year. He started on guitar in 1969 at the age of 14. He played his first professional gig later that year. With the exception of a few lessons he is self-taught. The influence of Jimi Hendrix and other guitarists of that period led him to concentrate on learning to play the blues. Soon thereafter his sister gave him a copy of John Coltrane's OM, which inspired him to learn about Jazz and New Music. From age 15 to 17 he attended The Unschool, a student-run alternative high school near the campus of Yale University in downtown New Haven. Taking advantage of the open learning style of the school he spent most of his time day and night playing music with other students, listening to ethnic folk, blues, jazz, and classical music on record at the public library and attending the various concerts and recitals on the Yale campus. He worked to establish his own voice on guitar in a free jazz context from the age of 17. Drawing on the influence of Coltrane, Miles Davis, Cecil Taylor,Thelonius Monk, Ornette Coleman as well as the AACM, BAG, and the many European improvisers of the '70s. Later he would draw influence from traditional West African string music, Messian, Ives, Eric Dolphy, Jimmy Lyons, Steve McCall and Fred Hopkins. After high school he performed in rock bands, rehearsed in jazz bands and played totally improvised music with friends until 1975 when he moved to Boston.

Between 1975 and 1978 he was active on the Boston creative music scene as a soloist as well as in various groups from duos to large ensembles. He composed music for his first trio in 1977. In 1980 he traveled to Europe where he performed in Belgium and Holland. When he returned to Boston he helped to organize the Boston Improvisers Group (BIG) with other musicians. Over the next few years through various configurations BIG produced two festivals and many concerts. In 1981 he formed his own record company, Riti, and recorded his first LpWraparound with a trio featuring Sebastian Steinberg on bass and Laurence Cook on drums. Riti records released four more LPs and CDs before 1991. Also in 1981 he began what would be a six year collaboration with the multi-instrumentalist Lowell Davidson, performing with him in a trio and a duo. During the next few years in Boston he performed in groups which featured among others; Billy Bang, Andrew Cyrille, Peter Kowald, Joe McPhee, Malcolm Goldstein, Samm Bennett, Lawrence "Butch" Morris and Thurman Barker. Between 1987 and 1989 he lived in New York City where he performed at the Shuttle Theater, Club Chandelier, Visiones, Inroads, Greenwich House, etc. as well as performing with his trio at the first festival Tea and Comprovisation held at the Knitting Factory.

In 1989 he returned to Boston. Between 1989 and 1993 he performed and recorded with his electric trio Sweatshop and electric quartet Racket Club. In 1994 he became the first guitarist to lead his own session in the twenty year history of Black Saint/Soulnote Records with the trio recording Symbolic Gesture. Since 1994 he has recorded for the labels ECM, Hat Hut, Leo, Incus, Okka Disc, Homestead, About Time, Knitting Factory Works, No More Records, AUM Fidelity and OmniTone and Avant. He has toured throughout the U.S., Canada and Europe as a solo and as a leader of a trio and a quartet. Since 1993 he has recorded and/or performed with among others; Matthew Shipp, William Parker, Joe and Mat Maneri, Rob Brown, Raphe Malik, Ivo Pearlman, Borah Bergman, Andrea Parkins, Whit Dickey, Ken Vandermark, DKV Trio, Karen Borca, Eugene Chadborne, Susie Ibarra, Hession/Wilkinson/Fell, Roy Campbell Jr., John Butcher, Aaly Trio, Hamid Drake, Fully Celebrated Orchestra and others.

He began playing acoustic bass in 2000 and has since performed with cellist Daniel Levin, Whit Dickey and recorded with pianist Steve Lantner.

He has lectured and conducted workshops trroughout the US and Europe. He is a former member of the faculty of Tufts University Extension College and is currently on the faculty at New England Conservatory in the jazz and improvisation department. He was nominated as Best Guitarist of the year 1998 and 2002 at the New York Jazz Awards."

-Joe Morris Website (http://www.joe-morris.com/biography.html)
2/5/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Real and then not real, something like an opera 07:49

2. Quasicadenze 05:09

3. Autopsy in blue 05:31

4. Tauromachy 06:45

5. The uninhabited song 05:02

6. Vedova 05:56

7. Threnody for the bourgeois improviser 04:55

8. Anteroom 06:37

9. Stabat Mater (dedicated to E.M.) 07:11

Related Categories of Interest:


Improvised Music
Free Improvisation
Jazz
NY Downtown & Metropolitan Jazz/Improv
Guitarists, &c.
Duo Recordings
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
Infrequent Seams Records.


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