The Squid's Ear Magazine

Zorn, John

The Hermetic Organ Volume 13 - Biennale Musica Venezia

Zorn, John: The Hermetic Organ Volume 13 - Biennale Musica Venezia (Tzadik)

Performing at the 17th century Palazzo Pisano during the 2023 Venice Biennale, John Zorn improvises on two small antique organ at Conservatorio Benedetto Marcello, taking full advantage of the rich reeds, flutes, and horns of these two outstanding instruments as he moved between the two organs, bringing out unusual tonalities and intersections between both instruments.
 

Price: $17.95



Quantity:

In Stock

Quantity in Basket: 1

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



John Zorn-organ


Click an artist name above to see in-stock items for that artist.




UPC: 702397931324

Label: Tzadik
Catalog ID: CD-TZA-9313
Squidco Product Code: 35112

Format: CD
Condition: New
Released: 2024
Country: USA
Packaging: Cardboard Gatefold 3 Panels
Recorded at Conservatorio Benedetto Marcello, in Venice, Italy, on October 29th, 2023, by Matteo Costa, Davide Corsato, Alberto Dedovato and Simone Giobellina.

Descriptions, Reviews, &c.

"Zorn's first appearance at the world renowned Venice Biennale was a spectacular one. Invited to perform The Hermetic Organ at the famed 17th century Palazzo Pisano, he was surprised to find two small antique organs opposite one another on the small stage of its intimate concert hall. His performance that day was one of the very best Offices of The Hermetic Organ-a wild, acoustic affair that takes full advantage of the rich reeds, flutes, and horns of these two outstanding instruments. Zorn ran back and forth between them, manipulating the stops with remarkable imagination and agility. There are difference tones and sonic cross talk here that sound absolutely electronic. A spectacular addition to one of Zorn's very best CD series, now in its thirteenth volume."-Tzadik


Artist Biographies

"John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".

Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.

Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the klezmer/free jazz-influenced quartet Masada, composed over 600 pieces as part of the Masada Songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.

Zorn's compositions cross many genres and he has stated "All the various styles are organically connected to one another. I'm an additive person-the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." For Zorn "Composing is more than just imagining music-it's knowing how to communicate it to musicians. And you don't give an improviser music that's completely written out, or ask a classical musician to improvise. I'm interested in speaking to musicians in their own languages, on their own terms, and in bringing out the best in what they do. To challenge them and excite them." "

-Wikipedia (https://en.wikipedia.org/wiki/John_Zorn)
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Satyricon 42:22

2. Epistola 6:39

Related Categories of Interest:

Tzadik

Compositional Forms
Improvised Music
Piano & Keyboards
Zorn. John
Solo Artist Recordings
New in Compositional Music
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
Tzadik.


Recommended & Related Releases:
Zorn, John (Roeder / Wollesen / Zorn / Lage)
New Masada Quartet, Volume Three
(Tzadik)
The third volume in John Zorn's New Masada Quartet — Zorn on alto sax, Jorge Roeder on bass, Kenny Wollesen on drums, and Julian Lage on guitar — captures a packed 2024 concert at Roulette in Brooklyn, where fervent interplay and exceptional soloing bring six Zorn compositions to life in a single, seamlessly indexed track before an enthusiastic audience.
Zorn, John (Stephen Gosling / Barbara Hannigan)
Hannigan Sings Zorn Volume One
(Tzadik)
Two virtuosic contemporary performers--pianist Stephen Gosling and vocalist Barbara Hannigan--heard in live performances of three challenging works by John Zorn: Jumalattaret, a song cycle in praise of line Finnish Goddesses out of Sami Shamanism, and Split the Lark, Zorn's tribute to the magical American poet Emily Dickinson, plus Zorn's early work Nazdar, Poupon, Nazdar.
Zorn, John (Riley / Lage)
Her Melodious Lay
(Tzadik)
Featuring some of composer John Zorn's most lyrical work, the duo of guitarists Gyan Riley and Julian Lage continue their collaboration in the series that started in 2015 with The Bagatelles and continues through Midsummer Moons (2017), Book Beri'ah (2019), and Quatrain (2023), as they render Zorn's beautiful merging of eclectic forms inspired by William Shakespeare.
Zorn, John / Jesse Harris (Marsella / Roeder / Smith / Haden)
Love Songs Live
(Tzadik)
Taking the collaboration between composer John Zorn and composer/vocalist Jesse Harris on the stage for a live performance at National Sawdust, in Brooklyn in 2023, supported by a dream band of Brian Marsella on piano, Jorge Roeder on bass and Ches Smith on drums; sixteen upbeat, beautiful and sophisticated songs that bring Downtown NY sensibilities to lyrical vocal jazz.
Zorn, John
The Hermetic Organ Volume 12 - The Bosch Requiem
(Tzadik)
Part of composer, saxophonist and organ improviser John Zorn's 70th birthday celebration, this 12th volume in his The Hermetic Organ series finds Zorn performing on the two organs at the Grote Kerk (Great Church) in Den Bosch, The Netherlands, first solo and then with John Medeski, in a tribute to the 15th century proto-Surrealist painter Hieronymus Bosch.
Zorn, John
The Hermetic Organ Volume 11 - For Terry Riley
(Tzadik)
Performing on the 7,466 pipe Æolian-Skinner organ at Grace Cathedral in San Francisco, one of the first American classic-style organs and among the largest church organs in the West, John Zorn continues his solo organ series with this tribute to Terry Riley in two extended improvisations, part of his 70th birthday celebration as part of Fred Barnes's concert series.
Zorn, John (Medeski / Marsella / Hollenberg / Grohowski)
Parrhesiastes
(Tzadik)
The fifth album from John Zorn's Chaos Magic Ensemble of Brian Marsella on Fender Rhodes Piano, John Medeski on organ, Kenny Grochowski on drums and Matt Hollenberg on guitar, in three free flowing works that display Zorn's perceptive merging and the band's enormous skill, contrasting lyrical electric jazz with turbulent rock forms and disciplined contemporary structure.
Zorn, John / Bill Laswell
Memoria
(Tzadik)
Zorn, John Incerto (Marsella / Smith / Lage / Roeder)
Full Fathom Five
(Tzadik)
Zorn expands the canon for his lyrical jazz quartet Incerto of Brian Marsella on piano, Ches Smith on drums & Haitian Tanbou, Julian Lage on guitar and Jorge Roeder on bass, composing a suite of seven subtle and passionate nocturnes inspired by the night imagery of Shakespeare, merging jazz and chamber forms with a Downtown NY sensibility; gorgeous.
Zorn, John (Julian Lage / Gyan Riley)
Quatrain
(Tzadik)
Based on the influential 1929 novel by Welsh writer Richard Hughes, A High Wind in Jamaica, about the disturbing ordeal of four children captured by pirates on the sea, realized through John Zorn's compositions for two guitarist--Julian Lage and Gyan Riley--and expressed through a spectrum of tranquil and portentous passages of virtuosic playing.
Zorn, John (w/ Lage / Roeder / Wollesen)
New Masada Quartet, Volume Two
(Tzadik)
LOWER PRICE! Taking on another set of compositions from John Zorn's Masada Songbook, the New and electrified Masada quartet of Kenny Wollesen on drums, Julian Lage on guitar, Jorge Roeder on bass and Zorn himself on alto saxophone releases their second volume, seven melodically rich and intricate works that lead to incredible, often burning soloing and group interchange.
Zorn, John / Eugene Chadbourne
John Zorn's Olympiad Vol. 3 - Pops Plays Pops - Eugene Chadbourne Plays The Book Of Heads
(Tzadik)
The third volume in John Zorn's "Olympiad" series is this solo performance in 2007 at the Kompo Cultural Center in Gyungee, Korea by Zorn associate and eccentrically eminent improviser Eugene Chadbourne, performing on electric and acoustic guitars as he interprets 15 compositions for improvisers from John Zorn's seminal 1976 series: The Book of Heads.
Zorn, John (w/ Marsella / Roeder / Smith / Lage)
Incerto
(Tzadik)
Bringing together John Zorn's trio from Suite for Piano (Brian Marsella, Jorge Roeder, Ches Smith) with guitarist Julian Lage, this new jazz quartet is a versatile and flexible unit capable of instantaneous changes in direction of genre or mood with virtuosic finesse and sensitivity, as Zorn's compositions explore concepts from Freud, Sartre, and the Uncertainty Principle.
Zorn, John
The Hermetic Organ Vol. 9 - Liber VII
(Tzadik)
John Zorn's extended solo organ improvisation at the 2022 Big Ears Festival in Knoxville, TN performing on the Goulding & Wood seventy-rank organ at St. John's Cathedral, Zorn's performance inspired by Aleister Crowley's Liber Liberi vel Lapidis Lazuli and performed in a kind of trance state, as he traversed moods and mystery in a 44 minute journey of massive sound.
Zorn, John
Les Maudits
(Tzadik)
An outrageous interpretation of Alfred Jarry's fictional character Ubu performed with with the International Contemporary Ensemble and core Downtown New York performers Ikue Mori, Ches Smith and Zorn himself, using Zorn's quick cut approach to composition; presented along with a work inspired by French poet Charles Baudelaire and an elegy to painter Paul Gauguin.
Zorn, John
The Hermetic Organ Vol. 5 _Philharmonie De Paris
(Tzadik)
During a week in April 2017 John Zorn travelled to Paris, where he performed several concerts including "The Interpretation of Dreams", presented an evening with guests, and performed solo on the organ at the Grande salle Pierre Boulez, the full concert of which is presented on this CD, along with 30 minutes of recordings made before the evening's concert.
Various Artists (Zorn / Johansson / Johnson / de Vroe / Schleirmacher)
Enfants Terribles
(Hat [now] ART)
Other Recommended Releases:
Bowne, Dougie
The Stars Are Indispensable
(Tzadik)
A formidable sonic duo of guitar, bass, electronics, prepared bass, and drums, featuring Downtown NY pioneer Dougie Bowne and Brooklyn-based experimental rock bassist Matt Nelson (tUnE-yArDs, Weasel Walter Large Ensemble), delivering twelve intense and startlingly inventive improvisations, using every inch of their instruments to create a heavy, captivating set of soundscapes.



Customers Who Bought This Item Also Bought:
Dunmall, Paul / Paul Rogers / Tony Levin
The Good Feelings
(577 Records)
A first time issue for these 2009 studio recordings between Paul Dunmall on tenor & soprano saxophones and bass & b-flat clarinets, Paul Rogers on 7 string acoustic bass and Tony Levin on drums, bringing to light both a great trio session that's sat on the shelf too long, and a superb example of the late great drummer Tony Levin's important contribution to UK free improv.
Dunmall, Paul / Tobias Delius / Olie Brice / Mark Sanders
No Better Than The Butcher Bird
(Listen! Foundation (Fundacja Sluchaj!))
With two reeds--Paul Dunmall on tenor & soprano saxophones & clarinet, and tenor saxophonist & clarinetist Tobias Delius--and the masterful rhythm section of Olie Brice on double bass and Mark Sanders on drums, this superb collective quartet leverages the long relationships between players, particularly the trio of Sanders/Brice/Delius and Dunmall & Sanders' extensive work together.
Bradford, Bobby / Frode Gjerstad / William Roper / Alex Cline
Frice
(Listen! Foundation (Fundacja Sluchaj!))
Featuring distinctively voiced collective free improvisation, this transatlantic quartet recording on the West Coast brings together legendary musicians Frode Gjerstad on alto saxophone and clarinet, and Bobby Bradford on cornet, alongside contemporary classical and improvising tuba virtuoso William Roper and drummer Alex Cline, delivering five dynamic improvisations with remarkable direction.
Brennan, Patricia Septet (Irabagon / Shim / O'Farrill / Gilmore / Herrera / Cass)
Breaking Stretch
(Pyroclastic Records)
For her third album as a leader, NY vibraphonist and composer Patricia Brennan expands her band to a septet with bassist Kim Cass, drummer Marcus Gilmore, percussionist Mauricio Herrera, saxophonists Jon Irabagon and Mark Shim and trumpeter Adam O'Farrill also on electronics, for an exciting, widely embracing and fully modern album of compelling modern jazz, bound to be a 2024 top 10!
Levin, Daniel / Fala Mariam / Sei Miguel
Panorama
(ezz-thetics by Hat Hut Records Ltd)
Performing in the liminal space between free improv, jazz & chamber-oriented improvisation, the trio of American cellist Daniel Levin with long-time Portuguese collaborators Sei Miguel on pocket trumpet and Fala Mariam on alto trombone, come together for these authoritative recordings in Lisbon, captured in the studio and at a live performance of solos & duos at Galeria Ze dos Bois.
Ayler, Albert with Don Cherry
1964 Recordings First Visit Completed [2 CDs + POSTCARDS]
(ezz-thetics by Hat Hut Records Ltd)
Four sets of recordings from September, 1964 in Copenhagen, Denmark from a week performing live at Club Montmarte, and a recording in Hilversum, The Netherlands for VARA Radio, collecting and remastering these vital recordings from tenor saxophonist Albert Ayler's most vital free jazz quartet with Don Cherry on cornet, Gary Peacock on double bass and Sunny Murray on drums.
London, Frank
Brass Conspiracy
(Tzadik)
A diverse, upbeat and embraceable album of brass-heavy jazz from New York trumpeter Frank London's ensemble, from funky rhythms to material that would be at home in Miles Davis' Birth of the Cool, flavored with London's Klezmatics background and performed with three percussionists, taking a wide view on the role of brass, particularly trumpet, trombone & tuba, in the history of jazz music.
Ackley / Chen / Centazzo / DeGruttola / Kaiser / Manring
Two Views Of Steve Lacys The Wire
(Don Giovanni Records)
Saxophonist Bruce Ackley, percussionist Andrea Centazzo, pianist Tania Chen, cellist Danielle DeGruttola, and bassists Henry Kaiser and Michael Manring present a tribute to soprano saxophonist & composer Steve Lacy's 1977 album The Wire, replicating the instrumentation of that album but electrifying the bass, as they reflect twice on Lacy's incredible contribution to creative jazz.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC