The Squid's Ear Magazine


Simulacrum: Mimesis (Evil Clown)

Expanding on their 2023 Homunculus, the Boston-based collective ensemble Simulacrum with a core of David Peck on reeds, percussion, keys and direction, Eric Woods on analog synth and Bob Moores on space trumpet & guitar are expanded with Cecil Taylor bassist Albey OnBass, synthesist Eric Zinman, reedist Michael Caglianone and drummer Michael Knoblach.
 

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Personnel:



David Peck (PEK)-clarinet, contralto and contrabass clarinets, sopranino, alto, tenor and bass saxophones, tarota, alto flute, 5 hole wooden flute, melodica, [d]ronin, 17 string bass, theremin with moogerfooger, korg ms20, arp odyssey, novation peak, moog subsequent, syntrx, Linnstrument controllers, spring and chime rod boxes, Tibetan bowls, chimes, brontosaurus bell, gongs, plate gong, temple blocks, log drums, cow bells, danmo, Englephone, wood and temple blocks, xylophone, balafon, almglocken, game calls, soma pipe, orchestral chimes, orchestral anvils

Michael Caglianone-soprano saxophone, alto saxophone, tenor saxophone, clarinet, flute, spring and chime rod boxes, novation peak, moog subsequent, Linnstrument controllers, xylophone, balafon, almglocken

Bob Moores-electric guitar, electric trumpet, arp odyssey, mini moog anddrone apps on iPad, electric kalimba, effects, novation peak, moog subsequent, Linnstrument controllers

Eric Zinman-Nord Stage 3, synthesizer

Albey onBass-fretless bass, xylophone, balafon, gong, Tibetan bowls

Michael Knoblach-drums, gongs, log drums, wood blocks, temple blocks, danmo

Joel Simches-live to 2 track mix, real time signal processing


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Label: Evil Clown
Catalog ID: 9338
Squidco Product Code: 33969

Format: CDR
Condition: New
Released: 2023
Country: USA
Packaging: Digipack
Recorded at Evil Clown Headquarters, in Waltham Massachusetts, on May 18th, 2023.

Descriptions, Reviews, &c.

"Homunculus, the first 2023 set by Simulacrum (in the newly refurbished Evil Clown Headquarters studio), was a quintet with PEK and Michael Caglianone on woodwinds, Bob Moores on space trumpet, guitar and electronics, Eric Zinman on synthesizers, and Albey onBass on bass. This was originally set to be a repeat of that lineup, but Albey mentioned that he wanted to bring a new drummer... Albey is such a heavyweight that I'm always ready to welcome his recommendations, so I decided to do this session with drum set, a first for Simulacrum where the emphasis is generally on electronics. Also, the lineup is a strict parallel to the Metal Chaos Ensemble line up with Eric Zinman subbing for Eric Woods, Albey subbing for Mike Gruen and the new drummer (Rory) subbing for Steve Niemitz. Three of the band are Metal Chaos Ensemble regulars - PEK, Michael Caglianone, and Bob Moores. It is interesting to see how much the music changes when half of the band is present and the same instrumental rolesfor the other half are filled by different musicians.

Anyway, I was looking forward to the set with these players, but when I sent out my regular two days prior email to the musicians and crew, it turned out that Rory was not available after all. I sent out a sub request email to a few of the drummers in the roster and Michael Knoblach was good to go. Michael has been on a lot of Evil Clown records (mostly Expanse and Leap of Faith) since we first met in the year before the just before the pandemic and started the Expanse project. Ordinarily these days, Michael plays a very unusual selection of percussion instruments from a seated position on the floor, but he did a great job subbing on drum set for Steve Niemitz on Metal Chaos Ensemble - Time Tripping recorded last September.

So, the set went really well with a rhythm section, and the electronic elements really still played a very prominent role with Bob and Eric's electronic sounds supplemented by PEK and Michael Caglianone playing the synthesizers and electronic instruments in the Evil Clown Arsenal in addition to their primary woodwind instruments. Everyone also did some doubling on the percussion instruments... All in all, an excellent example of the broad palette concept of constantly shifting instrumentation which helps the development of the work to organically move through many sonorities."-David Peck, from the liner notes


Artist Biographies

"PEK (aka David Peck) is a multi-instrument improviser who plays all kinds of instruments including saxophones, clarinets, double reeds, percussion, electronics and auxiliary sound making devices of all kinds.

PEK was born in 1964 and started playing clarinet and piano in elementary school. In 7th grade he started saxophones, first on alto, then switching to tenor in high school. He spent 10 years playing in rock bands and studying classical and jazz saxophone with Kurt Heisig in the San Jose CA area before moving to Boston in 1989 to attend Berklee where he studied performance with George Garzone. While Berklee was an excellent place to study harmony, voice training and other important aspects of a conventional formal music training course of study, it was not a very good environment for learning contemporary (or pure) improvisation (apart from his work with George). PEK did find, however, that Boston had a thriving improvisation scene, and it was here that he developed his mature pure improvisation language.

During the 90s, PEK performed with many notable improvisers including Masashi Harada, Glynis Lomon, William Parker, Laurence Cooke, Eric Zinman, Glenn Spearman, Raqib Hassan, Charlie Kohlhase, Steve Norton, Keith Hedger, Mark McGrain, Sydney Smart, Matt Samolis, Martha Ritchey, Larry Roland, Dennis Warren, Yuri Zbitnov, Craig Schildhauer, Keith Fullerton Whitman, Leslie Ross, Rob Bethel, Wayne Rogers, Eric Rosenthal, Taylor Ho Bynum, Tatsuya Nakatani, James Coleman, B'hob Rainey and George Garzone.

PEK met cellist Glynis Lomon when they played together in the Masashi Harada Sextet which existed between 1990 and 1992. They developed a deep musical connection which they continued following the MHS; first with the Leaping Water Trio for a few years and then with the first version of Leap of Faith in 1994. Leap of Faith was very active in Boston from that time until 2001 and went through a series of several core ensembles which always included both PEK and Glynis. Other key Leap of Faith core members during this period were Mark McGrain (trombone), Craig Schildhauer (double bass), Sydney Smart (drums), Yuri Zbitnov (drums) and James Coleman (theremin). Leap of Faith was always a very modular unit with constantly shifting personnel and many different guests. The early Leap of Faith period concluded in 2001 with a dual bill at an excellent room at MIT called Killian Hall with George Garzone's seminal trio the Fringe.

At this time, PEK changed careers for his day gig, returning to college for a computer science degree and beginning to work in the structural engineering industry at Simpson Gumpertz & Heger. He became far too busy to continue the heavy music schedule, and preferring not to do music casually, he entered a long musically dormant period.

Flash forward to early 2014. PEK was a regular mail order customer of Downtown Music Gallery, the premiere specialty shop in Manhattan for free jazz, contemporary classical and other new music. While in New York on SGH business, he went down to DMG and had a lengthy conversation with proprietor Bruce Lee Gallanter about the early Leap of Faith period. He then sent Bruce a package of about 15 CD titles from the 90s and was pleasantly surprised when Bruce managed to sell nearly all of it. This public interest in the old catalog spurred PEK into getting back into performance. He reformed Leap of Faith with Glynis Lomon (cello, voice, aquasonic), Yuri Zbitnov (drums) and newcomer Steve Norton (clarinets and saxophones) and started to record and perform in early 2015.

Now having access to financial resources always absent in the early period, PEK began to accumulate a huge collection of instruments both for himself and also to expand the palate of Leap of Faith and the other projects soon to follow. He acquired new recording equipment and many new saxophones, clarinets, double reeds, metal and wooden percussion instruments, electronic instruments, signal processing equipment and other sound-making devices from many cultures. He revived his old record label, Evil Clown, and created reissues and new releases for much of the early period work by Leap of Faith and many of his other projects to sell at shows, DMG and the internet (around 100 archival titles).

The Arsenal of equipment has a grand purpose: To establish a large scale aesthetic problem to use the instruments to make long form broad palate improvisations with dramatic transformation and development. The very broad palate enables the long improvisations to evolve with very different movements and pronounced development over their length. PEK started the Leap of Faith Orchestra, a greatly expanded Leap of Faith, to achieve this purpose along with a number of smaller ensembles which are sub-units of the full orchestra including String Theory (focusing on orchestral strings), Metal Chaos Ensemble (focusing on metallic percussion), Turbulence (horn players), Mekaniks (electronics) and Chicxulub (space rock). In all, the Evil Clown roster includes over 40 musicians who contribute to one or more of the various projects, with PEK participating in all of them. Leap of Faith has also had some special guests like Steve Swell (trombone), Thomas Heberer (trumpet), Jeremiah Cymerman (clarinet) and Jim Hobbs (alto sax). The Leap of Faith Orchestra happens whenever several of these groups play together at the same time, or the ensemble exceeds 7 or 8 players. The Full Orchestra is a special case discussed below.

The current roster is comprised in part of: - Core Leap of Faith: PEK, Glynis Lomon, Yuri Zbitnov (Steve Norton has since left to go to Graduate School) - Percussion: Andria Nicodemou (vibes), Kevin Dacey (perc), Joe Hartigan (perc), Syd Smart (drums) - Strings: Jane Wang (cello), Clara Kebabian (violin), Tony Leva (bass), Mimi Rabson (violin), Kirsten Lamb (bass), Brendan Higgins (bass), Silvain Castellano (bass), Rob Bethel (cello), Kit Demos (bass), Matt Scutchfield (violin), Helen Sherrah-Davies (violin) - Piano: Eric Zinman, Peter Cassino, Emilio Gonzales - Horns: Dave Harris (tuba, trombone), Charlie Kohlhase (saxes), Bob Moores (trumpet), Sara Honeywell (trombone), Forbes Graham (trumpet), John Baylies (tuba), Dan O'Brien (woodwinds), Zack Bartolomei (woodwinds), Kat Dobbins (trombone), Steve Provizer (trumpet, baritone horn), Matt Samolis (flute) - Electronics: Greg Grinnell, Jason Adams (electric bass, electronics) - Guitar: Dru Wesely, Grant Beale, Chris Florio - Voice: Dei Xhrist

Evil Clown is documenting the ongoing solutions to this aesthetic challenge by creating limited CD editions and digital download albums of every performance and studio session by this array of ensembles. Interested audience can track the development of the grand scale project over the many releases - over 80 albums recorded and released so far between Jan of 2015 and March of 2017. All of the bands are highly modular, changing personnel and instrumentation with each meeting. The result is an enormous amount of music that shares the same fundamental improvisational language but differs from event to event greatly both in sonority (overall sound) and specific detail.

For the full Leap of Faith Orchestra, PEK composes a graphic notation score to guide the improvisation. The full Orchestra is comprised of roughly 20 players from the roster and performs twice a year. Two performances have occurred to date - The Expanding Universe in June of 2016 and Supernovae in November of 2016. Composition for Possible Universes is completed and the work will be performed on May 28, 2017 with another performance (score not yet begun) scheduled for November.

The scores use a device called Frame Notation where written English descriptions of the overall sonority desired and simple graphic symbols are given durations for each player on their part along with direction on when to play and when not to play. The directions are put in little boxes called frames which are arranged on a timeline and are simple enough to be immediately understood by the performers. Horizontal lines, called Duration Bars, extend across the page indicating when each Event (the Frame + the Duration Bar) begins and ends. An Event can be intended for the full ensemble, a defined group within the ensemble (for example, Metal Chaos Ensemble), a custom group (for example, Tubas), or an individual (for example, Andria Feature).

Parts are the full score annotated with Hiliters so that each player's instructions stand out. They can clearly see their individual instructions, but can also see the big picture, enabling far more knowledge about the pending actions of the rest of the ensemble than typical in pure improvisation. The players track the elapsed time on a very large sports clock. There is no melodic, harmonic or rhythmic information specified. This system allows PEK to compose detailed Ensemble Events without having to notate pitches or rhythms which would require significant rehearsal to accurately achieve."

-All About Jazz (https://musicians.allaboutjazz.com/pek)
7/10/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Michael Anthony Caglianone is an American sax player, producer, recording, mixing & mastering engineer, voice-over actor, co-founder of Studio 7A West. Based out of Boston, MA. He is known for the band Zen Bastards.

-Discogs (https://www.discogs.com/artist/378779-Michael-Caglianone)
7/10/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Bob Moores Having spent most of his life flying under the radar working on obscure projects that may some day come to the light of day, trumpeter/guitarist/composer/improviser/artist/photographer/poet/conceptualist Bob Moores has finally started to emerge into the light playing in the free improvisation collective Fable Grazer and through his solo project Resonator.

Having played every kind of music imaginable on trumpet in every kind of setting from classical to funk to blues to R&B to pop punk and metal to jazz, in small and large ensembles, Bob has settled on playing only freely improvised music at this stage of his evolution, both in group situations and as a solo artist. Moores is an exponent of what he calls unschooled primitive coloristic guitar having started to play in earnest with Fable Grazer.

He has been composing music since he was a child and composes and arranges for a variety of ensembles types, instrumentations and genres."

-Evil Clown Website (http://www.giantevilclown.com/bio-bob-moores.html)
7/10/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Eric Zinman was born and educated in Boston, MA . He studied music/composition with Bill Dixon at Bennington College and later George Russell and Jimmy Giuffre at New England Conservatory. He formed a piano trio with percussionist Laurence Cook, bassist Craig Schildhauer and later bassists John Voigt and Jacob William. For years, he has been an active producer, performer and organizer and composer and arranger of ensembles in Boston including Citizen's Orchestra with Stanley Jason Zappa and the ensemble New Language Collaborative with Syd Smart, drums and Glynis Lomon, cello. Turning away from the music scene he worked in theatre, with poets and with painter Linda Clave. Mr. Zinman has collaborated with artist, Aldo Tambellini in presenting performances which used Tambellini's films, videos and poetry read with poet singer actress Lo Galluccio. In 2006, he began to play and gain recognition in Europe in collaboration with Austrian based musician/artist Mario Rechtern, and a trio with French bassist Benjamin Duboc and percussionist Didier Lasserre and later Makoto Sato with bassist Yoram Rosillio He has performed in 6 different countries and has been reviewed in 5 different languages. Since 2005 musician/composer Eric Zinman has been recorded and produced on Cadence(US), Ayler, (France) Studio234(USA), Improvising Beings(France. ) and"Nottwo Records(Poland). He is listed in the 19th edition Penguin Guide To Jazz Recordings."

-Evil Clown Website (http://www.giantevilclown.com/bio-eric-zinman.html)
7/10/2024

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Albey Balgochian performs on bass, who has performed with Cecil Taylor, Paul Rishell and has led his own band.

-Albey onBass Website (http://www.albeybalgochian.com/index.html)
7/10/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Michael Knoblach Percussion---Knoblach has played with Ad Frank, Twitcher, Reg Bloor (from Glenn Branca Ensemble), Cul de Sac, John Fahey, Jon LaMaster's Saturnalia, Neovoxer Ensemble, The Boston Village Gamelan, Kiniwe African Percussion Ensemble, Donald "the junkman" Knaack (ex-John Cage), The Calypso Invaders, The Valhalla Kittens, Emily Grogan, Ted Drozdowski's The Scissormen, The Trojan Ponies, Ken Lovelett, John Amaral, Tim Mungenast, Bill T. Miller and others. He played the New Year's Countdown in Copley Square for Boston, MA for a number of years. He has done soundtrack work for the Troma Films release "Terror Firmer." Michael has had extensive studies in Arabic hand drumming and classical Egyptian tambourine, as well as having studied tabla and North Indian classical music with Ali Akbar Khan and Swapan Chaudhuri. He studied drum set with Gene Piccolo (ex-Jack McDuff, ex-Woody Herman, ex-Glenn Miller Band and Piccolo was a long time student of Ed Thigpen (Oscar Peterson Trio, more...) and Shelly Manne (Stan Kenton, more...)). He is currently playing percussion with Dahlman & Nugent in the band Auddity and is playing washboard and old timey percussion with banjo/fiddle player Nicholas Bogosian, as well as other projects."

-Touhey Gallery (http://www.touhey.com/upcoming.html)
7/10/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joel Simches: A multi-instrumentalist born 10/18/65, Joel Simches has been an active member of the Boston music scene for 35 years, played in well over 40 bands, traveling the world as a musician, audio engineer, tour manager and record producer. He has worked with a diverse array of bands including Walter Sickert & the Army of Broken Toys, DeVotchKa, Bang Camaro, Dresden Dolls and Big Dipper, to name a few. He has also written for The Noise and Boston Soundcheck Magazine. Currently a staff engineer at Watch City Studios, Joel also plays in Count Zero, Joe Turner and the Seven Levels, Butterscott, Nisi Period, Didactics, Curious Ritual and is executive producer/talent booker of On The Town with Mikey Dee on WMFO."

-Evil Clown (http://www.giantevilclown.com/bio-joel-simches.html)
7/10/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Mimesis 01:10:30

2. Representations 04:55

Related Categories of Interest:


Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Septet recordings
Boston Area Improvisers
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
Evil Clown.


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