"Omri Ziegele: Born 1959 in Israel.

Studied in Boston and London with Bob Mover, Clifford Jordan and Chris Biscoe. Since 1980 professional musician; Concerts and international tours; Many projects and bands. 1983 Co-Founding Theater Circus Federlos Since 1996 Billiger Bauer with regular appearances in WIM Zürich. Duo with Irène Schweizer, Where's Africa Trio (with Irène Schweizer and Makaya Ntshoko) Schweizer Holz Trio with Urs Leimgruber and Hans Koch, Trio Noisy Minority, Brotherhood, duo with Yves Theiler, collaborations with the dancer / performer Dorothea Rust; Quartet with Israeli singer Efrat Alony. Various festival performances, tours at home and abroad. Some cultural prizes. Has created a platform for Zurich musicians with OHR. Co-initiator and program designer of the Zurich Jazz Festival "unerhört". Since 2014 he has been active as program designer of "OHR im Neumarkt" and "Jazz im Miller's".

Omri Ziegele sees himself as an improviser and composer, and free-rapper. And also as a cultural-political actor / activist, who is continually trying to keep things and states new facets, which make the present more colorful and lively. Today he is engaged in different contexts, composes for various formations and loves the improvisation in the most varied formations. On the alto saxophone he has found an unmistakable language of his own. Actually he is performing with the Trio Ziegele-Theiler-Hemingway, a double duo project (Ziegele-Theiler & Morgenthaler-Röllin), Tomorrow Trio with bassist Christian Weber and the Dutch drummer Han Bennink and a recently founded Trio with London musicians John Edwards and Mark Sanders. Regular concerts in Zurich with Where's Africa (with Yves Theiler & Dario Sisera)."

Christian Weber: Doublebass, composition, electronics. Born in Zürich/Switzerland

1990 discovery of the Doublebass
1993-96 studies at the University of Music and Dramatic Arts Graz
1995-98 studies at the Bruckner Conservatory Linz with Adelhard Roidinger
1998 studies with Ernst Weissensteiner, Vienna
2000-06 operative and artistic management of the WIM Zürich
2000- music for film & theater, soundinstallations
2001 grant from the city of Zürich; composition commissioned by ProHelvetia
2003 Zürich culture award (Werkjahr)
2004- extensive touring all over the world
2007-13 guest lecturer at the University of Berne
2013- lecturer at the University of Lucerne



regular appearances

Sudden Infant, ensemble für neue musik zürich, Christy Doran's Bunter Hund, Die Welttraumforscher


festivals
Druga Godba (Ljubliana), Jazzfestival Zagreb, Jazz Meeting TelAviv, Jazz-Meeting Jerusalem, Jazzfest Wiesen, Hörgänge Wien, Jazzfestival Schaffhausen, AMR Festival (Geneva), Ice On Fire (Kuwait), Festival de Jazz Grenoble, Jazzfest Wien, unerhört!, Ulrichsberger Kaleidophon, Uncool Poschiavo, Jazzfestival Mulhouse, Wien Modern, Moers Festival, LEM (Barcelona), Jazzherbst Konstanz, Taktlos, Vision Festival (NYC), FIMAV (Victoriaville), Konfrontationen Nickelsdorf, Umbrella Festvial Chicago, Jazzfestival Willisau, Jazzfestival Belgrade, Fri Resonans Trondheim...


toured in
Switzerland, Austria, Germany, England, Ireland, Poland, Israel, China, Taiwan, Belgium, Italy, Slovenia, Kuwait, Croatia, Czech Republic, The Netherlands, Serbia, Spain, Japan, Russia, USA, Canada...


works/worked with
Lina Allemano, Bruno Amstad, Tim Barnes, Johannes Bauer, Ludwig Bekic, Han Bennink, Claudia Ulla Binder, Jeb Bishop, Andres Bosshard, John Butcher, Antoine Chessex, Gene Coleman, Collegium Novum, Lol Coxhill, Chris Dahlgren, Tim Daisy, Jacques Demierre, Bertrand Denzler, Robert Dick, Roberto Domeniconi, Michel Doneda, Christy Doran, Paul Dunmall, Markus Eichenberger, Ellery Eskelin, Peter Evans, Kai Fagaschinski, Pierre Favre, Peter K Frey, Charles Gayle, Gegenklang, Michael Griener, Andy Guhl, Uli Gumpert, Boris Hauf, Franz Hautzinger, Stefan Heckel, Gerry Hemingway, Gerhard Herrmann, Charlotte Hug, Ben Jeger, Russ Johnson, Jason Kahn, Vera Kappeler, Mazen Kerbaj, Hans Koch, Ritsche Koch, Jonas Kocher, Tomas Korber, Peter Kowald, Jesse Kudler, Joachim Kühn, Oliver Lake, Joke Lanz, Urs Leimgruber, Tony Levin, Werner Lüdi, Paul Lytton, Rudi Mahall, Phil Minton, Norbert Möslang, Michael Moser, Jon Mueller, Günter Müller, Simon Nabatov, Lucas Niggli, Noid, Evan Parker, Dave Phillips, Simon Picard, Wolfgang Puschnig, Christian Reiner, Wolfgang Reisinger, Paul Rogers, Roger Rotor, Olaf Rupp, Jorge Sanchez-Chiong, Julian Sartorius, Eric Schaefer, Philip Schaufelberger, Matthias Schubert, Willem Schulz, Irène Schweizer, Christine Sehnaoui, Sharif Sehnaoui, Elliott Sharp, Martin Siewert, Markus Stauss, Steamboat Switzerland, Michael Jefry Stevens, Co Streiff, Michael Thieke, Dieter Ulrich, Tom Varner, Colin Vallon, Walter & Sabrina, Matthew Welch, Chris Wiesendanger, Bo Wiget, Michel Wintsch, Stephan Wittwer, Nils Wogram, Christian Wolfarth, Michael Wollny, Nate Wooley, Katsura Yamauchi, Raed Yassin, Otomo Yoshihide, Michael Zerang, Matthias Ziegler, Alfred Zimmerlin, Philip Zoubek...

"Drummer and multi-instrumentalist Han Bennink was born in Zaandam near Amsterdam in 1942. His first percussion instrument was a kitchen chair. Later his father, an orchestra percussionist, supplied him with a more conventional outfit, but Han never lost his taste for coaxing sounds from unlikely objects he finds backstage at concerts. He is still very fond of playing chairs.

In Holland in the 1960s, Bennink was quickly recognized as an uncommonly versatile drummer. As a hard swinger in the tradition of his hero Kenny Clarke, he accompanied touring American jazz stars, including Sonny Rollins, Ben Webster, Wes Montgomery, Johnny Griffin, Eric Dolphy and Dexter Gordon. He is heard with Gordon on the 1969 album "Live at Amsterdam Paradiso" (on the Affinity label) and with Dolphy on 1964s "Last Date" (PolyGram). At the same time, Bennink participated in the creation of a European improvised music which began to evolve a new identity, apart from its jazz roots. With fellow Dutch pioneers, pianist Misha Mengelberg and saxophonist Willem Breuker, he founded the musicians collective Instant Composers Pool in 1967. Bennink anchored various bands led by Mengelberg or Breuker, and appeared in their comic music-theater productions.

Bennink attended art school in the 1960s, and is also a successful visual artist in several media, often constructing sculpture from found objects, which may include broken drum heads and sticks. He has designed the covers for many LPs and CDs on which he appears. Bennink is represented by Amsterdam's Galerie Espace, and has been the subject of several one-man shows, including one at the Gemeente Museum in the Hague in 1995.

In 1966, Bennink played the US's Newport Jazz Festival with the Mengelberg quartet. From the late 1960s through the '70s Bennink collaborated frequently with Danish, German, English and Belgian musicians, notably saxophonists John Tchicai and Peter Broetzmann, guitarist Derek Bailey and pianist Fred van Hove. Bennink, Broetzmann and van Hove had a longstanding trio well documented on FMP Records. There Bennink also showcased his talents on clarinet, trombone, soprano saxophone and many other instruments, also featured in a series of solo albums he began in 1971.

Bennink's many recordings from the 1980s include sessions with Mengelberg's ICP Orchestra (where he remains), South African bassist Harry Miller, soprano saxophonist Steve Lacy, trombonists Roswell Rudd and George Lewis, and big-bandleaders Sean Bergin and Andy Sheppard.

From 1988 to'98 Bennink's main vehicle was Clusone 3, with saxophonist and clarinetist Michael Moore and cellist Ernst Reijseger, a band noted for its free-wheeling mix of swinging jazz standards, wide-open improvising, and tender ballads. Clusone played Europe and North America, West Africa, China, Vietnam and Australia, and recorded five CDs for Gramavision, hat Art and Ramboy.

Nowadays he is frequently heard with tenor saxophonist Tobias Delius's quartet and in a trio with pianist/keyboardist Cor Fuhler and bassist Wilbert de Joode, and he still collaborates occasionally with jazz luminaries such as Johnny Griffin, Von Freeman and Ray Anderson.

A conspicuous feature of Bennink's musical life since the 1960s is the spontaneous duo concert with musicians of many nationalities and musical inclinations; in the '90s he recorded in duo with among others pianists Mengelberg, Irene Schweizer and Myra Melford, guitarist Eugene Chadbourne, trumpeter Dave Douglas and tenor saxophonist Ellery Eskelin.

Since 2008 Han Bennink has his own Han Bennink Trio consisting of Han Bennink, Joachim Badenhorst on clarinet and Simon Toldam on piano."