The Squid's Ear Magazine


Lundbom, Jon & Big Five Chord With Irabagon / Murray / Elliott / Fischer + Kanelos: Quavers! Quavers (Hot Cup Records)

The fourth release from NY guitarist Lundbom's Big Five Chord, wide ranging jazz tunes with two saxes (Irabagon and Murray) in a band with great technical and melodic power!
 

Price: $13.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Jon Lundbom-guitar

Jon Irabagon-alto saxophone, sopranino saxophone

Bryan Murray-tenor saxophone, balto! saxophone

Moppa Elliott-bass

Danny Fischer-drums

Matt Kanelos-keyboards


Click an artist name above to see in-stock items for that artist.




UPC: 884501483988

Label: Hot Cup Records
Catalog ID: Hot Cup 104
Squidco Product Code: 14474

Format: CD
Condition: New
Released: 2011
Country: USA
Packaging: Jewel Tray
Recorded by Gabe Schwartz at Fireplace Studios.

Descriptions, Reviews, &c.

"For their sophomore outing on Hot Cup Records and fourth overall, Brooklyn guitarist Jon Lundbom and Big Five Chord take a skewed look at jazz with rock sensibilities-or should that be the other way round? Lundbom can be hard to pin down: he has been compared to the likes of Derek Bailey and a young John McLaughlin, nearer the latter end of the spectrum on this showing. Along for the ride are alto saxophonist Jon Irabagon and bassist Moppa Elliott, both of Mostly Other People Do The Killing fame, and that connection also gives a clue that the music of Big Five Chord pays heartfelt but ironic regard to tradition, albeit through the lens of the guitarist's idiosyncratic compositions.

Together with Irabagon in the somewhat avant horn section is tenor saxophonist Bryan Murray (of Bryan and the Haggards), whose gruff post-Ayler stylings contrast with his partner's alternating mellifluous and multiphonic trajectories. Much of the set's interest derives from their antics in tandem and apart. Both shine on the jackhammer opener "On Jacation," based around an insistent riff carried by the reeds and guitar, but with each alternately breaking out for dissonant shrieking excursions while the others maintain the momentum and build tension. But almost as if he has lost his nerve, for the final third Lundbom departs from the format, embarking on a slashing distorted guitar solo over a choppier backing.

A similar change in direction occurs on the edgy "Meat Without Feet," starting at a rapid clip with contrasting slow horn lines and a notably skuzzy bleating tenor study from Murray, before slipping into a sedate rubato for the leader's ringing guitar extrapolation. "New Feats of Horsemanship" comes on like a slow burning ballad with a languid throaty tenor exhortation choked with emotion, while Irabagon's piping sopranino graces the choppy "Faith-Based Initiative." But in truth nothing quite matches the excitement of the spring-heeled opening track."-John Sharpe, All About Jazz


Get additional information at All About Jazz

Artist Biographies

"The winner of the 2008 Thelonious Monk Saxophone Competition, Irabagon has since topped both the Rising Star Alto Saxophone and the Rising Star Tenor Saxophone categories in the DownBeat Magazine Critics' Poll and been named one of Time Out New York's 25 New York City Jazz Icons. Jon was also named 2012 Musician of the Year in The New York City Jazz Record and is an integral member of such high-profile ensembles as the Mary Halvorson Quintet, the Dave Douglas Quintet and Barry Altschul's 3Dom Factor, as well as an established bandleader in his own right.

For Perpetual Motion, a project of Moondog arrangements, Jon (along with French saxophonist/clarinetist/composer Sylvain Rifflet) has been awarded a French-American Cultural Exchange grant from the Mid-Atlantic Arts Foundation, with generous funding from the Cultural Services of the French Embassy, Doris Duke Charitable Foundation, Florence Gould Foundation, The Andrew W. Mellon Foundation, Institut Français, Ministère de la Culture et de la Communication, and Société des Auteurs et Compositeurs de Musique ("SACEM"). In addition, Jon has received a 2012 Mabuhay Award by the National Association of Filipino-Americans and a 2014 Philippine Presidential Award.

Jon's own record label, Irabbagast Records, has currently released five of his efforts, including I Don't Hear Nothin' but the Blues Volume 2: Appalachian Haze (with Mike Pride and Mick Barr), Outright! Unhinged (with Ralph Alessi, Jacob Sacks, John Hebert and Tom Rainey) and It Takes All Kinds (featuring Mark Helias and Barry Altschul), and most recently, the dual release of Behind the Sky (featuring Tom Harrell, Luis Perdomo, Yasushi Nakamura and Rudy Royston) as well as Jon's first solo saxophone recording, Inaction is an Action."

-Jon Irabagon Website (http://www.jonirabagon.com/bio/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"A short biography from the artist:

I was born on September 13, 1978, the first son of David and Carolyn Elliott in Scranton, Pa. Incidentally, they named me Matthew Thomas Elliott, not Moppa. My parents are both college instructors and intense music lovers, so I was able to hear a lot of music growing up. After a brief introduction to the piano, I started to play the trombone in the sixth grade, and after deciding a few years later that I wanted to also play an instrument with strings, I was given an electric bass. When I was about 17, I fixed up my father's old acoustic bass in order to audition for a summer program. I then began to study the bass seriously with Pocono resident Tony Marino. In the fall of 1997, I enrolled in both Oberlin College and the Oberlin Conservatory of Music majoring in biology and Jazz bass performance in Oberlin's double-degree program. While there I was able to record my first CD, Pinpoint and to gain some experience playing in Cleveland OH for about 3 years. I was also fortunate enough to teach at the Pennsylvania Governor's School for the Arts for four summers. I finished school in the winter of 2001, and moved to New York City the following summer. Here in New York, I have been able to play and record with some great musicians and to continue teaching at St. Mary's High School."

-Moppa Elliott Website (http://www.moppaelliott.com/who.html)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. On Jacation 9:20

2. The Bravest Little Pilot No. 2 8:17

3. Ears Like A Fox 7:55

4. Meat Without Feet 9:18

5. New Feats Of Horsemanship 8:59

6. Faith-Based Initiative 7:00

Related Categories of Interest:


Improvised Music
Jazz
NY Downtown & Metropolitan Jazz/Improv
Staff Picks & Recommended Items
Melodic and Lyrical Jazz
Sextet Recordings

Search for other titles on the label:
Hot Cup Records.


Recommended & Related Releases:
Other Recommended Releases:
Mostly Other People Do the Killing
Paint
(Hot Cup)
The first release by the piano trio configuration of Mostly Other People Do the Killing features bassist/composer Moppa Elliott, pianist Ron Stabinsky, and drummer Kevin Shea, with each composition named after a small town in Pennsylvania that contains a color, and the town of "Paint, PA" lent its name to the title, with one apt Duke Ellington cover.
Lundbom, Jon & Big Five Chord
Jeremiah
(Hot Cup Records)
Guitarist Lundbom expands his Big Five Chord of Jon Irabagon (sax), Bryan Murray (sax), Moppa Elliott (bass) and Dan Monaghan (drums) to include Sam Kulik on trombone and Justin Wood (sax & flute) for a dynamic album of power jazz named after the prophet Jeremiah.
Fox, Danny
Wide Eyed
(Hot Cup Records)
Pianist Danny Fox's trio with bassist Chris van Voorst van Beest and drummer Max Goldman in an album showing how the tight rapport this touring band has developed on the road, performing Fox's melodic and inventive compositions with a wealth of influences and style.
Mostly Other People Do the Killing
Slippery Rock
(Hot Cup Records)
Claiming to have been inspired by smooth jazz, the 6th MOPDTK album is a remarkable achievement of forward-thinking free jazz with a bizarre sense of humor and an irresistible love of poking fun at form while simultaneously paying homage.



Customers Who Bought This Item Also Bought:
Courvoisier, Sylvie / Mary Halvorson
Crop Circles
(Relative Pitch)
A studio encounter between pianist Sylvie Courvoisier and electric guitarist Mary Halvorson, both using sophisticated techniques giving unique voices to their playing styles, in a set of improvisations that balance playful, subtle, energetic, and emotional playing.
Parker, Evan / Joe Morris / Nate Wooley
Ninth Square
(Clean Feed)
The extraordinary trio of three masterful players from different generations who have broken with convention while playing within free forms--Evan Parker on sax; Joe Morris on guitar; and Nate Wooley on trumpet--performing live at Firehouse 12 in Connecticut, 2014.
Wintsch / Weber / Wolfarth
Willisau
(Hatology)
The improvisational and untraditional piano trio of Michel Wintsch (piano, synthesizers), Christian Weber (bass), and Christian Wolfart (drums) in a fantastic, live performance from Willisau.
Barno, Niklas / Joel Grip / Didier Lasserre
Can't Stop Snusing
(Ayler)
The Snus trio of Niklas Barno (trumpet), Joel Grip (bass) and Didier Lasserre (drums) return for their second album, an addictive mix of free jazz and free improv, subtle to skronking music of great beauty and power.
RED Trio + Nate Wooley
Stem
(Clean Feed)
NY trumpeter Nate Wooley and Portugal's Red Trio (Rodrigo Pinheiro, Hernani Faustino & Gabriel Ferrandini), recorded after their live performance at the 2010 Clean Feed Festival in NYC; powerful and thought-provoking modern improvisation.
Toral, Rafael / Davu Seru
Live in Minneapolis
(Clean Feed)
Rafael Toral's Space Program, post-free jazz electronic music, is made manifest in this duo between the electronicist and drummer Davu Seru, performing live in Minneapolis during Toral's 2011 tour of the US.
Kullhammar / Zetterberg / Aalberg
Basement Sessions Vol.1
(Clean Feed)
Following the traditions of the saxophone trio, tenor & baritone player Jonas Kullhammar releases this studio album of irrepressible compositions performed with bassist Tobjorn Zetterberg and drummer Espen Aalberg.
Mcphee, Joe / Ingebrigt Haker Flaten
Brooklyn DNA
(Clean Feed)
A project about the rich jazz history of Brooklyn, NY, recorded in that burrough by NY saxophonist Joe McPhee & bassist Ingebrigt Haker Flaten, referencing Putnam Central, The Blue Coronet, Sonny Rollins, and Brooklyn itself.
Gonzalez, Dennis Yells at Eels
Resurrection and Life
(Ayler)
Named for the miraculous recovery of drummer and AACM founder Alvin Fielder, who travelled to Dallas in 2010 to record with trumpeter Gonzalez and his sons bassist Aaron and vibraphonist Stefan, with Gaika James on trombone.
Bica, Carlos & Azul
Things About
(Clean Feed)
Double bassist and composer Carlos Bica's Azul with guitarist Frank Mobus and drummer Jim Black in their 5th album, bringing jazz and elements of rock together into a lyrical and alluring set of recordings.
Hauf Sextet, Boris
Next Delusion
(Clean Feed)
Berlin-based saxophonist Boris Hauf's sextet with Keefe Jackson (sax), Jason Stein (bass clarinet), Frank Rosaly (drums), Steve Hess (drums & electronics) and Michael Hartman (drums) in 4 extended pieces of boiling intensity.
Baloni (Badenhorst / Loriot / Niggenkemper)
Fremdenzimmer
(Clean Feed)
The debut album from the NY based Baloni trio, blending chamber techniques with a unique approach to improvisation, as performed by bassist Pascal Niggenkemper, violist Frantz Loriot, and multi-reedist Joachim Badenhorst.
Ames Room, The
Bird Dies
(Clean Feed)
Bringing the lineage of saxophone trios into the 21st century, saxophonist Jean-Luc Guionnet, bassist Clayton Thomas and drummer Will Guthrie performed this extended recording live in Lille, France.
Ducret, Marc
Tower, vol. 2
(Ayler)
The 2nd volume of guitarist Ducret's Tower project, an incredible quartet with saxophonist Tim Berne, violinist Dominique Pifarly and drummer Tom Rainey, complex and exultant, intertwining improv.
Fields, Scott Multiple Joyce Orchestra
Moersbow Ozzo
(Clean Feed)
A live concert of Fields' Quite Large Orchestra (aka Multiple Joyce Orchestra) with Frank Gratkowski, Christina Fuchs, Thomas Lehn, Carl Hubsch, &c. &c. performing modular compositions for improvising chamber group, plus an homage to Merzbow.
Lopes, Luis
Lisbon Berlin Trio
(Clean Feed)
Genre-crossing improvisation with a jazz basis and far-reaching influences from guitarist Luis Lopez and his Berlin Trio of bassist Robert Landfermann and drummer Christian Lillinger.
Davis, Kris
Aeriol Piano
(Clean Feed)
The debut solo CD from in-demand pianist Kris Davis (Paradoxical Frog, Novela, Good Citizen, Anti-House), an absorbing and innovative album of original numbers and standards played inside and out of the piano.
Savoldelli, Boris
Biocosmopolitan
(MoonJune)
Vocalist Savoldelli in an exquisitely-crafted album of overdubbed vocal work, with help from trumpeter Paolo Fresu and bassist Jimmy Haslip; elaborite harmonies, interlocking rhythms, exultant influences.
Eisenstadt, Harris
September Trio
(Clean Feed)
Drummer Eisenstadt's September trio with pianist Angelica Sanchez and saxophonist Ellery Eskelin in a release of thoughtful, creative, meaningful and lovely music.
EMJO (European Jazz Movement Orchestra)
EMJO Live in Coimbra
(Clean Feed)
A fresh, enthusiastic and very pertinent vision of the big band model from this large orchestra with a diverse and uniquely European spirit, but globally identifiable as excellent jazz.
Fujii, Satoko Orchestra New York
ETO
(Libra)
Satoko Fujii Orchestra New York in a work based on the Chinese zodiac, referred to as "Eto", in a celebration of husband and trumpeter Natsuki Tamura's 60th birthday, and of the 12 animals of the zodiac.
Leandre, Joelle / Phillip Greenlief
That Overt Desire of Object
(Relative Pitch)
Relative Pitch Records debuts with the excellent duo of bassist Joelle Leandre and Bay Area woodwind improviser Phil Greenlief in 11 variations for contrabass and woodwinds.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC