Restoring and remastering the 1979 Atlantic album Mingus at Antibes from bassist & composer Charles Mingus, an extraordinary concert from the 1960 Antibes Jazz Festival with the masterful sextet of Eric Dolphy on alto sax & bass clarinet, Ted Curson on trumpet, Booker Ervin on tenor saxophone, and Dannie Richmond on drums, with Bud Powell or Mingus himself on piano.

Born from a project from the "Jazz in Chur" association where Swiss jazz musicians team up with a musical partner from a country with a different language and cultural region, here between Swiss saxophonist Hans Koch and Lebanese saxophonist Christine Abdelnour, the two recording their half of the duo independently, joined in the studio and split left & right for a stunning and unanticipated collaboration.

Calato, the quartet of Javier Areal Vélez, Jorge Espinal, Agustín Genoud and Pablo Verón based in Buenos Aires, formed in 2010 as an improvisation and experimental composition group exploring music notation and graphic scores in convergence with free improvisation, performing on prepared electric guitars, drums, sampler and amplified voice, here taking on two works by John Cage: Variations I-III, and Four6.

Reissuing and remastering two seminal albums on the Riverside label from pianist and composer Bill Evan's trio with double bassist Scott LaFaro and drummer Paul Motian — Sunday At The Village Vanguard and Waltz for Debby — yielding jazz standards and helping define the modern jazz trio through impressive technical underpinnings and lyrical sophistication.

Reissuing three essential album from trumpeter Bill Dixon's work in the 60's, first his 1962 album with saxophonist Archie Shepp in configurations of trio & quartet; then Dixon's septet album from 1964 in two compositions; and his orchestra album from 1967, showing the evolution of the trumpeter's work, approach to soloing, and his unique sense of orchestration.

Taking what he describes as a road he's never been on, percussionist and improviser Gerry Hemingway turns in an astute album of original songs, Hemingway's voice expressive on work he explains was originally influenced by Dylan, Geeshie Wiley, Lou Reed or Monroe Brothers, the album developed over four years with a cast of collaborators including Ralph Alessi, Earl Howard, Michael Moore, &c.

Taking what he describes as a road he's never been on, percussionist and improviser Gerry Hemingway turns in an astute album of original songs, Hemingway's voice expressive on work he explains was originally influenced by Dylan, Geeshie Wiley, Lou Reed or Monroe Brothers, the album developed over four years with a cast of collaborators including Ralph Alessi, Earl Howard, Michael Moore, &c.

The 3rd Intakt release from NY multi-reedist and composer Chris Speed's Trio with bassist Chris Toridini and drummer Dave King, who is also a part of Speed's other working band The Bad Plus, this new album presenting eight original Speed compositions that, as Speed explains, get to the point of featuring the song, the sophisticated melodies around which this excellent trio pivot.

The other shaded region to their 2022 Penumbra album, keyboardist Stemeseder and drummer Christian Lillinger explore "utopias in sound production" through acoustic and electronic composition, creating evolving melodies and sonic tapestries in performance with Peter Evans on Piccolo trumpet, Russell Hall on bass, DoYeon Kim on Gayageum and Brandon Seabrook on banjo & guitar.

A remarkable feat of remastering, sound restoration and pitch correction from the tapes of this June 1950 radio broadcast at Birdland in NYC, finding the exceptional quintet of jazz pioneers led by alto saxophonist Charlie Parker in superb form, with Fats Navarro on trumpet, Bud Powell on piano, Curley Russell on double bass and Art Blakey on drums.

Three essential concerts remastered, from the legacy of be-bop trailblazers, trumpeter Dizzy Gillespie and alto saxophonist Charlie Parker, with Don Byas, Al Haig piano, Curley Russell, Max Roach & Sidney Catlett at Town Hall 1945; with John Lewis, Al McKibbon & Joe Harris at Carnegie Hall 1947; and with Bud Powell, Tommy Potter & Roy Haynes at Birdland 1951.

Two powerfully intense 1969 free jazz recordings by American ex-patriots, saxophonist Arthur Jones and cornetist Clifford Thornton, recorded days apart in the same studio and released on BYG Records, Jones this reissue's connection with his own trio, and joining Thornton for four uniquely configured sessions that include Archie Shepp, Grachan Moncur III, Dave Burrell, and Sunny Murray.

Following the evolution in form and approach of composer and tenor saxophonist Wayne Shorter from his 1966 Blue Note album Adam's Apple with Hancock, Workman and Chambers (including a pre-Miles "Footprints") to the 1969 Weather Report precursor Super Nova with John McLaughlin, Sonny Sharock, Miroslav Vitous, Chick Corea, and Jack DeJohnette.

Saxophonist Noah Howard's move from New Orleans to New York City brought him into the circle of early 60's free jazz players including Albert Ayler, joining Sun Ra's Arkestra, and performing at Slug's Saloon; this release reissues two ESP albums, his working band's 1966 Quartet album, and the extended and interestingly orchestrated sextet album, At Judson Hall.

Evolving after a gig in 1963, saxophonist John Tchicai and trombonist Roswell Rudd developed the NYAQ from loft sessions, adding the creative drumming of Milford Graves and bassist Lewis Worrell; ESP was so impressed that they recorded their 1st 1965 album with an Amira Baraka recitation on one track; Reggie Workman then took over the bass chair for their subsequent Mohawk album on the Fontana label.

Recalling the For4Ears era of electroacoustic improvisation, the ea-improv trio of Jason Kahn on electronics, Frantz Loriot on viola and Christian Wolfarth on percussion are heard in this extended improvisation recorded in concert at Plattform nicht dokumentierbarer Ereignisse in Atelier Dürrenfeld/Geitel, Köln, Germany, as part of the trio's 2022 European tour.

Remastering and reissuing two tracks--"Summertime" and "C.T"--from saxophonist Albert Ayler's 1964 Fontana album My Name Is Albert Ayler with basssist Nils-Henning Orsted Pedersen, drummer Ronnie Gardiner and pianist Nils Bronsted; and his classic and passionate 1965 ESP Disk release Spiritual Unity with double bassist Gary Peacock and drummer Sunny Murray.

Influenced by and working with John Coltrane, saxophonist and composer Archie Shepp paid tribute to 'Trane with his 1965 Impulse! album Four for Trane, here remastered and joined with tracks from the live album John Coltrane/Archie Shepp: New Thing At Newport, accompanied on each by acclaimed free jazz players including Roswell Rudd, John Tchicai, Reggie Workman, Barre Phillips, Joe Chambers, &c.

Swiss pianist, composer and producer Marie Kruttli, who splits her time between Switzerland and Berlin, steps away from her trio with bassist Lukas Traxel and drummer Jonathan Barber for a sophisticated solo album of original composition and improvisations, in thirteen succinct, emotional and introspectively elegant works.

"Jim" is US drummer & composer Jim Black working in Berlin, and The Shrimps are the trio of bassist Felix Henkelhausen and the two-sax front line of Germans, Asger Nissen on alto and Julius Gawlik on tenor, finding a rapport and common approach to free improv, they formed to perform & record Black's assertive compositions influenced by the tradition of Black American jazz.

Arriving in NY in 1959, saxophonist, flute & bass clarinetist Eric Dolphy joined some of the finest avant jazz players, releasing his 1st album as a leader in 1960--Outward Bound--with Freddie Hubbard, Jaki Byard, George Tucker & Roy Haynes; subsequently tagged as an anti-jazz musician, it would be 4 years before his masterwork Out To Lunch would be released, both albums here reissued & remastered.

Reissuing and remastering two Impulse! albums from saxophonist Ornette Coleman: 1969's Ornette At 12 with Dewey Redman, Charlie Haden and his then 12-year-old son Denardo on drums; 1972's Crisis adding Don Cherry on trumpet; and a lesser-known 1969 EP, Man On The Moon, with electronics from Dr. Emmanuel Ghent and Ed Blackwell on drums.

Singular but not strange improvisational intersections from this Swiss trio of open-minded and masterful musicians--Hans Koch on clarinet, Frantz Loriot on viola and Jonas Kocher on accordion--highly compatible collaborators who have developed a unique language of chamber-oriented free improvisation that experiments at the convergence of compositional and chamber jazz forms.

Two percussionists--vibraphonist Sergio Armaroli and drummer/percussionist Roger Turner-- and two brass players--trombonist Giancarlo Schiaffini and trumpeter Phil Minton, who doubles on voice improvisation--are heard in these studio recordings from Udine, Italy for nine "Dreams" that turn introspective slumber into restless visions through profoundly paced playing.

Between his work with Charlie Parker and before his own personal success, trumpeter Miles Davis joined the influential ensemble of pianist, composer and arranger Tadd Dameron, heard in six large ensemble pieces at New York's Royal Roost in 1949, and then in a quintet at the Paris Festival International De Jazz the same year, in both hearing a unique and confident facet to Miles' playing.

A leading statesman of free jazz drumming, Andrew Cyrille's approach is influenced by both the Blue Note era and the groundbreaking work he participated in with Cecil Taylor or Trio3, still going strongÊand perceptively wise as heard on these eleven succinct studio solo performances, featuring favored percussive instruments adding melodic elements to these solid rhythmic vignettes.

Exploring the trio format of clarinetist Jimmy Giuffre and his groundbreaking drumless trio, clarinetist & saxophonist Jürg Bucher and guitarist Samuel Leipold, both members of the Swiss Jazz Orchestra, joined with double bassist Luca Lo Bianco to perform this set of Leipold compositions, alongside Giuffre's "Afternoon" and "Three Clarinet Pieces I" by Stravinsky.

A series of extraordinary sound painting from the Swiss duo of trumpeter Marco von Orelli and percussionist Sheldon Suter, von Orelli also performing on cornet, prepared slidetrumpet & little bells while Suter works with drums, cymbals, prepared zithers, gong & singing bowls, creating detailed aural environments that evoke bewitching twilight spaces.

In 1966 tenor saxophonist Albert Ayler toured northern Europe with his ensemble of Donald Ayler on trumpet, Michel Samson on violin, William Folwell on double bass & Beaver Harris on drums, a stellar group performing some of Ayler's most substantial compositions, heard in concerts in Rotterdam and Helsinki, and in the soundtrack to a film recorded in Munich.

Swiss vocalist Sarah Buechi leads a new trio with Franz Hellmüller on guitar and Rafael Jerjen on bass, putting a uniquely expressive touch to a mix of original Buechi songs, standards including "I Thought About You" and "Moon River", and traditional song, the intimate and adept playing of Hellmüller and Jerjen enveloping the trio with a warm glow.

Leveraging more than a decade of collaboration, New York saxophonist Tim Berne and pianist Matt Mitchell present an intimate live concert in Montreal at Club Soda, performing mostly Berne compositions and one by Julius Hemphill ("Number 2") in a thoughtful and innately lyrical set of seemingly telepathic dialogs interpreting Berne's intricate and innovative works.

Referencing their influences as Punkt.Vrt.Plastik or the Kris Davis Trio, the uniquely voiced young piano trio of Simon Lucaciu on piano, Florian Muller on double bass and Lukas Heckers on drums formed in 2016 to compose and perform original work, inspired by Christopher Dell's possibilities of differentiation and unusual forms, receiving the Central German Jazz Prize in 2022.

Revisiting and remastering two 1958 albums on the Riverside Label (Monk in Action and Misterioso), then remastered as At The Five Spot on Milestone in 1977, this quartet show a different take on Monk's music through the authoritative playing and interpretations of Monk's music by tenor saxophonist Johnny Griffin, intensified by drummer Roy Haynes and bassist Ahmed Abdul-Malik's solid support.

With masterful technique and remarkable creative drive, the Canadian duo of clarinetist François Houle and Joe Sorbara explore unorthodox sound worlds through microtones, pad percussives, circular breathing to stretch phrasing, Houle taking apart his instrument to affect tone and pitch, and Sorbara using idiosyncratic percussive instruments including "back porch piano guts".

Three albums and three distinct groupings in this essential remaster & reissue of two late 60s and one 70s Impulse! albums from saxophonist and composer Archie Shepp, in configurations of septets and nonets with luminaries of the day performing Shepp's rhythm-centric jazz focused on the Afrocentric experience, drawing on blues and spirituals in free jazz settings.

An astonishingly diverse album of solo piano works performed by pianist and composer Claudio Sanna, performing works from eight Sardinian composers including his own, weaving improvisation, acousmatic & musique concrete elements, turntablism, electronics, inside piano playing, chalk-board writing and more into lyrical and experimental pieces that flow together exquisitely.

Annette Peacock's response to the free-blowing loft scene was to compose using spacious intervals, allowing great harmonic and rhythmic freedom, inspiring pianist Paul Bley and his trio as heard in two unique interpretations of the same pieces from two exceptional working bands: one with bassist & drummer Mark Levinson & Barry Altschul, the other with Gary Peacock & Billy Elgart.

Recorded in the same October 1956 Rudy Van Gelder sessions that are heard on Miles Davis' Cookin' and Steamin' albums, these alternate takes with his quintet of John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on double bass and Philly Joe Jones on drums give us a unique view on the consistency and strength of the famous and foundational hard bop band.

Remastering pianist Andrew Hill's distinct and exemplary albums issued on Blue Note Records in 1965 & 1967: Point of Departure, illustrating Hill's complex and exciting compositions in a front line with Eric Dolphy, Joe Henderson, Kenny Dorham and Tony Williams & Richard Davis; and the percussively rich Compulsion with John Gilmore, Freddie Hubbard, Cecil McBee, & Joe Chambers.

The foundational work of composer and pianist Thelonious Monk is heard in these six remastered studio sessions for Blue Note Records recorded between 1947 to 1952, performing twenty three original compositions in bands from trios to sextets with a who's who of emerging jazz leaders including Art Blakey, Max Roach, Lou Donaldson, Kenny Dorham, and Milt Jackson.

An influence on the next generation of small band and bop players, vibraphonist and Band Leader Lionel Hampton's programs included both crowd-pleasers and sophisticatedly complex sections, heard here in this 1958 studio recording from Stuttgart, Germany while touring Europe, Ghana and Israel with his exceptional band expanded by three German jazz musicians.

Recorded around the time of his most famous records, Song For My Father and The Cape Verdean Blues, lyrical hard bop/Blue Note pianist and composer Horace Silver's band is heard live at The Half Note in NYC and at "The Cork & Bib" on Long Island with his spectacular band including trumpeters Carmell Jones & Woody Shaw and saxophonist Joe Henderson.

39 tracks make up this compelling 3-part solo percussion work from Swiss improviser and composer Christian Wolfarth, using a game approach where some sequences are determined by the roll of a dice for note values, rest and tempo, Wolfarth performing on dead wood, a drum or 39 pine cones, augmented with recordings of stones, water, footsteps, church bells, &c.

Ydivide is Swiss drummer Clemens Kuratle's multi-national quintet with Dee Byrne on alto saxophone, Elliot Galvin on piano & electronics, Chris Guilfoyle on guitar and Lukas Traxel on bass, a dynamic young band performing Kuratle's structured compositions allowing for energetic and enthusiastic soloing amidst collective group work and lyrically introspective moments.

A series of sixteen succinctly expansive, dramatic and moody collective improvisations, evocative music of rich melodic and rhythmic foundation that coax inspired tempests from misty lands and seas, at the intersection of Austrian Hurdy Gurdy master Matthias Loibner and Zurich-based West Kamerun drummer Lucas Niggli; absolutely impressive and beguiling.

Archie Shepp's second album for Impulse! merges the fire of free jazz with an incredibly eclectic set of styles, his inclusive approach to composition integrating a vast source of styles from Ellington to Ipanema; this is paired with Shepp's octet release, including an epic 20 minute work for American artist Robert Thompson reflecting his paintings in powerful thematic and abstract expression.

Culled from two concerts on Norman Granz's Spring 1960 European tour, Miles' seminal 50s band was on the point of dissolution, Coltrane soon to leave to form his own classic quartet, and the distinction between the old and new is evident in Coltrane's expansive and intricate soloing over standards and Kind of Blue material including "So What" or "On Green Dolphin Street".

A tongue-in-cheek album packaged like a Deutsche Grammophon release of a string quartet by fictional composer Frieda Bertelsohn Martholdys (1878-1907), which is instead a superb live ea-improv performance at the 2018 Music Unlimited Festival in Austria by Gaudenz Badrutt (electronics), Kai Fagaschinski (clarinette), Jonas Kocher (accordion) & Christof Kurzmann (electronics).

A seeming contradiction in terms, the unison voices and divergent polyphony that emerges best describes the subtle interactions between these two Swiss reed players--Markus Eichenberger on clarinet and Christoph Gallio (Day & Taxi) on soprano and C-Melody saxophones--their "harmony of coherence" strategies guiding their melodic interlacing and fragmentation.

Combining the two Italian ESP/BASE LPs from 1982 and the 1995 ESP reissues, this spectacular concert with perhaps Ayler's most essential band--Ayler on tenor sax, Donald Ayler on trumpet, Michel Samson on violin, Lewis Worrell on double bass and Ronald Shannon Jackson on drums--is fully remastered to bring out more details from the complete, ecstatic 1966 concert.