Reissuing and re-mixing New York saxophonist Steve Lehman's 2004 album with his previous Camouflage Trio of Mark Dress on double bass and Pheeroan Aklaff on drums, perfoming a stupendous set of original compositions live at Teatro Academica Gil Vicente in Coimbra, Portugal.
Label: Clean Feed
Catalog ID: CF 022LP
Squidco Product Code: 22145
Packaging: Vinyl 2 LPs in a Gatefold Sleeve
Recorded by Pedro Santos on May 7th, 2003 Live at Teatro Académico Gil Vicente, Coimbra, Portugal. Original mixing by Pedro Rego at Xangrilá Studios, Lisbon. Re-mixed by Liberty Ellman, New York. Original mastering by Fernando Rascão. Re-mastered by Luís Delgado. Produced by Steve Lehman.
Steve Lehman-alto saxophone, sopranino saxophone
Mark Dresser-double bass
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1. Structural Fire 15:27
2. Hamlet 5:15
3. Complex C 7:08
4. Huis Clos 4:03
5. Rison 8:03
6. Motion 19:29
7. Interface 13:00
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sample the album:
"When the re-edition of past works of an artist has no immediate commercial justification, the motivations of a particular label and the musician himself can only be one of two: to show from where he came from, in order for the listener to compare recent achievements with old developments, or to give a broad perspective of his path as a flux of equally considered ideas and performative realizations, if that same artist dedicated his life to an unified musical vision.
This last context explains the re-release of Interface, the sold out album recorded live in Coimbra, Portugal, back in 2003, by the now inactive Steve Lehman's Camouflage Trio. At that time, Lehman was far from the spectral jazz researches of Travail, Transformation and Flow, but he was already focused on the principles which brought him to record that masterpiece: to discover in history the premises for the construction of the future, but doing that very much in the "present".
Interface follows a still valid concept - it continues, taking it to other consequences, the formulas for the alto sax-double bass-drums trio debuted by the Ornette Coleman Trio and by a band of his special liking, Air (Henry Threadgill, Fred Hopkins and Steve McCall). The enterprise was brilliantly accomplished, and in such a way that the New York saxophonist and composer wouldn't be able to create something like Dialectic Fluorescent, his trio CD from 2012, without that first earthmoving action with Mark Dresser and Pheeroan akLaff.
Haven't you heard it yet? Well, don't waste more time and get the entire picture..."-Clean Feed Records
• Show Bio for Steve Lehman
"Described as "a state-of-the-art musical thinker" and a "dazzling saxophonist," by The New York Times, Steve Lehman (b. New York City, 1978) is a composer, performer, educator, and scholar who works across a broad spectrum of experimental musical idioms. Lehman's pieces for large orchestra and chamber ensembles have been performed by the International Contemporary Ensemble (ICE), So Percussion, Kammerensemble Neue Musik Berlin, the JACK Quartet, the PRISM Saxophone Quartet, and the Talea Ensemble. His recent recording, Mise en Abîme (Pi, 2014) was called the #1 Jazz Album of the year by NPR Music and The Los Angeles Times. And his previous recording, Travail, Transformation & Flow (Pi, 2009), was chosen as the #1 Jazz Album of the year by The New York Times.
The recipient of a 2015 Guggenheim Fellowship and a 2014 Doris Duke Artist Award, Lehman is an alto saxophonist who has performed and recorded nationally and internationally with his own ensembles and with those led by Anthony Braxton, Vijay Iyer, Jason Moran, Meshell Ndegeocello, and High Priest of Anti-Pop Consortium, among many others. His recent electro-acoustic music has focused on the development of computer-driven models for improvisation, based in the Max/MSP programming environment. Lehman's work has been favorably reviewed in Artforum, Downbeat Magazine, The New York Times, Newsweek, and The Wire, and on National Public Radio, the BBC, and SWR.
As a Fulbright scholar in France during the 2002-2003 academic year, Lehman began researching the reception of African-American experimental composers working in France during the 1970s. His article in the journal Critical Studies in Improvisation, "I Love You with an Asterisk: African-American Experimental Composers and the French Jazz Press, 1970-1980," is based on his Fulbright research. More recently, Lehman has published writings and presented lectures on a wide range of topics, including jazz pedagogy, rhythm cognition, and European notions of American experimentalism. His current scholarship, including a forthcoming contribution to the Oxford Handbook of Spectral Music, examines the overlapping histories of spectral composition and jazz improvisation.
Lehman received his B.A. (2000) and M.A. in Composition (2002) from Wesleyan University where he studied under Anthony Braxton, Jay Hoggard, and Alvin Lucier, while concurrently working with Jackie McLean at the Hartt School of Music. He received his doctorate with distinction in Music Composition from Columbia University (2012), where his principal teachers included Tristan Murail and George Lewis.
Lehman has taught undergraduate courses at Wesleyan University, the Conservatoire National Supérieur de Musique de Paris, New School University, and Columbia University, and has presented lectures at Amherst College, UC Berkeley, The Berklee School of Music, The Banff Centre, The Royal Academy of Music in London, and IRCAM in Paris, where he was a 2011 research fellow.
Beginning in September 2016, Lehman will join the music faculty at The California Institute of the Arts."-Steve Lehman Website (http://www.stevelehman.com/bio)
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• Show Bio for Mark Dresser
Mark Dresser is a Grammy nominated, internationally renowned bass player, improviser, composer, and interdisciplinary collaborator. At the core of his music is an artistic obsession and commitment to expanding the sonic, musical, and expressive possibilities of the contrabass. He has recorded over one hundred thirty CDs including three solo CDs and a DVD. From 1985 to 1994, he was a member of Anthony Braxton's Quartet, which recorded nine CDs and was the subject of Graham Locke's book Forces in Motion (Da Capo). He has also performed and recorded music of Ray Anderson, Jane Ira Bloom, Tim Berne, Anthony Davis, Dave Douglas, Osvaldo Golijov, Gerry Hemingway, Bob Ostertag, Joe Lovano, Roger Reynolds, Henry Threadgill, Dawn Upshaw, John Zorn. Dresser most recent and internationally acclaimed new music for jazz quintet, Nourishments (2013) his latest CD (Clean Feed) marks his re-immersion as a bandleader. Since 2007 he has been deeply involved in telematic music performance and education. He was awarded a 2015 Shifting Foundation Award and 2015 Doris Duke Impact Award. He is Professor of Music at University of California, San Diego.- Website (https://www.mark-dresser.com/bio)
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